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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
CLAIRON
CLARINETTE
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come, Sing a Song of Joy!
Non classifié
153
Piano & claviers
Piano seul
75
Piano Facile
36
Piano, Voix et Guitare
20
Piano, Voix
15
Accompagnement Piano
7
1 Piano, 4 mains
5
Instruments en Do
5
Orgue
5
2 Pianos, 4 mains
2
2 Pianos, 8 mains
1
+ 5 instrumentations
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Guitare notes et tablatures
21
Ukulele
8
Guitare
4
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2
Mandoline
1
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66
Chorale 3 parties
29
Chorale 2 parties
18
Chorale SSAA
8
Chorale TTBB
7
Chorale Unison
6
Voix duo, Piano
1
Voix haute
1
+ 3 instrumentations
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Clarinette et Piano
22
Flûte traversière et Piano
9
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8
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
6
Ensemble de saxophones
6
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Alto
5
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Clarinette (partie séparée)
4
Hautbois (partie séparée)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte traversière
4
2 Flûtes traversières (duo)
3
Ocarina
3
Clarinette
3
Ensemble de Clarinettes
3
Trio de Flûtes: 3 flûtes
3
Saxophone, Clarinette (duo)
3
2 Clarinettes (duo)
2
Saxophone Baryton, Piano
2
3 Clarinettes (trio)
2
Clarinette, Trompette (duo)
2
Ensemble de Flûtes
2
Saxophone Tenor et Piano
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Harmonica
2
Flûte irlandaise
2
Hautbois, Clarinette (duo)
1
Saxophone (partie séparée)
1
Clarinette, Violon (duo)
1
Saxophone Tenor
1
Flûte, Saxophone (duo)
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
Flûte, Violon
1
Flute (partie séparée)
1
Hautbois, Flûte
1
2 Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Quatuor de Flûtes : 4 flûtes
1
3 Saxophones (trio)
1
Clarinette, Basson (duo)
1
Clarinette et Alto
1
Quintette de Clarinettes: 5 clarinettes
1
+ 42 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trombone
4
Trombone et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trombones
3
Trompette
3
Cor
3
Cor et Piano
2
Trompette, Piano
2
Trompette (partie séparée)
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Tuba
2
Tuba et Piano
2
Quatuor de Cuivres
1
Trombone (partie séparée)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
2 Trombones (duo)
1
Cor (partie séparée)
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Alto, Piano
11
Violoncelle
10
Violon et Piano
9
Violoncelle, Piano
8
2 Violons (duo)
7
Violon
6
Harpe
6
Violon, Violoncelle (duo)
5
Alto seul
5
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Ensemble d'Altos
2
Violon (partie séparée)
2
2 Altos (duo)
2
Violon, Alto (duo)
2
Harpe, Voix
2
2 Harpes (duo)
2
Ensemble de Violons
2
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
+ 21 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
58
Orchestre
12
Ensemble de cuivres
10
Orchestre à Cordes
7
Cloches
6
Ensemble Jazz
2
Batterie
1
Percussion (partie séparée)
1
Orchestre de chambre
1
Fanfare
1
Ensemble de Percussions
1
Jazz combo
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CORNET
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Vous avez sélectionné:
Come, Sing a Song of Joy!
Guitare
Partitions à imprimer
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1
The Singing Instrumentalist Guitar
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Guitare
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DÉBUTANT
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DaCapo Primary Music
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The Singing Instrumentalist Gu
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DaCapo Primary Music
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educa...
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Guitar - Level 1 - SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educational Method. 131 pages. DaCapo Primary Music #908466. Published by DaCapo Primary Music (A0.1319904). Welcome to The Singing Guitar which is one of the Singing Instrumentalist series of books written for beginners of all instruments.The book gives a selection of entertaining repertoire and a thorough and complete musical experience from the very beginning.It is presented in four sections, each designed to introduce a particular aspect of music making, whilst taking on board instrumental skills. We invite teachers to use The Singing Guitar as they see fit, mixing and matching sections and songs to give a balanced and enjoyable combination of singing, playing an accompaniment, playing the melody, rhythm work, composition and playing duets.The book enables pupils, teachers and parents to make a successful start with the chosen instrument.When the book has been completed, The Singing Guitarist will have developed a clear understanding of the function of notation, an ear that can hear tuning and two parts and also be able to enjoy more dissonance as well as pure harmony. The Singing Guitarist should be well on the way to becoming a ‘Complete Instrumentalist’, which is, coincidentally, the name of the book that follows this one!Jane Cutler Director of DaCapo MusicYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Bittersweet Symphony
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Guitare
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INTERMÉDIAIRE
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Thomas Mark Harmer Nichols and
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Dan Jones www
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Bittersweet Symphony
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Con...
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Guitar - Level 3 - SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Pop,Rock. 36 pages. DanJonesGuitarist #809981. Published by DanJonesGuitarist (A0.1212661). Bittersweet Symphony - The Verve Arranged for Intermediate Guitar Quartet by Dan Jones www.danjonesguitarist.com This arrangement is suitable for guitarists of an intermediate standard. Your download will provide you with: A full score with the parts shown in notes and TAB A score with just notes (to facilitate page turns for directors) All parts in notes and TAB Parts with just notes. Bittersweet Symphony is a single taken from the 1997 album Urban Hymns.  The song become an iconic anthem of the 1990’s making this an excellent and original concert or encore item.  The repeated motif heard in the track was taken as a sample from an orchestral arrangement of the Rolling Stones classic ‘The Last Time’ by The Andrew Oldham Orchestra. Years of legal wrangling over copyright followed the single’s huge success. In 2019, following the death of their former manager, Keith Richards and Mick Jagger returned all rights of authorship to The Verve. This arrangement gives equal melodic interest to all players. A video of the arrangement will be uploaded before the end of May 2023.  You can find a huge range of solo and chamber music for guitar in all styles at www.danjonesguitarist.com I hope you enjoy performing Bittersweet Symphony as much as I enjoyed arranging it.Â
$7.95
Standard Music Reading for Beginning Guitar
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Guitare
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DÉBUTANT
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Methodes
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Jay Jordan
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Standard Music Reading for Beg
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Pro Creations Music
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SheetMusicPlus
Acoustic Guitar - Level 1 - SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Publ...
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Acoustic Guitar - Level 1 - SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Published by Pro Creations Music (A0.1315011). Beginning guitar courses at the middle school and high school level can be a popular addition to curricula that so often center around performing groups. Such a course, when offered as a general music course, i.e.,a course that has no prerequisite and no public performance component, can be an attractive way for students to complete an arts requirement without an extra-curricular commitment.  At the same time a class like beginning guitar may serve as the only chance a music educator has to introduce the very idea of music to students as both an art form and a language. In todayâ??s on-line world there are countless avenues for learning guitar, be it YouTube videos, dedicated apps, or TAB sites. While the sharing of user-generated transcriptions of popular songs using tablature may be quick and easy, TAB sites do not employ standard music notation (not to mention being rife with mistakes both practical and theoretical). Standard Music Reading for Beginning Guitar was developed as a sequential, practical method for learning the basics of standard music notation using acoustic guitar as a vehicle. It is not meant to replace other methods e.g., the learning of popular songs or a music theory component, but as a companion so that students can learn about music as a language while, hopefully, continuing to enjoy guitar playing for years to come.
$10.00
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Come, Sing a Song of Joy!
