English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come One Come All
Non classifié
2 887
Piano & claviers
Piano seul
570
Piano, Voix
421
Piano, Voix et Guitare
212
Piano Facile
211
Orgue
78
Accompagnement Piano
72
Instruments en Do
66
1 Piano, 4 mains
33
Piano Trio: piano, violon, violoncelle
21
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
3
Orgue, Piano (duo)
2
Accordéon
2
2 Pianos, 8 mains
2
Clavecin
1
Orgue, Trompette (duo)
1
2 Accordéons
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
72
Guitare
53
Ukulele
32
Basse electrique
20
Ligne De Mélodie, (Paroles) et Accords
17
3 Guitares (trio)
12
2 Guitares (duo)
10
Piano, Guitare (duo)
8
Guitare (partie séparée)
6
4 Guitares (Quatuor)
4
Mandoline
4
Dulcimer
3
Banjo
3
Paroles et Accords
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
514
Chorale 2 parties
134
Chorale 3 parties
112
Chorale TTBB
84
Chorale Unison
63
Chorale SSAA
42
Voix Tenor, Piano
21
Voix duo
19
Voix duo, Piano
19
Pack Instrumental pour Chorale
13
Voix Soprano, Piano
13
Voix Alto, Piano
10
Voix seule
8
Voix Baryton, Piano
7
Voix haute
7
Voix Tenor
5
Voix Soprano
5
Voix moyenne, Piano
3
Chorale
2
Voix basse
1
Voix Baryton
1
Chorale SSATB
1
Chorale SSAATTBB
1
Voix basse, Piano
1
+ 19 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
316
2 Saxophones (duo)
277
Quintette de Saxophone: 5 saxophones
225
Saxophone Alto et Piano
169
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Saxophone Tenor et Piano
145
Flûte, Hautbois, Clarinette, Basson
124
Ensemble de saxophones
119
Saxophone Alto
94
Saxophone (partie séparée)
89
Saxophone Soprano et Piano
84
Clarinette et Piano
81
Flûte traversière et Piano
78
Hautbois, Piano (duo)
66
Saxophone Tenor
61
2 Flûtes traversières (duo)
58
Saxophone Baryton, Piano
58
Quatuor de Clarinettes: 4 clarinettes
52
3 Saxophones (trio)
52
2 Clarinettes (duo)
48
Hautbois (partie séparée)
46
Flûte traversière
44
Ensemble de Clarinettes
43
Clarinette
42
Saxophone, Clarinette (duo)
34
2 Flûtes traversières, Piano
27
Flûte, Clarinette (duo)
22
3 Clarinettes (trio)
22
Ensemble de Flûtes
22
Quatuor de Flûtes : 4 flûtes
22
Quintette de Clarinettes: 5 clarinettes
20
Clarinette, Violon (duo)
20
Quintette de Flûte : 5 flûtes
20
Cor anglais, Piano
17
Saxophone Soprano
14
Clarinette, Trompette (duo)
14
Clarinette Basse, Piano
14
Saxophone Baryton
13
2 Hautbois (duo)
12
Flûte, Saxophone (duo)
12
Flûte et Guitare
12
Flûte, Violon
11
Hautbois, Basson (duo)
11
Saxophone
11
Clarinette et Alto
10
Hautbois, Clarinette (duo)
10
Flûte, Trompette (duo)
9
Hautbois, Flûte
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes à bec
8
Flute (partie séparée)
8
Flûte, Violon, Piano
6
Clarinette, Guitare (duo)
6
Ocarina
6
2 Flûte à bec (duo)
6
Clarinette, Basson (duo)
6
Clarinette (partie séparée)
5
Hautbois
5
Clarinette, Trombone (duo)
4
3 Flûtes à bec (trio)
4
Flûte à bec Soprano, Piano
4
Flûte à bec Soprano
4
Saxophone et Guitare
4
Flûte à bec Alto
4
Flûte, Alto (duo)
4
Flûte, Trombone (duo)
3
Flûte à Bec
3
Harmonica
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Cor Anglais
3
Clarinette, Violoncelle (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte irlandaise
3
Cor anglais, Guitare (duo)
2
2 Clarinettes, Piano
2
5 Flûtes à bec
2
Flûte et Trio à cordes
2
Saxophone et Harpe
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle
1
Clarinette, trompette et piano
1
Flûte, Clarinette et Basson
1
Flute, harpe et violon
1
Flûte de Pan
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone, Violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, trombone et piano
1
Clarinette, Harpe (duo)
1
Saxophone, Tuba (duo)
1
Ensemble De Flûte à bec
1
Ensemble à vent
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto, Piano
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violoncelle
1
Clarinette Basse
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Piccolo
1
Piccolo, Piano
1
+ 101 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
400
Trombone et Piano
175
Quatuor de Cuivres : 2 trompettes, trombone, tuba
167
Quatuor de Cuivres
120
Trombone
100
Quatuor de Cuivres: 2 trompettes, Cor, trombone
92
2 Trombones (duo)
71
Trombone (partie séparée)
60
Ensemble de Trompettes
59
Trompette
55
Quatuor de cuivres: 4 trombones
53
Trompette, Piano
51
Cor et Piano
45
Ensemble de Trombones
45
Trompette, Trombone (duo)
34
2 Trompettes (duo)
27
Trompette, Saxophone (duo)
24
Cor
22
Tuba et Piano
22
Trompette (partie séparée)
22
Euphonium, Piano (duo)
18
Cor anglais, Piano
17
Tuba
17
2 Cors (duo)
13
Trio de Cuivres
11
Ensemble de Cors
9
3 Trombones (trio)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Quatuor de cuivres: 4 cors
6
Quatuor de cuivres: 4 trompettes
5
Tuba (partie séparée)
5
2 Euphoniums et 2 Tubas
5
Cor (partie séparée)
5
2 Tubas (duo)
4
Trompette, Trombone, Piano
3
Trombone, Tuba (duo)
3
2 Euphoniums (duo)
3
Trompette, Cor (duo)
3
Cor Anglais
3
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
4 Tubas
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Trombone basse
2
Tuba et Orgue
1
2 Trombones, Piano
1
Trombone basse et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Euphonium (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor, Violoncelle (duo)
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle et Piano
1
Bass Clef Instruments
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Orgue
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Cor, Trompette, Trombone (trio)
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
278
Violon et Piano
128
Quintette à cordes: 2 violons, alto, violoncelle, basse
89
Violon
71
Violoncelle
63
Violoncelle, Piano
62
Alto, Piano
60
Violon, Violoncelle (duo)
57
Trio à Cordes: violon, alto, violoncelle
53
Harpe
41
2 Violons (duo)
40
2 Violoncelles (duo)
37
Alto seul
33
Contre Basse
31
Trio à Cordes: 2 violons, violoncelle
30
Contrebasse, Piano (duo)
22
Violon, Alto (duo)
22
2 Altos (duo)
17
Violon (partie séparée)
15
Ensemble de Violons
15
Ensemble d'Altos
15
Contrebasse (partie séparée)
11
4 Violoncelles
11
Alto (partie séparée)
10
Piano Trio: Violon, Alto, Piano
8
Trio à cordes: 3 altos
7
2 Harpes (duo)
7
Trio à cordes: 3 violins
7
Alto, Violoncelle (duo)
6
Harpe, Voix
6
Violoncelle , Guitare (duo)
5
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
3
Violon, Guitare (duo)
2
Trio à cordes
2
Violoncelle (partie séparée)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Harpe
1
2 Violons, Piano
1
Alto, Guitare (duo)
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Violon, Trompette et Piano
1
Ensemble de Violoncelles
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
699
Orchestre
203
Ensemble de cuivres
128
Orchestre à Cordes
113
Ensemble Jazz
82
Cloches
61
Orchestre de chambre
49
Jazz combo
31
Fanfare
30
Batterie
7
Percussion (partie séparée)
5
Xylophone, Piano
5
Ensemble d'École
5
Xylophone
5
Ensemble de Percussions
4
Batterie (partie séparée)
4
Quintette à Vent
2
Marimba
2
Percussion
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
2 Xylophones
1
Piano et Orchestre
1
+ 19 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
15
Partitions Numériques
53
Librairie Musicale
271
Matériel de Musique
1 072
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Come One Come All
Guitare
Partitions à imprimer
53 partitions trouvées
<
1
26
51
Hark! the Herald Angels Sing / O Come, All Ye Faithful
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitari…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 5 pages. Geofonica Artistworks #904941. Published by Geofonica Artistworks (A0.1316979). This two-song arrangement of Hark! the Herald Angels Sing and O Come, All Ye Faithful is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. These two songs together can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:53 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.76 €
#
Guitare
#
The Candlelight Guitarist
#
Bradley Powell
#
Hark! the Herald Angels Sing / O Come, All Ye Faithful
#
Geofonica Artistworks
#
SheetMusicPlus
Banjo Picking Tunes - Beautiful American Airs & Ballads
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and …
(+)
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy û O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
Song List
: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy û O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
13.82 €
#
Guitare
#
Banjo Picking Tunes - Beautiful American Airs & Ballads
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Winter's Come And Gone
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.820732 Composed by David Rawlings …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.820732 Composed by David Rawlings and Gillian Welch. Arranged by Tomo Kumagai. Contemporary. Individual part. 5 pages. Tomohisa Kumagai #6455187. Published by Tomohisa Kumagai (A0.820732). It is one of my favorite winter song and I arranged this beautiful melodies into fingerstyle guitar music with gallop picking.You can watch the sample video on You Tube. I hope you enjoy this arrangement.
$6.49
5.98 €
#
Guitare
#
David Rawlings and Gillian Welch
#
Tomo Kumagai
#
Winter's Come And Gone
#
Tomohisa Kumagai
#
SheetMusicPlus
One Last Wish
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner.…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
#
Guitare
#
Soundtrack
#
Derek Hasted
#
One Last Wish
#
Derek Hasted
#
SheetMusicPlus
The Walls of Jericho
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1402631 Composed by Traditional. A…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1402631 Composed by Traditional. Arranged by Richard Hirsch. Blues,Jazz,Multicultural,Ragtime,Spiritual,World. Individual part. 8 pages. Richard Hirsch #985855. Published by Richard Hirsch (A0.1402631). I offer an arrangement for solo acoustic guitar of the Spiritual “The Battle of Jericho†in a rendition that takes inspiration from Mississippi Delta Ragtime Blues and Django Reinhardt. The thumb pounds out a steady beat of alternating bases to a swing rhythm with the melody played by alternating middle and index fingers running over the top. There are lots of pull-offs and vibrato-bends in the melody line together with half-tone chord shifts, mutes, and holds (fermatas) that make for a lively and exciting musical rendering of the Old Testament story. However, as opposed to the message of the Old Testament story, I like to think of my arrangement as a message of hope that through music the walls of ignorance separating peoples will “come tumbling downâ€.The arrangement is within reach of advanced intermediate students of nylon or steel string acoustic guitar.
$4.99
4.6 €
#
Guitare
#
Traditional
#
Richard Hirsch
#
The Walls of Jericho
#
Richard Hirsch
#
SheetMusicPlus
Christmas Suite 1225 (Part 1 and 2, complete)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316157 By The Candlelight Guitari…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1316157 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 29 pages. Geofonica Artistworks #904894. Published by Geofonica Artistworks (A0.1316157). Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night.  Christmas Suite 1225 uses fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$6.99
6.44 €
#
Guitare
#
The Candlelight Guitarist
#
Bradley Powell
#
Christmas Suite 1225
#
Geofonica Artistworks
#
SheetMusicPlus
Shallow
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wy…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Individual part. 7 pages. B. McCormick #956465. Published by B. McCormick (A0.1372204). Shallow is a hit song by Lady Gaga and Bradley Cooper from the 2018 musical drama film A Star is Born. The song won several awards, including an Oscar, a Golden Globe, and four Grammys. It is a powerful duet that showcases the vocal talents and emotional connection of the two singers. Lady Gaga is one of the most influential and versatile artists of our time, with a range of genres and styles in her repertoire.This guitar fingerstyle sheet music arrangement of Shallow captures the essence and beauty of the original song, while adding some unique touches and embellishments. It is a higher intermediate level guitar piece that requires some technical skills and expressive playing. The arrangement closely follows the structure of the original song. The performance markings indicate the dynamics, tempo, articulation, and other aspects of how to play the piece. The piece also comes with a performance note that provides more details and tips on how to interpret the arrangement.This sheet music is perfect for guitarists who want to impress their audience with a stunning rendition of this popular song. It can be used as a solo piece or as part of a set list for various occasions. Whether you are a fan of Lady Gaga, A Star is Born, or just love beautiful music, this guitar fingerstyle sheet music arrangement of Shallow will make you feel the emotions and depth of this masterpiece.
$5.99
5.52 €
#
Guitare
#
Lady Gaga
#
Barry McCormick
#
Shallow
#
B. McCormick
#
SheetMusicPlus
Rondalla Aragonesa (Spanish Dance No. 6) Enrique Granados arr. for two classical guitars
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.775478 Composed by Enrique Granado…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.775478 Composed by Enrique Granados (1867-1916). Arranged by John Pinno. 20th Century,Concert. Individual part. 13 pages. John Pinno #5022851. Published by John Pinno (A0.775478). An arrangement by John Pinno for two classical guitars, of Rondella Aragonesa (Spanish Dance #6) by Enrique Granados. The two separate guitar parts each come fully fingered in standard music notation. Note to purchasers of arrangements and/or compositions by John Pinno published on Sheet Music Plus: ~For any comments and/or questions, email to jpinno093@hotmail.com with subject of sheet music plus ~Please also see my other publications on Sheet Music Plus at http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 ~This includes arrangements and/or compositions for solo classical guitar, classical guitar duos and quartets, Christmas arrangements for solo guitar and guitar quartets, classical ensemble arrangements for voice and guitar, flute and guitar, and other combinations, and also works for recorder ensembles.
$14.00
12.91 €
#
Guitare
#
Enrique Granados
#
John Pinno
#
Rondalla Aragonesa
#
John Pinno
#
SheetMusicPlus
Like Someone In Love
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271541 By Bjork. By Bjork Gudmund…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1271541 By Bjork. By Bjork Gudmundsdottir. Arranged by John Fries. 20th Century,Jazz,Standards. Individual part. 2 pages. John Fries #863940. Published by John Fries (A0.1271541). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Like Someone in Love is a popular song composed in 1944 by Jimmy Van Heusen, with lyrics by Johnny Burke. It was written (along with Sleigh Ride in July) for the 1944 film Belle of the Yukon, where it was sung by Dinah Shore. It was a hit for Bing Crosby in March 1945, reaching #15, and has since become a jazz standard.
$4.99
4.6 €
#
Guitare
#
Bjork
#
John Fries
#
Like Someone In Love
#
John Fries
#
SheetMusicPlus
Intavolatura per chitarra e chitarriglia
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. A…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. Arranged by Pasquale Di Caro. Baroque,Renaissance. Individual part. 28 pages. Pasquale Di Caro #1079727. Published by Pasquale Di Caro (A0.1504269). Questa pubblicazione contiene tutta la sezione pertinente alla «chitarra a cinque cori in stile pizzicato», trascritta da una parte impiegando il sistema integrale (fedele all’originale), per consentire al lettore un’attenta comparazione, dall’altra il sistema interpretativo, contenente gli interventi adattivi e ricostruttivi. L’obiettivo di questo lavoro didattico-pratico è quello di presentare l’opera ai chitarristi interessati alla cosiddetta musica antica e di adattare le musiche alla chitarra di uso comune.Per le difficoltà sopra descritte e per l’atto stesso del trascrivere da uno strumento ad un altro, non è possibile ottenere con la chitarra moderna gli stessi effetti di quell’antica, per cui ho deciso di trattare queste intavolature cercando le migliori soluzioni per lo strumento di destinazione, evitando la strada filologica che comporterebbe il rischio di ottenere un risultato ambiguo che non riconosca la lezione originaria né tantomeno una moderna chiave di lettura.Le “suonate” sono numerate secondo l’ordine usato nella pubblicazione originaria. Le legature sono state aggiunte e possono essere modificate secondo il proprio gusto. Non ho inserito gli abbellimenti che possono essere usati a piacere come prevedeva la prassi esecutiva del tempo. Mancano gli andamenti che sono intrinsechi della forma e desumibili dal carattere musicale. I segni di ripetizione sono inseriti anche dove non erano previsti, per cui è stato necessario aggiungere alcune battute di raccordo, lasciando libera scelta all’esecutore. In alcuni casi ho preferito omettere e/o inserire delle note di riempimento e portare al basso alcune voci. Tra gli interventi apportati, i più significativi riguardano le modifiche di alcune note, l’uniformazione simmetrica di passaggi melodico-ritmici come nei casi degli incipit e dei valori di durata. Le modifiche sono state effettuate per rendere i brani più omogenei e simmetrici, laddove non era possibile eseguirli senza incorrere in sincopi armoniche o in ambigue riprese di ritornello, a volte modificando addirittura il tempo da 4/4 a 2/4. Per evidenziare il disegno ritmico ho preferito il tempo 3/4 al 3/2; in alcuni casi il 2/4 al 2/2 e così via, con la conseguente riduzione ritmica dei valori. Per tutti coloro che desiderino effettuare uno studio più attento e particolareggiato, consiglio vivamente di comparare la trascrizione integrale con quella interpretativa e di consultare l’intavolatura originale.
$5.99
5.52 €
#
Guitare
#
Carlo Calvi
#
Pasquale Di Caro
#
Intavolatura per chitarra e chitarriglia
#
Pasquale Di Caro
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.44 €
#
Guitare
#
Larry Williams
#
Larry Williams Compositions- The Guitar Book
#
Larry Andrew Williams
#
SheetMusicPlus
The William Bay Collection - Sacred Guitar Solo Anthology #2
Guitare
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online au…
(+)
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List: Adoro Devote All My Trials All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks Balm in Gilead Benediction Bread of the World Eucharistic Hymn Canticle #1 Canticle #2 Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby Come to the Feast Compline Consecration Deep River Evening Prayer Gloria God Unseen Yet Ever Near St Flavian Have Thine Own Way, Lord Adelaide He Hideth My Soul Kirkpatrick Crosby Here, O My Lord, I See Thee Face to Face Penitentia Higher Ground Gabriel Oatman Hold to God’s Unchanging Hand Eiland Holy Is The Lord I Love to Tell the Story Fischer Hankey At the Cross Hudson Watts I Will Arise and Go to Jesus Arise I Will Praise Him Harris More Love to Thee Doane Prentiss Jesu, Joy of Man’s Desiring Jesus Paid It All Grape HallI Am Coming, Lord Hartsough Jesus Spreads His Banner O’er Us Autumn Just As I Am Woodworth Kyrie Eleison Lamb Of God Lenten Meditation Let All Mortal Flesh Keep Silence Picardy Let Us Break Bread Together Light Of The World Litany Lonesome Valley Look Down That Lonesome Road Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby Lord, Speak to Me Canonbury Meditation on Psalm My Faith Looks Up to Thee Olivet My Lord, My God My Shepherd Will Supply My Need Resignation Nearer, My God, to Thee Bethany Never Alone Anon Night Prayer Nobody Knows The Trouble I’ve Seen O Esca Viatorum Pass Me Not Doane Crosby Only Trust Him Stockton Peace Praxis Pietatis Melica Prayer Prayer of Simeon Psalm 102:1 Hear My Prayer, O Lord Psalm 118:24 This Is the Day That the Lord Hath Made Psalm 119:28 My Soul Is Heavy with Sorrow Psalm 126:6 They That Sow in Tears Psalm 128:1 Blessed Are They That Fear the Lord Psalm 139:7 Where Shall I Go From Thy Spirit Psalm 142:3 When My Spirit Grows Faint Within Me Psalm 144:3 Lord, What Is Man Psalm 16:1 Keep Me Safe, O God Psalm 19:1 The Heavens Declare the Glory of God Psalm 34:18 The Lord Is Close to the Broken Hearted Psalm 65:2 Thou That Hearest Prayer Psalm 88:13 Unto Thee Have I Cried, O Lord Rendez a Dieu Sanctus Shall We Gather at the River Lowry Softly And Tenderly Sometimes I Feel Like a Motherless Child St Gregory Chorale Steal Away Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman Swing Low, Sweet Chariot The Lord’s Supper Way To God Be the Glory Doane Crosby Turn Your Eyes Upon Jesus He Is Lord Wade In The Water Wayfaring Stranger We Give Thee Thanks Were You There What a Friend We Have in Jesus Converse When I Lay My Burdens Down
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God’s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man’s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O’er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I’ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord’s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
23.04 €
#
Guitare
#
The William Bay Collection - Sacred Guitar Solo Anthology #2
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Nadir
Guitare
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20t…
(+)
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
8.29 €
#
Guitare
#
Apostolos Paraskevas
#
Nadir
#
Silver Sickle Publications
#
SheetMusicPlus
Le chemin de croix / Labyrinthe
Guitare
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
(+)
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
7.33 €
#
Guitare
#
Francis Kleynjans
#
Le chemin de croix / Labyrinthe
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
#
Guitare
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.05 €
#
Guitare
#
Edwin Culver
#
Edwin Culver: a bridge a-way, exits within
#
Edwin Culver
#
SheetMusicPlus
Suite for guitar in E minor by J. A. de Logy
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
7.38 €
#
Guitare
#
Jan Antonin de Logy
#
Socrates Arvanitakis
#
Suite for guitar in E minor by J. A. de Logy
#
Socrates Arvanitakis
#
SheetMusicPlus
Song Of The Jet (samba Do Avião)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1115898 Composed by Antonio Carlos…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1115898 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Luiz Duarte. 20th Century,Jazz,Latin,Multicultural,Standards,World. Individual part. 4 pages. Alan Anunciação #717621. Published by Alan Anunciação (A0.1115898). In this video, we will show you how to play the famous Samba do Avião (Song of the Jet) by Tom Jobim - Sheet Music + Tablature. This beautiful song was written in the late 1960s and has become one of the most famous and well-known samba tunes of all time. This is an arrangement that, according to my teacher Luiz, is a combination of arrangements he likes, such as Gamela and Baden Powell. If you're a fan of Brazilian music and want to learn how to play the famous Samba do Avião (Song of the Jet) then this video is for you! We'll teach you the chords and melody of this beautiful song, so you can enjoy it wherever you go.
$6.00
5.53 €
#
Guitare
#
Antonio Carlos Jobim and Gene Lees
#
Luiz Duarte
#
Song Of The Jet
#
Alan Anunciação
#
SheetMusicPlus
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe …
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.
$30.00
27.66 €
#
Guitare
#
Jean-Philippe Rameau
#
Maël Fauvy
#
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
#
Mfp Éditions
#
SheetMusicPlus
Spanish Guitar Study
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
1.83 €
#
Guitare
#
Keith Terrett
#
Keith Terrett
#
Spanish Guitar Study
#
Keith Terrett
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Come One Come All
