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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come to the Light
Sheetmusicplus
Non classifié
594
Piano & claviers
Piano, Voix
293
Piano seul
288
Piano Facile
85
Piano, Voix et Guitare
73
Orgue
43
Instruments en Do
17
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
13
2 Pianos, 4 mains
7
Accompagnement Piano
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
2 Accordéons
1
Piano (partie séparée)
1
1 Piano, 6 mains
1
Piano grosses notes
1
+ 13 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
21
2 Guitares (duo)
9
Ukulele
6
Basse electrique
4
Piano, Guitare (duo)
3
Guitare (partie séparée)
2
Banjo
1
Paroles et Accords
1
3 Guitares (trio)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
230
Chorale 3 parties
67
Chorale 2 parties
43
Chorale Unison
41
Chorale SSAA
21
Chorale TTBB
14
Voix duo, Piano
7
Voix haute
4
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Chorale
2
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Voix Alto, Piano
1
Voix seule
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
52
Clarinette et Piano
50
Hautbois, Piano (duo)
46
Flûte traversière et Piano
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Quatuor de Saxophones: 4 saxophones
31
Saxophone Alto et Piano
31
2 Flûtes traversières (duo)
30
Flûte, Hautbois, Clarinette, Basson
25
Saxophone Tenor et Piano
23
Quintette de Saxophone: 5 saxophones
22
Hautbois (partie séparée)
21
Saxophone (partie séparée)
21
Flûte traversière
21
Saxophone Soprano et Piano
20
Clarinette
19
2 Clarinettes (duo)
18
Saxophone Baryton, Piano
16
Ensemble de Flûtes
16
Saxophone Alto
15
Saxophone Tenor
12
Quatuor de Clarinettes: 4 clarinettes
12
Ensemble de Clarinettes
12
2 Hautbois (duo)
11
Flûte, Clarinette (duo)
10
Quatuor de Flûtes : 4 flûtes
9
Ensemble de saxophones
8
Clarinette, Basson (duo)
7
Clarinette (partie séparée)
7
Flûte, Violon, Piano
7
Flûte, Basson et Piano
6
Saxophone, Clarinette (duo)
6
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Violon (duo)
5
Trio de Flûtes: 3 flûtes
5
Quintette de Flûte : 5 flûtes
5
Clarinette Basse, Piano
4
Clarinette, Violoncelle (duo)
4
Hautbois, Clarinette (duo)
4
Flûte à Bec
4
3 Clarinettes (trio)
4
Flute (partie séparée)
4
Saxophone Baryton
3
Flûte, Violon
3
Hautbois
3
Flûte à bec Soprano
3
Flûte à bec Alto, Piano
3
Hautbois, Basson (duo)
3
Clarinette, Trompette (duo)
3
Clarinette et Alto
3
Saxophone Soprano
3
Quatuor de Flûtes à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violoncelle
2
Cor anglais, Piano
2
Hautbois, Flûte
2
Clarinette, Harpe (duo)
2
Flûte, Trompette (duo)
2
Saxophone
2
Saxophone et Guitare
2
Hautbois, Violoncelle
2
Flûte, Saxophone (duo)
2
3 Saxophones (trio)
2
Flûte, Alto (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Cor Anglais
1
Flûte à Bec, Piano
1
Flûte à bec Alto
1
Hautbois et alto (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte et Trio à cordes
1
Hautbois, violon (duo)
1
Piccolo
1
+ 71 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
26
Trompette, Piano
23
Trompette
21
Cor et Piano
21
Tuba
19
Trombone
19
Cor
16
2 Trombones (duo)
15
2 Trompettes (duo)
14
Tuba et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trombone (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette (partie séparée)
10
Trompette, Trombone (duo)
7
Quatuor de Cuivres
7
Trio de Cuivres
6
2 Cors (duo)
6
Euphonium, Piano (duo)
6
Cor (partie séparée)
5
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
3
Tuba (partie séparée)
3
2 Tubas (duo)
2
Cor anglais, Piano
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
Cor, Violoncelle (duo)
2
Ensemble de Cors
2
Tuba et Orgue
2
Cor Anglais
1
3 Trombones (trio)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
Cor et Basson (duo)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
79
Violon et Piano
49
Alto, Piano
37
Violoncelle, Piano
30
Violon
29
Violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
2 Violons (duo)
17
Harpe
16
Contrebasse, Piano (duo)
16
2 Violoncelles (duo)
16
Violon, Violoncelle (duo)
13
Contre Basse
13
2 Altos (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
9
Alto (partie séparée)
9
Alto seul
9
Violon (partie séparée)
7
Harpe, Flûte (duo)
6
Harpe, Voix
5
Piano Trio: Violon, Alto, Piano
4
Violon, Basson (duo)
3
Contrebasse (partie séparée)
3
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
Violoncelle (partie séparée)
2
2 Harpes (duo)
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Ensemble d'Altos
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violons
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
189
Orchestre
65
Cloches
41
Orchestre à Cordes
37
Orchestre de chambre
21
Ensemble de cuivres
19
Ensemble Jazz
7
Marimba
7
Percussion (partie séparée)
4
Xylophone
3
Xylophone, Piano
2
Ensemble de Percussions
2
Fanfare
2
Piano et Orchestre
1
Batterie (partie séparée)
1
2 Xylophones
1
Orchestre, Violon
1
Batterie
1
2 Marimbas
1
+ 14 instrumentations
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Autres
Instruments
ACCORDEON
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COR
COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Vous avez sélectionné:
Come to the Light
SheetMusicPlus
Partitions à imprimer
26 partitions trouvées
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Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Le chemin de croix / Labyrinthe
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinth
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Di...
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Guitar - SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
Over The Rainbow
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
GFA Spotlight Series, vol. 1, compositions
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Guitare
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AVANCÉ
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Classique
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Various
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GFA Spotlight Series, vol. 1,
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SheetMusicPlus
Composed by Various. GFA Spotlight Series. Score. 51 pages. Les Productions d'OZ - Digital #DZ 3764. Published by Les Productions d'OZ - Dig...
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Composed by Various. GFA Spotlight Series. Score. 51 pages. Les Productions d'OZ - Digital #DZ 3764. Published by Les Productions d'OZ - Digital
ISBN 9782897956813.
The Guitar Foundation of America (GFA) is committed to cultivating Inclusion, Diversity, Equity and Access in the international guitar community and in the repertoire published for the instrument. Many factors, including a composer's race, gender, and sexual orientation, have historically created a narrow representation of our community in the classical music canon. For this first volume of the GFA Spotlight Series, the GFA commissioned seven new works by composers of color. The second volume of this series will follow with seven transcriptions of existing pieces by composers of color. These commissioned pieces and transcriptions were premiered by students in the GFA Mentorship Program in 2021.
With this collection, the guitar takes a step towards a more inclusive and representative repertoire that nurtures creativity and inclusion for generations of guitarists to come. Growing the canon enriches the musical experiences of our entire international guitar community through exposure to diverse perspectives and voices, complementing the invaluable lessons we learn from the existing contributions of pieces that form the canon.
$15.95
Menuet (from the Anna Magdalena notebooks)
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Guitare
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1444674 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individu...
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Solo Guitar - Level 1 - SKU: A0.1444674 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024534. Published by Rodrigo Faleiros (A0.1444674). Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners.Key Features: Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience. Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar. This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.For more beginner-friendly arrangements and to continue your exploration of music, click here to see my collection.
$1.99
Beetlejuice (main Theme)
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Guitare
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INTERMÉDIAIRE
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Danny Elfman
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André Alberto Santos
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Beetlejuice
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Soul - Musical Creations
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1249449 By Danny Elfman. By Danny Elfman. Arranged by André Alberto Santos. 21st Century,Classical,Film/TV,Holiday. 17 pag...
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Guitar - Level 3 - SKU: A0.1249449 By Danny Elfman. By Danny Elfman. Arranged by André Alberto Santos. 21st Century,Classical,Film/TV,Holiday. 17 pages. Soul - Musical Creations #843883. Published by Soul - Musical Creations (A0.1249449). Elevate your musical performances to new heights with the captivating sheet music arrangement of Beetlejuice (Main Theme) by Danny Elfman from the iconic movie Beetlejuice, specifically arranged for four classical guitars. Experience the enchantment of this beloved melody as it resonates through the harmonies of multiple guitars, adding depth and richness to your performance.Crafted with precision and care, this arrangement allows you and your fellow guitarists to recreate the magical atmosphere of Beetlejuice, captivating audiences with the hauntingly beautiful notes that have become synonymous with the film. With individual parts for each guitar, you'll enjoy the unique experience of playing in harmony and creating a captivating ensemble performance.Whether you're a guitar ensemble, a group of friends, or a music educator looking to inspire your students, this sheet music is an invaluable addition to your repertoire. The four-part arrangement ensures that every guitarist has an opportunity to shine and contribute to the spellbinding rendition of Beetlejuice (Main Theme).From concerts and recitals to gatherings and events, this arrangement will be the highlight of any performance. Its recognizable melody and nostalgic charm will captivate listeners and leave a lasting impression on all who hear it.Unlock the extraordinary potential of your guitar ensemble with the sheet music for Beetlejuice (Main Theme) arranged for four classical guitars. Order your copy today and embark on a musical journey that blends the world of classical guitar with the enchantment of Beetlejuice.  Don't miss out – seize this opportunity and let the haunting melodies of Beetlejuice resonate through your guitars!
$4.99
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
The Painter
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Lance Olivieri
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The Painter
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Lance Olivieri
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1025659 Composed by Lance Olivieri. Concert,Contemporary. Individual part. 3 pages. Lance Olivieri #4966143. Published b...
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Solo Guitar - Level 3 - SKU: A0.1025659 Composed by Lance Olivieri. Concert,Contemporary. Individual part. 3 pages. Lance Olivieri #4966143. Published by Lance Olivieri (A0.1025659). The Painter was inspired by living my life close to an artist. I wanted to portray the difficulty, passion and elation an artist of any type experiences when creating a piece that aims to express emotions or a meaning that is something not tangible; the enlightening that an artist feels when a painting finally comes together after a long struggle for the subject, composition and color. It consists of 3 separate parts or conversations she is having with her work. 6th string to D, 2nd string to A tuning allows for an ease to fingering.
$1.99
Menuet (from the Anna Magdalena notebooks)
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Guitare
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individu...
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Solo Guitar - Level 1 - SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024537. Published by Rodrigo Faleiros (A0.1444675). Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features:Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience.Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar.Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence.This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features: Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience. Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar. Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence. This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.For more beginner-friendly arrangements and to continue your exploration of music, click here to see my collection.
$1.99
Ain't Always The Cowboy
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Guitare
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INTERMÉDIAIRE
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Jon Pardi
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Kyle Pudenz
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Ain't Always The Cowboy
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wed...
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Guitar - Level 3 - SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
Prelude No 2 in A (Flight)
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Guitare
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INTERMÉDIAIRE
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Simon James
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Prelude No 2 in A
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DML
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1147461 By Simon James. By Simon James. Classical,Contemporary,Instructional,Multicultural,World. Individual part. 6 pag...
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Solo Guitar - Level 3 - SKU: A0.1147461 By Simon James. By Simon James. Classical,Contemporary,Instructional,Multicultural,World. Individual part. 6 pages. DML #747697. Published by DML (A0.1147461). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both. This piece is based on the simple idea of an A major chord, a D major7 chord and an E9 chord in 5th position played with an unusual right hand pattern giving a time signature of 10/8. Don’t panic, if you play the right hand pattern correctly, as indicated, it automatically comes out correctly. You will find all the techniques you need in my book The Art Of Accompaniment On The Guitar. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional. The score is available on Sheet Music Plus and Sheet Music Direct.
$2.99
The Complete Works for Guitar
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Guitare
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AVANCÉ
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Classique
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Dionisio Aguado
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The Complete Works for Guitar
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Chanterelle
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SheetMusicPlus
Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra, op.6, Biography and Bibliography. Composed by Dionisio Aguado (...
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Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra, op.6, Biography and Bibliography. Composed by Dionisio Aguado (1784-1849). This edition: Sheet music. Downloadable. Op. 1. Chanterelle #Q48854. Published by Chanterelle
English.
This volume brings together what is known of Aguado's life, and gives full details about the publication of his music. It also includes the full text of Jose Romanillos' article "Dionisio Aguado - the man". Also included are the following two publications: The Coleccion de Estudios of 1820, which contains 46 studies and an explanatory text. Aguado's earliest known work, it is the fruit of his intensive study of the guitar in Spain. It was previously thought lost and has only recently come to light. The Nuevo Metodo de Guitarra, opus 6, which is a much simpler method than the elaborate one which Aguado had previously published. It consists of 70 pages, with short musical passages and explanatory text. This is Volume 1 of the Complete Works of Dionisio Aguado.
$40.99
Banjo Picking Tunes - Beautiful American Airs & Ballads
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Guitare
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Banjo Picking Tunes - Beautifu
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Publishe...
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Guitar - Intermediate - SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List
: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Christmas Time Is Here
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Guitare
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DÉBUTANT
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Noël
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Lee Mendelson and Vince Guaral
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1315740 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,J...
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Solo Guitar - Level 1 - SKU: A0.1315740 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904488. Published by Rodrigo Faleiros (A0.1315740). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant : Begin your holiday journey instantly with our convenient PDF download. Chord symbols: The sheet music includes chord symbols, allowing for harmonic creativity and festive musicality by another musician. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
Christmas Time Is Here
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Guitare
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DÉBUTANT
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Noël
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Lee Mendelson and Vince Guaral
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1315983 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,J...
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Solo Guitar - Level 1 - SKU: A0.1315983 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904524. Published by Rodrigo Faleiros (A0.1315983). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant : Begin your holiday journey instantly with our convenient PDF download. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
Harlequin (Arlecchino) for guitar solo (mp3)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Harlequin
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David Warin Solomons
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1267996 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 147. David Wa...
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Guitar - Level 3 - SKU: A0.1267996 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 147. David Warin Solomons #860550. Published by David Warin Solomons (A0.1267996). Arlecchino is a character in the Italian Commedia dell'Arte (Comedy of professions). He represents pantomime and clowning.  The name Harlequin is taken from that of a mischievous devil or demon character in popular French passion plays, but he has clearly developed this lighter side, which I am illustrating here, (as well as the much darker side of the Erlkönig whose related name comes from the more demonic character).Please see the youtube description for details if you would like to buy the score.
$4.50
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
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Guitare
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INTERMÉDIAIRE
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Classique
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CLASSICAL GUITAR TUNES - ENGLI
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digita...
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Guitar - Intermediate - Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.
This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.
$12.99
One Last Wish
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Guitare
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INTERMÉDIAIRE
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Film/TV
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Soundtrack
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Derek Hasted
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One Last Wish
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510...
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Guitar - Level 3 - SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
O Holy Night
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Guitare
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FACILE
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Noël
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Trad
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Calum Wood
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O Holy Night
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Calum Wood
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1078016 Composed by Trad. Arranged by Calum Wood. Christmas,Folk,Traditional. Individual part. 2 pages. Calum Wood #6822...
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Solo Guitar - Level 2 - SKU: A0.1078016 Composed by Trad. Arranged by Calum Wood. Christmas,Folk,Traditional. Individual part. 2 pages. Calum Wood #682220. Published by Calum Wood (A0.1078016). Introducing O Holy Night, one of the most beloved Christmas carols of all time, now available in a beautiful guitar arrangement in music notation.Originally composed in 1847 by French composer Adolphe Adam, O Holy Night has since become a cherished part of the holiday season. Its haunting melody and powerful lyrics have been performed by countless musicians over the years, and its message of hope and redemption continues to resonate with listeners around the world.Now, you too can capture the beauty and spirit of O Holy Night on guitar with our gorgeous arrangement in music notation. Our version of the song captures the essence of the original composition, allowing you to bring this timeless carol to life on your own guitar.Whether you're a fan of traditional Christmas music or simply love beautiful guitar arrangements, O Holy Night is sure to delight you with its rich harmonies and emotive melodies. So why wait? Order your copy of O Holy Night for guitar today and experience the joy of playing one of the most beloved Christmas carols of all time.
$1.99
Happy Birthday for Classical Guitar (Jazz Style)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Anonymous
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Padet Netpakdee
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Happy Birthday for Classical G
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Padet NEtpakdee
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1489260 Composed by Anonymous. Arranged by Padet Netpakdee. Children,Classical,Folk,Jazz,Pop. Individual part. 2 pages. ...
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Solo Guitar - Level 4 - SKU: A0.1489260 Composed by Anonymous. Arranged by Padet Netpakdee. Children,Classical,Folk,Jazz,Pop. Individual part. 2 pages. Padet NEtpakdee #1066120. Published by Padet NEtpakdee (A0.1489260). Discover a fresh and delightful way to surprise your loved ones on their special day with this unique arrangement of the classic 'Happy Birthday' song for solo classical guitar. Featuring a lively jazz swing-feel, this arrangement comes complete with standard notation and tablature, making it perfect for guitarists looking to add a touch of elegance and fun to any birthday celebration.
$9.99
Mordy Ferber - Compositions
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Guitare
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INTERMÉDIAIRE
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Jazz
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Mordy Ferber
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Mordy Ferber - Compositions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - Composed by Mordy Ferber. 0. E-book. 84 pages. Mel Bay Publications - Digital Sheet Music #22154EB. ...
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Guitar (jazz and contemporary) - Intermediate - Composed by Mordy Ferber. 0. E-book. 84 pages. Mel Bay Publications - Digital Sheet Music #22154EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119451.
This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression, and as such -- an exposure, of a genuine part of myself which I present within the framework of jazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place, a small neighborhood outside of Haifa, Israel. I really hope that you will listen to these pieces come alive on my CDs, All The Way To Sendai.
$17.99
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