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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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616
PIANO & CLAVIERS
Piano, Voix
292
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269
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83
Piano, Voix et Guitare
70
Orgue
42
1 Piano, 4 mains
12
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11
Instruments en Do
8
Accompagnement Piano
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2 Pianos, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
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2 Accordéons
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Piano grosses notes
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Orgue, Piano (duo)
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2 Pianos, 8 mains
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1 Piano, 6 mains
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GUITARES
Guitare
21
Guitare notes et tablatures
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2 Guitares (duo)
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2
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1
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VOIX
Chorale SATB
210
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59
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42
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41
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20
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13
Voix duo, Piano
7
Voix Soprano, Piano
3
Chorale
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Voix haute
1
Voix seule
1
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VENTS
Hautbois, Piano (duo)
44
2 Saxophones (duo)
43
Flûte traversière et Piano
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Saxophone (partie séparée)
33
Clarinette et Piano
32
Saxophone Alto et Piano
30
2 Flûtes traversières (duo)
24
Quatuor de Saxophones: 4 saxophones
23
Saxophone Tenor et Piano
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21
Clarinette
21
Hautbois (partie séparée)
21
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Soprano et Piano
19
2 Clarinettes (duo)
18
Quintette de Saxophone: 5 saxophones
17
Saxophone Alto
15
Ensemble de Flûtes
14
Saxophone Baryton, Piano
13
Quatuor de Clarinettes: 4 clarinettes
12
Ensemble de Clarinettes
12
2 Hautbois (duo)
11
Flûte, Clarinette (duo)
10
Ensemble de saxophones
8
Clarinette (partie séparée)
7
Clarinette, Basson (duo)
7
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6
Saxophone, Clarinette (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
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5
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5
Flûte et Guitare
5
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4
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4
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4
Quintette de Flûte : 5 flûtes
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3 Clarinettes (trio)
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Flûte à Bec
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3
Clarinette, Trompette (duo)
3
Clarinette et Alto
3
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3
Clarinette Basse, Piano
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Saxophone Soprano
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Saxophone Tenor
3
Saxophone Baryton
3
Hautbois, Basson (duo)
3
Flûte, Violon
3
Hautbois
3
Saxophone et Guitare
2
Flûte, Saxophone (duo)
2
3 Saxophones (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes à bec
2
Flute (partie séparée)
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
Flûte, Violoncelle
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Hautbois, Violoncelle
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1
Cor anglais, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Flûte, Clarinette, Piano (trio)
1
Flûte et Trio à cordes
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Flûte à Bec, Piano
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Hautbois et alto (duo)
1
Flûte à bec Alto
1
Piccolo
1
Saxophone
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trombone et Piano
25
Trompette
22
Trompette, Piano
21
Cor et Piano
20
Tuba
19
Trombone
19
Cor
16
2 Trombones (duo)
15
2 Trompettes (duo)
14
Tuba et Piano
13
Trombone (partie séparée)
12
Trompette (partie séparée)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Quatuor de Cuivres
7
Trompette, Trombone (duo)
7
Trio de Cuivres
6
Cor (partie séparée)
6
2 Cors (duo)
6
Euphonium, Piano (duo)
5
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 cors
2
Cor, Violoncelle (duo)
2
2 Tubas (duo)
2
Tuba et Orgue
2
Trompette, Cor (duo)
2
Cor et Basson (duo)
1
Ensemble de Cors
1
Cor anglais, Piano
1
Ensemble de Tubas
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
Cor Anglais
1
3 Trombones (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
49
Alto, Piano
36
Violon
29
Violoncelle, Piano
29
Violoncelle (partie séparée)
18
2 Violons (duo)
16
2 Violoncelles (duo)
16
Harpe
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Violoncelle (duo)
13
Contrebasse, Piano (duo)
13
Contre Basse
13
2 Altos (duo)
12
Alto seul
9
Trio à Cordes: violon, alto, violoncelle
9
Alto (partie séparée)
9
Violon (partie séparée)
7
Violon, Alto (duo)
7
Violoncelle
6
Harpe, Flûte (duo)
6
Harpe, Voix
5
Piano Trio: Violon, Alto, Piano
4
Violon, Basson (duo)
3
Contrebasse (partie séparée)
3
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
Alto, Violoncelle (duo)
2
Ensemble de Violons
1
4 Contrebasses
1
Harpe, Violon (duo)
1
Ensemble d'Altos
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
178
Orchestre
61
Cloches
41
Orchestre à Cordes
34
Orchestre de chambre
20
Ensemble de cuivres
18
Marimba
7
Ensemble Jazz
6
Percussion (partie séparée)
5
Xylophone
3
Xylophone, Piano
2
Ensemble de Percussions
2
Fanfare
2
2 Marimbas
1
2 Xylophones
1
Batterie (partie séparée)
1
Orchestre, Violon
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
Come to the Light
SheetMusicPlus
Partitions à imprimer
21 partitions trouvées
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1
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.53 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.66 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
GFA Spotlight Series, vol. 1, compositions
Guitare
Composed by Various. GFA Spotlight Series. Score. 51 pages. Les Productions d'OZ …
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Composed by Various. GFA Spotlight Series. Score. 51 pages. Les Productions d'OZ - Digital #DZ 3764. Published by Les Productions d'OZ - Digital
ISBN 9782897956813.<br> <br> The Guitar Foundation of America (GFA) is committed to cultivating Inclusion, Diversity, Equity and Access in the international guitar community and in the repertoire published for the instrument. Many factors, including a composer's race, gender, and sexual orientation, have historically created a narrow representation of our community in the classical music canon. For this first volume of the GFA Spotlight Series, the GFA commissioned seven new works by composers of color. The second volume of this series will follow with seven transcriptions of existing pieces by composers of color. These commissioned pieces and transcriptions were premiered by students in the GFA Mentorship Program in 2021.<br> With this collection, the guitar takes a step towards a more inclusive and representative repertoire that nurtures creativity and inclusion for generations of guitarists to come. Growing the canon enriches the musical experiences of our entire international guitar community through exposure to diverse perspectives and voices, complementing the invaluable lessons we learn from the existing contributions of pieces that form the canon.
$15.95
14.88 €
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Guitare
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Various
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GFA Spotlight Series, vol. 1, compositions
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SheetMusicPlus
Beetlejuice (main Theme)
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1249449 By Danny Elfman. By Danny Elfma…
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Guitar - Level 3 - Digital Download SKU: A0.1249449 By Danny Elfman. By Danny Elfman. Arranged by André Alberto Santos. 21st Century,Classical,Film/TV,Holiday. 17 pages. Soul - Musical Creations #843883. Published by Soul - Musical Creations (A0.1249449). Elevate your musical performances to new heights with the captivating sheet music arrangement of Beetlejuice (Main Theme) by Danny Elfman from the iconic movie Beetlejuice, specifically arranged for four classical guitars. Experience the enchantment of this beloved melody as it resonates through the harmonies of multiple guitars, adding depth and richness to your performance.Crafted with precision and care, this arrangement allows you and your fellow guitarists to recreate the magical atmosphere of Beetlejuice, captivating audiences with the hauntingly beautiful notes that have become synonymous with the film. With individual parts for each guitar, you'll enjoy the unique experience of playing in harmony and creating a captivating ensemble performance.Whether you're a guitar ensemble, a group of friends, or a music educator looking to inspire your students, this sheet music is an invaluable addition to your repertoire. The four-part arrangement ensures that every guitarist has an opportunity to shine and contribute to the spellbinding rendition of Beetlejuice (Main Theme).From concerts and recitals to gatherings and events, this arrangement will be the highlight of any performance. Its recognizable melody and nostalgic charm will captivate listeners and leave a lasting impression on all who hear it.Unlock the extraordinary potential of your guitar ensemble with the sheet music for Beetlejuice (Main Theme) arranged for four classical guitars. Order your copy today and embark on a musical journey that blends the world of classical guitar with the enchantment of Beetlejuice.  Don't miss out – seize this opportunity and let the haunting melodies of Beetlejuice resonate through your guitars!
$4.99
4.66 €
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Guitare
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Danny Elfman
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André Alberto Santos
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Beetlejuice
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Soul - Musical Creations
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SheetMusicPlus
The Painter
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1025659 Composed by Lance Olivieri…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1025659 Composed by Lance Olivieri. Concert,Contemporary. Individual part. 3 pages. Lance Olivieri #4966143. Published by Lance Olivieri (A0.1025659). The Painter was inspired by living my life close to an artist. I wanted to portray the difficulty, passion and elation an artist of any type experiences when creating a piece that aims to express emotions or a meaning that is something not tangible; the enlightening that an artist feels when a painting finally comes together after a long struggle for the subject, composition and color. It consists of 3 separate parts or conversations she is having with her work. 6th string to D, 2nd string to A tuning allows for an ease to fingering.
$1.99
1.86 €
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Guitare
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Lance Olivieri
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The Painter
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Lance Olivieri
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SheetMusicPlus
Ain't Always The Cowboy
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney…
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Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
4.66 €
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Guitare
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Jon Pardi
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Kyle Pudenz
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Ain't Always The Cowboy
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ViolinVagabond Music
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SheetMusicPlus
Prelude No 2 in A (Flight)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1147461 By Simon James. By Simon J…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1147461 By Simon James. By Simon James. Classical,Contemporary,Instructional,Multicultural,World. Individual part. 6 pages. DML #747697. Published by DML (A0.1147461). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both. This piece is based on the simple idea of an A major chord, a D major7 chord and an E9 chord in 5th position played with an unusual right hand pattern giving a time signature of 10/8. Don’t panic, if you play the right hand pattern correctly, as indicated, it automatically comes out correctly. You will find all the techniques you need in my book The Art Of Accompaniment On The Guitar. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional. The score is available on Sheet Music Plus and Sheet Music Direct.
$2.99
2.79 €
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Guitare
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Simon James
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Prelude No 2 in A
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DML
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SheetMusicPlus
The Complete Works for Guitar
Guitare
Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra,…
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Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra, op.6, Biography and Bibliography. Composed by Dionisio Aguado (1784-1849). This edition: Sheet music. Downloadable. Op. 1. Chanterelle #Q48854. Published by Chanterelle
English.<br> <br> This volume brings together what is known of Aguado's life, and gives full details about the publication of his music. It also includes the full text of Jose Romanillos' article "Dionisio Aguado - the man". Also included are the following two publications: The Coleccion de Estudios of 1820, which contains 46 studies and an explanatory text. Aguado's earliest known work, it is the fruit of his intensive study of the guitar in Spain. It was previously thought lost and has only recently come to light. The Nuevo Metodo de Guitarra, opus 6, which is a much simpler method than the elaborate one which Aguado had previously published. It consists of 70 pages, with short musical passages and explanatory text. This is Volume 1 of the Complete Works of Dionisio Aguado.
$40.99
38.24 €
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Guitare
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Dionisio Aguado (1784-1849)
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The Complete Works for Guitar
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Chanterelle
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SheetMusicPlus
Banjo Picking Tunes - Beautiful American Airs & Ballads
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and …
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Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy û O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
13.98 €
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Guitare
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Banjo Picking Tunes - Beautiful American Airs & Ballads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.53 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.53 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.53 €
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Guitare
#
Richard Strauss
#
Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Christmas Time Is Here
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1315740 Composed by Lee Mendelson …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1315740 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904488. Published by Rodrigo Faleiros (A0.1315740). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Chord symbols: The sheet music includes chord symbols, allowing for harmonic creativity and festive musicality by another musician. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.66 €
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Guitare
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Christmas Time Is Here
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1315983 Composed by Lee Mendelson …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1315983 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904524. Published by Rodrigo Faleiros (A0.1315983). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.66 €
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Guitare
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Harlequin (Arlecchino) for guitar solo (mp3)
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1267996 By David Warin Solomons. By Dav…
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Guitar - Level 3 - Digital Download SKU: A0.1267996 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 147. David Warin Solomons #860550. Published by David Warin Solomons (A0.1267996). Arlecchino is a character in the Italian Commedia dell'Arte (Comedy of professions). He represents pantomime and clowning.  The name Harlequin is taken from that of a mischievous devil or demon character in popular French passion plays, but he has clearly developed this lighter side, which I am illustrating here, (as well as the much darker side of the Erlkönig whose related name comes from the more demonic character).Please see the youtube description for details if you would like to buy the score.
$4.50
4.2 €
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Guitare
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David Warin Solomons
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Harlequin
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David Warin Solomons
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SheetMusicPlus
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
Guitare
Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publica…
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Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.<br> <br> This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.
$12.99
12.12 €
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Guitare
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CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
One Last Wish
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner.…
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Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.66 €
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Guitare
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Soundtrack
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Derek Hasted
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One Last Wish
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Derek Hasted
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SheetMusicPlus
O Holy Night
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1078016 Composed by Trad. Arranged…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1078016 Composed by Trad. Arranged by Calum Wood. Christmas,Folk,Traditional. Individual part. 2 pages. Calum Wood #682220. Published by Calum Wood (A0.1078016). Introducing O Holy Night, one of the most beloved Christmas carols of all time, now available in a beautiful guitar arrangement in music notation.Originally composed in 1847 by French composer Adolphe Adam, O Holy Night has since become a cherished part of the holiday season. Its haunting melody and powerful lyrics have been performed by countless musicians over the years, and its message of hope and redemption continues to resonate with listeners around the world.Now, you too can capture the beauty and spirit of O Holy Night on guitar with our gorgeous arrangement in music notation. Our version of the song captures the essence of the original composition, allowing you to bring this timeless carol to life on your own guitar.Whether you're a fan of traditional Christmas music or simply love beautiful guitar arrangements, O Holy Night is sure to delight you with its rich harmonies and emotive melodies. So why wait? Order your copy of O Holy Night for guitar today and experience the joy of playing one of the most beloved Christmas carols of all time.
$1.99
1.86 €
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Guitare
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Trad
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Calum Wood
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O Holy Night
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Calum Wood
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SheetMusicPlus
Mordy Ferber - Compositions
Guitare
Guitar (jazz and contemporary) - Intermediate - Digital Download Composed by Mordy Fe…
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Guitar (jazz and contemporary) - Intermediate - Digital Download Composed by Mordy Ferber. 0. E-book. 84 pages. Mel Bay Publications - Digital Sheet Music #22154EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119451.<br> <br> This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression, and as such -- an exposure, of a genuine part of myself which I present within the framework of jazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place, a small neighborhood outside of Haifa, Israel. I really hope that you will listen to these pieces come alive on my CDs, All The Way To Sendai.
$17.99
16.78 €
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Guitare
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Mordy Ferber
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Mordy Ferber - Compositions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Romance Variations
Guitare
By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Pub…
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By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114036. The Romance Anonimo ("Anonymous Romance") is one of the most popular pieces in the classical guitar repertoire. Also known as Spanish Romance, Romance de Amor, Jeux interdits and Estudio de Rubira, this 19th century work has continually delighted lovers of the instrument around the world and has become a standard part of guitar pedagogy.In this Mel Bay publication guitarist/composer Rico Stover offers his original composition Romance Variations in a 25 page score of the work with accompanying audio. Different "flavors" of guitar styles are heard in these variations which are inspired by guitarists/composers whom Rico admires: Mateo Carcassi, Joe Pass, Heitor Villalobos, Luiz Bonfa, Chet Atkins and Atahualpa Yupanqui.After a short introduction, the Romance theme is heard, after which the variations commence. Each variation follows the minor/major pattern:Variation 1: Arpegiado - classical arpeggiosVariation 2: Bordoneo - bass line texturesVariation 3: Villalobosiana - in the style of the masterVariation 4: Bossanova - Brazilian syncopationsVariation 5: Chet's Pick - country style fingerpickingVariation 6: Aire de Danza - Latin American dance rhythmsThe essay "Romance Anonimo: Who Composed It?" explores the different theories regarding the question of authorship, including an analysis of seven different editions of the Romance that date from 1900 to 1958.
$14.99
13.98 €
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Guitare
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Rico Dwight Stover
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Romance Variations
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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