English - German.

These Etudes were written in Cuba. The Arpeggio Etude, after the introduction, uses most constantly, the same 6 string arpeggio throughout. Etude Ritimico makes use of Central/South American style rhythms with mixed with slurs and scale passages.

ISBN 9781619117549.

The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.

ISBN 9781619119604.

This book contains 21 original, melodic, song-like solo-guitar etudes which will infuse your playing with lyricism. The compositions are very approachable, containing highly melodic song forms with emotional and narrative content. All the material is written for the plectrum guitar but can also be played fingerstyle. In addition to the solo arrangements, ten of the compositions include a lead-sheet version (for duo or ensemble playing). The etudes are perfect for performance situations such as auditions, recitals, concerts and for enjoyment. Written in standard notation only. Includes access to online audio. The Mel Bay Achieving Guitar Artistry series is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.

ISBN 9781619117303.

Achieving Guitar Artistry - Concert Solos is a collection of 56 solos reflecting a wide array of colors, textures and moods. These were originally written for plectrum or flatpick guitar but may be played by the classical or fingerstyle guitarist. The solos range in difficulty from intermediate to advanced and will work wonderfully in recital or concert settings. Many of the solos encourage creativity with tone, expression and phrasing. Others are up-tempo and utilize Latin, jazz, bluegrass and Celtic rhythms. An ample amount of fingering and string markings are presented on each solo.This is the third book in the Mel Bay Achieving Guitar Artistry series. It follows Linear Guitar Etudes and Triads. The goal of this series is to present material able to develop the serious guitar student into a very accomplished player.

There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That?s why the art of playing classical guitar is not standing still.

During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn?t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it?s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.
That is how the collection «Unusual Studies» appeared.
What is their «singularity»?
The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer?s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.
When it comes to the ?singularity?, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).
- learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.
- active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.
- using the high positions of the guitar?s fingerboard with open strings without excessive physical effort .
- rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.

I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.

Études for Solo Guitar
The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the ?manner? of an Étude that deals with specific aspects of guitar techniques and musicianship in general.


These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.
I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.
Titles:

1 with false optimism

2 with moderate sadness

3 with just the two of you

4 with a touch of impatience

5 with a touch of grandeur

6 with a counterpoint attitude

7 with a touch of shame

8 with a touch of boredom

9 going and never coming back

10 with a peaceful anger

11 without the heavy ones

12 without hope

13 without sense of humor

14 with a masculine attitude

15 with two little bears in mind

16 without hesitation

17 with shameless vibrato

18 with a touch of distress

19 without fear of failure

20 with this and that

21 with a kind motion

22 with a rondo attitude

23 with suspense

24 with everything you may have

ISBN 9781609740443. This collection of classic guitar studies is intended for the intermediate guitarist. As a whole, these etudes emulate the content of Carcassi's famed 25 Etudes, yet in a more contemporary harmonic and rhythmic idiom. These pieces are also distinguished in that they are not only valuable as left and right-hand technical exercises- but also as valid, pleasurable concert repertoire. The first ten etudes 11-20 focus on the use of the a finger in combination with i and m. Etudes 4,7,11,13,15, and 17 also concentrate on left-hand slurs. The final five etudes were composed as - and intended to be performed- as a set with each piece dedicated to a particular Latin American composer.

ISBN 9781619113725. Velocity Etudes is a collection of 43 original compositions designed to enhance important elements of classic guitar technique. I have always felt that as important as scale and technique drills are, they can by themselves be very tedious to practice. In addition, technique has relevance only in the context of the entire musical composition it is intended to enhance. So I like to present technique as part of a musical composition. These etudes were composed with this thought in mind. The compositions can be used merely as technical studies but they also may be used as short concert or recital pieces. Several of them may be grouped to present a kind of suite. I hope you enjoy playing these etudes. The guitar has so many moods and colors. Good technique enables the guitarist to bring out the breadth and subtlety of expression possible with this instrument. I have tried to present a variety of moods, rhythms and textures in these compositions and have presented a workable assortment of keys, both major and minor.

ISBN 9781619113619. The twenty classic guitar etudes in this book are melodic and "guitaristic". I composed them in guitar friendly keys. They were written to be fun to play and also to provide short pieces ideal for recitals or concert preludes and encores. The pieces should be played with freedom and expression. They are intermediate in difficulty and will present a diverse array of moods and textures for the guitarist.

ISBN 9781619118577.

This collection of 36 solos, etudes and technique studies was written especially for the developing intermediate guitarist. A variety of musical styles and genres are presented, along with a colorful assortment of flatpicking techniques and melodies. In addition to their appealing sound and being fun to play, many of these pieces are suitable for performance in recitals or concerts. Every effort has been made to be sure that these musical selections alie well under the fingers,a and are very guitaristic or idiomatic in nature.Guitar Solos for Improving Technique is ideal as a standalone solo collection or as a technique-building text. The collection also works well as a supplement to any intermediate guitar method. Includes access to an online audio recording of each piece.