Partitions Numériques de Control pour Guitare

Control

Lose Control

#Lose Control

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo AlcÃ¡zar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo AlcÃ¡zar #856983. Published by Pablo AlcÃ¡zar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No.â€‰1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married â€“ to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..

Easy Flatpicking Guitar Solos
Guitare

Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.96550BCDEB…(+)

Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.96550BCDEB Composed by Dick Weissman. Country. Bluegrass. E-book and online audio. Mel Bay Publications - Digital Sheet Music #96550BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.96550BCDEB). ISBN 9781610655811. 8.75x11.75 inches.This book is designed to help the beginning to intermediate flatpicking guitarist in developing control of the pick. The author introduces a number of traditional and ethnic styles and discusses various flatpicking techniques including up and down picking, crosspicking, and playing with a combination of pick and fingers. The approximately 30 progressively arranged pieces in the book are useful in learning to read both standard notation and tablature. Where practical, suggested chords are offered for a second guitarist. Includes access to online audio.
$12.99 11.88 € #Guitare #Dick Weissman #Easy Flatpicking Guitar Solos #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). KriyaÌ„ is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertakeâ€ toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along.Â This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness.Â Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.

FUGUE [ from BWV 998 by J.S.Bach ] solo guitar
Guitare

Solo Guitar - Level 5 - Digital Download SKU: A0.941921 Composed by Johann Sebastia…(+)

Solo Guitar - Level 5 - Digital Download SKU: A0.941921 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Concert,Graduation,Standards. Individual part. 7 pages. Cristiano Sousa #5793849. Published by Cristiano Sousa (A0.941921). J.S Bach composed Fugue, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required. Fugue is probably the most difficult movement among the set. Some devices are listed below:-- Embellishments: some of them are indicated;-- Full and half bars (barrÃ© or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com
$12.00 10.97 € #Guitare #Johann Sebastian Bach #Cristiano Sousa #FUGUE [ from BWV 998 by J.S.Bach ] solo guitar #Cristiano Sousa #SheetMusicPlus

PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
Guitare

Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastia…(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,World. Individual part. 3 pages. Cristiano Sousa #5771565. Published by Cristiano Sousa (A0.941919). J.S Bach composed Prelude, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required, although Prelude is easier than Fugue and Allegro from the same set. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barrÃ© or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com .
$8.99 8.22 € #Guitare #Johann Sebastian Bach #Cristiano Sousa #PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar #Cristiano Sousa #SheetMusicPlus

CAPRICHO ÁRABE [Serenade by Francisco Tárrega]: solo guitar
Guitare

Solo Guitar - Level 3 - Digital Download SKU: A0.941924 Composed by Francisco Tarre…(+)

Solo Guitar - Level 3 - Digital Download SKU: A0.941924 Composed by Francisco Tarrega. Arranged by Cristiano Sousa. Concert,Graduation,Instructional,Romantic Period,Standards. Individual part. 6 pages. Cristiano Sousa #6343091. Published by Cristiano Sousa (A0.941924). Capricho Ãrabe by Francisco TÃ¡rrega (1852-1909) is a masterpiece from romanticism guitar repertoire. Its charming and exotic mood enchant any audience and make this piece a good choice. Level: Advanced guitar skills are maybe required, although it is not hard to play. Some devices are listed below: -- Full and half bars (barrÃ© or capotasto); -- Jumps; -- Guide fingers; -- Distencions; -- Contractions; -- Slurs (they can be dropped to keep control); -- Memorizing: the whole piece or some critical passages; -- Scales; -- Arpeggios; -- Harmonics. Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them. You can contact me at cristiano.sousa.santos@gmail.com .
$10.99 10.05 € #Guitare #Francisco Tarrega #Cristiano Sousa # #CAPRICHO ÁRABE [Serenade by Francisco Tárrega]: solo guitar #Cristiano Sousa #SheetMusicPlus

ALLEGRO [ from BWV 998 by J.S.Bach ] solo guitar
Guitare

Solo Guitar - Level 4 - Digital Download SKU: A0.941920 Composed by Johann Sebastia…(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.941920 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Concert,Standards,World. Individual part. 3 pages. Cristiano Sousa #5772399. Published by Cristiano Sousa (A0.941920). J.S Bach composed Allegro, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barrÃ© or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com
$8.99 8.22 € #Guitare #Johann Sebastian Bach #Cristiano Sousa #ALLEGRO [ from BWV 998 by J.S.Bach ] solo guitar #Cristiano Sousa #SheetMusicPlus

Feather Space
Guitare

Solo Guitar - Level 5 - Digital Download SKU: A0.1304748 Composed by Doug Smith. 20…(+)

Solo Guitar - Level 5 - Digital Download SKU: A0.1304748 Composed by Doug Smith. 20th Century,Classical,Contemporary,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #894174. Published by Doug Smith Guitar Studio (A0.1304748). Feather Space is music compossed for performance on the eleventh fret of the guitar. The music is etherial in anture. With the high range the performer controls the intonation with attentive listening while fingeing. The music uses chords and melodic phrases five sharps, open strings, arpeggios and delicate harmonics.
$2.99 2.73 € #Guitare #Doug Smith #Feather Space #Doug Smith Guitar Studio #SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD MistÃºra. MÃºsica para guitarra. Cuatro autores contemporÃ¡neos aragoneses. Edited by Delicias DiscogrÃ¡ficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada

Cazandra (The Fortune-Teller).
Guitare

Solo Guitar - Digital Download SKU: A0.1029634 Composed by G.S.Coleman. 20th Centur…(+)

Solo Guitar - Digital Download SKU: A0.1029634 Composed by G.S.Coleman. 20th Century,Contemporary,Instructional,Standards. Individual part. 3 pages. G.S.Coleman #6696949. Published by G.S.Coleman (A0.1029634). A Classical Guitar Solo by G.S.Coleman. An exciting contemporary composition which lends itself to emotional interpretation. A melodic piece with much contrast between hypnotic calm and controlled fury! Taking some influences from Arabic and Boroque styles, with fast scale runs and syncopated rhythms over a persistent tempo. A great show piece and also nice exercise piece for scale runs using 'picado' and hammer-on / pull-off techniques. (See alternative listing of this title for Tableture.).
$3.00 2.74 € #Guitare #G #Cazandra #G.S.Coleman #SheetMusicPlus

By David Grimes. For Guitar (Classical). Classic. 160 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610650380. The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics, including proper left-hand fingering, training of the right hand, interval and chord formations, scales, arpeggios, repeated notes, ligados, barring, natural harmonics, control of note duration, balance of melody versus accompaniment, and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique and allow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications, but incorporated some alterations that appear in those studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore, Mr. Grimes has corrected misprints, modernized the notation and rectified some inconsistencies. Finally, some developments in technique since Sor's day have been incorporated in this edition.ISBN 9781610650380. The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics, including proper left-hand fingering, training of the right hand, interval and chord formations, scales, arpeggios, repeated notes, ligados, barring, natural harmonics, control of note duration, balance of melody versus accompaniment, and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique and allow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications, but incorporated some alterations that appear in those studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore, Mr. Grimes has corrected misprints, modernized the notation and rectified some inconsistencies. Finally, some developments in technique since Sor's day have been incorporated in this edition.

Guitar Journals - Technique
Guitare

By William Bay. For Guitar (All). All Styles. 144 pages. Published by Mel Bay Publications…(+)

By William Bay. For Guitar (All). All Styles. 144 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740740. Guitar Journals is the ultimate reference guide of studies and solos in several different genres. This superb volume on technique covers warm-ups, picking studies, string skipping, tremolo, triplets, cross-picking, intervals, linear studies, hammer-ons and pull-offs, and pick control. All exercises have tunes matched to their particular study and are perfect for the student to professional musician's everyday use. A must-have for any guitarist's library!-Ultimate guide on technique and perfect reference manual for everyday use -Covers warm-ups, picking studies, string skipping, tremolo, triplets, cross-picking, intervals, linear studies, hammer-ons and pull-offs, and pick control-All exercises have solos matched to their particular study-Ideal for the student to professional musician.ISBN 9781609740740. Guitar Journals is the ultimate reference guide of studies and solos in several different genres. This superb volume on technique covers warm-ups, picking studies, string skipping, tremolo, triplets, cross-picking, intervals, linear studies, hammer-ons and pull-offs, and pick control. All exercises have tunes matched to their particular study and are perfect for the student to professional musician's everyday use. A must-have for any guitarist's library!-Ultimate guide on technique and perfect reference manual for everyday use -Covers warm-ups, picking studies, string skipping, tremolo, triplets, cross-picking, intervals, linear studies, hammer-ons and pull-offs, and pick control-All exercises have solos matched to their particular study-Ideal for the student to professional musician.
$22.99 21.02 € #Guitare #William Bay #Guitar Journals - Technique #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure. There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.

Wesley Reid Scantlin: Control for guitar

Diatonic Arpeggios for Classical Guitar
Guitare

Guitar (classical and lute) - Intermediate - Digital Download Composed by Kenneth Mey…(+)

Guitar (classical and lute) - Intermediate - Digital Download Composed by Kenneth Meyer. Technique, Theory and Reference. Style. E-book. 44 pages. Mel Bay Publications - Digital Sheet Music #30615EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117358.<br> <br> Diatonic Arpeggios for Classical Guitar provides extended arpeggios for all chords over the full range of the guitar's tessitura. The fingerings provided for the left hand present a wide variety of shifting possibilities: open-string, glide, free-finger and squeeze shifts. Right-hand fingerings demonstrate sequencing patterns that will improve control and dexterity when navigating the thorniest concert repertoire.ISBN 9781619117358.<br> <br> Diatonic Arpeggios for Classical Guitar provides extended arpeggios for all chords over the full range of the guitar's tessitura. The fingerings provided for the left hand present a wide variety of shifting possibilities: open-string, glide, free-finger and squeeze shifts. Right-hand fingerings demonstrate sequencing patterns that will improve control and dexterity when navigating the thorniest concert repertoire.
$12.99 11.88 € #Guitare #Kenneth Meyer #Diatonic Arpeggios for Classical Guitar #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

#Control