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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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FORMATION MUSI…
GUITARE
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Piano seul
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2 Saxophones (duo)
25
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17
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13
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12
Hautbois, Piano (duo)
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10
Clarinette, Violon (duo)
10
Saxophone Tenor et Piano
9
Clarinette, Trompette (duo)
9
Cor anglais, Piano
8
Saxophone (partie séparée)
8
Saxophone Soprano et Piano
8
Clarinette
7
Saxophone Baryton, Piano
7
Saxophone Alto et Piano
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Flûte, Violon
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6
Flûte et Guitare
6
Clarinette et Alto
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Quatuor de Clarinettes: 4 clarinettes
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Flûte, Saxophone (duo)
5
2 Hautbois (duo)
5
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5
Saxophone Alto
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4
Flûte traversière
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3
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3
Hautbois (partie séparée)
3
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2
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1
Cor anglais, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Flûte irlandaise
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2 Flûtes traversières, Piano
1
Cor anglais et Harpe (duo)
1
Quatuor de Flûtes : 4 flûtes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette, Saxophone (duo)
10
Euphonium, Piano (duo)
9
Cor et Piano
9
Cor anglais, Piano
8
Trombone et Piano
8
2 Trombones (duo)
5
2 Trompettes (duo)
5
Trompette, Trombone (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette, Piano
4
Trompette
4
Cor
3
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
2
Tuba
2
Cor anglais, Guitare (duo)
1
4 Tubas
1
Cor anglais et Harpe (duo)
1
Trio de Cuivres
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violoncelle, Piano
20
Violon et Piano
14
Violon
14
Alto, Piano
9
2 Violons (duo)
9
2 Violoncelles (duo)
9
Violoncelle (partie séparée)
8
Contre Basse
7
Alto seul
6
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
5
2 Altos (duo)
4
Violon (partie séparée)
4
Harpe
4
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
3
Harpe, Flûte (duo)
3
Alto, Guitare (duo)
2
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle
1
Alto et Harpe
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
109
Orchestre à Cordes
32
Ensemble Jazz
14
Orchestre
14
Ensemble de cuivres
9
Jazz combo
7
Orchestre de chambre
2
Ensemble de Percussions
2
Fanfare
1
Marimba
1
Percussion (partie séparée)
1
Marimba, Piano (duo)
1
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AUTRES
Vous avez sélectionné:
Dance Mode
Guitare
Partitions à imprimer
15 partitions trouvées
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1
Interrupted Dance (He Who Sings is Not Always Happy)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
11.02 €
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Guitare
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
Hymn And Dance For The Forgotten
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
3.66 €
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Guitare
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Doug Smith
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Hymn And Dance For The Forgotten
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Doug Smith Guitar Studio
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.66 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Suite in modern style: I - Prelude II - By Circle III - Reflections IV - Dance
Guitare
Guitar - Early Intermediate - Digital Download Composed by Oleg Boyko. Contemporary C…
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Guitar - Early Intermediate - Digital Download Composed by Oleg Boyko. Contemporary Classical, Children's Music, Children's Musicals. Individual Part. 6 pages. Published by Oleg Boyko
For Kids<br> Suite in modern style:<br> I - Prelude<br> II - By Circle<br> III - Reflections<br> IV - Dance
$5.00
4.59 €
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Guitare
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Oleg Boyko
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Suite in modern style: I - Prelude II - By Circle III - Reflections IV - Dance
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Oleg Boyko
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SheetMusicPlus
Suite in D Lydian Mixed Mode
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation. Â The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.
$12.00
11.02 €
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Guitare
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Socrates Arvanitakis
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Suite in D Lydian Mixed Mode
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Socrates Arvanitakis
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.63 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
"A Sarabande for Joseph" for guitar solo
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.886744 Composed by Panagiotis Theo…
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Solo Guitar - Level 3 - Digital Download SKU: A0.886744 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Individual part. 6 pages. Panagiotis Theodossiou #6138205. Published by Panagiotis Theodossiou (A0.886744). A Sarabande for Joseph for guitar solo Op.87 (2020)A work dedicated to the American guitar soloist Joseph Ehrenpreis. A standard dance type of the Renaissance with a glance of modernity!
$8.00
7.35 €
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Guitare
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Panagiotis Theodossiou
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"A Sarabande for Joseph" for guitar solo
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Panagiotis Theodossiou
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SheetMusicPlus
"Suite for Joseph" for guitar solo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.886738 Composed by Panagiotis Theo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.886738 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Individual part. 11 pages. Panagiotis Theodossiou #6049981. Published by Panagiotis Theodossiou (A0.886738). Suite for Joseph for guitar solo op.82 (2020) A 6-part suite in neo-classical – neo-romantic and jazzy (Blues) style composed and dedicated to the American guitar soloist Joseph Ehrenpreis. Based on a series of notes derived from his letter name. The parts: I. Toccata (Allegro presciso) II. Ballade (L' istesso tempo - Alla breve) III. Startled but romantic (like a waltz, Allegro) IV. Reminiscence (Moderato) V. Funny Dance (L' istesso tempo) VI. Blues (Tempo di swing)
$12.00
11.02 €
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Guitare
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Panagiotis Theodossiou
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"Suite for Joseph" for guitar solo
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Panagiotis Theodossiou
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SheetMusicPlus
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
9.17 €
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Guitare
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
Etude de Bossa
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.928065 Composed by Vincent Ong. Co…
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Solo Guitar - Level 3 - Digital Download SKU: A0.928065 Composed by Vincent Ong. Contemporary,Instructional,Jazz,Latin. Individual part. 2 pages. Prima Acoustic Music #6535489. Published by Prima Acoustic Music (A0.928065). Key: A minor (Section A) A Major (Section B) Musical Form: Ternary form with introduction and coda Musical Texture: Homophonic Rhythm: Bossa nova dance Tempo: Andante moderato Etude de Bossa is a Bossa Nova music. Bossa nova is Portuguese, Bossa refers to the natural style and temperament when playing the Samba music, and Nova means new. This style originated in Brazil in the late 1950s. The composer Antonio Carlos Jobim and the guitarist João Gilberto may be considered the founders of this style, and later became the style of the theme song of A Felicide and Desafinado in the film Black Orpheus and caused a craze. The characteristic of Bossa nova rhythm is that the first, fourth, seventh, and eleventh beats of every two bars are retakes, and the others are light beats.
$10.00
9.18 €
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Guitare
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Vincent Ong
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Etude de Bossa
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Prima Acoustic Music
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SheetMusicPlus
Piece en Forme de Habenera
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899152 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899152 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #5957569. Published by Maggie Creek Music (A0.899152). Arranged for solo classical guitar 4 pp intermediate difficulty Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Piece en Forme de Habenera is from the 'Rapsodie espagnole', written for orchestra in 1907. Habenera is a Cuban dance that came to Spain in the mid-19th century and named after Havana (Habana).
$5.00
4.59 €
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Guitare
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Maurice Ravel
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Rod Whittle
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Piece en Forme de Habenera
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Maggie Creek Music
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SheetMusicPlus
Nicolas Vallet: Le Secret des Muses Transcribed for Classical Guitar
Guitare
Renaissance. Classics. E-book. 77 pages. Mel Bay Publications - Digital Sheet Music …
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Renaissance. Classics. E-book. 77 pages. Mel Bay Publications - Digital Sheet Music #30889EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459547. 8.75x11.75 inches.<br> <br> This book of 53 intermediate-level guitar pieces is derived from Le Secret des Muses, a two-volume collection of lute tablature by Nicolas Vallet (c. 1583 c. 1642). Born in France, by 1614 Vallet had relocated to Amsterdam where he established a dance school and was active as a composer, lute teacher and leader of a consort that played at weddings and festivals. Le Secret des Muses is among the last published collections of French lute tablature intended for the 10-course Renaissance lute, which was ultimately supplanted by the larger 13-course Baroque model. Most of these pieces consist of traditional European dance forms, but also contains a few settings of popular lute themes and longer works suitable for concert performance are included. Written in standard notation only with occasional drop-D tuning, these pieces make excellent sight-reading and warmup material as well as historically significant concert selections.
$14.99
13.76 €
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Guitare
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Nicolas Vallet: Le Secret des Muses Transcribed for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Reveries
Guitare
Guitar - intermediate - Digital Download 4 Pieces for Guitar. Composed by Laurent Men…
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Guitar - intermediate - Digital Download 4 Pieces for Guitar. Composed by Laurent Meneret. This edition: Sheet music. Downloadable. Schott Music - Digital #Q20923. Published by Schott Music - Digital
A slow waltz, a romance with Iberian colour, a Baroque dance and 'Pensees andalouses' with its Spanish and dance-like atmosphere carry you away to the musical world of 'Reveries'. The four pieces for solo guitar by Laurent Meneret (*1963) deal with different musical and technical aspects enabling the guitar player to discover different styles, colours and ways of playing. A rewarding addition to the modern guitar repertoire for performances and advanced lessons.
$11.99
11.01 €
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Guitare
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Reveries
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Schott Music - Digital
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SheetMusicPlus
Irish Folk Songs for Classical Guitar
Guitare
By Steve Marsh. For Guitar (Classical). Celtic/Irish. 48 pages. Published by Mel Bay Publi…
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By Steve Marsh. For Guitar (Classical). Celtic/Irish. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742621. Author Steve Marsh has spent many years playing guitar in the folk clubs of the United Kingdom where Irish music isin abundance. This collection draws from his extensive collection of original arrangements of traditional tunes. The songs vary in style and can be grouped into sets for use in a recital program. Many of the folk songs have been handed down from generation to generation so several versions of a song may exist. Therefore, the author has taken a few liberties with the tempo and rhythmic structures of a limited number of tunes in this collection. In general, the pieces in this album range from moderate standard to difficult. In standard notation only.
$12.99
11.93 €
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Guitare
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Steve Marsh
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Irish Folk Songs for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Kids Suites
Guitare
Guitar - Early Intermediate - Digital Download Composed by Oleg Boyko. Contemporary C…
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Guitar - Early Intermediate - Digital Download Composed by Oleg Boyko. Contemporary Classical, Swing, Latin Jazz, Latin, Children's Music. Individual Part. 21 pages. Published by Oleg Boyko
Item Number: S0.570759<br> <br> Suite in modern style<br> I - Prelude<br> II - By Circle<br> III - Reflections<br> IV - Dance<br> <br> https://youtu.be/K-iDvLF3rWg<br> <br> Suite in classical style<br> I - Prelude<br> II - Minuet<br> III - Saraband<br> IV - Jig<br> <br> https://youtu.be/SrU9DFS8CQ4<br> <br> Suite in Swing style<br> I - Prelude<br> II - Walk<br> III - Dreams<br> IV - Joking<br> <br> https://youtu.be/KZluL2hHt8w<br> <br> Suite in Latin style<br> I - Prelude<br> II - Tango<br> III - Milonga<br> IV - Samba<br> <br> https://youtu.be/yl03-91dOMY<br> <br> Polish Suite<br> I - Polonaise<br> II - Mazurka<br> III - Polka<br> IV - Krakowiak<br> <br> https://youtu.be/t6PFrsOH1rk
$15.00
13.77 €
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Guitare
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Oleg Boyko
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Kids Suites
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Oleg Boyko
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SheetMusicPlus
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