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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
Noviscore
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SheetMusicPlus
Tomplay
Virtualsheetmusic
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débutant
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intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1453
PIANO & CLAVIERS
Piano, Voix
1229
Piano seul
1077
Piano Facile
386
Instruments en Do
153
Orgue
137
Piano, Voix et Guitare
115
2 Pianos, 4 mains
29
1 Piano, 4 mains
24
Piano Trio: piano, violon, violoncelle
14
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue, Piano (duo)
3
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
Accordéon
1
Instrumentations suivantes
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GUITARES
Guitare
75
Guitare notes et tablatures
69
Ligne De Mélodie, (Paroles) et Accords
27
Ukulele
19
2 Guitares (duo)
5
Basse electrique
5
2 Ukuleles
3
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
Dulcimer
2
3 Guitares (trio)
1
Ensemble de guitares
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
500
Chorale 3 parties
172
Chorale 2 parties
109
Chorale Unison
85
Chorale TTBB
41
Chorale SSAA
25
Voix Soprano, Piano
19
Voix seule
6
Voix Alto, Piano
5
Voix duo, Piano
5
Voix haute
4
Voix duo
3
Voix Mezzo-Soprano, Piano
3
Voix basse, Piano
3
Chorale SSATB
3
Chorale
3
Voix Baryton, Piano
2
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Chorale SATBB
1
Chorale SATTBB A Cappella
1
Voix Tenor
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
181
2 Saxophones (duo)
180
Hautbois, Piano (duo)
148
Clarinette et Piano
142
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
122
Saxophone Alto et Piano
113
Quatuor de Saxophones: 4 saxophones
110
Flûte, Hautbois, Clarinette, Basson
102
Clarinette
97
Flûte traversière
94
Saxophone Alto
85
Quintette de Saxophone: 5 saxophones
82
Saxophone Soprano et Piano
81
Saxophone Tenor et Piano
77
Saxophone Baryton, Piano
72
Saxophone Tenor
63
2 Flûtes traversières (duo)
61
Saxophone (partie séparée)
59
2 Clarinettes (duo)
57
Hautbois
51
Hautbois (partie séparée)
49
Flûte à bec Soprano
40
Saxophone Baryton
37
2 Hautbois (duo)
34
Saxophone Soprano
33
3 Saxophones (trio)
25
Quatuor de Clarinettes: 4 clarinettes
23
2 Flûte à bec (duo)
22
Flûte, Clarinette (duo)
21
Flûte à bec Alto
19
Quatuor de Flûtes : 4 flûtes
19
Flûte à Bec
19
Hautbois, Basson (duo)
19
Cor anglais, Piano
18
Saxophone, Clarinette (duo)
17
Quintette de Clarinettes: 5 clarinettes
16
Clarinette, Violon (duo)
15
Flûte à bec Tenor
15
Trio de Flûtes: 3 flûtes
15
Flûte, Violoncelle
14
3 Clarinettes (trio)
13
Clarinette, Basson (duo)
13
Clarinette, Violoncelle (duo)
12
Flûte, Violon
12
Hautbois, Violoncelle
12
Clarinette et Alto
9
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Clarinette (trio)
7
Hautbois, Clarinette (duo)
7
Flûte, Alto (duo)
7
Hautbois, Flûte
6
Ensemble de Clarinettes
6
Clarinette (partie séparée)
6
Flute, harpe et violon
6
Flûte, Saxophone (duo)
6
Flûte et Guitare
5
Cor Anglais
5
Ensemble de Flûtes
5
Clarinette Basse, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Quintette de Flûte : 5 flûtes
5
Quatuor de Flûtes à bec
5
Flûte à bec Soprano, Piano
5
Ensemble de saxophones
4
3 Flûtes à bec (trio)
4
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Basson
3
Hautbois et alto (duo)
3
Flûte, Trompette (duo)
3
Flûte, trombone et piano
2
Flûte et Trio à cordes
2
Saxophone
2
Flûte à Bec, Piano
2
4 Hautbois
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Saxophone et Guitare
1
Clarinette, Contrebasse (duo)
1
Ensemble à vent
1
Clarinette, Tuba
1
Flûte, Tuba (duo)
1
Flûte, alto et harpe
1
Hautbois, trombone (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette Basse
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Trombone (duo)
1
2 Saxophones, Piano
1
Flute (partie séparée)
1
Hautbois, Harpe
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
Hautbois, violon (duo)
1
Flûte, Clarinette, Piano (trio)
1
Piccolo, Piano
1
Ensemble De Flûte à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Trompette, Piano
118
Trompette
103
Cor et Piano
102
Trombone et Piano
101
Tuba
96
Tuba et Piano
86
Cor
80
Trombone
71
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
2 Trompettes (duo)
37
2 Trombones (duo)
35
Euphonium, Piano (duo)
32
2 Cors (duo)
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Cor anglais, Piano
18
Quatuor de cuivres: 4 trombones
18
Quatuor de Cuivres
16
2 Euphoniums et 2 Tubas
15
2 Tubas (duo)
15
Trompette, Trombone (duo)
13
Euphonium
12
Trompette, Saxophone (duo)
12
Trombone (partie séparée)
12
4 Tubas
10
Trompette (partie séparée)
8
Cor, Violoncelle (duo)
6
Cor Anglais
5
Quatuor de cuivres: 4 trompettes
5
Ensemble de Trompettes
5
Cor (partie séparée)
4
Trompette, Violoncelle (duo)
4
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
Trompette, Cor (duo)
4
Trombone basse et Piano
3
3 Trombones (trio)
3
Ensemble de Tubas
3
Cor et Basson (duo)
2
Trombone, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba (partie séparée)
2
Trio de Cuivres
2
Trombone et orchestre
1
Cor anglais et Harpe (duo)
1
Trombone basse
1
Tuba et Orgue
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
Trompette, Basson (duo)
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Trompette et Guitare
1
Trombone, Violon (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor, Tuba (duo)
1
Ensemble de Trombones
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
937
Violon et Piano
221
Violoncelle, Piano
171
Trio à Cordes: violon, alto, violoncelle
156
Alto, Piano
155
Quintette à cordes: 2 violons, alto, violoncelle, basse
116
Violoncelle
108
Violon
101
Alto seul
79
Contre Basse
73
Contrebasse, Piano (duo)
72
2 Violons (duo)
64
Harpe
55
2 Violoncelles (duo)
49
Violon, Violoncelle (duo)
45
2 Altos (duo)
33
Trio à Cordes: 2 violons, violoncelle
30
Violon, Alto (duo)
22
Alto (partie séparée)
14
Violon, Basson (duo)
13
2 Contrebasses (duo)
12
Alto, Violoncelle (duo)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Quatuor à cordes: 4 violons
9
Trio à Cordes: 3 violoncelles
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Voix
7
Trio à cordes: 3 violins
6
Alto et Basson
6
Piano Trio: Violon, Alto, Piano
5
Quatuor à cordes : 4 altos
5
Violon (partie séparée)
4
Violon, Guitare (duo)
3
Trio à cordes: 3 altos
3
Harpe, Flûte (duo)
3
Violoncelle , Guitare (duo)
3
Violoncelle, Contrebasse (duo)
2
2 Violoncelles, Piano
2
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Contrebasse (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Violoncelle (partie séparée)
1
Harpe, Violon, Violoncelle
1
Violon, Violoncelle, Clarinette
1
Flûte, Contrebasse (duo)
1
Autoharp
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
498
Orchestre d'harmonie
425
Orchestre
74
Ensemble Jazz
70
Ensemble de cuivres
66
Orchestre de chambre
28
Marimba
25
Cloches
21
Fanfare
11
Ensemble de Percussions
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Vibraphone
8
Jazz combo
7
Batterie
7
Xylophone, Piano
6
Xylophone
5
Percussion
3
Percussion (partie séparée)
2
Batterie (partie séparée)
2
2 Xylophones
1
Piano et Orchestre
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
182
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Partitions à imprimer
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51
Cottin-Danse des Lutins(Dance of the Elves),for Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1372403 Composed by Alfred Cottin.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1372403 Composed by Alfred Cottin. Arranged by OSM Press. Classical. Individual part. 3 pages. Open Cloud #956702. Published by Open Cloud (A0.1372403).
$1.99
1.82 €
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Guitare
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Alfred Cottin
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OSM Press
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Cottin-Danse des Lutins(Dance of the Elves),for Guitar
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Open Cloud
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SheetMusicPlus
Coste-25 Études,Op.38,for Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1372015 Composed by Napoleon Coste…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1372015 Composed by Napoleon Coste. Arranged by OSM Press. Classical. Individual part. 39 pages. Open Cloud #956203. Published by Open Cloud (A0.1372015).
$12.99
11.88 €
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Guitare
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Napoleon Coste
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OSM Press
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Coste-25 Études,Op.38,for Guitar
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Open Cloud
#
SheetMusicPlus
MERCÊDES - ERNESTO NAZARETH - FOR GUITAR SOLO
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.529956 By FALLAHIN SCORE EDITIONS.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.529956 By FALLAHIN SCORE EDITIONS. By Ernesto Nazareth. Arranged by REGINALDO MARTINS. Classical. Individual part. 4 pages. Fallahin Score Editions #140209. Published by Fallahin Score Editions (A0.529956). TRANSCRIPTION FOR GUITAR SOLO. Mercedes Published in 1917 with the subtitle Mazurca de Expressão, this composition reveals Chopin's influence on Ernesto Nazareth's creations.
$12.00
10.98 €
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Guitare
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FALLAHIN SCORE EDITIONS
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REGINALDO MARTINS
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MERCÊDES - ERNESTO NAZARETH - FOR GUITAR SOLO
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Fallahin Score Editions
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.61 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Jesu, Joy of Man's Desiring - w/tremolo (Guitar Solo)
Guitare
Solo Guitar - Digital Download SKU: A0.753000 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.753000 Composed by Johann Sebastian Bach. Arranged by K. Love. Baroque,Wedding. Individual part. 3 pages. Kevin Edward Love #3428675. Published by Kevin Edward Love (A0.753000). A piece that needs no introduction. This version uses tremolo to express the choral interludes. Enjoy!
$3.95
3.61 €
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Guitare
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Johann Sebastian Bach
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K
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Jesu, Joy of Man's Desiring - w/tremolo
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Kevin Edward Love
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SheetMusicPlus
Marrakesh Express
Guitare
Solo Guitar - Digital Download SKU: A0.483622 By Crosby Stills and Nash. By Graham …
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Solo Guitar - Digital Download SKU: A0.483622 By Crosby Stills and Nash. By Graham Nash. Arranged by Steven Michael King. 20th Century,Contemporary,Pop. Individual part. 11 pages. Published by STEVEN KING (A0.483622). Solo Fingerstyle Guitar includes treble and tab clefs, arranged by Winfield Championship Winner Steven King, in his style that creates simultaneous melody, bass lines, chords and rhythms.
$4.99
4.56 €
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Guitare
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Crosby Stills and Nash
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Steven Michael King
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Marrakesh Express
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STEVEN KING
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SheetMusicPlus
Achieving Guitar Artistry - Linear Guitar Etudes
Guitare
Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 104 pages.…
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Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 104 pages. Mel Bay Publications - Digital Sheet Music #WBM23EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117143.<br> <br> This is the flagship book in Mel Bay's Achieving Guitar Artistry series. Herein you will find an extensive collection of linear pieces with interesting melodic content. Frequent performance of these etudes will not only enhance technique, but offer the guitarist a wonderful opportunity to improve tone, touch and lyrical phrasing.We suggest playing each etude at a slow tempo at first, the goal being to achieve a clear and beautiful tone on every note. The next objective is to develop a sense of lyrical completeness to each musical phrase. Make the phrases sing! Once you have achieved the desired quality of tone and expression, increase the tempo to work on the technique.Mel Bay's Guitar Journals - Mastering the Fingerboard: The Reading Book (MB20903) would make an ideal supplement to Linear Guitar Etudes as it presents etudes in all keys and positions.The pieces in Linear Guitar Etudes are multi-positional. That is, the player will be required to move from position to position on the fingerboard. The music is presented in standard notation only, with left-hand fingering included on the more complex passages, and circled numbers to indicate the strings where certainnotes and passages are to be played.These etudes sound good on both nylon and steel-string guitars, and will be a valuable addition to the music library of any guitarist, enhancing their abilities regardless of the style of music played.
$17.99
16.46 €
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Guitare
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William Bay
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Achieving Guitar Artistry - Linear Guitar Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Achieving Guitar Artistry - Contemporary Baroque Etudes
Guitare
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by Wi…
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Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by William Bay. Achieving Guitar Artistry. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM26EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117549.<br> <br> The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.
$17.99
16.46 €
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Guitare
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William Bay
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Achieving Guitar Artistry - Contemporary Baroque Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Achieving Guitar Artistry - Contemporary Picking Etudes
Guitare
Composed by Keijo Pennanen. Achieving Guitar Artistry. Technique, Theory, Reference &a…
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Composed by Keijo Pennanen. Achieving Guitar Artistry. Technique, Theory, Reference & Rhythm. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30620MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117501.<br> <br> Among fretted-instrument players there is an expression that states, The fret hand marks a player, but the pick hand distinguishes an artist. The 23 original compositions in this book offer a fresh basis to explore and develop plectrum or pick-style playing technique to a professional level. These pieces require various playing techniques and include: linear studies, double-stops, counterpoint, and chord playing. By studying and learning these pieces, guitarists can not only refine their technical mastery, but also enhance their skill level and artistry in solo guitar performance. This collection also includes eight duet arrangements to be played by two guitarists. The duets are fun to play as student/teacher sight-reading exercises, and can be used as guitar duo performance repertoire as well. The music is written in standard notation only. Access to online audio is included for all 31 pieces.
$14.99
13.71 €
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Guitare
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Keijo Pennanen
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Rhythm
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Achieving Guitar Artistry - Contemporary Picking Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Reflections: Ten Solos for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
18.29 €
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Guitare
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Michael Reardon
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Reflections: Ten Solos for Guitar
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Songburd Music
#
SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitare
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95
15.51 €
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Guitare
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Ernesto Garcia de Leon
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Ernesto García de León - 20 Estudios
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Michael Lorimer Editions
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SheetMusicPlus
La Chèvre de Mer (for Solo Guitar)
Guitare
Guitar, Classical Guitar - Intermediate - Digital Download Composed by Kenneth Pascia…
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Guitar, Classical Guitar - Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Century, Impressionistic, Repertoire, Recital. Individual Part. 7 pages. Published by Kenneth Pasciak
In Le Chèvre de Mer, an original composition for solo classical guitar, a simple, steady pulse in the lower range supports a contemplative melody, accompanied by a flowing triplet pattern, which gently guides the harmony of the piece.
$2.25
2.06 €
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Guitare
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Kenneth Pasciak
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La Chèvre de Mer
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Kenneth Pasciak
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SheetMusicPlus
Eight Octatonic Studies for Guitar
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Cen…
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Guitar - Advanced Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Century, Etudes and Exercises, Repertoire, Recital. Solo Part. 14 pages. Published by Kenneth Pasciak
Inspired by Toru Takemitsu and Leo Brouwer, Eight Octatonic Studies features eight short studies for classical or electric guitar. Each study explores the expressive potential of a single octatonic collection (also referred to as an octatonic scale or diminished scale). Studies I, IV and VI feature ostinato patterns that support evocative melodies. Study II is an exercise in octatonic counterpoint and imitation. Studies III and VII feature octatonic scalar motives punctuated by dyads and seventh chords. Study V simulates a tonal context, implying the key of D flat major. Finally, Study VIII explores the intervallic relationships inherent in an octatonic collection. Includes preface, 9 pages sheet music
$6.99
6.39 €
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Guitare
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Kenneth Pasciak
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Eight Octatonic Studies for Guitar
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Kenneth Pasciak
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SheetMusicPlus
'Golaud's Letter' from Pelleas et Melisande
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25803. Published by Maggie Creek Music (A0.899117). 2 pages; for solo classical guitar; published by Maggie Creek MusicClaude Debussy (1862 – 1918) Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion. The excerpt 'Golaud's Letter' from early in Debussy's only opera, the hugely influential ‘Pelleas and Melisande’, demonstrates this, and exhibits his masterful expression of mood and drama. Exquisite without being flowery, forceful but not overblown, the Letter's spoken voice recitative style is a natural accompaniment to the Letter's contents, while it accentuates the arrival of cadences.
$7.00
6.4 €
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Guitare
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Claude Debussy
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Rod Whittle
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for solo classical guitar
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'Golaud's Letter' from Pelleas et Melisande
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Maggie Creek Music
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SheetMusicPlus
Yellow
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1358588 By Coldplay. By Chris Mart…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1358588 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Glauco Fernandes. Chamber,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 2 pages. Glauco Fernandes #943047. Published by Glauco Fernandes (A0.1358588). Coldplay's 'Yellow' for GuitarEmbark on a captivating musical journey with our exclusive sheet music crafted for guitar. This carefully arranged solo piece, suitable for musicians at an easy/intermediate level, provides an educational and inspiring experience.Maintaining simplicity, this sheet music captures the essence of the original rendition of Coldplay's iconic song 'Yellow,' offering a valuable opportunity to develop your guitar skills. Ideal for guitarists looking to enhance their abilities in a relaxed manner, this solo arrangement allows you to explore the nuances of the melody.Acquire your sheet music now and immerse yourself in the expressive solo performance. This arrangement for guitar delivers a rich and versatile interpretation, suitable for various musical occasions.For more high-quality arrangements, look for Glauco Fernandes on our website. Contact us at glaucofernandes.arrangements@gmail.com. Expand your musical journey with additional arrangements specially designed for developing musicians and professionals looking to enhance their repertoire.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic). Elevate your musical experience with this inspiring solo arrangement of Coldplay's 'Yellow.'.
$4.99
4.56 €
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Guitare
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Coldplay
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Glauco Fernandes
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Yellow
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Glauco Fernandes
#
SheetMusicPlus
Yellow
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1358586 By Coldplay. By Chris Mart…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1358586 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Glauco Fernandes. Chamber,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 5 pages. Glauco Fernandes #943045. Published by Glauco Fernandes (A0.1358586). Coldplay's 'Yellow' for Guitar and PianoEmbark on a captivating musical journey with our exclusive sheet music crafted for guitar and piano. This carefully arranged duet, suitable for musicians at an easy/intermediate level, provides an educational and inspiring experience.Maintaining simplicity, this sheet music captures the essence of the original rendition of Coldplay's iconic song 'Yellow,' offering a valuable opportunity to develop your guitar skills. Ideal for guitarists looking to enhance their abilities in a relaxed manner, this duet arrangement allows you to explore the nuances of the melody.Acquire your sheet music now and immerse yourself in the expressive duet performance. This arrangement for guitar and piano delivers a rich and versatile interpretation, suitable for various musical occasions.For more high-quality arrangements, look for Glauco Fernandes on our website. Contact us at glaucofernandes.arrangements@gmail.com. Expand your musical journey with additional arrangements specially designed for developing musicians and professionals looking to enhance their repertoire.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic). Elevate your musical experience with this inspiring duet arrangement of Coldplay's 'Yellow.'.
$6.99
6.39 €
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Guitare
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Coldplay
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Glauco Fernandes
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Yellow
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Glauco Fernandes
#
SheetMusicPlus
Yellow
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1358585 By Coldplay. By Chris Mart…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1358585 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Glauco Fernandes. Chamber,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 5 pages. Glauco Fernandes #943044. Published by Glauco Fernandes (A0.1358585). Coldplay's 'Yellow' for Guitar and Piano with Chord NotationsEmbark on a captivating musical journey with our exclusive sheet music crafted for guitar and piano. This carefully arranged duet, suitable for musicians at an easy/intermediate level, provides an educational and inspiring experience, complete with chord notations.Maintaining simplicity, this sheet music captures the essence of the original rendition of Coldplay's iconic song 'Yellow,' offering a valuable opportunity to develop your guitar skills. Ideal for guitarists looking to enhance their abilities in a relaxed manner, this duet arrangement allows you to explore the nuances of the melody while incorporating chord notations for added depth.Acquire your sheet music now and immerse yourself in the expressive duet performance. This arrangement for guitar and piano with chord notations delivers a rich and versatile interpretation, suitable for various musical occasions.For more high-quality arrangements, look for Glauco Fernandes on our website. Contact us at glaucofernandes.arrangements@gmail.com. Expand your musical journey with additional arrangements specially designed for developing musicians and professionals looking to enhance their repertoire.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic). Elevate your musical experience with this inspiring duet arrangement of Coldplay's 'Yellow.'.
$6.99
6.39 €
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Guitare
#
Coldplay
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Glauco Fernandes
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Yellow
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Glauco Fernandes
#
SheetMusicPlus
Yellow
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1358587 By Coldplay. By Chris Mart…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1358587 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Glauco Fernandes. Chamber,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 2 pages. Glauco Fernandes #943046. Published by Glauco Fernandes (A0.1358587). Coldplay's 'Yellow' for Guitar with Chord NotationsEmbark on a captivating musical journey with our exclusive sheet music crafted for guitar. This carefully arranged solo piece, suitable for musicians at an easy/intermediate level, provides an educational and inspiring experience, complete with chord notations.Maintaining simplicity, this sheet music captures the essence of the original rendition of Coldplay's iconic song 'Yellow,' offering a valuable opportunity to develop your guitar skills. Ideal for guitarists looking to enhance their abilities in a relaxed manner, this solo arrangement allows you to explore the nuances of the melody while incorporating chord notations for added depth.Acquire your sheet music now and immerse yourself in the expressive solo performance. This arrangement for guitar with chord notations delivers a rich and versatile interpretation, suitable for various musical occasions.For more high-quality arrangements, look for Glauco Fernandes on our website. Contact us at glaucofernandes.arrangements@gmail.com. Expand your musical journey with additional arrangements specially designed for developing musicians and professionals looking to enhance their repertoire.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic). Elevate your musical experience with this inspiring solo arrangement of Coldplay's 'Yellow.'.
$4.99
4.56 €
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Guitare
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Coldplay
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Glauco Fernandes
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Yellow
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Glauco Fernandes
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
10.97 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Ballad
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1033821 By Adam Frank. By Adam Fra…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1033821 By Adam Frank. By Adam Frank. 20th Century,Classical,Contemporary,Romantic Period. Individual part. 2 pages. Adam Frank #639135. Published by Adam Frank (A0.1033821). This character piece stands out as a compelling nod to Romanticism. Despite the simplistic form and texture, it is uncompromising in expressivity and attention to detail.
$4.99
4.56 €
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Guitare
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Adam Frank
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Ballad
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Adam Frank
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SheetMusicPlus
Via Dolorosa
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1360434 By Sandi Patty. By Billy S…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1360434 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Instructional,Religious,Singer/Songwriter. Individual part. 2 pages. Glauco Fernandes #944929. Published by Glauco Fernandes (A0.1360434). Exclusive Sheet Music: Via Dolorosa Arrangement - Easy/Intermediate LevelWe present a unique and accessible arrangement of the emotional melody of Via Dolorosa, perfectly tailored for musicians at an easy/intermediate level looking to enrich their repertoire.Key Features:1. Ease of Execution: Designed for musicians in the refinement phase, providing an engaging interpretation with accessible difficulty levels.2. Versatility for Religious Events: Ideal for adding an emotional and spiritual atmosphere to religious events. Your congregation will be moved by the beauty of this special arrangement.3. Quality Educational Material: Teachers, enhance your lessons with sheet music that challenges and educates. Explore expressive nuances while developing technical skills.4. Students Seeking Challenges: Perfect for students aiming to overcome obstacles and elevate their musical performance. Deliver a memorable presentation in your performances.Why acquire this sheet music?- Professional Guidance: Develop your musical skills with an arrangement crafted by experienced professionals, ensuring a rewarding musical experience.- Unique Expressiveness: This arrangement stands out for its emotional interpretation, providing a rich and engaging musical experience.- Valuable Educational Supplement: Engage your students in enjoyable learning, providing a comprehensive educational resource to enhance their musical abilities.Acquire the Via Dolorosa sheet music now and elevate your performances to new heights. If you wish to explore more quality sheet music, consider searching for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.comDon't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic).
$4.99
4.56 €
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Guitare
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Sandi Patty
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Glauco Fernandes
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Via Dolorosa
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Glauco Fernandes
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SheetMusicPlus
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