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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Different Strings
Sheetmusicplus
Non classifié
186
Piano & claviers
Piano seul
9
Piano, Voix et Guitare
7
Accompagnement Piano
6
Piano, Voix
4
Instruments en Do
3
Piano Facile
3
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
20
Guitare notes et tablatures
11
Basse electrique
4
Ukulele
3
2 Guitares (duo)
2
Ensemble de guitares
1
+ 1 instrumentations
Retracter
Voix
Chorale Unison
9
Chorale SATB
6
Chorale 2 parties
3
Chorale 3 parties
3
Voix duo
2
Chorale
1
+ 1 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Alto
2
Ensemble de Flûtes
2
Quatuor de Saxophones: 4 saxophones
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Hautbois (duo)
1
Ensemble de saxophones
1
Flûte, Clarinette et Basson
1
Flûte et Trio à cordes
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte traversière et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone Alto et Piano
1
3 Clarinettes (trio)
1
Saxophone et Guitare
1
Clarinette, Guitare (duo)
1
Clarinette
1
+ 14 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon
13
Violon et Piano
11
Violon, Alto (duo)
11
2 Violons (duo)
6
Violon (partie séparée)
5
Harpe
5
Quatuor à cordes: 4 violons
5
Violon, Violoncelle (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto, Piano
4
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle
2
Contre Basse
2
Violoncelle, Piano
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orchestre
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Alto seul
1
Alto, Guitare (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
56
Orchestre
33
Orchestre de chambre
26
Ensemble d'École
8
Orchestre d'harmonie
7
Ensemble Jazz
6
Ensemble de Percussions
1
Percussion (partie séparée)
1
Piano et Orchestre
1
Batterie
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Vous avez sélectionné:
Different Strings
SheetMusicPlus
Partitions à imprimer
20 partitions trouvées
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1
Games With Strings
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Guitare
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FACILE
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Plamen Petrov
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Plamen Petrov
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Games With Strings
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Plamen Petrov
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1357881 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Contemporary,Jazz. Individual part. 32 ...
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Solo Guitar - Level 2 - SKU: A0.1357881 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Contemporary,Jazz. Individual part. 32 pages. Plamen Petrov #942388. Published by Plamen Petrov (A0.1357881). Games with strings is a book with 14 easy compositions for classic or acoustic guitar. In Different stiles. Melodic and lovely. All pieces can find in YouTube.
$10.00
Yesterday
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Richard Hirsch
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Yesterday
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Re...
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Solo Guitar - Level 4 - SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Renaissance,Standards. Individual part. 5 pages. Richard Hirsch #699472. Published by Richard Hirsch (A0.1095456). An arrangement of the Beatles classic for solo acoustic guitar. The arrangement tries to capture the sense of remorse and loss expressed in the song using arpeggio-like minor chords with many open strings and the same note played on different strings. The arrangement is inspired by a similarity I find in the melody to older pieces by John Dowland and the folk melody Greensleeves. I strive to give the piece an old-fashioned, almost Renaissance, character in accord with its basic modal nature. Some parts of the arrangement may be interpreted as a sort of Fantasia based on the original melody. A nice piece for an encore to a program of early music for the guitar! As the notation is accompanied by tablature, I refrain from giving left-hand fingering and leave the right-hand fingering to the taste and discretion of the performer. The piece is within reach of intermediate to advanced guitarists. The piece also works well as an introduction to locating notes in the higher, seventh, ninth, and tenth positions and could therefore serve as instruction for less advanced guitarists, especially since the piece is played at a slow to moderate tempo.
$6.99
Fledgling Blackbird
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Guitare
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INTERMÉDIAIRE
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Dan Jones
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Fledgling Blackbird
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DanJonesGuitarist
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1142470 By Dan Jones. By Dan Jones www.danjonesguitarist.com. Classical,Country,Folk,Instructional. Individual part. 4 p...
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Solo Guitar - Level 3 - SKU: A0.1142470 By Dan Jones. By Dan Jones www.danjonesguitarist.com. Classical,Country,Folk,Instructional. Individual part. 4 pages. DanJonesGuitarist #742837. Published by DanJonesGuitarist (A0.1142470). Fledgling Blackbird by Dan Jones www.danjonesguitarist.com As a guitarist and teacher with nearly 30 years of experience, one piece which many guitarists of all styles are keen to play is Paul McCartney's beautiful acoustic ballad, 'Blackbird'. The key to mastering this particular song is to learn the right hand (or left hand in McCartney's case!) picking pattern. It is based on a repeated thumb movement which alternates rapidly, on the beat, between two bass notes on different strings. Once this is mastered, the player can tackle the considerable fretting-hand challenges of the song. I wanted to compose a piece which could hold its own musically in a performance, but also give the learner the chance to master the country-inspired 'Blackbird' picking pattern, with fewer challenges for the fretting hand. I hope that 'Fledgling Blackbird' achieves these aims. For a wealth of compositions, arrangements, writings, teaching materials and much more, please visit www.danjonesguitarist.com Dan Jones, December 2022.
$3.50
Prelude No 1 in D (Memories)
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Guitare
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INTERMÉDIAIRE
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Simon James
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Prelude No 1 in D
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DML
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #78484...
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Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
Prelude No 2 in A (Flight)
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Guitare
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INTERMÉDIAIRE
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Simon James
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Prelude No 2 in A
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DML
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1147461 By Simon James. By Simon James. Classical,Contemporary,Instructional,Multicultural,World. Individual part. 6 pag...
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Solo Guitar - Level 3 - SKU: A0.1147461 By Simon James. By Simon James. Classical,Contemporary,Instructional,Multicultural,World. Individual part. 6 pages. DML #747697. Published by DML (A0.1147461). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both. This piece is based on the simple idea of an A major chord, a D major7 chord and an E9 chord in 5th position played with an unusual right hand pattern giving a time signature of 10/8. Don’t panic, if you play the right hand pattern correctly, as indicated, it automatically comes out correctly. You will find all the techniques you need in my book The Art Of Accompaniment On The Guitar. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional. The score is available on Sheet Music Plus and Sheet Music Direct.
$2.99
Pulso de la vida
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Guitare
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AVANCÉ
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions...
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Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
Sad Dreams #1
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Guitare
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INTERMÉDIAIRE
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Kojiro Yuan
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Sad Dreams #1
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Kojiro Y
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #4783101. Published by ...
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Solo Guitar - Level 3 - SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #4783101. Published by Kojiro Y (A0.1032373). Sad Dreams #1 is one of my Solo Guitar Compositions. It depicts the sad dreams created by the human mind. Every phrase and section expresses different sad dreams of the human mind. This piece is suitable for Classical Guitar players at the Intermediate Level. It contains arpeggios, scales, 2 part harmony, 3rds, 10ths and more. This sheet music of it contains tempo markings, dynamics, ritardando, etc. The fingerings for this piece can be adjusted to suit the needs and abilities of the individual Guitar Player. The recommendation is to use open strings when possible to give the Left-Hand space to relax between the notes and to keep the shifts of the scales to a minimum. The recommendation also is to use Right-Hand Fingerings that are natural and fit the space between the strings.
$12.00
Chaconne
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Guitare
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Contemporain
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Adrian Borza
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Chaconne
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Adrian Borza
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SheetMusicPlus
Guitar - SKU: A0.1071448 Composed by Adrian Borza. 20th Century,Contemporary. Full Performance. Duration 411. Adrian Borza #2945703. Published by Adrian...
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Guitar - SKU: A0.1071448 Composed by Adrian Borza. 20th Century,Contemporary. Full Performance. Duration 411. Adrian Borza #2945703. Published by Adrian Borza (A0.1071448). Chaconne gives you a one-of-a-kind music experience, requiring not only to retune a classical guitar, but also to adjust the way you think about microtones. A standard guitar with no extra frets allows a completely different intonation than the twelve-tone equal temperament by producing quarter-tones. Chords will sound in tune on some strings, but this piece would have more out-of-tune notes on other strings.
$1.99
À vos guitares, prêts, jouez! Vol. 4
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Guitare
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À vos guitares, prêts, jouez
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SheetMusicPlus
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end...
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List
:
1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (étude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95
Heartbeats
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jose Gonzalez
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Pablo Alcázar
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Heartbeats
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Si...
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Solo Guitar - Level 4 - SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo (No fingerings, neither marks)
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Guitare
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FACILE
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Matteo Carcassi
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Cristiano Sousa
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STUDY nº 1 op. 60 [ by Ma
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Cristiano Sousa
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.941923 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual par...
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Solo Guitar - Level 2 - SKU: A0.941923 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330449. Published by Cristiano Sousa (A0.941923). Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).This edition DOES NOT feature detailled fingerings, being useful as blank material for scratches.You can contact me at cristiano.sousa.santos@gmail.com .
$2.99
Suite in lute tuning for classical guitar (mp3)
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Guitare
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David Warin Solomons
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Suite in lute tuning for class
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David Warin Solomons
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SheetMusicPlus
Guitar - SKU: A0.1060178 Composed by David Warin Solomons. 20th Century,Contemporary,Ragtime. Full Performance. Duration 421. David Warin Solomons #6794...
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Guitar - SKU: A0.1060178 Composed by David Warin Solomons. 20th Century,Contemporary,Ragtime. Full Performance. Duration 421. David Warin Solomons #6794789. Published by David Warin Solomons (A0.1060178). The guitar is tuned with the third string down a semitone (F sharp), like a transposed lute, which provides for some different sonorities as the stopped and unstopped strings follow a slightly different logic from that used in standard classical guitar music. It is reminiscent in places of the music of Alonso Mudarra, a lutenist and vihuelist of the 16th century but the fast movement (heard at the beginning and the end of the suite) is closer to that of ragtime, albeit a somewhat frenetic ragtime.
$4.50
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
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Guitare
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FACILE
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Matteo Carcassi
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Cristiano Sousa
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STUDY nº 1 op. 60 [ by Ma
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Cristiano Sousa
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.941922 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual par...
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Solo Guitar - Level 2 - SKU: A0.941922 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330443. Published by Cristiano Sousa (A0.941922). Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).
$5.99
Suite in lute tuning for guitar solo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Suite in lute tuning for guita
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.576100 Composed by David Warin Solomons. 20th Century. Individual part. 5 pages. David Warin Solomons #2030541. Publishe...
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Solo Guitar - Level 4 - SKU: A0.576100 Composed by David Warin Solomons. 20th Century. Individual part. 5 pages. David Warin Solomons #2030541. Published by David Warin Solomons (A0.576100). The guitar is tuned with the third string down a semitone (F sharp), like a transposed lute, which provides for some different sonorities as the stopped and unstopped strings follow a slightly different logic from that used in standard classical guitar music. It is reminiscent in places of the music of Alonso Mudarra, a lutenist and vihuelist of the 16th century but the fast movement (heard at the beginning and the end of the suite) is closer to that of ragtime, albeit a somewhat frenetic ragtime. Performed here by András Csáki.
$10.00
Away in a Manger (Spillman Version)
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Guitare
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Noël
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Jonathan Spillman
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Bronson Ferdinand Wright
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Away in a Manger
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Bronson Ferdinand
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SheetMusicPlus
Solo Guitar - SKU: A0.1364456 Composed by Jonathan Spillman. Arranged by Bronson Ferdinand Wright. Advent,Christian,Christmas,Jazz,Standards. Individual...
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Solo Guitar - SKU: A0.1364456 Composed by Jonathan Spillman. Arranged by Bronson Ferdinand Wright. Advent,Christian,Christmas,Jazz,Standards. Individual part. 2 pages. Bronson Ferdinand #948748. Published by Bronson Ferdinand (A0.1364456). Chord melody arrangement of the Jonathan Spillman version of Away in a Manger.This arrangment features:-interesting harmonizations and chord voicings-different time signature than the original-creative ways to incorporate open strings which adds an ethereal qualityIn the style of Bill Frisell, Tim Lerch and Ted Greene.
$4.99
Partita II (BWV1004) in d minor transcribed for guitar
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Partita II
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #64...
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Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  ÂÂ
$8.00
Angels We Have Heard on High
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Guitare
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INTERMÉDIAIRE
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Noël
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Music:Traditional / Words by:
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John Chamley
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Angels We Have Heard on High
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John Chamley
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classica...
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Solo Guitar - Level 3 - SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classical,Folk,Traditional. Individual part. 3 pages. John Chamley #882686. Published by John Chamley (A0.1292094). This is a festive and fun piece. It will probably take some preparing to play this up to speed if you want to play it fast. The chorus has a nice counterÂÂmelody in the bass. The main melody also switches octaves as you might hear a choir exchange parts between the different voices. The first verse stays in the main voice, then the 2nd verse moves up an octave, then down to the bass strings. A certain amount of syncopation will keep the fingers busy on the right hand. The left will need to handle a few stretches but nothing outrageous. A 1/2 barre is required at one point along the way.
$2.99
The Crystal Palace
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Adam Frank
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The Crystal Palace
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Adam Frank
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.976152 By Adam Frank. By Adam Frank. 20th Century,Classical,Contemporary,New Age. Individual part. 7 pages. Adam Frank #...
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Solo Guitar - Level 4 - SKU: A0.976152 By Adam Frank. By Adam Frank. 20th Century,Classical,Contemporary,New Age. Individual part. 7 pages. Adam Frank #581515. Published by Adam Frank (A0.976152). The Crystal Palace is a solo guitar piece written in an altered tuning. Passages highlighting different effects, such as harmonics ringing out over open strings, droning bass notes, and rasgueados adds to the already prevailing mystical quality of this developmental piece.
$4.99
Killer Technique: Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Gohar Vardanyan
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Killer Technique: Classical Gu
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Gohar Vardanyan. For Guitar (Classical). Technique. Killer Technique. Intermediate-Advanced. Book. 20 pages. Published by Mel Bay Publications - Dig...
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Composed by Gohar Vardanyan. For Guitar (Classical). Technique. Killer Technique. Intermediate-Advanced. Book. 20 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114708. All the exercises in "Killer Technique: Classical Guitar" are either based on or inspired by challenging passages and patterns that appear in compositions. Technical elements and passages have been stripped down and transformed into exercises to help the reader concentrate on specific targets through repetition. The exercises cover various techniques, such as finger independence in both hands, different types of shifts, in-context slurs, in-context arpeggios, scales, tremolo and switches between different technical elements. The exercises are presented in standard notation and tablature. Explanations and instructions are also provided. By using standard notation, the exercises include detailed information regarding fingerings and strings. Tablature versions of the exercises are also included, however, the rhythm and finger information is written in standard notation.The exercises are divided into two main sections: right-hand and left-hand. Each section consists of different categories specific to that hand. The exercises are not written in any particular order within each category - by practicing these exercises, the reader will master difficult technical transitions when they are encountered in compositional contexts.
$9.99
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