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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E Woman
Non classifié
48
Piano & claviers
Piano, Voix
43
Piano seul
22
Piano grosses notes
15
Orgue
12
Piano, Voix et Guitare
9
Piano (partie séparée)
7
Piano Facile
4
2 Pianos, 4 mains
1
Clavier
1
+ 4 instrumentations
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Guitares
Basse electrique
14
Guitare notes et tablatures
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare
2
Piano, Guitare (duo)
1
Ukulele
1
+ 1 instrumentations
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Voix
Chorale SATB
10
Chorale 3 parties
7
Chorale SSAA
6
Voix Soprano, Piano
3
Voix Mezzo-Soprano, Piano
2
Chorale 2 parties
2
Voix Baryton, Piano
1
Voix haute
1
Chorale TTBB
1
Voix duo
1
+ 5 instrumentations
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Vents
Saxophone (partie séparée)
37
Clarinette (partie séparée)
10
Hautbois (partie séparée)
7
Flute (partie séparée)
7
Flûte traversière et Piano
4
Saxophone Soprano et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Alto et Piano
1
Clarinette et Piano
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Tenor
1
Ensemble de Clarinettes
1
+ 10 instrumentations
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Cuivres
Trompette (partie séparée)
21
Trombone (partie séparée)
14
Cor (partie séparée)
4
Tuba (partie séparée)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette
1
+ 2 instrumentations
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Cordes
Violon (partie séparée)
19
Alto (partie séparée)
9
Contrebasse (partie séparée)
7
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violoncelle (partie séparée)
4
Harpe
2
Violon, Violoncelle (duo)
2
Violon et Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe (partie séparée)
1
Violon, Alto (duo)
1
Violon
1
+ 7 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
10
Percussion (partie séparée)
10
Batterie (partie séparée)
5
Orchestre à Cordes
3
Orchestre de chambre
3
Orchestre
2
Ensemble Jazz
1
Jazz combo
1
Fanfare
1
+ 4 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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METHODE : TECHNIQUES
NOËL
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POP ROCK - POP MUSIC
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Vous avez sélectionné:
E Woman
Guitare
Partitions à imprimer
2 partitions trouvées
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Woman
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Guitare
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FACILE
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Doja Cat
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David Rain Banta
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Woman
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David E Banta
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1144967 By Doja Cat. By Aaron Horn, Amala Dlamini, Aynzli Jones, David Sprecher, Jidenna Mobisson, Linden Jay, and Lydia...
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Solo Guitar - Level 2 - SKU: A0.1144967 By Doja Cat. By Aaron Horn, Amala Dlamini, Aynzli Jones, David Sprecher, Jidenna Mobisson, Linden Jay, and Lydia Asrat. Arranged by David Rain Banta. Contemporary,Disco,Multicultural,Singer/Songwriter,World. Individual part. 10 pages. David E Banta #745283. Published by David E Banta (A0.1144967). Woman by Doja Cat Lead sheet. with melody, guitar tabs, and diagrams, and lyrics.
$4.99
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
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