ISBN 9781619117181.

This Mel Bay Qwikguide begins with basic music theory about scales and keys and teaches how to transpose several songs with and without the capo. Then we look at chords in keys and explore some typical chord progressions by swapping numbers (one, four, five) for the chord names (D, G, A). Finally we study the Nashville Numbering System in depth by examining different notation styles and converting several well-known songs to number charts. The more advanced number charts show detailed arrangements with modulations, intros, extros, a variety of chords, repeats, fermatas, strum patterns, beat accents, and much more. If you're interested in why the capo works as it does; if you're a songwriter or gigging musician who needs to know how to read, write, and understand Nashville Number charts, this book is for you!

This arrangement is for classical guitar in standard notation WITHOUT TABS! It is for those of you who are comfortable reading music and don´t like to have so many pages on their music stand..;)
You will have to tune the 6th String down to D and the 5th String down to G. That´s it!!
You can also find a the same version of this arrangement with TABS on sheetmusicplus. Please let me know if you have any questions. I would be glad to help you out! Here is my E-mail: info@nikymusic.com

ISBN 9781619113558.

For decades, guitar students and teachers alike have struggled with the idea of left-handed individuals playing right-handed. Now that the idea of letting the dominant hand rule is widely accepted as the best course of action, here at last is a proven method for the left-handed guitarist! The world's premier method for learning modern plectrum style guitar, time-tested and proven successful in building the theoretic and technical foundation needed to play in any style. All seven grades of this method are written in standard notation only to encourage better sight reading. In Grade 1, the student guitarist will learn to play solos, duets, scales, and chords in the keys of C, A minor, G and E minor. Even in Grade 1, the student is already exposed to the chord/melody concept of guitar performance. A supplementary study book entitled Grade 1 Studies, two different play-along audio recordings (pop version and traditional), and video are available. The companion recordings feature Tommy Flint and William Bay playing in split-track format, with the solo parts performed on the right channel, and the accompaniment or second duet parts played on the left. The student can play along with the full recording, or tune out either channel and play the missing part. The Left-Handed Modern Guitar Method Grade 1 provides valuable enhancement to the world's most popular guitar method.

A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called ?Andalusian? cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.

Song List: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer