English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
57
Librairie
Musicale
13
Matériel
de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
409
PIANO & CLAVIERS
Piano seul
758
Piano Facile
256
Piano, Voix et Guitare
36
Piano, Voix
32
Orgue
27
Instruments en Do
26
1 Piano, 4 mains
25
Piano Trio: piano, violon, violoncelle
13
Accompagnement Piano
5
2 Pianos, 4 mains
4
Clavecin
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
2
1 Piano, 6 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
116
Guitare
57
2 Guitares (duo)
8
Piano, Guitare (duo)
5
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
3
Guitare, Violon, Violoncelle (trio)
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Basse electrique
2
Mandoline, Piano (duo)
1
Mandoline
1
Ensemble de guitares
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
70
Chorale 3 parties
28
Chorale TTBB
14
Chorale 2 parties
13
Chorale SSAA
12
Voix duo
6
Chorale
6
Voix duo, Piano
5
Voix Soprano, Piano
4
Chorale Unison
2
Voix Tenor
2
Voix, Guitare
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Flûte traversière et Piano
56
Clarinette et Piano
53
Saxophone Alto et Piano
36
Hautbois, Piano (duo)
34
Quatuor de Clarinettes: 4 clarinettes
31
Quatuor de Saxophones: 4 saxophones
31
2 Flûtes traversières, Piano
27
Flûte, Hautbois, Clarinette, Basson
25
Saxophone Soprano et Piano
22
2 Saxophones (duo)
20
Flûte et Guitare
19
Flûte traversière
17
Quatuor de Flûtes : 4 flûtes
16
2 Flûtes traversières (duo)
13
2 Clarinettes (duo)
12
Saxophone Tenor et Piano
12
3 Clarinettes (trio)
11
Clarinette
9
Ensemble de Flûtes
8
Saxophone Baryton, Piano
8
Quintette de Clarinettes: 5 clarinettes
8
Ensemble de Clarinettes
7
2 Hautbois (duo)
7
Quatuor de Flûtes à bec
7
Clarinette, Guitare (duo)
7
Clarinette Basse, Piano
7
Saxophone, Clarinette (duo)
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Clarinette (duo)
6
Trio de Flûtes: 3 flûtes
5
Flûte, Clarinette, Piano (trio)
5
3 Saxophones (trio)
4
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Violon, Piano
4
Cor anglais, Piano
4
Flûte, Saxophone (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Flûte à bec (duo)
2
Flûte, Clarinette et Basson
2
Clarinette et Alto
2
Ensemble de saxophones
2
Hautbois (partie séparée)
2
Hautbois, Flûte
2
Flûte à bec, Guitare (duo)
2
Hautbois, Clarinette (duo)
2
Saxophone Alto
2
Clarinette (partie séparée)
2
Clarinette, Basson (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon
2
Saxophone Tenor
2
Quintette de Flûte : 5 flûtes
1
Flûte, Alto (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Harpe et Violoncelle
1
Ensemble à vent
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Basson (duo)
1
Saxophone (partie séparée)
1
3 Hautbois
1
Hautbois, Violoncelle
1
Clarinette, Trombone (duo)
1
Cor anglais, Guitare (duo)
1
Cor Anglais
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
65
Trombone et Piano
26
Quatuor de Cuivres
20
Trompette, Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Cor et Piano
16
Euphonium, Piano (duo)
14
Trompette
10
Trombone
7
Tuba et Piano
7
2 Trombones (duo)
6
2 Trompettes (duo)
6
Ensemble de Trompettes
5
Ensemble de Trombones
5
Trio de Cuivres
4
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Trompette, Trombone (duo)
4
Cor anglais, Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor
3
Tuba
3
Quatuor de cuivres: 4 trombones
3
2 Euphoniums (duo)
2
Trombone basse
2
Euphonium
2
3 Trompettes (trio)
1
Cor et Harpe
1
Ensemble de Cors
1
Cor anglais, Guitare (duo)
1
Cor Anglais
1
2 Tubas (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
86
Quatuor à cordes: 2 violons, alto, violoncelle
82
Alto, Piano
42
Violoncelle, Piano
40
Violon, Guitare (duo)
20
Harpe
18
Trio à Cordes: violon, alto, violoncelle
15
Violon
10
2 Violons (duo)
8
Violon, Violoncelle (duo)
7
2 Harpes (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle
6
Trio à Cordes: 2 violons, violoncelle
5
Alto, Guitare (duo)
5
2 Violoncelles (duo)
5
Contrebasse, Piano (duo)
4
Alto seul
4
Violon, Alto (duo)
4
4 Violoncelles
3
2 Altos (duo)
3
Alto (partie séparée)
3
Trio à cordes
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
2
Violon (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
1
3 Harpes
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Alto et Harpe
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
105
Orchestre à Cordes
55
Orchestre
45
Ensemble de cuivres
20
Orchestre de chambre
18
Ensemble de Percussions
12
Batterie
9
Ensemble Jazz
8
Jazz combo
3
Quintette à Vent
1
Xylophone
1
Instrumentation Flexible
1
2 Xylophones
1
Vibraphone
1
Quatuor à Vent : 4 instruments à vents
1
Piano et Orchestre
1
Fanfare
1
Marimba
1
Marimba, Piano (duo)
1
Cloches
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Early 20th century
Guitare
Partitions à imprimer
57 partitions trouvées
<
1
26
51
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and…
(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
38.91 €
#
Guitare
#
Bryan Johanson and Jesse McCann
#
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Arioso (Sinfonia, from Cantata BWV 156)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271147 By Johann Sebastian Bach. …
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1271147 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Antonio López Villanueva/Ivan Paschoito. Baroque,Christian,Praise & Worship,Sacred. Individual part. 2 pages. Ivan Paschoito #863541. Published by Ivan Paschoito (A0.1271147). This never published arrangement of this famous Bach piece was written by the Murcian guitarist Antonio López Villanueva in the early 20th century. Preserved only in manuscript by the arranger, it has been made available to the public by the Archivo General - Region de Murcia (https://archivogeneral.carm.es/archivoGeneral/arg.inicio).
$2.99
2.71 €
#
Guitare
#
Johann Sebastian Bach
#
Arioso
#
Ivan Paschoito
#
SheetMusicPlus
Preludio
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert…
(+)
Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert Pieces from 6 Centuries for Guitar (easy). This edition: Sheet music. Guitar - classical music - original pieces. Guitarissimo. 130 leichte Vortragsstücke aus 6 Jahrhunderten für Gitarre. Downloadable. Schott Music - Digital #Q46314. Published by Schott Music - Digital (S9.Q46314). Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers. The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance – Baroque – Classical period – Romanticism and early 20th century – modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method. Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter. The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much.
$21.99
19.92 €
#
Guitare
#
Preludio
#
Schott Music - Digital
#
SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.8 €
#
Guitare
#
Anon
#
Keith Terrett
#
Romance Anonimo
#
Keith Terrett
#
SheetMusicPlus
Suite Imaginaria
Guitare
Solo Guitar - Digital Download SKU: A0.962310 Composed by Sergio Roberto de Oliveir…
(+)
Solo Guitar - Digital Download SKU: A0.962310 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Individual part. 14 pages. Sergio Roberto de Oliveira #3037195. Published by Sergio Roberto de Oliveira (A0.962310). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$17.02
15.42 €
#
Guitare
#
Sergio Roberto de Oliveira
#
Suite Imaginaria
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Umas coisas do coracao
Guitare
Solo Guitar - Digital Download SKU: A0.962347 Composed by Sergio Roberto de Oliveir…
(+)
Solo Guitar - Digital Download SKU: A0.962347 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Individual part. 9 pages. Sergio Roberto de Oliveira #4794239. Published by Sergio Roberto de Oliveira (A0.962347). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$4.85
4.39 €
#
Guitare
#
Sergio Roberto de Oliveira
#
Umas coisas do coracao
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
TIENTO PARA UN PENSADOR for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 2…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.
$9.99
9.05 €
#
Guitare
#
Daniel Cueto
#
TIENTO PARA UN PENSADOR for guitar
#
Daniel Cueto
#
SheetMusicPlus
Recuerdos de la Alhanbra for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Franc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
1.8 €
#
Guitare
#
Keith Terrett
#
Keith Terrett
#
Recuerdos de la Alhanbra for Classical Guitar
#
Keith Terrett
#
SheetMusicPlus
Gnossienne no. 5 for clarinet in Bb and guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.532390 Composed by E. Satie. Arran…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.532390 Composed by E. Satie. Arranged by Klas Krantz. 20th Century,Concert. Individual part. 4 pages. Amadeus Music #6064875. Published by Amadeus Music (A0.532390). Erik Satie (1866 – 1925), was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
$3.95
3.58 €
#
Guitare
#
E
#
Klas Krantz
#
Gnossienne no. 5 for clarinet in Bb and guitar
#
Amadeus Music
#
SheetMusicPlus
March of the Ants
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1003801 Composed by Paul Brooks Ho…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1003801 Composed by Paul Brooks Horn. 20th Century,Classical,Contemporary,Folk. Individual part. 2 pages. Paul Brooks Horn #3907569. Published by Paul Brooks Horn (A0.1003801). March of the Ants is a beginner/early intermediate finger exercise and study for classical guitar. This edition has two pages and is set in standard notation. It's a great finger exercise for a beginner to early intermediate student.
$3.99
3.61 €
#
Guitare
#
Paul Brooks Horn
#
March of the Ants
#
Paul Brooks Horn
#
SheetMusicPlus
Creative Simplicity
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1003802 Composed by Paul Brooks Ho…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1003802 Composed by Paul Brooks Horn. 20th Century,Classical,Contemporary. Individual part. 2 pages. Paul Brooks Horn #4581043. Published by Paul Brooks Horn (A0.1003802). Creative Simplicity is a beginner/early intermediate finger exercise and study for classical guitar. This edition has two pages and is set in standard notation. This piece is an early intermediate arrangement suitable for schools and students.
$3.99
3.61 €
#
Guitare
#
Paul Brooks Horn
#
Creative Simplicity
#
Paul Brooks Horn
#
SheetMusicPlus
No. 3 "con afflizione" from Feuilles d'Automne, Op. 29
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1127005 Composed by Vladimer Rebik…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1127005 Composed by Vladimer Rebikov (1866-1920). Arranged by Eric J Roth. 19th Century,20th Century,Classical,Romantic Period. Individual part. 2 pages. Eric J Roth #727643. Published by Eric J Roth (A0.1127005). Arrangement for solo classical guitar of Op. 29, No. 3 composed by Russian late Romantic/early Impressionist composer, Vladimir Rebikov. This delightful piano miniature is the third in a set of six from Feuilles d'Automne (Autumn Leaves). Although untitled, the composer marks the character as con afflizione, (with affliciton). The original key of the piano piece is F sharp minor, transposed here to A minor for ease on the guitar.
$2.99
2.71 €
#
Guitare
#
Vladimer Rebikov
#
Eric J Roth
#
No. 3 "con afflizione" from Feuilles d'Automne, Op. 29
#
Eric J Roth
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.53 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
(+)
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.53 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
(7 min
#
Excerpt from Lulu Suite
#
Maggie Creek Music
#
SheetMusicPlus
'Golaud's Letter' from Pelleas et Melisande
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy.…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25803. Published by Maggie Creek Music (A0.899117). 2 pages; for solo classical guitar; published by Maggie Creek MusicClaude Debussy (1862 – 1918) Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion. The excerpt 'Golaud's Letter' from early in Debussy's only opera, the hugely influential ‘Pelleas and Melisande’, demonstrates this, and exhibits his masterful expression of mood and drama. Exquisite without being flowery, forceful but not overblown, the Letter's spoken voice recitative style is a natural accompaniment to the Letter's contents, while it accentuates the arrival of cadences.
$7.00
6.34 €
#
Guitare
#
Claude Debussy
#
Rod Whittle
#
for solo classical guitar
#
'Golaud's Letter' from Pelleas et Melisande
#
Maggie Creek Music
#
SheetMusicPlus
Tarlenton's Riserrectione - Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.742409 Composed by John Dowland. Arranged by…
(+)
Solo Guitar - Digital Download SKU: A0.742409 Composed by John Dowland. Arranged by Arte Nova Music Lab. Concert,Renaissance,Standards. Individual part. 2 pages. Arte Nova Music Lab #3009351. Published by Arte Nova Music Lab (A0.742409). John Dowland[1] (1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as Come, heavy sleep (the basis of Benjamin Britten's 1963 composition for guitar solo, Nocturnal after John Dowland), Come again, Flow my tears, I saw my Lady weepe and In darkness let me dwell, but his instrumental music has undergone a major revival, and with the 20th century'searly music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Taken from https://en.wikipedia.org/wiki/John_Dowland
$5.00
4.53 €
#
Guitare
#
John Dowland
#
Arte Nova Music Lab
#
Tarlenton's Riserrectione - Guitar
#
Arte Nova Music Lab
#
SheetMusicPlus
Alice In Wonderland
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hill…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99
4.52 €
#
Guitare
#
Bill Evans
#
Christopher J
#
Alice In Wonderland
#
Christopher J. Malin
#
SheetMusicPlus
Remember When
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.556442 By Alan Jackson. By Alan Ja…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.556442 By Alan Jackson. By Alan Jackson. Arranged by PianoSheetNow. 20th Century,Country. Individual part. 3 pages. PianoSheetNow #3532497. Published by PianoSheetNow (A0.556442). Remember When is a song by American country music artist Alan Jackson. For Voice and Guitar. With lyrics, with melody line and Guitar chords. Three pages. Easy to early intermediate.
$4.99
4.52 €
#
Guitare
#
Alan Jackson
#
PianoSheetNow
#
Remember When
#
PianoSheetNow
#
SheetMusicPlus
Ricercare guitar solo nt
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.556658 Arranged by PianoSheetNow. …
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.556658 Arranged by PianoSheetNow. 20th Century,Baroque,Classical,Contemporary,Renaissance. Individual part. 2 pages. PianoSheetNow #4830543. Published by PianoSheetNow (A0.556658). Francesco Canova da Milano (also known as Il divino) (18 August 1497 – 2 January 1543) was an Italian lutenist and composer.A ricercar is a type of late Renaissance and early Baroque instrumental composition. The term means to search out, and many ricercars serve a preludial function to search out the key or mode of a piece.
$2.99
2.71 €
#
Guitare
#
PianoSheetNow
#
Ricercare guitar solo nt
#
PianoSheetNow
#
SheetMusicPlus
My Heart Will Go On (Love Theme from Titanic)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.556528 By Deja Vu. By James Horner…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.556528 By Deja Vu. By James Horner. Arranged by PianoSheetNow. 20th Century,Pop,Standards. Individual part. 7 pages. PianoSheetNow #3675379. Published by PianoSheetNow (A0.556528). My Heart Will Go On, also called the Love Theme from Titanic, is the main theme song to James Cameron's blockbuster film Titanic. For Acoustic guitar (fingerstyle) or Classical guitar. Early intermediate to intermediate.With Guitar tablature. With some finger position suggestions. With lyrics.Pages: 7 pages, 4:40' min.
$4.99
4.52 €
#
Guitare
#
Deja Vu
#
PianoSheetNow
#
My Heart Will Go On
#
PianoSheetNow
#
SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.52 €
#
Guitare
#
Judy Garland
#
Richard Hirsch
#
and 3&
#
Over The Rainbow
#
Richard Hirsch
#
SheetMusicPlus
Ain't Misbehavin'
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.556706 By Hank Williams Jr. By Har…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.556706 By Hank Williams Jr. By Harry Brooks and Thomas Fats Waller. Arranged by PianoSheetNow. 20th Century,Contemporary,Jazz,Standards. Individual part. 3 pages. PianoSheetNow #5012753. Published by PianoSheetNow (A0.556706). Ain't Misbehavin' is a 1929 jazz / swing song, which became a jazz standard with many recordings by artists as Louis Armstrong, Leo Reisman, Fats Waller.For Classical Guitar or acoustic Guitar fingerstyle Solo or guitar and voice.With standard notation and tablature.With Lyrics.Early Intermediate.Pages: Three pages (3).
$4.99
4.52 €
#
Guitare
#
Hank Williams Jr
#
PianoSheetNow
#
Ain't Misbehavin'
#
PianoSheetNow
#
SheetMusicPlus
Prelude No 1 in D (Memories)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 2…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
2.71 €
#
Guitare
#
Simon James
#
Prelude No 1 in D
#
DML
#
SheetMusicPlus
Fugue in e - minor for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1292911 Composed by Eric Charles M…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1292911 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 20th Century,Baroque,Classical,Early Music,Renaissance. Individual part. 2 pages. Eric mokotoff #883509. Published by eric mokotoff (A0.1292911). A beautiful and fun original Fugue for Classical Guitar.
$4.99
4.52 €
#
Guitare
#
Eric Charles Mokotoff
#
Eric Charles Mokotoff
#
Fugue in e - minor for Classical Guitar
#
eric mokotoff
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
