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Vous avez sélectionné:
Elegie
Guitare
Partitions à imprimer
13 partitions trouvées
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Elegie - Op. 19 Nos. 1 - mp3
Guitare
Guitar - Digital Download SKU: A0.1064555 Composed by Niels Vilhelm Gade. Arranged …
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Guitar - Digital Download SKU: A0.1064555 Composed by Niels Vilhelm Gade. Arranged by John Trie. 20th Century,Classical,Romantic Period. Full Performance. Duration 50. John Trie #34895. Published by john Trie (A0.1064555). Elegie - Op. 19 Nos. 1 by Niels Gade. Guitar arrangement by John Trie.
$1.99
1.81 €
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Guitare
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Niels Vilhelm Gade
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John Trie
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Elegie - Op. 19 Nos. 1 - mp3
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john Trie
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SheetMusicPlus
Elegie - Op. 19 Nos. 1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.965842 Composed by Niels Vilhelm G…
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Solo Guitar - Level 3 - Digital Download SKU: A0.965842 Composed by Niels Vilhelm Gade. Arranged by John Trie. 20th Century,Classical,Romantic Period. Individual part. 3 pages. John Trie #2014481. Published by john Trie (A0.965842). Elegie - Op. 19 Nos. 1 by Niels Gade. Guitar arrangement by John Trie.
$3.99
3.63 €
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Guitare
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Niels Vilhelm Gade
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John Trie
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Elegie - Op. 19 Nos. 1
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john Trie
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SheetMusicPlus
Elegie - Op. 19 Nos. 1 - tab
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.965844 Composed by Niels Vilhelm G…
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Solo Guitar - Level 3 - Digital Download SKU: A0.965844 Composed by Niels Vilhelm Gade. Arranged by John Trie. 20th Century,Classical,Romantic Period. Individual part. 3 pages. John Trie #2014489. Published by john Trie (A0.965844). Elegie - Op. 19 Nos. 1. Classical guitar tab version. Guitar arrangement by John Trie.
$3.99
3.63 €
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Guitare
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Niels Vilhelm Gade
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John Trie
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Elegie - Op. 19 Nos. 1 - tab
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john Trie
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SheetMusicPlus
Toccata & Elegie
Guitare
Guitar - difficult - Digital Download Composed by Georg Schmitz. This edition: Sheet …
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Guitar - difficult - Digital Download Composed by Georg Schmitz. This edition: Sheet music. Downloadable. Chanterelle #Q49820. Published by Chanterelle
English - German.<br> <br> The Toccata true to its title has been written in the traditional spirit, that is, as music driven relentlessly by the force of momentum. it is full of tension and expectation, virtuosity, and builds to an exhilarating climax. Unusually here it is followed by an Elegie, which eases gently out of the emotional heights of the Toccata, only to deliver us once more into a deep musical experience.
$10.99
10 €
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Guitare
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Georg Schmitz
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Toccata & Elegie
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Chanterelle
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SheetMusicPlus
Elegie
Guitare
By Jean-Marie Raymond. For solo guitar. Level 3. 4 pages. Published by Les Productions d'O…
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By Jean-Marie Raymond. For solo guitar. Level 3. 4 pages. Published by Les Productions d'OZ - Digital
$3.95
3.59 €
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Guitare
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Jean-Marie Raymond
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Elegie
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Les Productions d'OZ - Digital
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SheetMusicPlus
Elegie
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.505604 Composed by Giannis Papakra…
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Solo Guitar - Level 5 - Digital Download SKU: A0.505604 Composed by Giannis Papakrasas. Contemporary,Standards. Individual part. 4 pages. Giannis Papakrasas #4794865. Published by Giannis Papakrasas (A0.505604).
$4.99
4.54 €
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Guitare
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Giannis Papakrasas
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Elegie
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Giannis Papakrasas
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SheetMusicPlus
Elegie - Massenet
Guitare
Solo Guitar - Digital Download SKU: A0.951408 Composed by Jules Massenet. Arranged …
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Solo Guitar - Digital Download SKU: A0.951408 Composed by Jules Massenet. Arranged by Andrew Howes. Romantic Period. Individual part. 3 pages. Andrew Howes #6130315. Published by Andrew Howes (A0.951408). A new arrangement for classical guitar of Massenet's powerful and emotive vignette. UK Grade seven and above.
$5.00
4.55 €
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Guitare
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Jules Massenet
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Andrew Howes
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Elegie - Massenet
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Andrew Howes
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SheetMusicPlus
Petite Elegie
Guitare
Composed by Oleg Boyko. 20th Century, Classical, Contemporary. Individual part. 3 pa…
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Composed by Oleg Boyko. 20th Century, Classical, Contemporary. Individual part. 3 pages. Oleg Boyko #647471. Published by Oleg Boyko
$9.00
8.19 €
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Guitare
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Oleg Boyko
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Petite Elegie
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Oleg Boyko
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SheetMusicPlus
Elegie pour la stele d'un inconnu
Guitare
By Takashi Ogawa. For solo guitar. Level 3. Published by Les Productions d'OZ - Digital
By Takashi Ogawa. For solo guitar. Level 3. Published by Les Productions d'OZ - Digital
$5.95
5.41 €
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Guitare
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Takashi Ogawa
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Elegie pour la stele d'un inconnu
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Les Productions d'OZ - Digital
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.59 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Deux élégies
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-2324 Composed by Claude Debussy and…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-2324 Composed by Claude Debussy and Richard Wagner. Arranged by Tristan Manoukian. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2324. Published by Les Productions d'OZ - Digital (ZZ.DZ-2324). ISBN 9782897372415.
$3.95
3.59 €
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Guitare
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Claude Debussy and Richard Wagner
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Tristan Manoukian
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Deux élégies
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Les Productions d'OZ - Digital
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SheetMusicPlus
Selected Operatic Fantasies of Mertz
Guitare
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.63 €
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Guitare
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Concert Works
Guitare
Guitar - difficult - Digital Download Arranged for guitar. Composed by Johann Kaspar …
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Guitar - difficult - Digital Download Arranged for guitar. Composed by Johann Kaspar Mertz (1806- 1856). This edition: Sheet music. Guitar Works (Mertz). Downloadable. Duration 4 minutes. Chanterelle #Q47056. Published by Chanterelle
English - German.<br> <br> Included in the 6 works here is the famous Elegie, so often heard in concerts and recordings..
$18.99
17.27 €
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Guitare
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Concert Works
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Chanterelle
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SheetMusicPlus
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