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Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.25 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Modern Jazz Guitar Styles
Guitare
Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.99917BCDEB Compose…
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Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.99917BCDEB Composed by Andre Bush. Technique, Theory, Reference & Rhythm. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99917BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99917BCDEB). ISBN 9781610658300. 8.75x11.75 inches.A unique book and audio package including extensive chapters on soloing, chords, rhythm and effects. With in-depth exercises on modern scale applications and intervallic choices, developing individual chord voicings, incorporating rock and funk concepts, exploring elements from world music such as odd meters and polyrhythms, and ideas for developing your own sonic textures and approach to tonal manipulation. Each section features an essay illustrating the musical history and specific innovations of modern jazz guitar masters, with insightful commentary accompanying each concept and example. The last section thoroughly analyzes studio performances of two original compositions incorporating all the above materials. Modern Jazz Guitar Styles provides the serious student or professional seeking to broaden his palette with a comprehensive overview of the current state of jazz guitar. Extensive chapters on soloing, chords, rhythm and effects In-depth exercises on modern scale applications and intervallic choices Ideas for developing your own sonic textures and approach to tonal manipulation Covers developing individual chord voicings, incorporating rock and funk concepts and exploring elements from world music Provides serious student/professional a comprehensive overview of current state of jazz guitar Includes access to online audio.
$19.99
18.23 €
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Guitare
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Andre Bush
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Modern Jazz Guitar Styles
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.56 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.56 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.56 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Nocturne Opus 9, No. 2 for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1455855 By Keith Terrett. By Fryde…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1455855 By Keith Terrett. By Fryderyk Franciszek Chopin. Arranged by Keith Terrett. 20th Century,Chamber,Classical,Contest,Festival,Instructional. Individual part. 9 pages. Keith Terrett #1035005. Published by Keith Terrett (A0.1455855). An arrangement by Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909) of Chopin's Nocturne no. 2, op. 9. Tárrega was a Spanish composer and classical guitarist of the late Romantic period. He is known for such pieces as Capricho Árabe and Recuerdos de la Alhambra.He transcribed many works from the piano (he was a capable keyboard player), violin and the operatic repertory. As with several of his Spanish contemporaries, such as his friend Isaac Albéniz, he had an interest in combining the prevailing romantic style in classical music with Spanish folk elements, and transcribed several of Albéniz's piano pieces.
$2.50
2.28 €
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Guitare
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Keith Terrett
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Keith Terrett
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Nocturne Opus 9, No. 2 for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Tango Mania in G Minor (Original)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1444326 By Ken Foo. By Ken Foo. 21…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444326 By Ken Foo. By Ken Foo. 21st Century,Classical,Contemporary,Film/TV,Multicultural,World. Individual part. 3 pages. Ken Foo #1024241. Published by Ken Foo (A0.1444326). Tango Mania integrates elements of Villa-Lobos' descending chord sequences and Piazzolla's tango rhythmic essence.
$5.99
5.46 €
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Guitare
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Ken Foo
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Tango Mania in G Minor
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Ken Foo
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SheetMusicPlus
Danza de los Amantes
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1384670 By Bin Hu. By Joseph Dá…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1384670 By Bin Hu. By Joseph Dávila. Classical,Film/TV,Latin,Multicultural,World. Individual part. 4 pages. JaGlo Music #968943. Published by JaGlo Music (A0.1384670). Danza de los Amantes is a captivating piece that tells a love story, progressing from initial attraction through relationship challenges to suspicion and turmoil. This composition is tailored for advanced guitarists and offers a challenging yet rewarding musical experience. It maintains traditional tonal elements while incorporating intriguing features like skillful modal mixing in the final section. This adds a layer of complexity and emotion to the narrative, enhancing its depth and appeal.
$9.99
9.11 €
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Guitare
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Bin Hu
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Danza de los Amantes
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JaGlo Music
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SheetMusicPlus
EL LIBRO DE ARTEMIDORO, Op.63, for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1029294 Composed by CÉSAR CANO…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #4799751. Published by POLYHYMNIA Ediciones musicales (A0.1029294). In the second century AD, Artemidoro de Daldis (135-200), a very cultured man who had traveled a lot, contemporary of Emperor Marco Aurelio, wrote in Ephesus his work Symbolism of Dreams (Oneirocritica). In it he tried to create a systematic theory for the interpretation of dreams, based on experience. Artemidoro claimed that he had written his work in five volumes by express order of the god Apollo, who had appeared several times in his dreams. In his fascinating book he distinguishes five kinds of dreams: Dream, Vision, Oracle, Appearance and Fantasy. Artemidoro’s book, Op. 63, is a work for guitar in five movements, which take their titles as the kinds of dreams mentioned above: Dream, Vision, Oracle, Appearance and Fantasy. It is an extensive composition, 19 minutes long, and with a great variety of compositional and instrumental techniques: the performer, who is asked for a lot of versatility and imagination, has to play glissandi, harmonics, pizzicati, bells, loops, metric modulations, ordinary and muted strokes, microtones, distortions, various kinds of bumps in the box, etc. The five movements share a special scordature and the same melodic, harmonic and rhythmic material, which is transformed according to the dreamlike atmosphere of the piece, but always maintaining each of the structural elements a recognizable identity. The multiple presences of these essential identities throughout the work articulate the complex form of the Book. I finished the composition of The Book of Artemidoro on April 24, 2006. The work is dedicated to guitarist José Guerola, who premiered it at the Vivanco Palace in Catarroja (Spain), on May 5, 2006.
$6.99
6.37 €
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Guitare
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CÉSAR CANO
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EL LIBRO DE ARTEMIDORO, Op.63, for guitar
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
"KUSCH KALYNY" op.6
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.993074 Composed by Vihula Mihajlo.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.993074 Composed by Vihula Mihajlo. Folk,World. Individual part. 34 pages. Mihajlo Vihula #6321077. Published by Mihajlo Vihula (A0.993074). KUSCH KALYNY op.6. Folk based concert pieces for guitar. The book contains 12 music ethno-pictures with virtuoso elements and it is based on ukrainian ethno and folk themes, incuding the famous and worldwide known arrangemet of ukrainian christmas song Schedryk. Концертні п'Ñ”Ñи Ð´Ð»Ñ Ð³Ñ–Ñ‚Ð°Ñ€Ð¸ на народні теми. Цей примірник міÑтить 12 музичних етно-картин з елементами віртуозноÑÑ‚Ñ–, оÑнована на українÑьких народних темах. МіÑтить Ð°Ñ€Ð°Ð½Ð¶ÑƒÐ²Ð°Ð½Ð½Ñ Ð²ÑеÑвітньо відомої українÑької різдвÑної піÑні Щедрик.
$4.00
3.65 €
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Guitare
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Vihula Mihajlo
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"KUSCH KALYNY" op.6
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Mihajlo Vihula
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SheetMusicPlus
Knockin' On Heaven's Door
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1298436 By Eric Clapton. By Bob Dy…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1298436 By Eric Clapton. By Bob Dylan. Arranged by Stewart Maclennan. Folk,Pop,Rock. Individual part. 5 pages. Stewart Maclennan #888425. Published by Stewart Maclennan (A0.1298436). This timeless Dylan song has been covered by many artists. This arrangement is carefully crafted with all the extra-musical elements including the solo and is a welcome addition to an electric guitarist repertoire for both professional and accomplished amateurs.
$7.99
7.29 €
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Guitare
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Eric Clapton
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Stewart Maclennan
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Knockin' On Heaven's Door
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Stewart Maclennan
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SheetMusicPlus
Charito
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1018704 Composed by Gilbert Piger.…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1018704 Composed by Gilbert Piger. Jazz,Latin,World. Individual part. 1 pages. GJP Productions #1900301. Published by GJP Productions (A0.1018704). Classical, Latin sound, and some jazz elements for solo guitar. Very popular with Latinos and Spaniards. Fun to play, looks hard but is easy.
$9.99
9.11 €
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Guitare
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Gilbert Piger
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Charito
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GJP Productions
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SheetMusicPlus
David Warin Solomons: Blues Rondo for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.533902 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.533902 Composed by David Warin Solomons. Blues,Concert,Contemporary,Standards. Individual part. 8 pages. Musik Fabrik Music Publishing #3064925. Published by Musik Fabrik Music Publishing (A0.533902). A piece for classical guitar that uses elements of the blues scale using the classical rondo form.
$9.10
8.3 €
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Guitare
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David Warin Solomons
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David Warin Solomons: Blues Rondo for solo guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Caledon Wood: Acoustic Guitar
Guitare
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.96930EB Composed b…
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.96930EB Composed by Al Petteway. Celtic. Style. E-book. Mel Bay Publications - Digital Sheet Music #96930EB. Published by Mel Bay Publications - Digital Sheet Music (M0.96930EB). ISBN 9781619116023. UPC: 1619116022. 8.75x11.75 inches.Al Petteway is an award-winning fingerstyle guitarist and composer known for masterful compositions that blend Celtic elements, open tunings, and world percussion. This books features the tune Sligo Creek from the soundtrack of the acclaimed Ken Burn's PBS documentary The National Parks.
$14.99
13.67 €
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Guitare
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Al Petteway
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Caledon Wood: Acoustic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Ducktales Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1075116 Composed by Mark Mueller. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1075116 Composed by Mark Mueller. Arranged by Adam Monica. Film/TV. Individual part. 2 pages. TV On Guitar #679388. Published by TV On Guitar (A0.1075116). The original DuckTales theme from the 1987 cartoon arranged for solo Classical Guitar. This arrangement captures the most compelling elements of the original tune to maximize nostalgia and recognition! The difficulty level of this arrangement is moderate-advanced.
$4.99
4.55 €
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Guitare
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Mark Mueller
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Adam Monica
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Ducktales Theme
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TV On Guitar
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SheetMusicPlus
September Songs
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q41706 5 Modern Concert…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q41706 5 Modern Concert Pieces for Guitar. Composed by Alfred Schadeberg. This edition: Sheet music. Schott Popular Music. Downloadable. Schott Music - Digital #Q41706. Published by Schott Music - Digital (S9.Q41706). The cycle September Songs contains guitar pieces with different stylistic elements of popular music. Based on the classical style of playing, the musical spectrum includes a large number of new effects and percussive playing techniques of the modern fingerstyle guitar.
$11.99
10.93 €
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Guitare
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Alfred Schadeberg
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September Songs
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Schott Music - Digital
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SheetMusicPlus
Joy To The World for guitar quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1120784 By Simon James. By G. F. Handel…
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Guitar - Level 2 - Digital Download SKU: A0.1120784 By Simon James. By G. F. Handel. Arranged by Simon James. Baroque,Chamber,Christian,Christmas,Contemporary. Full Performance. Duration 91. DML #721999. Published by DML (A0.1120784). A popular Christmas carol, the tune usually used today is from an 1848 edition by Lowell Mason for The National Psalmist (Boston, 1848). There has long been speculation over how much a part Handel's Messiah had in Joy to the World. However, resemblances between Messiah and Joy to the World, have been dismissed as 'chance ' by Handel scholars today. It seems likely that the tune as we know it was probably from an 1833 publication by Thomas Hawkes with the title “Comfortâ€, Author Unknown. I have combined Handelian elements with the tune that most people know to create an arrangement that works well for guitar quartet retaining the bounce and vigour of the carol. Score available.
$1.99
1.81 €
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Guitare
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Simon James
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Simon James
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Joy To The World for guitar quartet
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DML
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SheetMusicPlus
TIENTO PARA UN PENSADOR for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 2…
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Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.
$9.99
9.11 €
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Guitare
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Daniel Cueto
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TIENTO PARA UN PENSADOR for guitar
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Daniel Cueto
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SheetMusicPlus
I Surrender All
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1130420 Composed by J.W. Van DeVen…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1130420 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Historic,Praise & Worship,Religious. Individual part. 5 pages. JANDERSON GOMES DA SILVA #730783. Published by JANDERSON GOMES DA SILVA (A0.1130420). The traditional Christian hymn “I Surrender All†in an arrangement for solo guitar combining elements of classical music and dissonant chords. The arrangement was created freely according to the arranger's sensibility and instrumental experience. This material is mainly indicated for guitarists starting from the middle level that contemplate the basic techniques of scales and arpeggios.
$1.99
1.81 €
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Guitare
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J
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Janderson Gomes
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I Surrender All
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JANDERSON GOMES DA SILVA
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SheetMusicPlus
Classical Gas
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1336338 Composed by Mason Williams…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1336338 Composed by Mason Williams. Arranged by Brett Vachon, Sungha Jung, and Tommy Emmanuel. Classical. Individual part. 6 pages. Brett Vachon #922139. Published by Brett Vachon (A0.1336338). This is an arrangement of Classical Gas by Mason Williams for fingerstyle guitar, as played by Tommy Emmanuel and Sungha Jung. Tommy never plays the same song the same way more than once, but he sort of mix and matches the different elements of the song.
$5.99
5.46 €
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Guitare
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Mason Williams
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Classical Gas
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Brett Vachon
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SheetMusicPlus
Lua Nascente
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Ol…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Oliveira de Santana / Leonardo Costa Dela Coleta. Arranged by Leo Costa. Classical,Contemporary,Jazz,Latin,Multicultural,World. Individual part. 4 pages. Leo Costa #853791. Published by Leo Costa (A0.1260598). Lua Nascente is a work for solo guitar which brings deep references to Brazilian regional rhythms such as ijexá, maracatu and baião.The original and virtuoso arrangement, written by the artist himself, brings references from popular music closer to the erudite universe without losing the connection with the lyrical narrative that makes it sound like a song. Influenced by great names in Brazilian guitar such as João Pernambuco, Garoto and Paulo Bellinati, Leo Costa proposes his own look at the instrument. It brings complex sonority due to the diversity of elements worked on the same instrument. Starting with low dynamics, full of natural harmonics, the music gradually grows and shows the clearest and strongest notes, reaching the fortissimo at its peak, to fall again afterwards, bringing precisely the figurative sense of a nocturnal trip/journey, with ups and downs, in the light of an imaginary moon that illuminates the Brazilian hinterland and our interior.The music follows unusual paths but at the same time brings constancy in the repetitive marking of the bass, proposing to be a reduced form of the rhythmic orchestra of an ijexá.
$5.00
4.56 €
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Guitare
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Leo Costa
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Leo Costa
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Lua Nascente
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Leo Costa
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.38 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Feliz Navidad
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1335177 By Clay Walker. By Jose Fe…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1335177 By Clay Walker. By Jose Feliciano. Arranged by Adam Bilchik. Christmas,Classical,Holiday. Individual part. 1 pages. Adam Bilchik #920990. Published by Adam Bilchik (A0.1335177). This arrangement is for solo classical or fingerstyle guitar and is based on Jose Feliciano's performance. It is in the original key of D major and incorporates the melody, chords and percussive elements.  It also features detailed tablature and chord diagrams.Feliz Navidad meaning Merry Christmas was written and performed by Puerto Rican singer-songwriter Jose Feliciano in 1970. Since then the song has become a staple of holiday repetoire and arguably one of the most iconic Christmas songs of all time.  Perfect for intermediate to advance players, this sheet music arrangement captures the Christmas spirit and excitement of this classic tune.
$6.99
6.37 €
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Guitare
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Clay Walker
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Adam Bilchik
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Feliz Navidad
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Adam Bilchik
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SheetMusicPlus
FOLK based Concert pieces
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.993073 Composed by Vihula Mihajlo.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.993073 Composed by Vihula Mihajlo. Folk,World. Individual part. 25 pages. Mihajlo Vihula #6304601. Published by Mihajlo Vihula (A0.993073). FOLK BASED CONCERT PIECES, op.40, 24 pages |Difficulty: Advanced. Folk based concert pieces for guitar. The book contains 5 pieces with virtuoso elements and it is based on ethno and folk themes (II.Hungarian Rhapsody, Vesnyanka Shumila lischyna, Variations on ukrainian theme, Coboz Capricchio). Also includes world premier ballada DA-NA-NA.
$4.99
4.55 €
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Guitare
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Vihula Mihajlo
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FOLK based Concert pieces
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Mihajlo Vihula
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SheetMusicPlus
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