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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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AFRICAIN
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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OPERA
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Non classifié
126
PIANO & CLAVIERS
Piano seul
92
Piano, Voix
34
Piano, Voix et Guitare
16
Piano Facile
11
Orgue
8
Piano (partie séparée)
4
1 Piano, 4 mains
4
Accordéon
3
Instruments en Do
1
Clavier
1
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GUITARES
Guitare
17
Guitare notes et tablatures
16
Ligne De Mélodie, (Paroles) et Accords
10
Guitare (partie séparée)
6
Paroles et Accords
5
Ukulele
3
Piano, Guitare (duo)
1
Basse electrique
1
2 Guitares (duo)
1
2 Ukuleles
1
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VOIX
Chorale SATB
53
Chorale 3 parties
15
Chorale 2 parties
4
Chorale TTBB
4
Chorale SSAA
2
Chorale Unison
1
Voix Alto, Piano
1
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VENTS
2 Saxophones (duo)
37
2 Clarinettes (duo)
22
Saxophone, Clarinette (duo)
22
Saxophone (partie séparée)
21
2 Flûtes traversières (duo)
15
Clarinette, Violon (duo)
14
Clarinette, Trompette (duo)
12
2 Hautbois (duo)
9
Clarinette et Alto
8
Flûte, Alto (duo)
7
Flûte, Saxophone (duo)
7
Flûte, Clarinette (duo)
6
Flûte, Violon
6
Hautbois, Clarinette (duo)
6
Clarinette (partie séparée)
6
Hautbois, Basson (duo)
6
Flûte traversière et Piano
6
Hautbois, Flûte
5
Flûte, Trompette (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Flute (partie séparée)
3
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette et Piano
3
Hautbois (partie séparée)
2
Saxophone Alto et Piano
2
Saxophone Tenor et Piano
2
Ensemble de Clarinettes
2
Clarinette
2
Saxophone Soprano et Piano
2
Hautbois, Piano (duo)
2
Saxophone Tenor
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Baryton
1
Hautbois, Guitare (duo)
1
Flûte et Guitare
1
Ensemble de saxophones
1
Flûte traversière
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois
1
Quatuor de Flûtes à bec
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Alto
1
Saxophone Baryton, Piano
1
Quintette de Saxophone: 5 saxophones
1
3 Clarinettes (trio)
1
Saxophone Soprano
1
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CUIVRES
Trombone (partie séparée)
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette, Saxophone (duo)
14
Trompette (partie séparée)
14
2 Trompettes (duo)
9
2 Trombones (duo)
9
Cor (partie séparée)
7
Trompette, Trombone (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba et Piano
2
Trompette, Piano
2
Tuba (partie séparée)
2
Trompette
2
Trombone et Piano
2
Cor et Piano
2
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Cor
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Tuba
1
Quatuor de Cuivres
1
Trombone
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
18
2 Violons (duo)
11
Violon, Alto (duo)
8
2 Violoncelles (duo)
8
Violon, Violoncelle (duo)
7
2 Altos (duo)
7
Violon et Piano
6
Violoncelle, Piano
4
Violon
3
Contrebasse (partie séparée)
3
Violoncelle
3
Violon (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
2
Alto, Piano
2
Contre Basse
2
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Quatuor à cordes : 4 altos
1
Alto seul
1
Contrebasse, Piano (duo)
1
2 Contrebasses (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
136
Cloches
10
Orchestre à Cordes
9
Orchestre
8
Ensemble Jazz
7
Jazz combo
4
Orchestre de chambre
4
Percussion (partie séparée)
3
Batterie (partie séparée)
3
Ensemble de cuivres
1
Marimba
1
Batterie
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Expectations
Guitare
Partitions à imprimer
17 partitions trouvées
<
1
Prelude No. 1 "Expectations"
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1167192 Composed by Brian Streckfu…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1167192 Composed by Brian Streckfus. Classical,Contemporary,Romantic Period. Individual part. 4 pages. Brian Streckfus #767569. Published by Brian Streckfus (A0.1167192). Romantic classical guitar piece with adventerous harmonies. I wrote this cinematic sounding piece before I really knew how to engrave well, so I am not charging much until I make it look cleaner, though I figured I would upload the draft for now. It's in a bizarre tuning with the thickest string tuned to F (or down tune everything except E down a halfstep).
$1.99
1.81 €
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Guitare
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Brian Streckfus
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Prelude No. 1 "Expectations"
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Brian Streckfus
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SheetMusicPlus
Clair de Lune by Debussy - Guitar Solo
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1365140 By Claude Debussy. By Clau…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1365140 By Claude Debussy. By Claude Debussy. Arranged by Glauco Fernandes. 20th Century,Chamber,Classical,Instructional,Wedding. Individual part. 2 pages. Glauco Fernandes #949446. Published by Glauco Fernandes (A0.1365140). Discover the timeless beauty of classical music with the exclusive sheet music for the arrangement of Clair de Lune by Claude Debussy. This arrangement has been carefully crafted to meet the needs of musicians at all levels, making it the perfect choice for students seeking accessible challenges, teachers in search of high-quality teaching materials, and professionals looking for charming repertoire for various events, including weddings.With an easy and accessible approach, the Clair de Lune sheet music stands out for its practicality, allowing musicians of different skill levels to explore the harmonic and emotional richness of the piece. The notes are arranged in a clear and understandable manner, facilitating interpretation and providing an enriching musical experience.Ideal for inclusion in recitals, social events, and especially weddings, this sheet music offers a touch of sophistication and romance. The arrangement preserves the essence of the original composition while adapting the complexity to ensure a smooth and engaging performance.Get the Clair de Lune sheet music now and enhance your repertoire with a timeless piece that will captivate audiences and elevate your performances to a new level. Invest in musical quality, practicality, and versatility – the perfect choice for musicians aiming to exceed expectations and create memorable moments through classical music.If you wish to explore more high-quality sheet music, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic).
$2.99
2.72 €
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Guitare
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Claude Debussy
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Glauco Fernandes
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Clair de Lune by Debussy - Guitar Solo
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Glauco Fernandes
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SheetMusicPlus
Room to Learn
Guitare
Solo Guitar - Digital Download SKU: A0.980807 Composed by Mark Greer. Christian,Pra…
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Solo Guitar - Digital Download SKU: A0.980807 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, LLC #5022619. Published by The CHOSEN Company, LLC (A0.980807). Song about how God loves us, and our realistic expectations to be the best we can.
$4.99
4.54 €
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Guitare
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Mark Greer
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Room to Learn
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The CHOSEN Company, LLC
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SheetMusicPlus
Minuet in G (BWV Anh. 114)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1269356 Composed by Christian Petz…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1269356 Composed by Christian Petzold. Arranged by Pedro Abreu. Baroque. Individual part. 1 pages. All Music #861876. Published by All Music (A0.1269356). This is a guitar arrangement of the first minuet (BWV Anh. 114) from a suite for harpsichord by Christian Petzold (1677 - 1733), which was included in the 1725 Notebook for Anna Magdalena Bach and previously attributed to Johann Sebastian Bach (1685 - 1750). The arrangement was meticulously transcribed for the guitar by Pedro Abreu in 2013, and features the same ornaments as the ones included in the 1725 Notebook for Anna Magdalena Bach.Abreu's attention to detail is reflected in the carefully crafted fingering, which balances the stylistic expectations of the era with the technical possibilities of the guitar. The written score showcases the delicate nuances of this arrangement, which highlights the guitar's ability to convey the richness and depth of Baroque music.When played together with the Minuet in G minor (BWV Anh. 115), this arrangement offers a glimpse into the suite's elegant and charming character, which is emblematic of the Baroque era.
$3.00
2.73 €
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Guitare
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Christian Petzold
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Pedro Abreu
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Minuet in G
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All Music
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SheetMusicPlus
Minuet in G minor (BWV Anh. 115)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1269357 Composed by Christian Petz…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1269357 Composed by Christian Petzold. Arranged by Pedro Abreu. Baroque. Individual part. 1 pages. All Music #861877. Published by All Music (A0.1269357). This is a guitar arrangement of one of the two minuets (BWV Anh. 114 and 115) from a suite for harpsichord by Christian Petzold (1677 - 1733), which were included in the 1725 Notebook for Anna Magdalena Bach and thus previously attributed to Johann Sebastian Bach (1685 - 1750).The minuet has been meticulously transcribed for the guitar by Pedro Abreu (b. 1977) in 2022, and features the same ornaments as the ones included in the 1725 Notebook for Anna Magdalena Bach. Abreu's attention to detail is reflected in the carefully crafted fingering, which balances the stylistic expectations of the era with the technical possibilities of the guitar.The written score showcases the delicate nuances of this arrangement, which highlights the guitar's ability to convey the richness and depth of Baroque music.
$3.00
2.73 €
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Guitare
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Christian Petzold
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Pedro Abreu
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Minuet in G minor
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All Music
#
SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.54 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Meeting at Endor
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.518697 By John David Morgan. By Jo…
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Solo Guitar - Level 3 - Digital Download SKU: A0.518697 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Classical,Contemporary,Folk,New Age. Individual part. 13 pages. John David Morgan #129408. Published by John David Morgan (A0.518697). Inspired by the biblical story of King Saul and the witch of Endor. The message: don't expect something good to come out of a forbidden meeting. Supernatural powers don't play by the rules:-) Musically this tune has a touch of spanish flovoring mix with interesting harmonics and some cool riffs.
$4.00
3.64 €
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Guitare
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John David Morgan
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John David Morgan
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Meeting at Endor
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John David Morgan
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.37 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
J.S. Bach: Prelude and Fugue in A-Flat Major, BWV 862 transcription for Duo Guitars
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1317254 By Yuriy Kuznetsov. By Joh…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1317254 By Yuriy Kuznetsov. By Johann Sebastian Bach. Arranged by Yuriy Kuznetsov. Baroque,Chamber,Classical. Individual part. 5 pages. Viacheslav Aleksandrov #905914. Published by Viacheslav Aleksandrov (A0.1317254). Professional level transcription for Duo guitars of the original J.S. Bach: The Well-Tempered Clavier, Book I , Prelude and Fugue in A-Flat Major, BWV 862. Dear Guitar Players, let me to bring to your attention my next transcription: Prelude and Fugue in A-Flat Major, BWV 862 from the The Well-Tempered Clavier, Book I by J.S.Bach. The transcription was made for duo guitars, so you can expect interesting and creative work, which may result in the emergence of a new wonderful ensemble of guitarists.The level of this transcription is highly professional - in the guitar's score you will get the full fingering for both players, for the right and left hands. The attached midi represents the melody you will get, but, of course, the sound of midi is simple and it can't provide you the magic of the magnificent sound of the real two guitars. So, I hope you manage to realize it!
$20.00
18.19 €
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Guitare
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Yuriy Kuznetsov
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Yuriy Kuznetsov
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J.S. Bach: Prelude and Fugue in A-Flat Major, BWV 862 transcription for Duo Guitars
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Viacheslav Aleksandrov
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SheetMusicPlus
A Day in May
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4273 Composed by Annette Kruisbrink. Scor…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4273 Composed by Annette Kruisbrink. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4273. Published by Les Productions d'OZ - Digital
Composé à l'occasion de la naissance d'un premier enfant, une fille née au mois de mai. Dédiée à son fier père, le guitariste turc Serhat Bulut. La pièce démarre dans l'expectative, puis se dessine dans des sonorités orientales, suivie d'un passage tendre représentant le berçage d'un enfant. La pièce se termine par un intervalle mélodique dans lequel chaque bébé dit maman et papa pour la première fois. Composed on the occasion of the birth of a first child, a girl born in the month of May. Dedicated to her proud father, the Turkish guitarist Serhat Bulut. The piece starts expectantly, then takes shape in oriental sounds, followed by a tender passage depicting the cradling of a child. The piece ends with a melodic interval in which each baby says mommy and daddy for the first time.
$3.95
3.59 €
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Guitare
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Annette Kruisbrink
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A Day in May
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Les Productions d'OZ - Digital
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SheetMusicPlus
Composer's Desk Reference for the Classic Guitar
Guitare
By Christopher Kachian. For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Pu…
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By Christopher Kachian. For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744724. Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: Experienced composers with a concern for writing idiomatically for the guitar. Guitarists who are commissioning a work from a composer who has never written for the instrument. Libraries that wish to add this essential sourcebook to their music reference section.The very structure of the book reflects the composer's own intuition by addressing such questions as: How is the guitar constructed? What does successful guitar music look like? How is the guitar played? How does the guitarist interpret music and express emotion? Which musical elements and gestures are most effective? How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.
$17.99
16.36 €
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Guitare
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Christopher Kachian
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Composer's Desk Reference for the Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
20 Microestudios
Guitare
Guitar - easy to intermediate - Digital Download Composed by Abel Carlevaro (1916-200…
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Guitar - easy to intermediate - Digital Download Composed by Abel Carlevaro (1916-2001). This edition: Sheet music. Downloadable. Duration 32 minutes. Chanterelle #Q50390. Published by Chanterelle
German - English.<br> <br> NOW IN ONE VOLUME! Since their first publication in 1992 the Microstudies of Abel Carlevaro have become firmly established among the most important sets of didactic studies for the guitar from the 20th century. Composed at the suggestion of Chanterelle, these studies, twenty in all, cover practically every aspect of guitar technique. Although they constitute an essential complement to Carlevaro's theoretical works, the Escuela de Guitarraand the legendary Cuadernos, his four volume series of technical exercises, they can be used on their own. The music is of the consistent high quality and originality we have to come to expect from Carlevaro and, as with many of his works, the essence of Tango and Milonga can be felt throughout the entire collection. These short yet compact miniatures, many of which are barely a minute in duration, are arranged in a progressive order of difficulty following the same time-honoured structure as used by Fernando Sor, Leo Brouwer and others. Until now the Microstudies were available in four separate volumes published between 1992-2000. The present new revised edition in one single volume offers great value for money and will put them within easy reach of guitarists and students everywhere.
$13.99
12.73 €
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Guitare
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Abel Carlevaro (1916-2001)
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20 Microestudios
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Chanterelle
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SheetMusicPlus
Toccata & Elegie
Guitare
Guitar - difficult - Digital Download Composed by Georg Schmitz. This edition: Sheet …
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Guitar - difficult - Digital Download Composed by Georg Schmitz. This edition: Sheet music. Downloadable. Chanterelle #Q49820. Published by Chanterelle
English - German.<br> <br> The Toccata true to its title has been written in the traditional spirit, that is, as music driven relentlessly by the force of momentum. it is full of tension and expectation, virtuosity, and builds to an exhilarating climax. Unusually here it is followed by an Elegie, which eases gently out of the emotional heights of the Toccata, only to deliver us once more into a deep musical experience.
$10.99
10 €
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Guitare
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Georg Schmitz
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Toccata & Elegie
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Chanterelle
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SheetMusicPlus
Handbook of Guitar and Lute Composers
Guitare
By Hanna Annala. For Guitar (Classical). Classic. 172 pages. Published by Mel Bay Publicat…
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By Hanna Annala. For Guitar (Classical). Classic. 172 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743536. In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period. In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. The book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented. Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. The authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.
$19.99
18.18 €
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Guitare
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Hanna Annala
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Handbook of Guitar and Lute Composers
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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