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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
F-G.
Non classifié
1 270
Piano & claviers
Piano, Voix
708
Piano seul
589
Piano Facile
321
Instruments en Do
151
Piano, Voix et Guitare
112
Orgue
111
Accompagnement Piano
60
Accordéon
47
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
8
Orgue, Piano (duo)
6
Piano (partie séparée)
6
2 Pianos, 4 mains
4
Orgue, Voix
3
Orgue, Trompette (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Ensemble d'Accordéons
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Fake Book
1
Instrument seul et Orgue
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
195
Basse electrique
128
Guitare
50
Ukulele
42
Guitare (partie séparée)
20
Mandoline
14
2 Guitares (duo)
13
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
3 Guitares (trio)
4
Piano, Guitare (duo)
3
Banjo
2
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Dulcimer
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
221
Chorale 3 parties
60
Chorale TTBB
50
Chorale SSAA
46
Chorale 2 parties
39
Voix duo, Piano
19
Voix haute
17
Chorale Unison
17
Voix Soprano, Piano
12
Pack Instrumental pour Chorale
11
Voix seule
11
Voix moyenne, Piano
8
Voix duo
5
Voix Baryton, Piano
4
Voix Alto, Piano
3
Chorale SSAATTBB
3
Voix Mezzo-Soprano, Piano
3
Voix Tenor, Piano
3
Voix basse, Piano
2
Voix basse
2
Chorale
2
Voix Soprano
2
Chorale SSAB, Piano
1
Voix Tenor
1
Voix, Guitare
1
Chorale SSATTB
1
+ 21 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
128
2 Flûtes traversières (duo)
114
Flûte traversière et Piano
91
Clarinette et Piano
75
Saxophone Tenor et Piano
73
Saxophone (partie séparée)
56
Saxophone Soprano et Piano
55
Quatuor de Clarinettes: 4 clarinettes
55
Hautbois, Piano (duo)
53
Quatuor de Flûtes : 4 flûtes
47
Quatuor de Saxophones: 4 saxophones
47
Flûte traversière
43
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Alto et Piano
38
Clarinette
33
Saxophone Tenor
32
3 Clarinettes (trio)
31
2 Clarinettes (duo)
28
Quintette de Saxophone: 5 saxophones
21
Trio de Flûtes: 3 flûtes
21
2 Saxophones (duo)
20
Flûte, Clarinette (duo)
19
Clarinette, Violon (duo)
16
Flûte à bec Soprano
16
Saxophone Alto
16
2 Clarinettes, Piano
14
Quintette de Clarinettes: 5 clarinettes
13
Flûte, Trompette (duo)
12
Flûte, Violon
11
Saxophone, Clarinette (duo)
11
Flûte, trombone et piano
11
Hautbois, Clarinette (duo)
11
2 Hautbois (duo)
11
2 Flûte à bec (duo)
10
Clarinette (partie séparée)
10
Flûte, Clarinette, Piano (trio)
10
3 Saxophones (trio)
9
Flûte, Hautbois (duo)
9
Ensemble de Clarinettes
9
Hautbois (partie séparée)
9
Hautbois, violon (duo)
8
Hautbois, Trompette (duo)
8
Ensemble de Flûtes
8
Saxophone, Violon (duo)
8
Cor anglais, Piano
7
Harmonica
7
Quintette de Flûte : 5 flûtes
6
Clarinette, trompette et piano
6
Flûte et Guitare
6
Ocarina
6
Flute (partie séparée)
5
Hautbois, Basson (duo)
5
Flûte à bec Alto
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Violon, Piano
5
Flûte traversière, Basse continue
5
Quatuor de Flûtes à bec
5
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Clarinette et Basson
4
Flute, harpe et violon
3
Flûte, Alto (duo)
3
Piccolo
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
Hautbois, Flûte
3
Flûte, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte à bec Soprano, Piano
2
2 Flûtes traversières, Piano
2
Clarinette, Trompette (duo)
2
Clarinette, Basson (duo)
2
Hautbois, Violoncelle
2
Clarinette, Guitare (duo)
2
Clarinette et Alto
2
Ensemble De Flûte à bec
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Ensemble de saxophones
2
Flûte à bec Tenor
2
Flûte, Hautbois, Basson
1
Hautbois
1
Saxophone et Guitare
1
3 Hautbois
1
Clarinette, Saxophone, Piano
1
Clarinette, Trombone (duo)
1
Saxophone Soprano
1
Flûte à Bec
1
Clarinette, Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec (trio)
1
Hautbois, Harpe
1
Instruments en Mib
1
2 Cors Anglais Et Pianoforte
1
Flûte et Quatuor à Cordes
1
Saxophone et Harpe
1
Clarinette Basse
1
2 Clarinettes, Basson
1
Flûte, Saxophone (duo)
1
Flûte à bec, Guitare (duo)
1
+ 97 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Cor (partie séparée)
80
Cor et Piano
70
Trombone (partie séparée)
57
Trombone
54
Trompette, Piano
52
Instruments en Fa
51
Trompette
44
Cor
42
Trompette (partie séparée)
39
Trombone et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
2 Cors (duo)
24
2 Trompettes (duo)
23
Quatuor de cuivres: 4 trombones
22
Quatuor de cuivres: 4 cors
12
2 Trombones (duo)
11
Trompette, Saxophone (duo)
10
Trompette, Trombone (duo)
9
Quatuor de Cuivres
9
Trompette, Basson (duo)
8
Trombone, violoncelle (duo)
8
Trompette, violon (duo)
8
Tuba et Piano
8
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 trompettes
7
Cor anglais, Piano
7
Ensemble de Trombones
6
Tuba (partie séparée)
5
Ensemble de Cors
5
3 Trombones (trio)
4
Tuba
4
Ensemble de Trompettes
4
2 Euphoniums (duo)
3
3 Trompettes (trio)
3
Euphonium
3
Trombone, Cor (duo)
3
Cor, Violoncelle (duo)
3
Trompette, Cor (duo)
3
2 Euphoniums et 2 Tubas
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Cors (trio)
2
Trio de Cuivres
2
Trombone basse
1
Trombone, Orgue
1
2 Tubas (duo)
1
Cor et Harpe
1
Instruments en Sib
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Cors, Piano
1
Trompette, Harpe
1
Cor, Tuba (duo)
1
Euphonium Ou Saxhorn Et Piano
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
216
Harpe
101
Violon et Piano
97
Violoncelle, Piano
56
Alto, Piano
54
Trio à Cordes: violon, alto, violoncelle
52
Violon
45
Trio à Cordes: 2 violons, violoncelle
37
2 Violoncelles (duo)
29
2 Violons (duo)
28
Violon, Violoncelle (duo)
23
Violoncelle
17
Violon, Alto (duo)
16
2 Harpes (duo)
15
Alto, Violoncelle (duo)
13
2 Altos (duo)
13
Contrebasse (partie séparée)
11
Quatuor à cordes: 4 violons
8
Harpe, Voix
8
Contrebasse, Piano (duo)
7
Alto seul
7
Contre Basse
7
Trio à cordes
7
Violon, Guitare (duo)
6
Harpe, Violoncelle (duo)
6
Harpe, Violon (duo)
5
Alto et Harpe
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Ensemble de Violons
4
2 Violons, Piano
4
Ensemble d'Altos
4
Violon (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Flûte (duo)
4
Quatuor à cordes : 4 altos
3
Alto, Guitare (duo)
3
Flûte, Contrebasse (duo)
3
4 Violoncelles
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Alto (partie séparée)
3
2 Violoncelles, Piano
2
Autoharp
1
Violoncelle, Orgue
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Alto, Orgue
1
Trio à cordes: 3 altos
1
Violon, Orgue
1
2 Contrebasses (duo)
1
Violoncelle, Basse continue
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre
254
Orchestre d'harmonie
161
Orchestre à Cordes
157
Ensemble Jazz
88
Ensemble de cuivres
66
Orchestre de chambre
45
Cloches
40
Fanfare
31
Ensemble de Percussions
11
Batterie (partie séparée)
10
Marimba
6
Batterie
6
Instrumentation Flexible
6
Percussion (partie séparée)
5
Jazz combo
3
Timbales (partie séparée)
2
Vibraphone
2
Orchestre, Violon
2
Vibraphone (partie séparée)
1
Percussion
1
Piano et Orchestre
1
+ 16 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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F-G.
Guitare
Partitions à imprimer
50 partitions trouvées
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1
26
Strumming Practice V7-I (Keys of G, C, and F Majors)
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Guitare
#
DÉBUTANT
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Amy B
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Strumming Practice V7-I
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Amy Warmenhoven
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1016161 Composed by Amy B. Warmenhoven. Instructional. Individual part. 2 pages. Amy Warmenhoven #6433823. Published by ...
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Solo Guitar - Level 1 - SKU: A0.1016161 Composed by Amy B. Warmenhoven. Instructional. Individual part. 2 pages. Amy Warmenhoven #6433823. Published by Amy Warmenhoven (A0.1016161). Strumming Practice: V7-I (Keys of G, C, and F Majors)D7-G (3/4)G7-C (4/4)C7-F (6/8)Tied rhythms in 4/4, 3/4, 6/8Chord chartsCountingRhythm syllablesKid-friendly font
$1.99
ANDANTE - SUITE VII - BWV 432 - G.F.HANDEL - FOR GUITAR SOLO
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Guitare
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AVANCÉ
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Classique
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FALLAHIN SCORE EDITIONS
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Marcelo Fallahin
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ANDANTE - SUITE VII - BWV 432
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Fallahin Score Editions
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.555395 By FALLAHIN SCORE EDITIONS. By G. F. Handel. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 ...
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Solo Guitar - Level 5 - SKU: A0.555395 By FALLAHIN SCORE EDITIONS. By G. F. Handel. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 pages. Fallahin Score Editions #165008. Published by Fallahin Score Editions (A0.555395). TRANSCRIPTION FOR GUITAR SOLO.
$8.00
ALLEGRO - SUITE II - BWV 427 - G.F.HANDEL - FOR GUITAR SOLO
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Guitare
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AVANCÉ
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Classique
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FALLAHIN SCORE EDITIONS
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Marcelo Fallahin
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ALLEGRO - SUITE II - BWV 427 -
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Fallahin Score Editions
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.546974 By FALLAHIN SCORE EDITIONS. By G.F.HANDEL. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 pa...
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Solo Guitar - Level 5 - SKU: A0.546974 By FALLAHIN SCORE EDITIONS. By G.F.HANDEL. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 pages. Fallahin Score Editions #156917. Published by Fallahin Score Editions (A0.546974). TRANSCRIPTION FOR GUITAR SOLO.
$8.00
Air On A G String BWV 1068
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Simon James
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Air On A G String BWV 1068
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DML
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 page...
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Guitar - Level 3 - SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 pages. DML #905303. Published by DML (A0.1316579). Air On A G string is August Wilhelmj’s 1871 arrangement of the second movement of J. S. Bach’s Orchestral Suite No 3 in D major BWV 1068. The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string, hence the name). In performance, that part is generally played by a single violin (instead of by the first violins as a group). This is however an arrangement of the original “Air†from the Orchestral Suite. Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an Air as second movement. The music of the Air is written on four staves, for first and second violins, viola, and continuo. The interweaving melody lines of the high strings contrast with the pronounced rhythmic drive in the bass. I have followed this quite closely in the arrangement for guitar quartet in F major.
$6.99
Chaconne - Oriental - in G minor - For Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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F
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Chaconne - Oriental - in G min
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Frederic Daniel Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1490492 Composed by F. Daniel Kremer. Classical. Individual part. 3 pages. Frederic Daniel Studio #1067335. Published by...
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Solo Guitar - Level 4 - SKU: A0.1490492 Composed by F. Daniel Kremer. Classical. Individual part. 3 pages. Frederic Daniel Studio #1067335. Published by Frederic Daniel Studio (A0.1490492). From a popular form of dance in the 1700s. It is structured but has variations that build slow tension and rapid release.
$5.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
#
Classique
#
Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Suite in D Lydian Mixed Mode
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Suite in D Lydian Mixed Mode
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #10026...
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Solo Guitar - Level 4 - SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation. Â The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.
$12.00
Quelques Notes Pour Anna
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Guitare
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INTERMÉDIAIRE
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Nicolas De Angelis
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Josef Peter Traun
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Quelques Notes Pour Anna
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Traun
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1322865 By Nicolas De Angelis. By Jan F.g. Dreyer and Paul Marie Andre De Senneville. Arranged by Josef Peter Traun. Classica...
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Guitar - Level 3 - SKU: A0.1322865 By Nicolas De Angelis. By Jan F.g. Dreyer and Paul Marie Andre De Senneville. Arranged by Josef Peter Traun. Classical,Pop,Wedding. 27 pages. Traun #911132. Published by Traun (A0.1322865). An arrangement for guitar ensemble (GE).Orchestral cast: Guitar 1, Guitar 2, Guitar 3, Guitar 4 (Begleitung), Bass, Rhythm Guitar ad libitum and Full Score. Guitars 1-3 also in a choral setting. For example: Guitar orchestra.  Other Instruments from the score can added ad lib.
$20.00
"G'hupft wie g'sprung'n"" aus "Folkloristische Stücke für Gitarre solo (GS)
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Guitare
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INTERMÉDIAIRE
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Josef Peter Traun
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Josef Peter Traun
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"G'hupft wie g'sprung'n&q
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Traun
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1428217 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun...
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Solo Guitar - Level 3 - SKU: A0.1428217 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun #1009026. Published by Traun (A0.1428217). ©-1999 by Josef Peter Traun - Alle Rechte vorbehalten - www.traunmusik.atAus Folkloristische Stücke für Gitarre solo. Kompositionen im Stil der Kärntner Volksmusik, sehr virtuos zu spielen und nicht allzu ernst nehmen.Für Gitarre solo (GS/TAB), Violine & Gitarre (GKM2) und Klarinettentrio (KLT) erhältlich!From Folk Pieces For Guitar solo. Compositions in the manner of Carinthian folk music. For Guitar solo (GS/TAB), Violin & Guitar (GKM2) and Clarinet Trio (KLT) available!Titel/Titles:# Auf’d Nacht (sehr ruhig spielen)# G’hupft wie g’sprung’n (so schnell als möglich)# D’rüba und d’runta (mit einem Augenzwinkern spielen)# G’zupft und g’strich’n (des wars)# G'hupft wie g'hatscht (egal, ob gehüpft oder spaziert).
$6.00
"G'zupft und g'strichn" aus "Folkloristische Stücke für Gitarre solo (GS)
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Guitare
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INTERMÉDIAIRE
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Josef Peter Traun
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Josef Peter Traun
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"G'zupft und g'strichn&qu
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Traun
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1428236 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun...
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Solo Guitar - Level 3 - SKU: A0.1428236 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun #1009029. Published by Traun (A0.1428236). ©-1999 by Josef Peter Traun - Alle Rechte vorbehalten - www.traunmusik.at Aus Folkloristische Stücke für Gitarre solo. Kompositionen im Stil der Kärntner Volksmusik, sehr virtuos zu spielen und nicht allzu ernst nehmen. Für Gitarre solo (GS/TAB), Violine & Gitarre (GKM2) und Klarinettentrio (KLT) erhältlich!From Folk Pieces For Guitar solo. Compositions in the manner of Carinthian folk music. For Guitar solo (GS/TAB), Violin & Guitar (GKM2) and Clarinet Trio (KLT) available!Titel/Titles:# Auf’d Nacht (sehr ruhig spielen)# G’hupft wie g’sprung’n (so schnell als möglich)# D’rüba und d’runta (mit einem Augenzwinkern spielen)# G’zupft und g’strich’n (des wars)# G'hupft wie g'hatscht (egal, ob gehüpft oder spaziert).
$6.00
"D'rüba und d'runta" aus "Folkloristische Stücke für Gitarre solo (GS)
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Guitare
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INTERMÉDIAIRE
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Josef Peter Traun
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Josef Peter Traun
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"D'rüba und d'runta&
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Traun
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1428235 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun...
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Solo Guitar - Level 3 - SKU: A0.1428235 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun #1009028. Published by Traun (A0.1428235). ©-1999 by Josef Peter Traun - Alle Rechte vorbehalten - www.traunmusik.at Aus Folkloristische Stücke für Gitarre solo. Kompositionen im Stil der Kärntner Volksmusik, sehr virtuos zu spielen und nicht allzu ernst nehmen. Für Gitarre solo (GS/TAB), Violine & Gitarre (GKM2) und Klarinettentrio (KLT) erhältlich!From Folk Pieces For Guitar solo. Compositions in the manner of Carinthian folk music. For Guitar solo (GS/TAB), Violin & Guitar (GKM2) and Clarinet Trio (KLT) available!Titel/Titles:# Auf’d Nacht (sehr ruhig spielen)# G’hupft wie g’sprung’n (so schnell als möglich)# D’rüba und d’runta (mit einem Augenzwinkern spielen)# G’zupft und g’strich’n (des wars)# G'hupft wie g'hatscht (egal, ob gehüpft oder spaziert).
$6.00
"Auf'd Nacht"" aus "Folkloristische Stücke für Gitarre solo (GS)
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Guitare
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INTERMÉDIAIRE
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Josef Peter Traun
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Josef Peter Traun
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"Auf'd Nacht""
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Traun
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1428212 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun...
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Solo Guitar - Level 3 - SKU: A0.1428212 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun #1009016. Published by Traun (A0.1428212). ©-1999 by Josef Peter Traun - Alle Rechte vorbehalten - www.traunmusik.atAus Folkloristische Stücke für Gitarre solo. Kompositionen im Stil der Kärntner Volksmusik, sehr virtuos zu spielen und nicht allzu ernst nehmen.Für Gitarre solo (GS/TAB), Violine & Gitarre (GKM2) und Klarinettentrio (KLT) erhältlich!From Folk Pieces For Guitar solo. Compositions in the manner of Carinthian folk music. For Guitar solo (GS/TAB), Violin & Guitar (GKM2) and Clarint Trio (KLT) available!Titel/Titles:# Auf’d Nacht (sehr ruhig spielen)# G’hupft wie g’sprung’n (so schnell als möglich)# D’rüba und d’runta (mit einem Augenzwinkern spielen)# G’zupft und g’strich’n (des wars)# G'hupft wie g'hatscht (egal, ob gehüpft oder spaziert).
$6.00
Ombra mai fù
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Guitare
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INTERMÉDIAIRE
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Classique
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G
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Esteban Peretz
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Ombra mai fù
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Esteban Peretz
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1079969 Composed by G. F. Handel. Arranged by Esteban Peretz. Baroque,Classical. Individual part. 1 pages. Esteban Peret...
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Solo Guitar - Level 3 - SKU: A0.1079969 Composed by G. F. Handel. Arranged by Esteban Peretz. Baroque,Classical. Individual part. 1 pages. Esteban Peretz #684188. Published by Esteban Peretz (A0.1079969). My Classical Guitar solo version of Handel's beautiful aria.
$1.99
"Der Schneewalzer" aus "Ein Sonntag auf der Alm", op. 71, für Gitarre solo (02/GS)
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Guitare
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INTERMÉDIAIRE
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G'zupft und g'strich'n
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Josef Peter Traun
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"Der Schneewalzer" a
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Traun
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1461939 By G'zupft und g'strich'n. By Thomas Koschat (1845-1914). Arranged by Josef Peter Traun. Classical,Folk,Traditio...
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Solo Guitar - Level 3 - SKU: A0.1461939 By G'zupft und g'strich'n. By Thomas Koschat (1845-1914). Arranged by Josef Peter Traun. Classical,Folk,Traditional. Individual part. 16 pages. Traun #1040688. Published by Traun (A0.1461939). An arrangement for guitar solo (GS). Take a look at the version for 2 guitars (GD) too.
$6.00
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
Le chemin de croix / Labyrinthe
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinth
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Di...
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Guitar - SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
The Entertainer (Excerpt)
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Guitare
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DÉBUTANT
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Ragtime
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual pa...
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Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
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Guitare
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FACILE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Dodici Monferr
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. ...
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Solo Guitar - Level 2 - SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
$8.00
Twelve Studies in 12 Major Keys for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Kenneth Pasciak
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Twelve Studies in 12 Major Key
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Kenneth Pasciak
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Kenneth Pasciak #43...
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Solo Guitar - Level 4 - SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Kenneth Pasciak #4312085. Published by Kenneth Pasciak (A0.820286). Twelve Studies in 12 Major Keys features twelve etudes for solo guitar. Each unique etude features a different major key, including rarely seen keys such as F#, Db, Ab, Eb and Bb. Beginning with a rag in C Major, Twelve Studies takes the performer through each key by ascending fifths. Highlights include: 2-against-3 study in G, a Terry Riley inspired etude in D, an up tempo waltz in Db, a quintuplet study in Eb and an Astor Piazzolla inspired piece in F major. For intermediate to advanced guitarists. Kenneth Pasciak Music Publishing, ASCAP
$6.99
"Tone Poem No. 2 (Stars of the Desert Sky)" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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Keith Gehle
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"Tone Poem No. 2
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1375434 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 3 pages. Keith Gehle #960008. Published b...
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Solo Guitar - Level 3 - SKU: A0.1375434 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 3 pages. Keith Gehle #960008. Published by Keith Gehle (A0.1375434). “Tone Poem No. 2 (Stars of the Desert Sky)†is the closing track of Keith’s 2016 album entitled Space and Time and the second in a series of close to ten pieces he's written under the title of “tone poemâ€. An interesting feature of “Stars of the Desert Sky†is that it incorporates an altered tuning of the 5th string (down to G) and the 3rd string (down to F#). This “open†tuning gives the piece a droning effect and is relatively easy to play. The title refers to Keith’s late brother Ken’s many photos of the landscape of the desert southwest and the particular beauty of the night sky far from city lights. While the recorded version of this piece features additional instruments including percussion, the music also works well as a guitar solo. This PDF includes detailed fingerings in standard notation. There’s also a version available with TAB on this site.
$2.99
Six Guitar Duets for the development of Sight Reading Intermediate Level
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Guitare
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FACILE
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Dennis Greensmith
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Dennis Greensmith
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Six Guitar Duets for the devel
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Dennis Greensmith
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pages. Dennis Green...
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Solo Guitar - Level 2 - SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pages. Dennis Greensmith #4361477. Published by Dennis Greensmith (A0.954714). Six Spanish and Latin American duets written for finger style guitar for sight reading development at Intermediate level (Trinity College London Grade 3 to 5). I have arranged and written a number of popular Spanish and Latin American songs specifically to help the development of Sight Reading at Intermediate Level - this means you should be able to read and play finger style guitar from Early intermediate levee (Grade 3 Trinity College) or above. In the range Grade 3 to 5 the keys used in sight reading exams are C major/A minor, G Major /E minor (one sharp) and F Major/D Minor (one flat) and this book contains songs using these keys. This verison of the book contains no marking on the music at all except the key and time signature in order to develop sight reading and note recognition skills. Both parts of the duet are written at the same level so you can interchange which part you wish to play. This book will also be made available on the SMP with full supporting information for those players who wish to play the songs as normal notation reading.The audio tracks to listen to the songs can be found at https://www.greensmith.info/duet-and-ensemble-materials/six-duets-for-sight-reading/and further information about other fingers style duets I have written and arranged can be found at https://www.guitarfingers.co.uk
$16.00
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
How To Save A Life
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Guitare
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FACILE
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Rock
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The Fray
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Enrique Rojas
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How To Save A Life
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Enrique Rojas Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1208361 By The Fray. By Isaac Slade and Joseph King. Arranged by Enrique Rojas. Pop,Rock. Individual part. 6 pages. Enri...
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Solo Guitar - Level 2 - SKU: A0.1208361 By The Fray. By Isaac Slade and Joseph King. Arranged by Enrique Rojas. Pop,Rock. Individual part. 6 pages. Enrique Rojas Music #806470. Published by Enrique Rojas Music (A0.1208361). This is a fingerstyle guitar arrangement to be played as soloist or with accompaniment. This easy arrangement is ideal for guitarists who would like to include popular music into their repertoire. It uses 1 step down tuning (D G C F A D) to maximize open strings to harmonize with the melody.
$4.99
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