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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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MEDIEVAL - RENAISSAN…
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Note4Piano
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Non classifié
362
PIANO & CLAVIERS
Piano seul
192
Piano, Voix
48
Piano Trio: piano, violon, violoncelle
38
Piano, Voix et Guitare
26
Piano Facile
21
Instruments en Do
20
Accompagnement Piano
18
Orgue
16
2 Pianos, 4 mains
10
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Instrumentations suivantes
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GUITARES
Guitare
29
Guitare notes et tablatures
13
2 Guitares (duo)
10
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Ensemble de guitares
1
Basse electrique
1
Ukulele
1
Piano, Guitare (duo)
1
Banjo
1
Mandoline
1
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VOIX
Chorale SATB
104
Chorale 3 parties
12
Chorale 2 parties
11
Chorale TTBB
10
Chorale Unison
9
Chorale SSAA
7
Voix Soprano, Piano
6
Voix seule
5
Voix duo
3
Voix duo, Piano
3
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Soprano, Orchestre
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
34
Flûte traversière et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
17
Quintette de Saxophone: 5 saxophones
16
2 Clarinettes (duo)
16
2 Flûtes traversières (duo)
14
Clarinette, Trompette (duo)
14
Quatuor de Saxophones: 4 saxophones
13
Clarinette, Violon (duo)
13
Saxophone Tenor et Piano
12
Ensemble de saxophones
12
Clarinette
11
Ensemble de Clarinettes
10
Saxophone Soprano et Piano
10
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Flûte traversière
8
Saxophone (partie séparée)
8
Ensemble de Flûtes
7
Saxophone Alto
7
Flûte, Violon, Piano
7
Cor anglais, Piano
7
Clarinette et Alto
7
Quatuor de Clarinettes: 4 clarinettes
7
3 Saxophones (trio)
7
Flûte, Alto (duo)
6
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette Basse, Piano
6
Flûte et Guitare
6
Hautbois, Basson (duo)
6
2 Hautbois (duo)
6
Hautbois (partie séparée)
5
Flûte à bec Soprano
5
Quintette de Flûte : 5 flûtes
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Flûte, Hautbois, Clarinette, Basson
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette (partie séparée)
2
Clarinette, Guitare (duo)
2
Saxophone et Orgue
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Ensemble de Hautbois
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone Tenor
1
Flûte à bec Alto, Basse continue
1
Clarinette, Harpe (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Saxophone (duo)
14
Trompette
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
10
Euphonium, Piano (duo)
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trombone
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
7
Ensemble de Trombones
5
Quatuor de cuivres: 4 cors
4
Cor
4
Tuba et Piano
4
Quatuor de Cuivres
3
Ensemble de Trompettes
3
Trombone (partie séparée)
2
Cor (partie séparée)
1
2 Tubas (duo)
1
Tuba
1
Trompette (partie séparée)
1
Ensemble de Tubas
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon et Piano
43
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle, Piano
17
Trio à Cordes: 2 violons, violoncelle
15
2 Violons (duo)
14
Violon, Violoncelle (duo)
13
Violon
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Harpe
7
2 Altos (duo)
6
2 Harpes (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle
4
Alto seul
3
Violon (partie séparée)
2
Alto, Guitare (duo)
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Ensemble d'Altos
1
Harpe, Trombone (duo)
1
Contrebasse, Piano (duo)
1
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Alto, Violoncelle (duo)
1
Ensemble de Violons
1
Autoharp
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Trio à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
86
Orchestre
33
Orchestre à Cordes
26
Ensemble de cuivres
19
Orchestre de chambre
8
Ensemble Jazz
8
Jazz combo
7
Cloches
6
Percussion (partie séparée)
1
2 Marimbas
1
Percussion
1
Piano et Orchestre
1
Xylophone
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
First Times
Guitare
Partitions à imprimer
29 partitions trouvées
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Dm Times
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1164883 Composed by Doug Smith. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1164883 Composed by Doug Smith. Classical,Folk,Instructional. Individual part. 6 pages. Doug Smith Guitar Studio #765219. Published by Doug Smith Guitar Studio (A0.1164883). Dm Times is set in the first and second positions in 6/8 time. The rhythmic piece begins with a section of strummed chords that work harmonies off of varying the fingerings to a basic chord pattern. The progression includes some half barres on the first and third frets. A middle section slows the tempo down, and sets a contrasting mood with a melody that moves over the top of a step wise bass line. The piece energetically rerturns to the strumming section and ends in a scalar flourish with lots of slurs to set up the final chords.
$1.99
1.84 €
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Guitare
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Doug Smith
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Dm Times
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Doug Smith Guitar Studio
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SheetMusicPlus
First Times
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.504325 By Ed Sheeran. By David Hod…
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Solo Guitar - Level 2 - Digital Download SKU: A0.504325 By Ed Sheeran. By David Hodges, Ed Sheeran, and Fred Gibson. Arranged by Enrique Rojas. Pop,Wedding. Individual part. 5 pages. Enrique Rojas Music #116144. Published by Enrique Rojas Music (A0.504325). This is a solo guitar fingerstyle arrangement for acoustic guitar. This easy arrangement is ideal for guitarists that would like to include popular music into their repertoire. It uses standard tuning and maximizes open strings to harmonize with the melody.
$4.99
4.61 €
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Guitare
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Ed Sheeran
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Enrique Rojas
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First Times
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Enrique Rojas Music
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SheetMusicPlus
Banjo Picking Tunes - Beautiful American Airs & Ballads
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and …
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Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy û O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
13.83 €
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Guitare
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Banjo Picking Tunes - Beautiful American Airs & Ballads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Pachelbel's Carol - Easy Guitar Sextet
Guitare
Guitar - Level 1 - Digital Download SKU: A0.797757 Composed by Johann Pachelbel + T…
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Guitar - Level 1 - Digital Download SKU: A0.797757 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 14 pages. Derek Hasted #4847685. Published by Derek Hasted (A0.797757). PACHELBEL'S CAROL - a piece with a twist in the tail - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Pachelbel's Carol - a piece for 6 guitars (or a large ensemble) with a twist in the tail!Before you purchase - please note that I have also arranged this piece in 5 parts. You can find it most easily from my website (below) - select the quintet page.It was quite a few years ago that I conceived and arranged this fun little Christmas piece. Since then I’ve performed it many times in concert, and it’s always particularly well received.The arpeggios and countermelodies are inspired by the repeating sequences in Pachelbel’s Canon, and they end up providing a rich and totally unexpected accompaniment to a verse and chorus of the famous Christmas Carol 'The First Nowell'.This piece is just perfect as a special item in a Christmas concert, because the title conceals the surprise in the piece - each phase brings in another guitar part, making the piece build slowly before the final guitar launches into the well-known carol. The parts are easy and suitable for an ensemble with limited experience or one with limited chances to rehearse. In a mixed ability ensemble, there’s something for everyone; in a school guitar group, the teacher can take the Guitar 6 part if no-one in the group is comfortable in fifth position - all the other parts are first position.I hope you enjoy playing this piece!
$2.99
2.76 €
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Guitare
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Johann Pachelbel + Traditional Cornish
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Derek Hasted
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Pachelbel's Carol - Easy Guitar Sextet
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Derek Hasted
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SheetMusicPlus
Pachelbel's Carol - Easy Guitar Quintet
Guitare
Guitar - Level 1 - Digital Download SKU: A0.797758 Composed by Johann Pachelbel + T…
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Guitar - Level 1 - Digital Download SKU: A0.797758 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 12 pages. Derek Hasted #4848031. Published by Derek Hasted (A0.797758). PACHELBEL'S CAROL - a piece with a twist in the tail - 5 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Pachelbel's Carol - a piece for 5 guitars (or a large ensemble) with a twist in the tail!Before you purchase - please note that I have also arranged this piece in 6 parts - the additional part is suitable for a complete beginner. You can find it most easily from my website (below) - select the sextet page.It was quite a few years ago that I conceived and arranged this fun little Christmas piece. Since then I’ve performed it many times in concert with my Guitar Workshop, and it’s always particularly well received.The arpeggios and countermelodies are inspired by the repeating sequences in Pachelbel’s Canon, and they end up providing a rich and totally unexpected accompaniment to a verse and chorus of the famous Christmas Carol 'The First Nowell'.This piece is just perfect as a special item in a Christmas concert, because the title conceals the surprise in the piece - each phase brings in another guitar part, making the piece build slowly before the final guitar launches into the well-known carol. The parts are easy and suitable for an ensemble with limited experience or one with limited chances to rehearse. In a mixed ability ensemble, there’s something for everyone; in a school guitar group, the teacher can take the Guitar 5 part if no-one in the group is comfortable in fifth position - all the other parts are first position.I hope you enjoy playing this piece!
$2.99
2.76 €
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Guitare
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Johann Pachelbel + Traditional Cornish
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Derek Hasted
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Pachelbel's Carol - Easy Guitar Quintet
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Derek Hasted
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.61 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Serafin Que Con Dulce Armonia
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1143138 By Simon James. By Joan Cererol…
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Guitar - Level 2 - Digital Download SKU: A0.1143138 By Simon James. By Joan Cererols. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 18 pages. DML #743497. Published by DML (A0.1143138). Joan Cererols (1618 – 1680) was a Spanish composer and Benedictine monk. Cererols was born in Martorell. He entered the choir school Escolania de Montserrat around 1626. Cererols took his first steps in music under the direction of Father Joan Marc, a famous organist. He is known today chiefly for a single villancico, the beautiful marizápalos a lo divino - SerafÃn que con dulce armonÃa . The marizápalos was a song with a special harmonic pattern that often served as a framework for improvisation. This arrangement is for guitar quartet and solo guitar (Guitar 5). The quartet parts are easy, the solo guitar part is more challenging. The piece is fascinating, at times a dialogue between the solo guitar and the quartet but at other times the quartet splits into two giving a dialogue between three groups.
$5.99
5.53 €
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Guitare
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Simon James
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Simon James
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Serafin Que Con Dulce Armonia
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DML
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SheetMusicPlus
Flatpickin' the Gospels (For Guitar)
Guitare
Guitar (flatpicking) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.950…
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Guitar (flatpicking) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.95077MEB With ONLINE AUDIO AND VIDEO. Composed by Steve Kaufman. Christian. Gospel/Sacred. E-book and online audio/video. Mel Bay Publications - Digital Sheet Music #95077MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95077MEB). ISBN 9781619115002. 8.75x11.75 inches.In this book three time National Flatpicking Guitar Champion Steve Kaufman presents rousing guitar solos on 24 gospel favorites. Each song is shown with a melody part in notation and tablature, lyrics, an accompaniment part in tablature and a stirring flat- picking solo in notation and tablature. This recording is designed for listening first and second as an instructional tool. All 24 songs are played through three times at least. The first time is as it appears in the book and the two versions that follow are improvised versions. Making this a listening tool and an ear training tool. Recorded Digital to Analog in true stereo sound. This recording can be used with either Flatpickin' the Gospels or Autoharping the Gospels. Includes access to online audio and video.     .
$24.99
23.06 €
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Guitare
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Steve Kaufman
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Intermediate
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Flatpickin' the Gospels
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.22 €
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Guitare
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BR…
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Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Performance. Duration 403. LINCOLN BRADY #735224. Published by LINCOLN BRADY (A0.1135186). Http://www.sheetmusicplus.com/title/il-satiro-danzante-digital-sheet-music/20229001?ac=1&_requestid=2340691 The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$2.99
2.76 €
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Guitare
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LINCOLN BRADY
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Boo Metal Blues - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939048 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939048 Composed by Gene Swanson. Halloween. Individual part. 1 pages. Gene Swanson #2918225. Published by Gene Swanson (A0.939048). Boo Metal Blues is the first tune from Play Along! - Student Inspired Halloween Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.84 €
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Guitare
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Gene Swanson
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Boo Metal Blues - Play Along!
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Gene Swanson
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SheetMusicPlus
Chocolate Pucks - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939067 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939067 Composed by Gene Swanson. Holiday,Love. Individual part. 1 pages. Gene Swanson #3013985. Published by Gene Swanson (A0.939067). Chocolate Pucks is the first tune from Play Along! - Student Inspired Valentine's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.84 €
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Guitare
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Gene Swanson
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Chocolate Pucks - Play Along!
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Gene Swanson
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SheetMusicPlus
Ghost Goblin - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939088 Composed by Gene Swanson. C…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939088 Composed by Gene Swanson. Children,Halloween,Instructional,Standards. Individual part. 1 pages. Gene Swanson #3863459. Published by Gene Swanson (A0.939088). Ghost Goblin is the first tune from Play Along! series - Student Inspired Halloween Tunes for Guitar Vol. #2 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.84 €
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Guitare
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Gene Swanson
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Ghost Goblin - Play Along!
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Gene Swanson
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SheetMusicPlus
Fighting Irish Reel - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939072 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939072 Composed by Gene Swanson. Holiday. Individual part. 1 pages. Gene Swanson #3038389. Published by Gene Swanson (A0.939072). Fighting Irish Reel is the first tune from Play Along! - Student Inspired St. Patrick's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band and melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.84 €
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Guitare
#
Gene Swanson
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Fighting Irish Reel - Play Along!
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Gene Swanson
#
SheetMusicPlus
Cornucopia - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939095 Composed by Gene Swanson. C…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939095 Composed by Gene Swanson. Children,Concert,Holiday,Instructional,Standards. Individual part. 1 pages. Gene Swanson #3875741. Published by Gene Swanson (A0.939095). Cornucopia is the first tune from Play Along! series - Student Inspired Thanksgiving Tunes for Guitar Vol. #2 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired.I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.84 €
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Guitare
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Gene Swanson
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Cornucopia - Play Along!
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Gene Swanson
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SheetMusicPlus
Renaissance Lute Music
Guitare
Guitar - Intermediate - Digital Download SKU: M0.93430EB Solos. Early Music / Renai…
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Guitar - Intermediate - Digital Download SKU: M0.93430EB Solos. Early Music / Renaissance. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #93430EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93430EB). ISBN 9781513455174. 8.75x11.75 inches.The Renaissance Era covered a span of years from approximately 1450-1600. The lute occupied an important position in the instrumental music of the times because it was one of the first instruments for which any large quantity of music was written. The lute was also the most common yet most highly regarded musical instrument of the 16th century. All the pieces in this volume were originally written for the lute. Each one has been carefully transcribed and edited in modern music notation for the classic guitar which is the ideal instrument for recreating this beautiful polyphonic music of long ago.
$9.99
9.22 €
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Guitare
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Renaissance Lute Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Old Folks at Home
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1007232 Composed by Stephen Collin…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1007232 Composed by Stephen Collins Foster. Arranged by Edmar FenÃcio. Romantic Period,World. Individual part. 2 pages. Edmar FenÃcio #3046551. Published by Edmar FenÃcio (A0.1007232). This song was first the title of Ethiopian Melody and music by E.P. Christy. Times after Foster bought the tune of him.
$2.00
1.85 €
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Guitare
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Stephen Collins Foster
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Edmar FenÃcio
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Old Folks at Home
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Edmar FenÃcio
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.46 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.46 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.84 €
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Guitare
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
March Of The Wooden Soldiers
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1149151 By (Various artists). By Peter …
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Guitar - Level 1 - Digital Download SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek Hasted #749280. Published by Derek Hasted (A0.1149151). MARCH OF THE WOODEN SOLDIERS - EASY GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This charming little piece makes a great concert item for a quartet or large ensemble with modest experience - it’s perfect for a school ensemble’s first concert! It’s playable entirely in the first position, and with the exception of an occasional 3rd string G#, works well in the second position. A more experienced quartet might like to take the higher notes further up the neck for a more rounded sound. There are two arrangements here...One is in traditional SATB style - the four lines playing at four different pitches.The second rotates the parts at every phrase boundary so that everyone plays the tune at some point - the line currently holding the tune has a slightly louder dynamic marking. I hope you enjoy these arrangements!
$1.99
1.84 €
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Guitare
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(Various artists)
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Derek Hasted
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March Of The Wooden Soldiers
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Derek Hasted
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.84 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
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