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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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FLUTE A BEC
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FLUTE TRAVERSI…
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HAUTBOIS
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CELTIQUE - IRISH - S…
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25
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11
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8
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7
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6
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6
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4
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3
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2
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2
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2
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2
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Cor Anglais
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1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette, Piano
15
Trombone et Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres
10
Cor anglais, Piano
9
Trompette
9
Tuba et Piano
8
Euphonium, Piano (duo)
7
Trompette, Trombone (duo)
7
Cor et Piano
7
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7
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5
Tuba
5
Trompette (partie séparée)
4
2 Trompettes (duo)
4
Trombone
4
Cor
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trombones
3
2 Trombones (duo)
3
Euphonium
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
Trompette, Basson (duo)
1
Trio de Cuivres
1
Cor Anglais
1
2 Cors (duo)
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon et Piano
38
Violon
28
Violoncelle, Piano
24
Violon, Violoncelle (duo)
23
Trio à Cordes: violon, alto, violoncelle
17
Alto, Piano
17
2 Violoncelles (duo)
9
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Contrebasse, Piano (duo)
8
Alto seul
8
2 Violons (duo)
7
Violon, Alto (duo)
7
Contre Basse
5
Harpe
5
2 Altos (duo)
3
Ensemble de Violons
2
Alto (partie séparée)
2
Contrebasse (partie séparée)
2
Violon (partie séparée)
2
Violoncelle (partie séparée)
1
2 Violoncelles, Piano
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
73
Orchestre à Cordes
31
Ensemble Jazz
19
Orchestre
14
Cloches
13
Ensemble de cuivres
12
Orchestre de chambre
3
Ensemble de Percussions
3
Fanfare
2
Jazz combo
2
Batterie
2
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Follow The Spirit
Guitare
Partitions à imprimer
6 partitions trouvées
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Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.56 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.56 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.56 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
Oh, How Wondrous News!
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.946170 Composed by Folk Song. Arra…
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Solo Guitar - Level 2 - Digital Download SKU: A0.946170 Composed by Folk Song. Arranged by Tudor Niculescu-Mizil. Christmas,Folk,Instructional. Individual part. 1 pages. Tudor Niculescu-Mizil #6119121. Published by Tudor Niculescu-Mizil (A0.946170). Oh, How Wondrous News! is a very popular Romanian carol. The arrangement is made for an early-intermediate level and it has to be played in a slow tempo. Its lyrics go as follow:1. Oh, how wondrous newsIs shown to us from Bethlehem.That the Pure VirginHas born a childFrom the Holy Spirit.2. As Joseph and Mary wentTo Bethlehem, in order to be censed.In a small shepherds’ shelter,Close to that town,The Messiah was born.3. Whom the Lord, who is before all ages,Sent to us, so that He would come,To be born,To grow up,And to save us all. .
$3.99
3.65 €
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Guitare
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Folk Song
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Tudor Niculescu-Mizil
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Oh, How Wondrous News!
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Tudor Niculescu-Mizil
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SheetMusicPlus
Acoustic Music Source Book
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.21665EB Over 200 Old-Time So…
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Guitar (all) - Beginning - Digital Download SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr. American Music. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #21665EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21665EB). ISBN 9781619110991. 8.75x11.75 inches.Bill Bay asked me to write a follow up book to my last book, The Bluegrass Pickers Tune Book (20233). If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. The focus of this book, The Acoustic Source Book is on roots and old-time music. The book is focused on the time period from late 1800's until 1940's.There are a few songs from The Bluegrass Book that were too important to be left out. I decided not to use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birth of jazz, ragtime, and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900's there were rags, blues, gospel, Tin-Pan Alley, jug band, spiritual, old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana.There are some great songs that are popular roots, bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.
$29.99
27.42 €
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Guitare
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Richard L
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Acoustic Music Source Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Toccata & Elegie
Guitare
Guitar - difficult - Digital Download Composed by Georg Schmitz. This edition: Sheet …
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Guitar - difficult - Digital Download Composed by Georg Schmitz. This edition: Sheet music. Downloadable. Chanterelle #Q49820. Published by Chanterelle
English - German.<br> <br> The Toccata true to its title has been written in the traditional spirit, that is, as music driven relentlessly by the force of momentum. it is full of tension and expectation, virtuosity, and builds to an exhilarating climax. Unusually here it is followed by an Elegie, which eases gently out of the emotional heights of the Toccata, only to deliver us once more into a deep musical experience.English - German.<br> <br> The Toccata true to its title has been written in the traditional spirit, that is, as music driven relentlessly by the force of momentum. it is full of tension and expectation, virtuosity, and builds to an exhilarating climax. Unusually here it is followed by an Elegie, which eases gently out of the emotional heights of the Toccata, only to deliver us once more into a deep musical experience.
$10.99
10.05 €
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Guitare
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Georg Schmitz
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Toccata & Elegie
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Chanterelle
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SheetMusicPlus
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