English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
4
Partitions
Numériques
43
Librairie
Musicale
104
Matériel
de Musique
218
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
458
PIANO & CLAVIERS
1 Piano, 4 mains
3779
Piano seul
1545
2 Pianos, 4 mains
430
Piano Facile
353
Piano, Voix et Guitare
288
Piano, Voix
170
1 Piano, 6 mains
67
Orgue
34
2 Pianos, 8 mains
19
Orgue, Piano (duo)
7
Piano grosses notes
5
Accordéon
5
Instruments en Do
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Ensemble de Pianos
2
Clavier
2
Accompagnement Piano
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
104
Ligne De Mélodie, (Paroles) et Accords
52
Guitare
43
Paroles et Accords
24
Ukulele
17
Basse electrique
10
Piano, Guitare (duo)
7
Mandoline
3
Banjo
3
4 Guitares (Quatuor)
2
Basse électrique (partie séparée)
1
2 Guitares (duo)
1
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
168
Chorale 2 parties
46
Chorale 3 parties
38
Voix duo, Piano
20
Chorale
20
Chorale Unison
18
Chorale TTBB
13
Chorale SSAA
5
Voix duo
5
Voix Soprano, Piano
3
Chorale SSATTB
2
Voix haute
1
Chorale SSAATTBB
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
Voix Alto, Piano
1
Instrumentations suivantes
Retracter
VENTS
Hautbois, Piano (duo)
29
Flûte traversière et Piano
29
2 Saxophones (duo)
26
Clarinette
26
Clarinette et Piano
24
Saxophone (partie séparée)
23
Flûte traversière
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Saxophone
18
Saxophone Alto et Piano
18
Saxophone Soprano et Piano
16
Saxophone Alto
16
Saxophone Tenor et Piano
15
Saxophone Baryton, Piano
14
Flûte, Hautbois, Clarinette, Basson
12
Quatuor de Saxophones: 4 saxophones
12
2 Flûtes traversières (duo)
11
Quatuor de Clarinettes: 4 clarinettes
10
Hautbois (partie séparée)
10
2 Clarinettes (duo)
9
Saxophone Tenor
8
2 Hautbois (duo)
8
Quintette de Saxophone: 5 saxophones
5
Clarinette (partie séparée)
5
Trio de Flûtes: 3 flûtes
4
Cor anglais, Piano
4
Flûte à bec Soprano
3
Quintette de Flûte : 5 flûtes
3
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Ensemble de saxophones
3
Saxophone Baryton
2
Flûte, Clarinette (duo)
2
Flûte, Clarinette et Basson
2
Hautbois, Clarinette (duo)
2
Hautbois
2
2 Flûte à bec (duo)
2
Flûte, Alto (duo)
2
3 Clarinettes (trio)
2
Flûte, Violon
2
Clarinette et Alto
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Violoncelle
2
Hautbois, Basson (duo)
2
Saxophone Soprano
2
Flute (partie séparée)
2
Clarinette Basse, Piano
1
Cor Anglais
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Clarinettes
1
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
Flûte, Saxophone (duo)
1
Hautbois, violon (duo)
1
Flûte à bec Soprano, Piano
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto, Piano
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
Hautbois et alto (duo)
1
Harmonica
1
Hautbois, Flûte
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
29
Trompette, Piano
24
Trompette
21
Trombone
20
Tuba et Piano
16
Cor et Piano
16
2 Trompettes (duo)
12
Cor
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette (partie séparée)
9
Trombone (partie séparée)
8
Tuba
7
2 Trombones (duo)
7
2 Cors (duo)
6
Tuba (partie séparée)
5
2 Tubas (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Piano
4
Trompette, Saxophone (duo)
3
Tuba et Orgue
2
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Cor Anglais
1
Trompette, Cor (duo)
1
Trompette, violon (duo)
1
Quatuor de Cuivres
1
Trompette, Trombone (duo)
1
4 Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Instrumentations suivantes
Retracter
CORDES
Harpe
88
Violon et Piano
33
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
29
Violoncelle, Piano
27
Alto, Piano
27
Alto seul
22
Violoncelle (partie séparée)
17
Contrebasse, Piano (duo)
15
Violon, Violoncelle (duo)
11
2 Violons (duo)
9
2 Violoncelles (duo)
8
2 Altos (duo)
7
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle
5
Alto (partie séparée)
4
Violon (partie séparée)
3
Violon, Alto (duo)
3
2 Contrebasses (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Voix
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
2 Harpes (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Basson (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
46
Orchestre
21
Orchestre à Cordes
18
Batterie
11
Fanfare
8
Percussion (partie séparée)
6
Batterie (partie séparée)
5
Ensemble de Percussions
5
Orchestre de chambre
5
Cloches
5
Ensemble de cuivres
4
Percussion
3
Marimba
3
Ensemble Jazz
3
Vibraphone
1
Timbales (partie séparée)
1
Bodhran
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
2
Vous avez sélectionné:
For Hands Music
Guitare
Partitions à imprimer
43 partitions trouvées
<
1
26
Pluck for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.87 €
#
Guitare
#
Robert M
#
Pluck for guitar
#
Robert M. Greenberg
#
SheetMusicPlus
Mahalia Jackson : He's Got The Whole World In His Hands (niveau facile, guitare avec band)
Guitare
Téléchargez la tablature et la partition Guitare He's Got The Whole Wor…
(+)
Téléchargez la tablature et la partition Guitare He's Got The Whole World In His Hands (niveau facile, guitare avec band) de Mahalia Jackson. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
#
Guitare
#
Mahalia Jackson
#
He's Got The Whole World In Hi
#
Tomplay
Mahalia Jackson : He's Got The Whole World In His Hands (niveau avancé, avec band)
Guitare
Téléchargez la tablature et la partition Guitare He's Got The Whole Wor…
(+)
Téléchargez la tablature et la partition Guitare He's Got The Whole World In His Hands (niveau avancé, avec band) de Mahalia Jackson. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
#
Guitare
#
Mahalia Jackson
#
He's Got The Whole World In Hi
#
Tomplay
Mahalia Jackson : He's Got The Whole World In His Hands (niveau intermédiaire/difficile, avec band)
Guitare
Téléchargez la tablature et la partition Guitare He's Got The Whole Wor…
(+)
Téléchargez la tablature et la partition Guitare He's Got The Whole World In His Hands (niveau intermédiaire/difficile, avec band) de Mahalia Jackson. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
#
Guitare
#
Mahalia Jackson
#
He's Got The Whole World In Hi
#
Tomplay
Mahalia Jackson : He's Got The Whole World In His Hands (niveau intermédiaire, avec band)
Guitare
Téléchargez la tablature et la partition Guitare He's Got The Whole Wor…
(+)
Téléchargez la tablature et la partition Guitare He's Got The Whole World In His Hands (niveau intermédiaire, avec band) de Mahalia Jackson. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
#
Guitare
#
Mahalia Jackson
#
He's Got The Whole World In Hi
#
Tomplay
Easiest Guitar Tunes for Children
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.21245BCDEB Composed by Larry Mc…
(+)
Guitar (all) - Beginning - Digital Download SKU: M0.21245BCDEB Composed by Larry McCabe. Children and Young Beginner. Easiest for Children. Children. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21245BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21245BCDEB). ISBN 9781610653329. 8.75x11.75 inches.This book is for beginning and early intermediate guitarists. No prior playing experience or note reading ability is required. The solos are written in both standard notation and tablature. While writing the arrangements, the author considered the small hands of children. Every arrangement is in the first position and there are no hand stretches that present inordinate technical difficulties. The book contains an interesting and varied selection of familiar short tunes.Every song in the book is included on the companion audio. Each tune is recorded twice in stereo and includes count-off notes and rhythm guitar accompaniment. Includes access to online audio.
$9.99
9.29 €
#
Guitare
#
Larry McCabe
#
Easiest Guitar Tunes for Children
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Beginning Pieces for Classical Guitar
Guitare
Guitar - Beginning - Intermediate - Digital Download Composed by Lily Afshar. Class…
(+)
Guitar - Beginning - Intermediate - Digital Download Composed by Lily Afshar. Classic. E-book. 80 pages. Mel Bay Publications - Digital Sheet Music #30831EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513454993.<br> <br> In this book, Dr. Lily Afshar has clearly laid out the music and fingerings for 48 beginning to intermediate-level pieces by Aguado, Bach, Carcassi, Milan, Mertz, Sor and other Renaissance through nineteenth-century composers. While many of these selections are set in first position for ease of reading, they are effective for teaching different rhythms and arpeggio techniques, as well as for learning to play simple intervals and three and four-note chords. These compositions were carefully chosen for their use in developing finger independence in both hands, and can be used to advance rest stroke, free stroke, arpeggio, and tremolo techniques. Dynamic markings have been added for interpretation if not originally indicated in the originals so, in addition to learning positions and note locations along the fretboard, youll have to pay attention to dynamic and tempo changes.Written in standard notation only, this book is ideal for private study, as a teaching and student recital sourcebook, or for inclusion in the syllabus for a high school or first-year collegiate guitar program.
$17.99
16.72 €
#
Guitare
#
Lily Afshar
#
Beginning Pieces for Classical Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Song of Praise/Hymn Song for guitar solo) K. 623a (Austrian National Anthem)
Guitare
Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Compo…
(+)
Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical,Patriotic. Individual part. 1 pages. Amadeus Music #6057299. Published by Amadeus Music (A0.532383). Nineteen days before his death on 5 December 1791, Wolfgang Amadeus Mozart composed his last complete work, the Freimaurerkantate, K. 623. In parts of the printed edition of this cantata there appeared the song K. 623a Lasst uns mit geschlungnen Händen (Let us with joined hands). To this melody the Austrian national anthem is sung.Wolfgang Amadeus Mozart (1756 - 1791) was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
$3.50
3.25 €
#
Guitare
#
Wolfgang Amadeus Mozart
#
Klas Krantz
#
Song of Praise/Hymn Song for guitar solo) K. 623a
#
Amadeus Music
#
SheetMusicPlus
Achieving Guitar Artistry - Triads
Guitare
Guitar (flatpicking) - Intermediate-Advanced - Digital Download Composed by William B…
(+)
Guitar (flatpicking) - Intermediate-Advanced - Digital Download Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM24EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117266.<br> <br> This book of triadic concepts is as much for the ears as it is for the hands. Playing harmonized scales in triadic form is very helpful for the progressing guitarist. By working through these exercises, the guitarist will learn the harmonic sound of each key and develop a strong sense of melodic and harmonic voice leading. These studies contain interesting melodic content and are very fun to play. The keys are presented in tonic major and tonic minor rather than tonic major and relative minor. This is the second book in Mel Bay's Achieving Guitar Artistry series and follows the initial Linear Etudes text. Readers should develop a routine of practicing one key per day for the best results. Mastery of this book will do much to enhance the guitarist's sense of voice leading, note reading and improvising.
$17.99
16.72 €
#
Guitare
#
William Bay
#
Achieving Guitar Artistry - Triads
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Clergy's Lamentation (Arranged for Guitar)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1193396 By Turlough O'carolan. By …
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1193396 By Turlough O'carolan. By Turlough O'carolan. Arranged by Victor Araújo. Baroque,Celtic,Classical,Folk,Irish,Traditional. Individual part. 1 pages. Arezzo Music #792855. Published by Arezzo Music (A0.1193396). In this arrangement you'll hear a beautiful rendition of the traditional Irish song Clergy's Lamentation, arranged for guitar. The haunting melody of this tune are brought to life through the expressiveness of the arrangement. As you listen, you'll be transported to the windswept landscapes of Ireland, where the song's origins lie. The guitar arrangement brings out the song's Celtic roots, with fingerpicking patterns that evoke the sound of the harp and delicate ornamentation that captures the essence of traditional Irish music.If you're a guitarist who loves exploring new styles and expanding your repertoire, you'll want to get your hands on the sheet music for this arrangement. Don't miss your chance to learn this beautiful piece of music and add it to your collection. Click the link in the video description to purchase the sheet music today.
$2.99
2.78 €
#
Guitare
#
Turlough O'carolan
#
Victor Araújo
#
Clergy's Lamentation
#
Arezzo Music
#
SheetMusicPlus
Composer's Desk Reference for the Classic Guitar
Guitare
By Christopher Kachian. For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Pu…
(+)
By Christopher Kachian. For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744724. Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: Experienced composers with a concern for writing idiomatically for the guitar. Guitarists who are commissioning a work from a composer who has never written for the instrument. Libraries that wish to add this essential sourcebook to their music reference section.The very structure of the book reflects the composer's own intuition by addressing such questions as: How is the guitar constructed? What does successful guitar music look like? How is the guitar played? How does the guitarist interpret music and express emotion? Which musical elements and gestures are most effective? How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.
$17.99
16.72 €
#
Guitare
#
Christopher Kachian
#
Composer's Desk Reference for the Classic Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Five Women Composers Arranged for Guitar
Guitare
By Paul Jared Newman. For Guitar (Classical). Classic. 24 pages. Published by Mel Bay Publ…
(+)
By Paul Jared Newman. For Guitar (Classical). Classic. 24 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743925. These settings contain very few fingerings so players will often be pushed to use their pencils and their own judgment. Guitar-friendly keys were chosen throughout, but modulations lead to the occasional odd key for brief segments and counterpoint that would be shared by two hands on the piano is necessarily relegated to one on the guitar. The selections are: Melodie, Op. 4, No. 2 (Mendelssohn); Mazurka, Op. 6, No. 3 (Schumann); Waltz, Op. 36, No. 3 (Backer-Grendahl); Le Sommeil de Enfant, Op. 35 (Carreo); and Waltz, Op. 36, No. 3 (Beach).
$9.99
9.29 €
#
Guitare
#
Paul Jared Newman
#
Five Women Composers Arranged for Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
The Renaissance Vihuela and Guitar in Sixtenth-Century Spain
Guitare
Music transcribed and adapted for modern guitar. Composed by Frank W. Koonce. Frank…
(+)
Music transcribed and adapted for modern guitar. Composed by Frank W. Koonce. Frank Koonce. Early Music/Renaissance. E-book. 192 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21590EB). - e-book - Early Music/Renaissance - Mel Bay Publications - Digital Sheet Music
ISBN 9781609746810. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.* A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576* A companion volume to The Baroque Guitar in Spain and the New World (MB21122)*Intended to help bridge the gap between scholarly editions and performance editions* An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
$29.99
27.88 €
#
Guitare
#
Frank W
#
The Renaissance Vihuela and Guitar in Sixtenth-Century Spain
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Another Brick In The Wall, Part 2
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters.…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditional. 22 pages. Milhomusic #940626. Published by Milhomusic (A0.1355903). Exploring Classics with Innovation: Another Brick in the Wall, Part 2 for Guitar QuartetYou are invited to embark on a unique musical journey with our vibrant and innovative arrangement of Pink Floyd's classic Another Brick in the Wall, Part 2, specially crafted for a guitar quartet. This renowned piece, already ingrained in the collective musical imagination, takes on new life in the skilled hands of our guitarists.Arrangement Highlights:Respect for the Original Essence: Our arrangement captures the emotional essence and powerful message of the original song, maintaining the integrity of Pink Floyd's masterpiece.Expressiveness of the Guitars: Each guitar plays a crucial role in recreating this classic, providing a unique and nuanced auditory experience.Versatility for Guitar Orchestra: Aside from being ideal for guitar quartets, this arrangement easily adapts for a guitar orchestra, allowing for an expansive and grand interpretation.Important Note: Our arrangement stands out for its unique approach, excluding the transcription of the guitar solo. However, we acknowledge that interested parties can easily access the guitar solo transcription in a PDF format available online to integrate, if desired.Rediscover a Classic: By choosing our arrangement of Another Brick in the Wall, Part 2, you're investing not only in an exceptional musical performance but also in an opportunity to offer your audience a renewed perspective on one of rock's greatest hits.Technical Information:Duration: [3´20´´]Availability: [intermediate]Don't miss the chance to add a distinctive piece to your repertoire. Contact us for more details and discover how our arrangement can elevate your musical performance to new heights.We look forward to being part of this exceptional musical journey with you!#Classicalguitar #guitarquartet #guitarorchestra #Pinkfloyd #Guitararragements.
$6.00
5.58 €
#
Guitare
#
Pink Floyd
#
Rafael Milhomem
#
Another Brick In The Wall, Part 2
#
Milhomusic
#
SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.65 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.65 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
FAQ: Acoustic Guitar Care and Setup
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.21001EB Composed by John LeVan.…
(+)
Guitar (all) - Beginning - Digital Download SKU: M0.21001EB Composed by John LeVan. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #21001EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21001EB). ISBN 9781609742072. 8.75x11.75 inches.A must have guitar repair guide which is more like a hands-on guitar repair workshop. This guide uses photographs, diagrams and sketches made by the author, John LeVan each specific to the type of guitar you are working on. In addition, John has included diagrams and photographs provided for this book by several guitar manufacturers and component manufacturers. It even includes a forward written by Bob Taylor of Taylor Guitars. This information will teach how to clean, condition, adjust the action and properly intonate your guitar, as well as John's trade secrets on hand-carving bone string nuts and bridge saddles. This book is perfect to teach a beginner or as a reference for the guitar repair professional.
$14.99
13.93 €
#
Guitare
#
John LeVan
#
FAQ: Acoustic Guitar Care and Setup
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Llamas Negras Siguiriyas
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
(+)
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #309165. Published by Richard Hirsch
An arrangement of traditional themes for the Flamenco style Siguiriyas for solo Flamenco guitar based on material I gathered in my studies in Flamenco guitar in Madrid in the late 1960s. I call the piece Llamas Negras (Black Flames) as the dance for Siguiriyas is often performed by a woman dancer (bailaora) dressed in a long flowing black dress, her hands twirling above her head likes flames. Such were the performances I witnessed at the Flamenco tablao La Zambra where my guitar maestro Juan González “Triguito” played. Siguiriyas is the most tragic of all the serious (jondo) styles of Flamenco for guitar. The piece moves therefore at a moderately slow pace, although there are passages where the tempo increases for dramatic effect. The piece is in the Phrygian modal of D minor and notated in standard 6/8 time. Siguiriyas embodies par excellence what Manuel de Falla called the “sonidos negros” or black sounds in Flamenco!
$4.99
4.64 €
#
Guitare
#
Traditional
#
Richard Hirsch
#
Llamas Negras Siguiriyas
#
Richard Hirsch
#
SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
(+)
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.65 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
(7 min
#
Excerpt from Lulu Suite
#
Maggie Creek Music
#
SheetMusicPlus
Guitar Finger Independence Method
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online au…
(+)
Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online audio. 137 pages. Mel Bay Publications - Digital Sheet Music #30969MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30969MEB). ISBN 9781513472911. 8.75X11.75 inches.As a guitarist, have you ever dreamed of playing contrapuntal bass lines and melodies? Or maybe you would like to sound more like a pianist, able to perform fluently with independent right and left hands.Playing multiple lines simultaneously can be one of the most physically and mentally demanding challenges posed by the guitar. Using the concept of planted notesùa fretting-hand finger that remains in place while the other fingers play scale-like passages or arpeggiosù this book will methodically guide you towards right and left-hand finger independence.Written in standard notation and tablature, this no-nonsense revolutionary method is the first of its kind. Together with 95 online audio recordings, it will help you build finger independence in both hands, approaching that of a pianist. Includes access to online audio.
$24.99
23.23 €
#
Guitare
#
Guitar Finger Independence Method
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Dropped D Guitar: Bach to Blues
Guitare
Guitar - Beginning-Intermediate - Digital Download SKU: M0.98462MEB Composed by Dav…
(+)
Guitar - Beginning-Intermediate - Digital Download SKU: M0.98462MEB Composed by David Marshall. Classical. E-book and online audio. Mel Bay Publications - Digital Sheet Music #98462MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.98462MEB). ISBN 9781610656801. 8.75x11.75 inches.Dropped D Guitar: Bach to Blues provides in-depth strategies to help the seasoned beginner to intermediate guitarist gain familiarity with the patterns of dropped D, utilizing a series of hands-on exercises for playing in dropped D tuning. Actual music is provided (no scales here) in the major keys of C, G, D, A, and the minor keys of Dm, Am, and Em. In addition, the guitarist is given a wide-ranging source of music, in a variety of musical styles and keys. There are works written by classical masters, traditional music, and early blues - all arranged for fingerstyle guitar in dropped D tuning in both standard notation and tablature. Background narrative is given on musical periods, composers, and the music to add to the reader's understanding and interest. All instructional and solo material is played by the author on the accompanying audio. Includes access to online audio.
$19.99
18.58 €
#
Guitare
#
David Marshall
#
Dropped D Guitar: Bach to Blues
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Fingerfood light
Guitare
Guitar - intermediate - Digital Download SKU: S9.Q48738 Ten crossover appetizers…
(+)
Guitar - intermediate - Digital Download SKU: S9.Q48738 Ten crossover appetizers for solo guitar. Composed by Thomas Fellow. This edition: performance book. Fellow Guitar Music Collection. 10 Crossover-Vorspeisen für Solo-Gitarre. Downloadable, Tune book. Op. 3. Schott Music - Digital #Q48738. Published by Schott Music - Digital (S9.Q48738). Thomas Fellow, author of the successful standard work Fellow Guitar Book and world-leading guitarist (European Guitar Quartet, Friend ‘n Fellow, Hands on Strings), adds another original twist to his Guitar Music Collection. This book of 10 CROSSOVER APPETIZERS now addresses interested students as well as ambitious advanced players. The pieces are at an intermediate level and benefit from the additional tablature notation which opens up this repertoire to those who cannot read standard music notation. FINGERFOOD LIGHT includes percussive catchy tunes as well as sonorous ballads, and also contains pieces inspired by Piazzolla and movie soundtracks. Many of the 10 pieces in this book are suitable for classical guitar as well as steel string guitar.
$15.99
14.86 €
#
Guitare
#
Thomas Fellow
#
Fingerfood light
#
Schott Music - Digital
#
SheetMusicPlus
Landscape II - Standard Guitar Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
(+)
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
4.64 €
#
Guitare
#
Pablo Emiliano Fedele
#
Landscape II - Standard Guitar Edition
#
Pablo Fedele
#
SheetMusicPlus
Landscape III - Standard Guitar Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
(+)
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 5 pages. Published by Pablo Fedele
Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the standard guitar edition with tuning C A D G B E. (Originally written for 10 strings classical guitar F G Bb C D A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
4.64 €
#
Guitare
#
Pablo Emiliano Fedele
#
Landscape III - Standard Guitar Edition
#
Pablo Fedele
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
