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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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MANDOLINE
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OUD
PARTITIONS …
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Non classifié
294
PIANO & CLAVIERS
Piano seul
244
Piano, Voix
191
Piano, Voix et Guitare
158
Piano Facile
65
Instruments en Do
40
Accompagnement Piano
28
Orgue
15
Piano grosses notes
4
Piano (partie séparée)
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Clavier
1
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GUITARES
Guitare notes et tablatures
60
Ligne De Mélodie, (Paroles) et Accords
47
Guitare
21
Ukulele
9
Basse electrique
9
Paroles et Accords
7
Guitare (partie séparée)
2
Basse électrique (partie séparée)
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Partitions De Groupes
1
Dulcimer
1
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VOIX
Chorale SATB
185
Chorale 3 parties
63
Chorale 2 parties
45
Chorale TTBB
25
Chorale
13
Chorale Unison
13
Chorale SSAA
12
Voix Alto, Piano
11
Voix duo, Piano
8
Voix duo
7
Voix haute
6
Voix Soprano, Piano
4
Voix moyenne, Piano
3
Voix seule
3
Chorale SSAB, Piano
2
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix haute, Piano
1
Chorale SSATB
1
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VENTS
Saxophone (partie séparée)
34
Clarinette (partie séparée)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flûte traversière et Piano
13
Saxophone Alto et Piano
13
Flûte traversière
12
Hautbois (partie séparée)
12
Flûte, Hautbois, Clarinette, Basson
12
Flute (partie séparée)
11
Clarinette et Piano
11
Clarinette
11
Hautbois, Piano (duo)
10
2 Saxophones (duo)
9
Saxophone Alto
9
Saxophone Tenor
8
Quatuor de Clarinettes: 4 clarinettes
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone Tenor et Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Soprano et Piano
4
Saxophone Soprano
4
Ensemble de saxophones
4
Cor anglais, Piano
3
Hautbois
3
Trio de Flûtes: 3 flûtes
3
Flûte à Bec
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Baryton, Piano
2
2 Flûtes traversières (duo)
2
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
Flûte, Violon
1
3 Saxophones (trio)
1
Clarinette Basse
1
Flûte à bec Soprano
1
Flûte à bec Alto
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle
1
Clarinette Basse, Piano
1
2 Flûtes traversières, Piano
1
5 Flûtes à bec
1
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CUIVRES
Trompette (partie séparée)
33
Trombone (partie séparée)
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
16
Cor (partie séparée)
15
Trombone et Piano
11
Trombone
10
Trompette, Piano
9
Tuba (partie séparée)
9
Cor
8
Cor et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Ensemble de Trombones
5
Tuba et Piano
3
Cor anglais, Piano
3
Cornet A Pistons
3
Tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
Cor, Violoncelle (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon (partie séparée)
34
Violon et Piano
21
Trio à Cordes: violon, alto, violoncelle
19
Contrebasse (partie séparée)
15
Violoncelle, Piano
15
Violon
14
Alto seul
12
Violoncelle
11
Violoncelle (partie séparée)
11
Alto, Piano
10
Violon, Violoncelle (duo)
9
Alto (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse, Piano (duo)
5
Contre Basse
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Harpe
2
Harpe (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
329
Orchestre à Cordes
59
Orchestre
46
Percussion (partie séparée)
34
Ensemble de cuivres
32
Ensemble Jazz
23
Orchestre de chambre
17
Cloches
11
Fanfare
9
Batterie (partie séparée)
6
Timbales (partie séparée)
5
Jazz combo
5
Percussion
3
Vibraphone
3
Batterie
2
Marimba
1
Xylophone
1
Timbales
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Freedom
Guitare
Partitions à imprimer
21 partitions trouvées
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1
Freedom Fantasies
Guitare
By David Leisner (1953-). For solo guitar. Level 4. 10 pages. Published by Les Editions Do…
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By David Leisner (1953-). For solo guitar. Level 4. 10 pages. Published by Les Editions Doberman-Yppan (digital)
$8.95
8.08 €
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Guitare
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David Leisner
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Freedom Fantasies
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Les Editions Doberman-Yppan
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SheetMusicPlus
My New Freedom
Guitare
Solo Guitar - Digital Download SKU: A0.1339266 Arranged by Tunescribers. Rock. Indi…
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Solo Guitar - Digital Download SKU: A0.1339266 Arranged by Tunescribers. Rock. Individual part. ArrangeMe #40390. Published by ArrangeMe (A0.1339266).
$9.95
8.99 €
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Guitare
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Tunescribers
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My New Freedom
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ArrangeMe
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SheetMusicPlus
Donut Music
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.979661 Composed by Roger Aldridge.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355. Published by Roger Aldridge (A0.979661). Donut Music is an extended piece for solo guitar. It was commissioned by Keith Calmes and is on his CD All We Know is Now. The music was inspired by a line in a story written by my granddaughter Eillonwy (then 8 years old): Sitting in a dark room, eating a chocolate donut. The music represents a stream of memories, images, and thoughts as one’s life is contemplated over a donut. The composition is in 9 movements...or bites. The movements have varied lengths, from miniatures to developed pieces, and draw upon various roots-based musical styles including blues, Appalachian, tango, jazz, and samba. Miniature compositions have been an interest to me for many years. Donut Music's imagery gave me an opportunity to have several miniature compositions along with the longer movements. Above all, this piece is meant to be fun and playful -- especially, in how old and new styles are juxtaposed. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/he_aw8XV_s4 WEBSITE: http://www.rogeraldridge.com/ DURATION: around 8:00 to 10:00. YEAR OF RELEASE: 2012 PERFORMANCE: The lead sheet format enables performers have the freedom to shape this music to their vision and personal style. The score has optional improvisation in movements 2 (blues), 7 (tango), and 9 (samba). In addition, Donut Music can be performed as a complete composition or by using individual movements.
$5.00
4.52 €
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Guitare
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Roger Aldridge
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Donut Music
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Roger Aldridge
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SheetMusicPlus
Hãy Lắng Nghe Tim Mình
Guitare
Solo Guitar - Digital Download SKU: A0.483687 By Mạnh Hoài IC. By Nguyá»â…
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Solo Guitar - Digital Download SKU: A0.483687 By Mạnh Hoài IC. By Nguyễn Mạnh Hoài. Arranged by Nguyễn Mạnh Hoài. Pop. Individual part. 1 pages. Published by Manh Hoai (A0.483687). It is original with beatiful guitar melody from a Vietnamese artist. The song tells a story of the artist himself. Freedom is what you want and he wants as well.
$1.99
1.8 €
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Guitare
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Mạnh Hoài IC
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Hãy Lắng Nghe Tim Mình
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Manh Hoai
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SheetMusicPlus
Midsummer Moon
Guitare
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.95552EB Award-W…
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.95552EB Award-Winning Fingerstyle Guitar Solos. Composed by Al Petteway. Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #95552EB. Published by Mel Bay Publications - Digital Sheet Music (M0.95552EB). ISBN 9781619119215. 8.75x11.75 inches.Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al’s award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60’s, becoming a local legend by the time he went to college to study music composition in 1970. In 1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the society’s Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the country’s foremost bluegrass and folk sidemen, Celtic music specialty label Maggie’s Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon.
$17.99
16.25 €
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Guitare
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Al Petteway
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Midsummer Moon
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Ode To Joy (from Symphony No. 9) (Guitar solo) - with Tabs
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1203244 By André Alberto Santos…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1203244 By André Alberto Santos. By Ludwig van Beethoven. Arranged by André Alberto Santos. Classical,Romantic Period,Wedding. Individual part. 2 pages. Soul - Musical Creations #801917. Published by Soul - Musical Creations (A0.1203244). Beethoven's Ode to Joy is a work of art that transcends time and cultural barriers. It is a celebration of life and still moves people around the world today.If you're looking for a unique and soulful arrangement of Beethoven's Ode to Joy, we have the perfect solution for you! We offer the complete score with a special arrangement in PDF, which will surprise and delight your listeners.With the arrangement score of Ode to Joy in PDF, you will have the freedom to create a unique and authentic interpretation of this Beethoven masterpiece. In addition, the digital format greatly facilitates the study and rehearsal process.Get now the score with the special arrangement of Beethoven's Ode to Joy in PDF, and experience all the beauty and grandeur of this masterpiece in an exclusive way and surprise everyone with this arrangement!PDF sheet music Ode to Joy BeethovenBeethoven Ode to Joy complete sheet musicOde to Joy Beethoven sheet music high qualityEasy Beethoven Ode to Joy sheet musicSimple Beethoven Ode to Joy sheet musicOde to Joy Beethoven sheet music for teachingOde to Joy Beethoven sheet music for conservatoryOde to Joy Beethoven sheet music for download.
$1.99
1.8 €
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Guitare
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André Alberto Santos
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André Alberto Santos
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Ode To Joy
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Soul - Musical Creations
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SheetMusicPlus
Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.42 €
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Guitare
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.32 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.32 €
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Guitare
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Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.32 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.32 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Spirituals: Guitar Solos and Songbook
Guitare
By David Marshall. For Guitar (Fingerpicking). Gospel-Black. 142 pages. Published by Mel B…
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By David Marshall. For Guitar (Fingerpicking). Gospel-Black. 142 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610657631. The Spirituals Their Story, Their Song Guitar Solos and Songbook is both a collection of guitar solos and a songbook devoted to African-American spirituals. The music is placed in historical context to help the reader better appreciate and interpret this amazing musical legacy. The book provides solo guitar arrangements in standard notation and tablature plus a vocal stave with complete lyrics and chord diagrams for 60 songs of faith, freedom, hope and the human spirit. A companion online audio includes the author's rendition of all of the guitar solos in the book. The book provides an in-depth analysis of the various meanings and messages of the spirituals, and traces the musical forms that grew out of them, namely blues, jazz, gospel, country, calypso, rhythm and blues, soul, and rock. This book is for all who play the guitar including: students, music teachers, parents, performing guitarists, vocalists and anyone with an interest in folk, gospel and sacred music. Includes access to online audio.
$22.99
20.77 €
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Guitare
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David Marshall
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Spirituals: Guitar Solos and Songbook
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Student Guitar Etudes, Volume 1
Guitare
By William Bay Music. For Guitar (All). Classic. 24 pages. Published by Mel Bay Publicatio…
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By William Bay Music. For Guitar (All). Classic. 24 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113619. The twenty classic guitar etudes in this book are melodic and "guitaristic". I composed them in guitar friendly keys. They were written to be fun to play and also to provide short pieces ideal for recitals or concert preludes and encores. The pieces should be played with freedom and expression. They are intermediate in difficulty and will present a diverse array of moods and textures for the guitarist.
$9.99
9.02 €
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Guitare
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William Bay Music
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Student Guitar Etudes, Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Freedom Hangs Like Heaven
Guitare
By Iron & Wine. Folk; Pop; Rock. Easy Guitar. 4 pages. Published by Hal Leonard - Digi…
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By Iron & Wine. Folk; Pop; Rock. Easy Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.7 €
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Guitare
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Iron & Wine
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Wine. Folk
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Freedom Hangs Like Heaven
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
P.O.D.: Freedom Fighters for guitar
Guitare
Instantly downloadable sheet music by P.O.D. for guitar of MEDIUM skill level.
Instantly downloadable sheet music by P.O.D. for guitar of MEDIUM skill level.
$2.99
2.7 €
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Guitare
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P.O.D.
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Virtualsheetmusic
Jimi Hendrix: Freedom for guitar
Guitare
Instantly printable sheet music by Jimi Hendrix for guitar solo (chords) of EASY skill lev…
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Instantly printable sheet music by Jimi Hendrix for guitar solo (chords) of EASY skill level. / rock,children
$4.97
4.49 €
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Guitare
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Jimi Hendrix
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Virtualsheetmusic
Sam Beam: Freedom Hangs Like Heaven for guitar
Guitare
Instantly printable sheet music by Iron & Wine for guitar solo (chords) of EASY skill …
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Instantly printable sheet music by Iron & Wine for guitar solo (chords) of EASY skill level. / folk,pop,rock,children
$4.97
4.49 €
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Guitare
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Sam Beam
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Virtualsheetmusic
Les Reflets de L'obscurite for Classical Guitar
Guitare
Guitar - Multiple Levels - Digital Download Classic. E-book. 24 pages. Mel Bay Public…
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Guitar - Multiple Levels - Digital Download Classic. E-book. 24 pages. Mel Bay Publications - Digital Sheet Music #30881EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455099. 8.75 x 11.75 inches.<br> <br> LES REFLETS DE L'OBSCURITE is an original collection of four pieces for solo guitar, ranging from intermediate to advanced skill and of a total duration of approximately fifteen minutes. Secrets dune ombre, Ecume orange, Parfums declipse and Sables stellaires tell the story of a journey in a suspended and colorful universe, projecting the listener into a soundscape of many horizons. The combination of traditional music writing and an impressionistic language allows the musician expressive freedom, while guiding them in the interpretation of their playing. This collection was performed and recorded by Johan Smith, winner of the renowned GFA guitar contest (37th Guitar Foundation of America, Rose Augustine Grand Prize 2019). LES REFLETS DE LOBSCURITE est un recueil original de quatre pieces pour guitare seule, de niveau intermediaire a avance et dune duree totale denviron quinze minutes. Secrets dune ombre, Ecume orange, Parfums declipse et Sables stellaires racontent ainsi une progression dans un univers suspendu et colore, vous projetant dans un paysage sonore aux horizons multiples. Lecriture traditionnelle liee a un langage impressionniste permet une liberte expressive au musicien, tout en le guidant dans linterpretation de son jeu. Ce recueil est interprete et enregistre par Johan Smith, laureat du celebre concours de guitare GFA (37th Guitar Foundation of America, Rose Augustine Grand Prize 2019).
$9.99
9.02 €
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Guitare
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Les Reflets de L'obscurite for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Freedom
Guitare
By Jimi Hendrix. For easy guitar. Rock. Easy Guitar. 3 pages. Published by Hal Leonard - D…
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By Jimi Hendrix. For easy guitar. Rock. Easy Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.7 €
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Guitare
#
Jimi Hendrix
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Freedom
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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