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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
From
Non classifié
34 681
Piano & claviers
Piano seul
57 334
Piano, Voix
20 929
Piano, Voix et Guitare
14 412
Piano Facile
12 554
Piano grosses notes
2 796
Instruments en Do
2 394
Orgue
1 911
1 Piano, 4 mains
1 784
Accompagnement Piano
751
Accordéon
441
Piano Trio: piano, violon, violoncelle
376
Piano (partie séparée)
288
2 Pianos, 4 mains
271
Ligne De Mélodie, Piano
158
Piano Quatuor: piano, violon, alto, violoncelle
109
Orgue, Trompette (duo)
107
Piano Quintette: piano, 2 violons, alto, violoncelle
85
Accordéon, Voix
61
Piano Quatuor: piano, 2 violons, violoncelle
48
Clavecin
45
Orgue, Piano (duo)
43
Instrument seul et Orgue
31
Clavier
28
1 Piano, 6 mains
18
2 Pianos, 8 mains
11
2 Accordéons
9
Fake Book
4
Ensemble d'Accordéons
3
Orgue, Voix
1
Tous Les Instruments
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Accordéon, Corde(s)
1
+ 27 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7 323
Ligne De Mélodie, (Paroles) et Accords
4 733
Ukulele
2 878
Guitare
2 823
Basse electrique
1 003
Paroles et Accords
628
2 Guitares (duo)
417
Mandoline
351
Piano, Guitare (duo)
245
Guitare (partie séparée)
238
Banjo
105
4 Guitares (Quatuor)
101
Dulcimer
96
Guitare Pedal Steel
88
Ensemble de guitares
60
Basse électrique (partie séparée)
54
3 Guitares (trio)
48
Partitions De Groupes
47
Ensemble de Ukulélés
46
Ukulele Baryton
46
Mandoline, Piano (duo)
12
Mandoline, Guitare (duo)
6
2 Dulcimers (duo)
6
Guitare, Violon, Violoncelle (trio)
5
2 Mandolines (duo)
4
2 Ukuleles
2
Dobro
2
Bouzouki
2
Cithare
2
Guitare, Orchestre
1
Orchestre à Plectres
1
Luth
1
+ 27 instrumentations
Retracter
Voix
Chorale SATB
10 254
Chorale 3 parties
4 296
Pack Instrumental pour Chorale
2 431
Chorale 2 parties
2 094
Chorale TTBB
2 008
Chorale Unison
1 646
Chorale SSAA
1 196
Chorale
657
Voix duo, Piano
526
Voix seule
510
Voix haute
433
Voix Soprano, Piano
431
Voix Tenor, Piano
270
Voix duo
241
Voix Baryton, Piano
192
Voix Alto, Piano
138
Voix basse, Piano
110
Voix Mezzo-Soprano, Piano
110
Voix moyenne, Piano
96
Chorale SSAATTBB
34
Voix Tenor
34
Chorale SSATB
26
Chorale SSAB a cappella
18
Voix Soprano
16
Voix haute, Piano
16
Voix Baryton
16
Chorale SSATTB
15
Soli, choeur mixte et accompagnement
13
Voix basse
12
Chorale, Orgue
8
Voix, Guitare
8
Chorale SATBB
6
Voix Soprano, Orchestre
6
Chorale SSATBB
5
Chorale SSAATB
3
Chorale SSAB, Piano
3
Chorale SAATB A Cappella
2
Voix Moyenne
2
Voix duo, Orgue
1
Voix et basse continue
1
Male Voice
1
+ 36 instrumentations
Retracter
Vents
Saxophone (partie séparée)
3 318
Quatuor de Saxophones: 4 saxophones
2 932
Flûte traversière et Piano
2 851
Flûte traversière
2 839
Clarinette
2 762
Saxophone Alto
2 268
Clarinette et Piano
2 248
Clarinette (partie séparée)
2 227
Flûte, Hautbois, Clarinette, Basson
2 032
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 030
Saxophone Tenor
1 803
2 Saxophones (duo)
1 651
Saxophone Alto et Piano
1 545
Hautbois, Piano (duo)
1 415
Quatuor de Clarinettes: 4 clarinettes
1 389
2 Flûtes traversières (duo)
1 296
2 Clarinettes (duo)
1 126
Flute (partie séparée)
1 043
Hautbois (partie séparée)
1 003
Saxophone Tenor et Piano
993
Quintette de Saxophone: 5 saxophones
753
Quatuor de Flûtes : 4 flûtes
732
Saxophone Soprano et Piano
543
3 Saxophones (trio)
530
Flûte à Bec
509
Flûte et Guitare
505
Ocarina
480
Ensemble de Clarinettes
469
3 Clarinettes (trio)
436
Ensemble de Flûtes
420
Ensemble de saxophones
407
Instruments en Mib
368
Hautbois
342
Saxophone
312
Flûte, Clarinette (duo)
309
Quintette de Clarinettes: 5 clarinettes
307
Flûte à bec Soprano
305
Saxophone Baryton, Piano
298
Trio de Flûtes: 3 flûtes
294
Quatuor de Flûtes à bec
263
2 Hautbois (duo)
234
Harmonica
224
Flûte à bec Alto
201
Saxophone, Clarinette (duo)
189
Cor anglais, Piano
179
Quintette de Flûte : 5 flûtes
172
Clarinette, Violon (duo)
172
Flûte, Violon, Piano
170
Hautbois, Basson (duo)
168
Clarinette Basse, Piano
157
Flûte, Hautbois, Clarinette (trio)
145
2 Flûte à bec (duo)
139
Flûte, Clarinette et Basson
131
Saxophone Soprano
128
Hautbois, Clarinette (duo)
118
Flûte, Violon
115
Hautbois, Flûte
107
Clarinette, Guitare (duo)
104
3 Flûtes à bec (trio)
103
Clarinette, Trompette (duo)
100
Flûte, Violon et Violoncelle
99
Hautbois, Clarinette, Basson (trio d'anches)
99
Flûte, Hautbois, Basson
90
Flûte, Alto (duo)
87
Clarinette Basse
78
Clarinette, Basson (duo)
76
Clarinette et Alto
75
Clarinette, Harpe (duo)
74
Ensemble De Flûte à bec
71
Saxophone Baryton
68
Cor Anglais
66
5 Flûtes à bec
66
2 Flûtes traversières, Piano
65
Flûte, Violoncelle
64
Flûte, Trompette (duo)
63
Flûte, Saxophone (duo)
61
Piccolo
54
Clarinette, Violoncelle (duo)
46
Flûte à bec Soprano, Piano
43
Flûte, Violoncelle, Piano (trio)
39
3 Hautbois
37
Flûte, Hautbois (duo)
36
Cornemuse
35
Flûte à bec Tenor
32
Flûte, Clarinette, Piano (trio)
31
Flûte à bec Alto, Piano
29
Saxophone et Guitare
29
2 Clarinettes, Basson
29
Hautbois, Violoncelle
29
Flûte à Bec, Piano
28
Flûte, Basson et Piano
26
Hautbois, Guitare (duo)
26
2 Saxophones, Piano
26
Hautbois, violon (duo)
24
Flûte, Hautbois, Piano (trio)
24
Flûte, Alto et Piano
23
Flûte, Clarinette, Cor, Basson (Quartet)
23
Flute, harpe et violon
22
2 Clarinettes, Piano
21
Piccolo, Piano
21
Clarinette, Violoncelle, Piano (trio)
18
Saxophone et Orgue
17
Cor anglais, Guitare (duo)
15
Flûte, Trombone (duo)
14
Ensemble à vent
13
4 Hautbois
13
Hautbois et alto (duo)
13
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
12
Clarinette, Trombone (duo)
11
Flûte à bec, Guitare (duo)
9
Flûte à bec Alto, Basse continue
9
Flûte traversière, Basse continue
8
Flûte et Trio à cordes
8
Saxophone et Piano
7
Hautbois, Harpe
7
Hautbois, Basson et Piano
7
Flûte, Harpe et Violoncelle
7
Flûte, trombone et piano
7
Flûte, Tuba (duo)
6
Clarinette, Basson, Piano (trio)
6
Flûte, Violon, Violoncelle et Piano
6
Ensemble de Hautbois
6
Saxophone, Violon (duo)
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Flûte, Violoncelle, Guitare
5
Hautbois, Trompette (duo)
5
Flûte et Quatuor à Cordes
5
Flûte traversière, Orgue (duo)
5
Flûte, Hautbois, Violon
5
2 Cors Anglais Et Pianoforte
5
Flûte irlandaise
5
Saxophone et Harpe
5
2 Harmonicas
4
Clarinette, trompette et piano
4
2 Flûtes à bec, Piano
4
Clarinette, Tuba
4
Flûte, Clarinette, Violon (trio)
4
Clarinette, Quatuor à cordes et Piano
3
2 Hautbois et Basson
3
Clarinette, Orgue
3
Flûte traversière, Orchestre
3
Hautbois, Violon, Piano
3
Hautbois, trombone (duo)
2
Saxophone et violoncelle
2
Clarinette, Contrebasse (duo)
2
2 Flûtes, Basse continue
2
Hautbois, Clarinette et Piano (Trio)
2
2 Hautbois et Cor anglais
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, alto et harpe
2
Saxophone, Basson (duo)
2
Cor anglais et Harpe (duo)
2
Flûte, Alto et Violoncelle
1
Clarinette, Alto et Piano (trio)
1
2 clarinettes, 2 bassons
1
Harmonica, Piano
1
Hautbois, Clarinette, Basson et Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Orchestre
1
Hautbois, Violoncelle et Piano
1
2 Flûtes traversières, Harpe
1
Hautbois, Orgue
1
Flûte, Violon, Guitare
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Quatuor à cordes
1
+ 160 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
2 771
Trompette
2 434
Trombone (partie séparée)
2 330
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2 151
Trombone
1 758
Cor
1 639
Trompette, Piano
1 555
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1 553
Trombone et Piano
1 209
Cor (partie séparée)
1 075
Cor et Piano
941
2 Trompettes (duo)
712
Tuba (partie séparée)
674
2 Trombones (duo)
631
Quatuor de Cuivres
596
Tuba
450
Tuba et Piano
428
Quatuor de Cuivres: 2 trompettes, Cor, trombone
419
Bass Clef Instruments
384
Instruments en Sib
368
Quatuor de cuivres: 4 trombones
294
Instruments en Fa
285
Euphonium, Piano (duo)
231
Trompette, Trombone (duo)
224
Quatuor de cuivres: 4 cors
214
Ensemble de Trombones
211
2 Cors (duo)
197
Cor anglais, Piano
179
Ensemble de Trompettes
161
Trompette, Saxophone (duo)
143
2 Euphoniums et 2 Tubas
111
Trio de Cuivres
87
Euphonium
85
Ensemble de Cors
84
Tuba ou Euphonium ou Saxhorn
71
Cor Anglais
66
2 Tubas (duo)
63
4 Tubas
61
3 Trompettes (trio)
55
Trompette, Cor (duo)
54
3 Trombones (trio)
47
Quatuor de cuivres: 4 trompettes
46
2 Euphoniums (duo)
24
Euphonium, Tuba (duo)
22
Tuba et Orgue
21
Trombone, Orgue
20
3 Cors (trio)
19
Cornet A Pistons
19
Trombone, Tuba (duo)
17
Trombone basse et Piano
17
Trompette, Tuba (duo)
16
2 Trompettes, Clavier (piano ou orgue)
16
Cor anglais, Guitare (duo)
15
Trombone basse
15
Trompette, violon (duo)
14
Trombone, Cor (duo)
12
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Cor, Tuba (duo)
9
Trompette, Violoncelle (duo)
9
3 Tubas (trio)
9
Trompette, Trombone, Piano
8
Trombone, violoncelle (duo)
8
Ensemble de Tubas
8
Euphonium (partie séparée)
8
Trombone, Violon (duo)
7
Cor et Basson (duo)
6
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Cor, Violoncelle (duo)
6
Cor et Orgue
5
Cor, Orchestre
5
Cor et Harpe
5
2 Cors Anglais Et Pianoforte
5
Trompette, Basson (duo)
4
Trompette, Violoncelle et Piano
4
Trompette, Harpe
4
2 Cors, Piano
3
Cornet et Piano
3
Clarinette, Cor (duo)
2
4 Euphoniums
2
2 Trombones, Piano
2
Cornet et orchestre
2
Trompette, Euphonium (duo)
2
Cor anglais et Harpe (duo)
2
Trompette et Guitare
2
3 Euphoniums
1
Euphonium Ou Saxhorn Et Piano
1
+ 82 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6 871
Violon
3 903
Violon et Piano
3 488
Harpe
3 122
Violoncelle, Piano
2 514
Violoncelle
2 451
Alto seul
2 142
Violon (partie séparée)
1 804
Alto, Piano
1 671
2 Violons (duo)
1 426
2 Violoncelles (duo)
998
Violon, Violoncelle (duo)
972
Trio à Cordes: violon, alto, violoncelle
903
Contrebasse (partie séparée)
802
Alto (partie séparée)
591
Violoncelle (partie séparée)
525
Violon, Alto (duo)
483
2 Altos (duo)
443
Quintette à cordes: 2 violons, alto, violoncelle, basse
415
Contre Basse
412
Contrebasse, Piano (duo)
346
Trio à Cordes: 2 violons, violoncelle
332
Harpe, Flûte (duo)
288
4 Violoncelles
223
Alto, Violoncelle (duo)
196
Trio à cordes: 3 violins
152
Trio à cordes
136
Violon, Guitare (duo)
136
2 Harpes (duo)
117
Piano Trio: Violon, Alto, Piano
105
Violoncelle , Guitare (duo)
101
Trio à Cordes: 3 violoncelles
100
Trio à cordes: 3 altos
84
Quatuor à cordes: 4 violons
74
Alto, Guitare (duo)
62
Violoncelle, Contrebasse (duo)
57
2 Violons, Piano
49
Quatuor à cordes : 4 altos
47
Trio à Cordes: 2 violons, alto
46
2 Contrebasses (duo)
45
Quintette à cordes: 2 violons, 2 altos, violoncelle
39
Harpe, Violon (duo)
38
Violon, Basson (duo)
25
Ensemble de Violons
24
Ensemble de Violoncelles
23
Ensemble d'Altos
22
Violon, Orgue
19
Harpe et mandoline
19
4 Contrebasses
18
Violoncelle, Orchestre
17
Harpe, Voix
17
Harpe, Violoncelle (duo)
16
2 Violoncelles, Piano
16
Flûte, Contrebasse (duo)
15
Violoncelle, Orgue
13
Violon, Basse continue
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
10
Alto et Basson
9
Harpe, Violon, Violoncelle
9
Alto et Harpe
7
Violon, Tuba (duo)
6
3 Contrebasses
6
Violon, Clarinette, Piano (trio)
6
2 Altos, Piano
5
Violoncelle, Basse continue
5
3 Harpes
4
Harpe et Piano
4
Harpe (partie séparée)
4
Harpe, Quatuor à cordes
4
Autoharp
3
Harpe et Orgue
3
4 Harpes
3
Alto, Orgue
2
Harpe, Orchestre
2
Violon, Violoncelle, Clarinette
2
Harpe, Trombone (duo)
2
2 Violons et Basse continue
1
Violon, Trompette et Piano
1
+ 73 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
13 742
Orchestre
3 973
Orchestre à Cordes
2 954
Fanfare
2 151
Ensemble Jazz
1 828
Percussion (partie séparée)
1 609
Ensemble de cuivres
1 199
Cloches
1 145
Orchestre de chambre
870
Batterie
806
Percussion
445
Timbales (partie séparée)
363
Jazz combo
351
Batterie (partie séparée)
240
Ensemble de Percussions
166
Timbales
133
Marimba
121
Xylophone
105
Vibraphone
69
Caisse Claire
54
Xylophone, Piano
47
Piano et Orchestre
39
Quintette à Vent
33
Orchestre, Violon
27
Quatuor à Vent : 4 instruments à vents
24
2 Xylophones
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Instrumentation Flexible
9
Vibraphone (partie séparée)
7
Quintette de Cuivres: autres combinaisons
6
Ensemble d'École
4
Vibraphone et Marimba
3
Big band
3
Marimba, Piano (duo)
2
Trio à Vent: 3 instruments à vents
2
Xylophone (partie séparée)
2
2 Marimbas
1
3 Percussions
1
Voix et Orchestre
1
3 Marimbas
1
+ 35 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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Gigue From BWV 1006-Partita No.3 For Guitar-Standard Notation
Guitare
Solo Guitar - Digital Download SKU: A0.955377 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.955377 Composed by Johann Sebastian Bach. Arranged by Neal Fitzpatrick. Baroque,Classical,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #5718735. Published by Neal Fitzpatrick Editions (A0.955377). Gigue from BWV 1006-Partita No.3 This arrangement of the Gigue from BWV 1006-Partita No.3 is for guitar solo. This Gigue is the sixth and last movement from Johann Sebastian Bach's Partita No.3. This arrangement is in the key of E Major, also the original key for the violin. Of all of Bach's solo works for violin BWV 1006 in particular well for guitar. This edition has standard notation and accompanying tablature.This arrangement is by Neal Fitzpatrick. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
$3.50
3.22 €
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Guitare
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Johann Sebastian Bach
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Neal Fitzpatrick
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Gigue From BWV 1006-Partita No.3 For Guitar-Standard Notation
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Neal Fitzpatrick Editions
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SheetMusicPlus
The Pink Panther from THE PINK PANTHER
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Individual part. 9 pages. F & N Enterprise #3015821. Published by F & N Enterprise (A0.632487). An excellent arrangement of famous Song The Pink Panther for Guitar and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.59 €
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Guitare
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Henry Mancini
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Fishel Pustilnik
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The Pink Panther from THE PINK PANTHER
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F & N Enterprise
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.44 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.44 €
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Guitare
#
Richard Strauss
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Rod Whittle
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for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.44 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.44 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1444675 Composed by Johann Sebasti…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024537. Published by Rodrigo Faleiros (A0.1444675). Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features:Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience.Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar.Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence.This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features: Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience. Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar. Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence. This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.For more beginner-friendly arrangements and to continue your exploration of music, click here to see my collection.
$1.99
1.83 €
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Guitare
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
#
SheetMusicPlus
Doxology (in low D) (Praise God from whom all blessings flow)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938062 Composed by Text: Thomas Ke…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938062 Composed by Text: Thomas Ken - Music: Genevan Psalter. Arranged by Bruce J. Patterson. Christian,Gospel,Sacred,Spiritual. Individual part. 3 pages. In His Name Music/SESAC #58915. Published by In His Name Music/SESAC (A0.938062). Doxology (in low D) (Praise God from whom all blessings flow) is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. Doxology (in low D) (Praise God from whom all blessings flow) is a favorite arranged for solo classical guitar. This song is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise to the Blessed God who showers His blessings on all.
$3.99
3.67 €
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Guitare
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Text: Thomas Ken - Music: Genevan Psalter
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Bruce J
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Doxology
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In His Name Music/SESAC
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SheetMusicPlus
The Road From Home
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.843756 Composed by Brian S. Wilson…
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Solo Guitar - Level 4 - Digital Download SKU: A0.843756 Composed by Brian S. Wilson. Contemporary. Individual part. 6 pages. G. Meredith Publications #2024461. Published by G. Meredith Publications (A0.843756). The Road From Home is a piece for Solo Classical Guitar commissioned by guitarist Eric Cabalo. It is 12'. The title refers to the book by author David Kherdian, The Story of an Armenian Girl by David Kherdian, a biographical account of his mother's escape from the Armenian genocide and immigration to America as a mail order bride. See also Brian S. Wilson's song cycle, Kherdian Songs based on poems of the same author.
$15.00
13.8 €
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Guitare
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Brian S
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The Road From Home
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G. Meredith Publications
#
SheetMusicPlus
Berceuse (from Escenas Románticas)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1039126 Composed by Enrique Granad…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1039126 Composed by Enrique Granados. Arranged by Scott R. Sanchez. Classical. Individual part. 2 pages. Scott R. Sanchez #644089. Published by Scott R. Sanchez (A0.1039126). This is a guitar arrangement of the Berceuse from Granados' Berceuse from Escenas Románticas (originally for piano).
$5.99
5.51 €
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Guitare
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Enrique Granados
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Scott R
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Berceuse
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Scott R. Sanchez
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SheetMusicPlus
Tears From Sidon
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1269400 Composed by Pedro Abreu. 2…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1269400 Composed by Pedro Abreu. 21st Century,Classical,Contemporary. Individual part. 2 pages. All Music #861921. Published by All Music (A0.1269400). In Sidon, Amira fell in love with guitarist Rami. When her daughter Leila fell gravely ill, Rami played amesmerizing melody that miraculously healed her.Inspired by this, Amira and Rami embarked on a musical journey, hoping to share the melody'shealing power. Along the way, they discovered a profound truth: true healing comes from within.Tears From Sidon reflects the profound tapestry of human emotions, embracing both sorrow andhappiness. It serves as a reminder that within each of us lies the power to heal and find strengththrough music.
$3.00
2.76 €
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Guitare
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Pedro Abreu
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Tears From Sidon
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All Music
#
SheetMusicPlus
PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,World. Individual part. 3 pages. Cristiano Sousa #5771565. Published by Cristiano Sousa (A0.941919). J.S Bach composed Prelude, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required, although Prelude is easier than Fugue and Allegro from the same set. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barré or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com .
$8.99
8.27 €
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Guitare
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Johann Sebastian Bach
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Cristiano Sousa
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PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
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Cristiano Sousa
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SheetMusicPlus
Brindisi (Libiamo ne' lieti calici) from La Traviata
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi…
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Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future. Â
$7.95
7.32 €
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Guitare
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Dan Jones
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Dan Jones www
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Brindisi
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DanJonesGuitarist
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SheetMusicPlus
Louise from „Innocents of Paris“
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315234 Composed by R. A. Whiting.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315234 Composed by R. A. Whiting. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 5 pages. Songbooks.info #903981. Published by songbooks.info (A0.1315234). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.29 €
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Guitare
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R
#
Bettina Schipp
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Louise from „Innocents of Paris“
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songbooks.info
#
SheetMusicPlus
Dream Lover from „the Love Parade“
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315237 Composed by V. Schertzinge…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315237 Composed by V. Schertzinger. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 4 pages. Songbooks.info #903974. Published by songbooks.info (A0.1315237). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.29 €
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Guitare
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V
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Bettina Schipp
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Dream Lover from „the Love Parade“
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songbooks.info
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SheetMusicPlus
Tears From Sidon
Guitare
Guitar - Level 5 - Digital Download SKU: A0.1269390 By Pedro Abreu. By Pedro Abreu.…
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Guitar - Level 5 - Digital Download SKU: A0.1269390 By Pedro Abreu. By Pedro Abreu. 21st Century,Classical,Contemporary. Full Performance. Duration 152. All Music #861909. Published by All Music (A0.1269390). In Sidon, Amira fell in love with guitarist Rami. When her daughter Leila fell gravely ill, Rami played amesmerizing melody that miraculously healed her.Inspired by this, Amira and Rami embarked on a musical journey, hoping to share the melody'shealing power. Along the way, they discovered a profound truth: true healing comes from within.Tears From Sidon reflects the profound tapestry of human emotions, embracing both sorrow andhappiness. It serves as a reminder that within each of us lies the power to heal and find strengththrough music.
$3.00
2.76 €
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Guitare
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Pedro Abreu
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Tears From Sidon
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All Music
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SheetMusicPlus
"March" from The Nutcracker Suite
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1310417 By Guitar Trio. By Pyotr Tchaik…
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Guitar - Level 3 - Digital Download SKU: A0.1310417 By Guitar Trio. By Pyotr Tchaikovsky. Arranged by Marcus Gerakos. 19th Century,Christmas,Classical,March. 2 pages. Marcus Gerakos #899476. Published by Marcus Gerakos (A0.1310417). This is my arrangement for three guitars. The parts have been adapted from the original orchestral score. It's a shortened arrangement designed to be performed with other pieces from The Nutcracker Suite. Year after year this arrangement has proven both engaging and educational for my middle school guitar students.
$10.00
9.2 €
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Guitare
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Guitar Trio
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Marcus Gerakos
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"March" from The Nutcracker Suite
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Marcus Gerakos
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SheetMusicPlus
Jobim : The Girl from Ipanema (niveau intermédiaire, avec Band)
Guitare
Téléchargez la tablature et la partition Guitare The Girl from Ipanema (nive…
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Téléchargez la tablature et la partition Guitare The Girl from Ipanema (niveau intermédiaire, avec Band) de Jobim. Tab pour Guitare mélodique avec band/orchestre -- Jazz
6.99 €
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Guitare
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Jobim
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The Girl from Ipanema
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Tomplay
Jobim : The Girl from Ipanema (niveau difficile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare The Girl from Ipanema (nive…
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Téléchargez la tablature et la partition Guitare The Girl from Ipanema (niveau difficile, guitare seule) de Jobim. Tab pour Guitare seule -- Jazz
5.99 €
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Guitare
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Jobim
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The Girl from Ipanema
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Tomplay
Jobim : The Girl from Ipanema (niveau intermédiaire, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare The Girl from Ipanema (nive…
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Téléchargez la tablature et la partition Guitare The Girl from Ipanema (niveau intermédiaire, guitare seule) de Jobim. Tab pour Guitare seule -- Jazz
5.99 €
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Guitare
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Jobim
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The Girl from Ipanema
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Tomplay
Jobim : The Girl from Ipanema (niveau débutant, avec Band)
Guitare
Téléchargez la tablature et la partition Guitare The Girl from Ipanema (nive…
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Téléchargez la tablature et la partition Guitare The Girl from Ipanema (niveau débutant, avec Band) de Jobim. Tab pour Guitare mélodique avec band/orchestre -- Jazz
6.99 €
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Guitare
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Jobim
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The Girl from Ipanema
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Tomplay
Pat Metheny Group : Letter from Home
Guitare
Téléchargez la tablature et la partition Guitare Letter from Home de Pat Met…
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Téléchargez la tablature et la partition Guitare Letter from Home de Pat Metheny Group. Tab pour Guitare seule -- Jazz et blues
5.99 €
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Guitare
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Pat Metheny Group
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Letter from Home
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Tomplay
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