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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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XYLOPHONE
From Odes 1
Non classifié
108
Piano & claviers
Piano, Voix
54
Piano Facile
34
Piano seul
23
2 Pianos, 4 mains
7
1 Piano, 4 mains
3
Piano, Voix et Guitare
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instruments en Do
1
Orgue
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
11
Guitare
3
Guitare (partie séparée)
1
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
11
Chorale 3 parties
3
Chorale 2 parties
1
Chorale Unison
1
Vents
Saxophone (partie séparée)
8
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5
Flûte traversière
5
Clarinette
4
2 Saxophones (duo)
4
Hautbois, Piano (duo)
4
Clarinette et Piano
4
Saxophone Alto et Piano
3
Saxophone Baryton
2
Saxophone Alto
2
Hautbois (partie séparée)
2
Clarinette (partie séparée)
2
Saxophone Soprano
2
Quatuor de Saxophones: 4 saxophones
2
Flûte traversière et Piano
2
Saxophone Baryton, Piano
2
Hautbois
2
Ensemble de Clarinettes
2
Saxophone Tenor
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Cor anglais, Piano
1
Flûte à Bec
1
2 Flûte à bec (duo)
1
Clarinette Basse, Piano
1
Flute (partie séparée)
1
Clarinette, Basson (duo)
1
Flûte, Clarinette (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
5 Flûtes à bec
1
Ensemble de saxophones
1
Flûte à bec Alto
1
2 Flûtes traversières (duo)
1
+ 29 instrumentations
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Cuivres
Trombone (partie séparée)
6
Trompette
6
Trompette (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Trombone (duo)
4
Tuba
4
Cor
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone
3
Quatuor de cuivres: 4 trombones
2
Trompette, Cor (duo)
2
Tuba (partie séparée)
2
Trombone et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor anglais, Piano
1
2 Cors (duo)
1
Euphonium
1
Cor (partie séparée)
1
Cor et Piano
1
Trompette, Euphonium (duo)
1
Tuba et Piano
1
Trompette, Piano
1
+ 17 instrumentations
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Cordes
Violon, Violoncelle (duo)
6
Violoncelle, Piano
5
Violon
5
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon et Piano
4
2 Violons (duo)
4
Alto, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe
2
Contre Basse
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Alto seul
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
55
Orchestre
9
Ensemble Jazz
7
Orchestre de chambre
4
Percussion (partie séparée)
3
Xylophone
2
Orchestre à Cordes
2
Ensemble de cuivres
1
Ensemble de Percussions
1
Fanfare
1
Batterie (partie séparée)
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Vous avez sélectionné:
From Odes 1
Guitare
Partitions à imprimer
3 partitions trouvées
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Reflections: Ten Solos for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Michael Reardon
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Reflections: Ten Solos for Gui
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Son...
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Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
The Old Castle
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Guitare
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Classique
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Modest Petrovich Mussorgsky
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Martin Hegel
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The Old Castle
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Schott Music
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SheetMusicPlus
From: Pictures at an Exhibition. Composed by Modest Petrovich Mussorgsky (1839-1881). Arranged by Martin Hegel. Copyright 2012 Schott Music GmbH & Co. KG...
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From: Pictures at an Exhibition. Composed by Modest Petrovich Mussorgsky (1839-1881). Arranged by Martin Hegel. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. 1 pages. Published by Schott Music (S9.Q44824). - - - Schott Music
$2.99
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