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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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1270
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709
Piano seul
590
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321
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151
Piano, Voix et Guitare
112
Orgue
111
Accompagnement Piano
60
Accordéon
47
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
8
Orgue, Piano (duo)
6
Piano (partie séparée)
6
2 Pianos, 4 mains
4
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3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
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3
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2
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Fake Book
1
Instrument seul et Orgue
1
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GUITARES
Guitare notes et tablatures
195
Basse electrique
128
Guitare
50
Ukulele
42
Guitare (partie séparée)
20
Mandoline
14
2 Guitares (duo)
13
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
3 Guitares (trio)
4
Piano, Guitare (duo)
3
Banjo
2
4 Guitares (Quatuor)
2
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Dulcimer
1
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VOIX
Chorale SATB
221
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60
Chorale TTBB
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46
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39
Voix duo, Piano
19
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17
Voix Soprano, Piano
13
Pack Instrumental pour Chorale
11
Voix seule
11
Voix moyenne, Piano
8
Voix duo
5
Voix Baryton, Piano
4
Voix Mezzo-Soprano, Piano
3
Voix Alto, Piano
3
Voix Tenor, Piano
3
Chorale SSAATTBB
3
Voix basse
2
Voix basse, Piano
2
Chorale
2
Voix Soprano
2
Voix, Guitare
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
Voix Tenor
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
128
2 Flûtes traversières (duo)
115
Flûte traversière et Piano
91
Clarinette et Piano
75
Saxophone Tenor et Piano
73
Saxophone (partie séparée)
56
Saxophone Soprano et Piano
55
Quatuor de Clarinettes: 4 clarinettes
55
Hautbois, Piano (duo)
53
Quatuor de Flûtes : 4 flûtes
47
Quatuor de Saxophones: 4 saxophones
47
Flûte traversière
43
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Alto et Piano
38
Clarinette
33
Saxophone Tenor
32
3 Clarinettes (trio)
31
2 Clarinettes (duo)
28
Trio de Flûtes: 3 flûtes
21
Quintette de Saxophone: 5 saxophones
21
2 Saxophones (duo)
20
Flûte, Clarinette (duo)
19
Clarinette, Violon (duo)
16
Flûte à bec Soprano
16
Saxophone Alto
16
2 Clarinettes, Piano
14
Quintette de Clarinettes: 5 clarinettes
13
Flûte, Trompette (duo)
12
Saxophone, Clarinette (duo)
11
Flûte, trombone et piano
11
Hautbois, Clarinette (duo)
11
Flûte, Violon
11
2 Hautbois (duo)
11
2 Flûte à bec (duo)
10
Flûte, Clarinette, Piano (trio)
10
Clarinette (partie séparée)
10
Flûte, Hautbois (duo)
9
3 Saxophones (trio)
9
Ensemble de Clarinettes
9
Hautbois (partie séparée)
9
Hautbois, Trompette (duo)
8
Saxophone, Violon (duo)
8
Hautbois, violon (duo)
8
Ensemble de Flûtes
8
Cor anglais, Piano
7
Harmonica
7
Quintette de Flûte : 5 flûtes
6
Ocarina
6
Clarinette, trompette et piano
6
Flûte et Guitare
6
Hautbois, Basson (duo)
5
Flûte, Violon, Piano
5
Flûte traversière, Basse continue
5
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
5
Flûte à bec Alto
5
Flûte, Clarinette et Basson
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Violoncelle, Piano (trio)
4
Flute, harpe et violon
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
Hautbois, Flûte
3
Flûte, Alto (duo)
3
Piccolo
3
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Tenor
2
Clarinette, Basson (duo)
2
Ensemble de saxophones
2
2 Flûtes traversières, Piano
2
Ensemble De Flûte à bec
2
Flûte à bec Soprano, Piano
2
Flûte, Violon et Violoncelle
2
Clarinette et Alto
2
Clarinette, Guitare (duo)
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Trompette (duo)
2
Flûte, Violoncelle
2
Flûte, Trombone (duo)
2
Clarinette Basse
1
Clarinette, Saxophone, Piano
1
Flûte à Bec
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
2 Clarinettes, Basson
1
Hautbois
1
Saxophone Soprano
1
Flûte et Quatuor à Cordes
1
Saxophone et Guitare
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Harpe (duo)
1
3 Hautbois
1
Instruments en Mib
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec (trio)
1
Saxophone et Harpe
1
Flûte, Saxophone (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Cor (partie séparée)
80
Cor et Piano
70
Trombone (partie séparée)
57
Trombone
54
Trompette, Piano
52
Instruments en Fa
51
Trompette
44
Cor
42
Trompette (partie séparée)
39
Trombone et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
2 Cors (duo)
24
2 Trompettes (duo)
23
Quatuor de cuivres: 4 trombones
22
Quatuor de cuivres: 4 cors
12
2 Trombones (duo)
11
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Trompette, Trombone (duo)
9
Trompette, violon (duo)
8
Trompette, Basson (duo)
8
Trombone, violoncelle (duo)
8
Tuba et Piano
8
Cor anglais, Piano
7
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 trompettes
7
Ensemble de Trombones
6
Ensemble de Cors
5
Tuba (partie séparée)
5
Ensemble de Trompettes
4
Tuba
4
3 Trombones (trio)
4
3 Trompettes (trio)
3
Trompette, Cor (duo)
3
Euphonium
3
2 Euphoniums (duo)
3
Cor, Violoncelle (duo)
3
Trombone, Cor (duo)
3
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
3 Cors (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone basse
1
Cor, Tuba (duo)
1
2 Tubas (duo)
1
Trombone, Orgue
1
2 Cors, Piano
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
Cor et Harpe
1
4 Tubas
1
Instruments en Sib
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium Ou Saxhorn Et Piano
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
216
Harpe
101
Violon et Piano
97
Violoncelle, Piano
56
Alto, Piano
55
Trio à Cordes: violon, alto, violoncelle
52
Violon
45
Trio à Cordes: 2 violons, violoncelle
37
2 Violoncelles (duo)
29
2 Violons (duo)
28
Violon, Violoncelle (duo)
23
Violoncelle
17
Violon, Alto (duo)
16
2 Harpes (duo)
15
Alto, Violoncelle (duo)
13
2 Altos (duo)
13
Contrebasse (partie séparée)
11
Harpe, Voix
8
Quatuor à cordes: 4 violons
8
Contrebasse, Piano (duo)
7
Trio à cordes
7
Alto seul
7
Contre Basse
7
Harpe, Violoncelle (duo)
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Harpe
5
Harpe, Violon (duo)
5
2 Violons, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
Ensemble de Violons
4
Ensemble d'Altos
4
4 Violoncelles
3
Alto (partie séparée)
3
Alto, Guitare (duo)
3
Flûte, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
2 Violoncelles, Piano
2
Autoharp
1
Trio à cordes: 3 altos
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Alto et Basson
1
Alto, Orgue
1
2 Contrebasses (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
Violoncelle, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre
254
Orchestre d'harmonie
161
Orchestre à Cordes
157
Ensemble Jazz
88
Ensemble de cuivres
66
Orchestre de chambre
45
Cloches
40
Fanfare
31
Ensemble de Percussions
11
Batterie (partie séparée)
10
Marimba
6
Batterie
6
Instrumentation Flexible
6
Percussion (partie séparée)
5
Jazz combo
3
Vibraphone
2
Timbales (partie séparée)
2
Orchestre, Violon
2
Percussion
1
Vibraphone (partie séparée)
1
Piano et Orchestre
1
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Guitare
Partitions à imprimer
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26
ANDANTE - SUITE VII - BWV 432 - G.F.HANDEL - FOR GUITAR SOLO
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.555395 By FALLAHIN SCORE EDITIONS.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.555395 By FALLAHIN SCORE EDITIONS. By G. F. Handel. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 pages. Fallahin Score Editions #165008. Published by Fallahin Score Editions (A0.555395). TRANSCRIPTION FOR GUITAR SOLO.
$8.00
7.33 €
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Guitare
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FALLAHIN SCORE EDITIONS
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Marcelo Fallahin
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ANDANTE - SUITE VII - BWV 432 - G.F.HANDEL - FOR GUITAR SOLO
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Fallahin Score Editions
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SheetMusicPlus
ALLEGRO - SUITE II - BWV 427 - G.F.HANDEL - FOR GUITAR SOLO
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.546974 By FALLAHIN SCORE EDITIONS.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.546974 By FALLAHIN SCORE EDITIONS. By G.F.HANDEL. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 pages. Fallahin Score Editions #156917. Published by Fallahin Score Editions (A0.546974). TRANSCRIPTION FOR GUITAR SOLO.
$8.00
7.33 €
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Guitare
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FALLAHIN SCORE EDITIONS
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Marcelo Fallahin
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ALLEGRO - SUITE II - BWV 427 - G.F.HANDEL - FOR GUITAR SOLO
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Fallahin Score Editions
#
SheetMusicPlus
Strumming Practice V7-I (Keys of G, C, and F Majors)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1016161 Composed by Amy B. Warmenh…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1016161 Composed by Amy B. Warmenhoven. Instructional. Individual part. 2 pages. Amy Warmenhoven #6433823. Published by Amy Warmenhoven (A0.1016161). Strumming Practice: V7-I (Keys of G, C, and F Majors)D7-G (3/4)G7-C (4/4)C7-F (6/8)Tied rhythms in 4/4, 3/4, 6/8Chord chartsCountingRhythm syllablesKid-friendly font
$1.99
1.82 €
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Guitare
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Amy B
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Strumming Practice V7-I
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Amy Warmenhoven
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SheetMusicPlus
Air On A G String BWV 1068
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1316579 Composed by Johann Sebastian Ba…
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Guitar - Level 3 - Digital Download SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 pages. DML #905303. Published by DML (A0.1316579). Air On A G string is August Wilhelmj’s 1871 arrangement of the second movement of J. S. Bach’s Orchestral Suite No 3 in D major BWV 1068. The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string, hence the name). In performance, that part is generally played by a single violin (instead of by the first violins as a group). This is however an arrangement of the original “Air†from the Orchestral Suite. Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an Air as second movement. The music of the Air is written on four staves, for first and second violins, viola, and continuo. The interweaving melody lines of the high strings contrast with the pronounced rhythmic drive in the bass. I have followed this quite closely in the arrangement for guitar quartet in F major.
$6.99
6.4 €
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Guitare
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Johann Sebastian Bach
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Simon James
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Air On A G String BWV 1068
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DML
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SheetMusicPlus
Chaconne - Oriental - in G minor - For Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1490492 Composed by F. Daniel Krem…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1490492 Composed by F. Daniel Kremer. Classical. Individual part. 3 pages. Frederic Daniel Studio #1067335. Published by Frederic Daniel Studio (A0.1490492). From a popular form of dance in the 1700s. It is structured but has variations that build slow tension and rapid release.
$5.99
5.49 €
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Guitare
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F
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Chaconne - Oriental - in G minor - For Classical Guitar
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Frederic Daniel Studio
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SheetMusicPlus
Ombra mai fù
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1079969 Composed by G. F. Handel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1079969 Composed by G. F. Handel. Arranged by Esteban Peretz. Baroque,Classical. Individual part. 1 pages. Esteban Peretz #684188. Published by Esteban Peretz (A0.1079969). My Classical Guitar solo version of Handel's beautiful aria.
$1.99
1.82 €
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Guitare
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G
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Esteban Peretz
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Ombra mai fù
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Esteban Peretz
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.28 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Joy To The World for guitar quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1120784 By Simon James. By G. F. Handel…
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Guitar - Level 2 - Digital Download SKU: A0.1120784 By Simon James. By G. F. Handel. Arranged by Simon James. Baroque,Chamber,Christian,Christmas,Contemporary. Full Performance. Duration 91. DML #721999. Published by DML (A0.1120784). A popular Christmas carol, the tune usually used today is from an 1848 edition by Lowell Mason for The National Psalmist (Boston, 1848). There has long been speculation over how much a part Handel's Messiah had in Joy to the World. However, resemblances between Messiah and Joy to the World, have been dismissed as 'chance ' by Handel scholars today. It seems likely that the tune as we know it was probably from an 1833 publication by Thomas Hawkes with the title “Comfortâ€, Author Unknown. I have combined Handelian elements with the tune that most people know to create an arrangement that works well for guitar quartet retaining the bounce and vigour of the carol. Score available.
$1.99
1.82 €
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Guitare
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Simon James
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Simon James
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Joy To The World for guitar quartet
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DML
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SheetMusicPlus
Passacaglia
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1149316 By Viktoriia Kulykovska. B…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1149316 By Viktoriia Kulykovska. By George Frideric Handel. Arranged by Viktoriia Kulykovska. Baroque,Classical. Individual part. 3 pages. Viktoriia Kulykovska #749456. Published by Viktoriia Kulykovska (A0.1149316). World famous Passacaglia by G. F. Handel. Arranged for solo guitar by Viktoriia Kulykovska.
$5.00
4.58 €
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Guitare
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Viktoriia Kulykovska
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Viktoriia Kulykovska
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Passacaglia
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Viktoriia Kulykovska
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SheetMusicPlus
3 PIECES FROM WATER MUSIC - Score Only
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1319645 By George Frideric Handel. By G…
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Guitar - Level 2 - Digital Download SKU: A0.1319645 By George Frideric Handel. By G. F. Handel. Arranged by GONZALO CORNEJO. Baroque,Chamber,Classical,Early Music,Instructional. 7 pages. GONZALO CORNEJO #908197. Published by GONZALO CORNEJO (A0.1319645).
$10.00
9.16 €
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Guitare
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George Frideric Handel
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GONZALO CORNEJO
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3 PIECES FROM WATER MUSIC - Score Only
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GONZALO CORNEJO
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SheetMusicPlus
Lascia qu'io pianga - Let Me Cry
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1106306 By Markus Plattner. By G.F…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1106306 By Markus Plattner. By G.F.Haendel. Arranged by Markus Plattner. Baroque,Classical. Individual part. 3 pages. Markus Plattner #709378. Published by Markus Plattner (A0.1106306). A deeply emotional aria by the great Haendel. Transcribed and arranged for solo guitar. Suited especially for funerals.
$5.00
4.58 €
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Guitare
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Markus Plattner
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Markus Plattner
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Lascia qu'io pianga - Let Me Cry
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Markus Plattner
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SheetMusicPlus
Air from Rinaldo (for easy guitar)
Guitare
Guitar - Digital Download SKU: A0.1056928 Composed by G. F. Handel. Arranged by Jor…
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Guitar - Digital Download SKU: A0.1056928 Composed by G. F. Handel. Arranged by Jordan Grigg. Baroque,Concert,Instructional,Standards. Full Performance. Duration 61. Jordan Grigg #3459157. Published by Jordan Grigg (A0.1056928).
$1.99
1.82 €
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Guitare
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G
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Jordan Grigg
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Air from Rinaldo
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Jordan Grigg
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SheetMusicPlus
"G'hupft wie g'sprung'n"" aus "Folkloristische Stücke für Gitarre solo (GS)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1428217 By Josef Peter Traun. By J…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1428217 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun #1009026. Published by Traun (A0.1428217). ©-1999 by Josef Peter Traun - Alle Rechte vorbehalten - www.traunmusik.atAus Folkloristische Stücke für Gitarre solo. Kompositionen im Stil der Kärntner Volksmusik, sehr virtuos zu spielen und nicht allzu ernst nehmen.Für Gitarre solo (GS/TAB), Violine & Gitarre (GKM2) und Klarinettentrio (KLT) erhältlich!From Folk Pieces For Guitar solo. Compositions in the manner of Carinthian folk music. For Guitar solo (GS/TAB), Violin & Guitar (GKM2) and Clarinet Trio (KLT) available!Titel/Titles:# Auf’d Nacht (sehr ruhig spielen)# G’hupft wie g’sprung’n (so schnell als möglich)# D’rüba und d’runta (mit einem Augenzwinkern spielen)# G’zupft und g’strich’n (des wars)# G'hupft wie g'hatscht (egal, ob gehüpft oder spaziert).
$6.00
5.5 €
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Guitare
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Josef Peter Traun
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Josef Peter Traun
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"G'hupft wie g'sprung'n"" aus "Folkloristische Stücke für Gitarre solo
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Traun
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SheetMusicPlus
"G'zupft und g'strichn" aus "Folkloristische Stücke für Gitarre solo (GS)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1428236 By Josef Peter Traun. By J…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1428236 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun #1009029. Published by Traun (A0.1428236). ©-1999 by Josef Peter Traun - Alle Rechte vorbehalten - www.traunmusik.at Aus Folkloristische Stücke für Gitarre solo. Kompositionen im Stil der Kärntner Volksmusik, sehr virtuos zu spielen und nicht allzu ernst nehmen. Für Gitarre solo (GS/TAB), Violine & Gitarre (GKM2) und Klarinettentrio (KLT) erhältlich!From Folk Pieces For Guitar solo. Compositions in the manner of Carinthian folk music. For Guitar solo (GS/TAB), Violin & Guitar (GKM2) and Clarinet Trio (KLT) available!Titel/Titles:# Auf’d Nacht (sehr ruhig spielen)# G’hupft wie g’sprung’n (so schnell als möglich)# D’rüba und d’runta (mit einem Augenzwinkern spielen)# G’zupft und g’strich’n (des wars)# G'hupft wie g'hatscht (egal, ob gehüpft oder spaziert).
$6.00
5.5 €
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Guitare
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Josef Peter Traun
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Josef Peter Traun
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"G'zupft und g'strichn" aus "Folkloristische Stücke für Gitarre solo
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Traun
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SheetMusicPlus
"D'rüba und d'runta" aus "Folkloristische Stücke für Gitarre solo (GS)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1428235 By Josef Peter Traun. By J…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1428235 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun #1009028. Published by Traun (A0.1428235). ©-1999 by Josef Peter Traun - Alle Rechte vorbehalten - www.traunmusik.at Aus Folkloristische Stücke für Gitarre solo. Kompositionen im Stil der Kärntner Volksmusik, sehr virtuos zu spielen und nicht allzu ernst nehmen. Für Gitarre solo (GS/TAB), Violine & Gitarre (GKM2) und Klarinettentrio (KLT) erhältlich!From Folk Pieces For Guitar solo. Compositions in the manner of Carinthian folk music. For Guitar solo (GS/TAB), Violin & Guitar (GKM2) and Clarinet Trio (KLT) available!Titel/Titles:# Auf’d Nacht (sehr ruhig spielen)# G’hupft wie g’sprung’n (so schnell als möglich)# D’rüba und d’runta (mit einem Augenzwinkern spielen)# G’zupft und g’strich’n (des wars)# G'hupft wie g'hatscht (egal, ob gehüpft oder spaziert).
$6.00
5.5 €
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Guitare
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Josef Peter Traun
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Josef Peter Traun
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"D'rüba und d'runta" aus "Folkloristische Stücke für Gitarre solo
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Traun
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SheetMusicPlus
"Auf'd Nacht"" aus "Folkloristische Stücke für Gitarre solo (GS)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1428212 By Josef Peter Traun. By J…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1428212 By Josef Peter Traun. By Josef Peter Traun. Arranged by Josef Peter Traun. Folk. Individual part. 2 pages. Traun #1009016. Published by Traun (A0.1428212). ©-1999 by Josef Peter Traun - Alle Rechte vorbehalten - www.traunmusik.atAus Folkloristische Stücke für Gitarre solo. Kompositionen im Stil der Kärntner Volksmusik, sehr virtuos zu spielen und nicht allzu ernst nehmen.Für Gitarre solo (GS/TAB), Violine & Gitarre (GKM2) und Klarinettentrio (KLT) erhältlich!From Folk Pieces For Guitar solo. Compositions in the manner of Carinthian folk music. For Guitar solo (GS/TAB), Violin & Guitar (GKM2) and Clarint Trio (KLT) available!Titel/Titles:# Auf’d Nacht (sehr ruhig spielen)# G’hupft wie g’sprung’n (so schnell als möglich)# D’rüba und d’runta (mit einem Augenzwinkern spielen)# G’zupft und g’strich’n (des wars)# G'hupft wie g'hatscht (egal, ob gehüpft oder spaziert).
$6.00
5.5 €
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Guitare
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Josef Peter Traun
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Josef Peter Traun
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"Auf'd Nacht"" aus "Folkloristische Stücke für Gitarre solo
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Traun
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SheetMusicPlus
"Der Schneewalzer" aus "Ein Sonntag auf der Alm", op. 71, für Gitarre solo (02/GS)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1461939 By G'zupft und g'strich'n.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1461939 By G'zupft und g'strich'n. By Thomas Koschat (1845-1914). Arranged by Josef Peter Traun. Classical,Folk,Traditional. Individual part. 16 pages. Traun #1040688. Published by Traun (A0.1461939). An arrangement for guitar solo (GS). Take a look at the version for 2 guitars (GD) too.
$6.00
5.5 €
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Guitare
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G'zupft und g'strich'n
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Josef Peter Traun
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"Der Schneewalzer" aus "Ein Sonntag auf der Alm", op. 71, für Gitarre solo
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Traun
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.82 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Le chemin de croix / Labyrinthe
Guitare
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
7.28 €
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinthe
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Les Productions d'OZ - Digital
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SheetMusicPlus
The Entertainer (Excerpt)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.82 €
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Guitare
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.5 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
$8.00
7.33 €
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Dodici Monferrine opera 12
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Socrates Arvanitakis
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SheetMusicPlus
Twelve Studies in 12 Major Keys for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.820286 Composed by Kenneth Pasciak…
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Solo Guitar - Level 4 - Digital Download SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Kenneth Pasciak #4312085. Published by Kenneth Pasciak (A0.820286). Twelve Studies in 12 Major Keys features twelve etudes for solo guitar. Each unique etude features a different major key, including rarely seen keys such as F#, Db, Ab, Eb and Bb. Beginning with a rag in C Major, Twelve Studies takes the performer through each key by ascending fifths. Highlights include: 2-against-3 study in G, a Terry Riley inspired etude in D, an up tempo waltz in Db, a quintuplet study in Eb and an Astor Piazzolla inspired piece in F major. For intermediate to advanced guitarists. Kenneth Pasciak Music Publishing, ASCAP
$6.99
6.4 €
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Guitare
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Kenneth Pasciak
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Twelve Studies in 12 Major Keys for Guitar
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Kenneth Pasciak
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SheetMusicPlus
Suite in D Lydian Mixed Mode
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation. Â The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.
$12.00
10.99 €
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Guitare
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Socrates Arvanitakis
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Suite in D Lydian Mixed Mode
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Socrates Arvanitakis
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SheetMusicPlus
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