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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
G strings.
Non classifié
310
Piano & claviers
Accompagnement Piano
36
Piano seul
26
Piano Facile
13
Piano, Voix
10
Orgue
5
Piano, Voix et Guitare
5
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Ukulele
31
Guitare notes et tablatures
28
Guitare
21
Basse electrique
14
Banjo
2
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale Unison
9
Chorale SATB
8
Chorale 2 parties
2
Chorale TTBB
2
Voix duo, Piano
1
Voix duo
1
Chorale 3 parties
1
Voix Soprano, Piano
1
+ 3 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flûte traversière et Piano
8
Flûte, Hautbois, Clarinette, Basson
8
2 Flûtes traversières (duo)
6
2 Saxophones (duo)
6
Clarinette (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto et Piano
5
Quatuor de Saxophones: 4 saxophones
4
Clarinette et Piano
4
Saxophone Soprano et Piano
4
3 Saxophones (trio)
4
Quintette de Saxophone: 5 saxophones
4
2 Clarinettes (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois (partie séparée)
3
Clarinette
3
Saxophone Alto
3
Flûte et Trio à cordes
3
Flute, harpe et violon
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano
2
3 Hautbois
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte traversière
2
Hautbois, Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle
1
Clarinette, Basson (duo)
1
Clarinette, Orgue
1
Saxophone, Clarinette (duo)
1
Saxophone Baryton, Piano
1
Flute (partie séparée)
1
2 Flûte à bec (duo)
1
2 Flûtes traversières, Piano
1
Ensemble de Clarinettes
1
Quintette de Flûte : 5 flûtes
1
Hautbois
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violon et Violoncelle
1
3 Flûtes à bec (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Cor anglais, Piano
1
Saxophone (partie séparée)
1
+ 45 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
4
Trompette, Piano
4
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
Cor et Piano
2
Trombone (partie séparée)
2
Ensemble de Cors
1
3 Trompettes (trio)
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
76
Harpe
54
Violoncelle
25
Violon
23
Violon et Piano
19
Trio à Cordes: violon, alto, violoncelle
14
Violon (partie séparée)
13
2 Violoncelles (duo)
13
Alto, Piano
12
2 Violons (duo)
11
Alto seul
10
Violoncelle, Piano
8
Violon, Violoncelle (duo)
7
Alto, Violoncelle (duo)
6
Alto (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle (partie séparée)
4
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Violon, Guitare (duo)
2
Violon, Alto (duo)
2
2 Altos (duo)
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Voix
2
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Contre Basse
1
Violoncelle, Contrebasse (duo)
1
Harpe, Quatuor à cordes
1
2 Contrebasses (duo)
1
2 Harpes (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
124
Orchestre
111
Orchestre de chambre
74
Orchestre d'harmonie
62
Ensemble Jazz
28
Jazz combo
3
Percussion (partie séparée)
2
Ensemble de Percussions
1
Ensemble de cuivres
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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TROMPETTE
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Vous avez sélectionné:
G strings.
Guitare
Partitions à imprimer
21 partitions trouvées
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1
Minuet in G Major for Beginner Guitar
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Guitare
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DÉBUTANT
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Classique
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Laura Glassel
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Minuet in G Major for Beginner
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Laura Glassel
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.947607 Arranged by Laura Glassel. Baroque. Individual part. 1 pages. Laura Glassel #4833757. Published by Laura Glassel ...
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Solo Guitar - Level 1 - SKU: A0.947607 Arranged by Laura Glassel. Baroque. Individual part. 1 pages. Laura Glassel #4833757. Published by Laura Glassel (A0.947607). This is an arrangement of the Minuet in G Major from the Notebook for Anna Magdalena Bach for beginner guitar. Written in G major. Uses notes on all 6 strings of the guitar. Not TAB. 1 page.
$2.99
Air On A G String BWV 1068
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Simon James
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Air On A G String BWV 1068
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DML
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 page...
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Guitar - Level 3 - SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 pages. DML #905303. Published by DML (A0.1316579). Air On A G string is August Wilhelmj’s 1871 arrangement of the second movement of J. S. Bach’s Orchestral Suite No 3 in D major BWV 1068. The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string, hence the name). In performance, that part is generally played by a single violin (instead of by the first violins as a group). This is however an arrangement of the original “Air†from the Orchestral Suite. Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an Air as second movement. The music of the Air is written on four staves, for first and second violins, viola, and continuo. The interweaving melody lines of the high strings contrast with the pronounced rhythmic drive in the bass. I have followed this quite closely in the arrangement for guitar quartet in F major.
$6.99
Waltz in G (Op. 39 No 15) for 8 string guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Tim Rushworth
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Waltz in G
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1379703 Composed by Johannes Brahms. Arranged by Tim Rushworth. 19th Century,Classical. Individual part. 3 pages. Tim Ru...
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Solo Guitar - Level 4 - SKU: A0.1379703 Composed by Johannes Brahms. Arranged by Tim Rushworth. 19th Century,Classical. Individual part. 3 pages. Tim Rushworth #964406. Published by Tim Rushworth (A0.1379703). This famous waltz has been arranged for 6 string guitar, but not as far as I know for the 8 string. The lower two strings need to be tuned to G and B to acheive the correct pitch intended by the compser. I hope threre will be some 8 string players out there who will be able to enjoy this arrangement. I intend to make a recording and a YouTube video in due course.
$3.99
Prelude (from Suite No. 4 for Solo Cello) (BWV 1010) by JS Bach - arr for Solo Guitar in G major
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Prelude
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Pietro Prugna
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1079071 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Indivi...
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Solo Guitar - Level 3 - SKU: A0.1079071 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Individual part. 3 pages. Pietro Prugna #683272. Published by Pietro Prugna (A0.1079071). This is another beautiful Prelude from the popular 6 Suites for Solo Cello by JS Bach. It was originally in Eb but is arranged for Classical Guitar in G major. In this key, the lowest note is E, which does not require any alternate tuning for the Classical Guitar. Some fingerings have been added so as to allow the strings to vibrate longer and a more sustained effect.
$1.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Stranger Under My Skin
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Chow Yiu Fai, G Kool, Wen Shu,
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Steven's Strings Studio
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Stranger Under My Skin
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Steven's Strings Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1349130 Composed by Chow Yiu Fai, G Kool, Wen Shu, and x. Arranged by Steven's Strings Studio. Pop. Individual part. 4 p...
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Solo Guitar - Level 4 - SKU: A0.1349130 Composed by Chow Yiu Fai, G Kool, Wen Shu, and x. Arranged by Steven's Strings Studio. Pop. Individual part. 4 pages. Steven's Strings Studio #933870. Published by Steven's Strings Studio (A0.1349130). Guitar Fingerstyle TAB.
$5.90
Faron Woods - The Legend of Zelda: Twilight Princess
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Guitare
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FACILE
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Koji Kondo
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William G
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Faron Woods - The Legend of Ze
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William G. Walrath IV
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1487098 Composed by Koji Kondo. Arranged by William G. Walrath IV. Classical,Video Game. Individual part. 2 pages. Willi...
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Solo Guitar - Level 2 - SKU: A0.1487098 Composed by Koji Kondo. Arranged by William G. Walrath IV. Classical,Video Game. Individual part. 2 pages. William G. Walrath IV #1064074. Published by William G. Walrath IV (A0.1487098). Faron Woods, from The Legend of Zelda: Twilight Princess arranged for solo classical guitar. I always loved this piece, and when I began to fell in love with classical guitar, I wondered what it would sound like on solo nylon strings. I recommend playing with the capo on the 4th fret.
$5.99
Pulso de la vida
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Guitare
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AVANCÉ
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions...
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Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
The Entertainer (Excerpt)
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Guitare
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DÉBUTANT
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Ragtime
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual pa...
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Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
How To Save A Life
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Guitare
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FACILE
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Rock
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The Fray
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Enrique Rojas
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How To Save A Life
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Enrique Rojas Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1208361 By The Fray. By Isaac Slade and Joseph King. Arranged by Enrique Rojas. Pop,Rock. Individual part. 6 pages. Enri...
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Solo Guitar - Level 2 - SKU: A0.1208361 By The Fray. By Isaac Slade and Joseph King. Arranged by Enrique Rojas. Pop,Rock. Individual part. 6 pages. Enrique Rojas Music #806470. Published by Enrique Rojas Music (A0.1208361). This is a fingerstyle guitar arrangement to be played as soloist or with accompaniment. This easy arrangement is ideal for guitarists who would like to include popular music into their repertoire. It uses 1 step down tuning (D G C F A D) to maximize open strings to harmonize with the melody.
$4.99
A New Romance (for 8 string guitar)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Tim Rushworth
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7.
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A New Romance
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1226192 Composed by Tim Rushworth. 21st Century,Classical,Multicultural,World. Individual part. 2 pages. Tim Rushworth #...
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Solo Guitar - Level 4 - SKU: A0.1226192 Composed by Tim Rushworth. 21st Century,Classical,Multicultural,World. Individual part. 2 pages. Tim Rushworth #822220. Published by Tim Rushworth (A0.1226192). This is a new composition, designed to show off the capabilities of the 8 string guitar tuned with a low G and B on strings 8 & 7.
$5.99
Mud Slappin' Blues/ Orange Sunrise
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Guitare
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INTERMÉDIAIRE
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Doug Smith
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Mud Slappin' Blues/ Orange Sun
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1304664 Composed by Doug Smith. 20th Century,Blues,Classical,Instructional,Jazz. Individual part. 6 pages. Doug Smith Gu...
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Solo Guitar - Level 3 - SKU: A0.1304664 Composed by Doug Smith. 20th Century,Blues,Classical,Instructional,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #894105. Published by Doug Smith Guitar Studio (A0.1304664). The first of a group of guitara solos composed to be perfomred on one fret. Mud Slappin Blue's is uses a G pentatonic scale with bends and open strings on the third fret. The short blues solo is followede by a light hearted jazz waltz that flows easily  in the key of C major with melody, chord formations and arpeggios.
$1.99
Sonidos Negros
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Flamenco
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Richard Hirsch
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Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch...
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called ?Andalusian? cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99
Landscape II - Standard Guitar Edition
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Pablo Emiliano Fedele
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Landscape II - Standard Guitar
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Pablo Fedele
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).
Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.
Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
Landscape II - New Edition
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Pablo Emiliano Fedele
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Landscape II - New Edition
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Pablo Fedele
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar edition F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).
Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.
Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$5.99
Landscape III - Standard Guitar Edition
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Pablo Emiliano Fedele
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Landscape III - Standard Guita
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Pablo Fedele
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 5 pages. Published by Pablo Fedele
Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning C A D G B E. (Originally written for 10 strings classical guitar F G Bb C D A D G B E, also available).
Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.
Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
Landscape III - New Edition
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Pablo Emiliano Fedele
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Landscape III - New Edition
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Pablo Fedele
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 5 pages. Published by Pablo Fedele
Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar edition F G Bb C D A D G B E (Standard guitar edition with tuning C A D G B E, also available).
Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.
Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$5.99
Landscape I - New Edition
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Pablo Emiliano Fedele
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Landscape I - New Edition
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Pablo Fedele
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
$5.99
Landscape I - Standard Guitar Edition
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Pablo Emiliano Fedele
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Landscape I - Standard Guitar
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Pablo Fedele
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
Easy Celtic Solos for Fingerstyle Guitar
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Guitare
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FACILE
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Celtique/Irlandais
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Fingerstyle/Fingerpicking
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Lisle Crowley
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Easy Celtic Solos for Fingerst
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Lisle Crowley. For Guitar (Fingerpicking). Celtic/Irish. 40 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Lisle Crowley. For Guitar (Fingerpicking). Celtic/Irish. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610657457. These favorite Irish tunes have been arranged in sections of varying difficulty to provide material for beginning to advanced students. The first section of each arrangement is the easiest to play, with one or two more advanced sections following. Beginning students should be able to play the first section of these arrangements to produce a satisfying fingerstyle solo, while advanced players should be capable of playing the complete arrangement. This collection offers something to satisfy guitarists at all levels and yet challenge them at the same time. Written in notation and tablature with two tunes in dropped-D tuning, one with the A and E strings dropped to G and D respectively, and all other selections in standard tuning. Includes access to online audio.
$12.99
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