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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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MANDOLINE
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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1349
PIANO & CLAVIERS
Piano seul
1126
Instruments en Do
784
Piano Facile
445
Piano, Voix
350
Piano, Voix et Guitare
143
Orgue
99
Accompagnement Piano
64
1 Piano, 4 mains
18
Orgue, Trompette (duo)
13
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accordéon
4
Orgue, Piano (duo)
3
Piano (partie séparée)
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
153
Guitare notes et tablatures
49
Guitare
41
Basse electrique
22
Ukulele
11
2 Guitares (duo)
4
Piano, Guitare (duo)
4
Paroles et Accords
3
Guitare (partie séparée)
2
Banjo
2
Dulcimer
2
Ukulele Baryton
1
Ensemble de Ukulélés
1
Mandoline
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
241
Chorale 3 parties
80
Chorale 2 parties
52
Chorale TTBB
50
Chorale SSAA
38
Chorale Unison
29
Voix Tenor, Piano
24
Voix Soprano, Piano
19
Voix duo, Piano
18
Voix haute
15
Voix Alto, Piano
14
Voix duo
10
Voix moyenne, Piano
10
Voix Tenor
6
Voix basse, Piano
5
Voix Baryton, Piano
4
Voix seule
4
Voix Soprano
2
Chorale SSATB
2
Chorale SSATTB
1
Voix basse
1
Chorale SSAATTBB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
172
Quatuor de Saxophones: 4 saxophones
100
Clarinette et Piano
68
Hautbois, Piano (duo)
61
Flûte traversière
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Saxophone Alto et Piano
43
Flûte, Hautbois, Clarinette, Basson
38
Quatuor de Flûtes : 4 flûtes
32
Quintette de Saxophone: 5 saxophones
27
Quatuor de Clarinettes: 4 clarinettes
27
3 Saxophones (trio)
26
Saxophone Tenor et Piano
25
2 Flûtes traversières (duo)
23
Ensemble de Flûtes
23
2 Saxophones (duo)
23
Clarinette
23
Flûte et Guitare
22
2 Clarinettes (duo)
21
Trio de Flûtes: 3 flûtes
18
Saxophone Soprano et Piano
15
2 Flûte à bec (duo)
12
3 Clarinettes (trio)
11
Saxophone Alto
9
Ensemble de Clarinettes
9
Flûte à bec Soprano
8
Quintette de Clarinettes: 5 clarinettes
8
Saxophone (partie séparée)
8
Flûte, Clarinette (duo)
8
Hautbois (partie séparée)
8
3 Flûtes à bec (trio)
8
Cor anglais, Piano
7
Saxophone Baryton, Piano
7
Quintette de Flûte : 5 flûtes
6
Clarinette, Guitare (duo)
6
Clarinette, Basson (duo)
6
Hautbois
5
Quatuor de Flûtes à bec
5
Clarinette Basse, Piano
5
Flûte à bec Alto, Basse continue
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Alto
4
Flûte, Clarinette et Basson
4
Flute, harpe et violon
3
Cor anglais, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone et Guitare
2
Harmonica
2
Hautbois, Basson (duo)
2
5 Flûtes à bec
2
Flûte, Violon
2
Saxophone Tenor
2
Hautbois, Flûte
2
Flûte, Violoncelle, Piano (trio)
2
Piccolo
2
Ensemble de saxophones
2
2 Hautbois (duo)
2
Hautbois, Clarinette (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Basson et Piano
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte irlandaise
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Saxophones, Piano
1
Cor Anglais
1
Flûte et Trio à cordes
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte, Violoncelle, Guitare
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Basson
1
Flûte traversière, Basse continue
1
Clarinette, Harpe (duo)
1
Flûte à Bec
1
Flûte, Violon, Piano
1
Flûte à Bec, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette
72
Trompette, Piano
66
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Trombone et Piano
45
Cor et Piano
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor
18
Trompette (partie séparée)
13
Tuba et Piano
12
Quatuor de Cuivres
12
2 Trombones (duo)
10
Quatuor de cuivres: 4 trombones
9
Trombone (partie séparée)
8
Trombone
8
Cor anglais, Piano
7
2 Trompettes (duo)
7
Ensemble de Trompettes
7
Quatuor de cuivres: 4 cors
6
Euphonium, Piano (duo)
6
Tuba
5
Ensemble de Trombones
5
2 Cors (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Trombone (duo)
4
Trompette, Cor (duo)
4
3 Tubas (trio)
3
Trio de Cuivres
3
Euphonium
3
Cor anglais, Guitare (duo)
3
4 Tubas
3
3 Trombones (trio)
2
3 Cors (trio)
2
Trombone, Cor (duo)
2
Cor, Violoncelle (duo)
1
3 Trompettes (trio)
1
Trompette, Harpe
1
Trombone basse et Piano
1
Trombone, Orgue
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
Cor et Harpe
1
Instrumentations suivantes
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CORDES
Harpe
474
Quatuor à cordes: 2 violons, alto, violoncelle
182
Violon et Piano
115
Violon
112
2 Harpes (duo)
60
Alto, Piano
56
Violoncelle, Piano
56
Violoncelle
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Violon, Violoncelle (duo)
28
2 Violoncelles (duo)
27
Contrebasse, Piano (duo)
19
2 Violons (duo)
18
Trio à Cordes: violon, alto, violoncelle
15
Violon, Alto (duo)
12
Alto seul
11
4 Violoncelles
11
Contre Basse
10
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle , Guitare (duo)
7
Trio à Cordes: 3 violoncelles
7
Alto, Violoncelle (duo)
6
2 Altos (duo)
6
Violon, Guitare (duo)
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 violins
4
Violon, Orgue
3
Violon (partie séparée)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
2
Alto et Harpe
1
Harpe, Violon, Violoncelle
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
Harpe, Violon (duo)
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
640
Orchestre
142
Orchestre à Cordes
136
Ensemble Jazz
62
Cloches
62
Ensemble de cuivres
49
Orchestre de chambre
43
Jazz combo
19
Ensemble de Percussions
6
Marimba
4
Fanfare
3
Instrumentation Flexible
2
Xylophone, Piano
2
Batterie (partie séparée)
1
Ensemble d'École
1
Vibraphone
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
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Partitions à imprimer
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26
Prelude No 3 in C (Streams)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
2.71 €
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Guitare
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Simon James
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Prelude No 3 in C
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DML
#
SheetMusicPlus
Sonata IX in C Major for Guitar by Sylvius Weiss
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.866925 Composed by Sylvius Leopold…
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Solo Guitar - Level 5 - Digital Download SKU: A0.866925 Composed by Sylvius Leopold Weiss (1687–1750). Arranged by Bradford Werner. Baroque. Individual part. 33 pages. This is Classical Guitar #4892389. Published by This is Classical Guitar (A0.866925). Sonata IX in C Major by Sylvius Leopold Weiss (1687–1750) - Prelude, Allemande, Courante, BoureÌe, Sarabande, Menuet 1 & 2, Presto. Arranged for Classical Guitar by Bradford Werner. Comes with a fingered editorial edition and an unfingered non-editorial edition (arranged for guitar but with original ornaments). Notation only, left hand fingering only, 33 pages, PDF download. Level: Advanced (some movements are easier than others but overall advanced).The term Sonata should be associated here with the term with the Baroque Suite rather than any classical era form. Source: Dresden Manuscript - WeissSW37.1 aÌ€ 8 Ms. Dresde D-Dl2841.See This is Classical Guitar on YouTube for full performances.
$9.99
9.05 €
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Guitare
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Sylvius Leopold Weiss
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Bradford Werner
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2, Presto.
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Sonata IX in C Major for Guitar by Sylvius Weiss
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This is Classical Guitar
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SheetMusicPlus
Prelude in C# minor Op. 3 Nº 2
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1159692 Composed by Sergei Rachman…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1159692 Composed by Sergei Rachmaninoff. Arranged by Manuel Guinand. 20th Century,Classical. Individual part. 3 pages. Aumaitre Guinand #759949. Published by Aumaitre Guinand (A0.1159692). Arrangement for Classical Guitar of Sergei Rachmaninoff's Prelude in C# minor Op. 3 Nº 2 (original for piano).Key: D minor. 6º in D tuning.
$20.00
18.11 €
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Guitare
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Sergei Rachmaninoff
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Manuel Guinand
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Prelude in C# minor Op. 3 Nº 2
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Aumaitre Guinand
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SheetMusicPlus
Guitar Sonata No. 2 in C major
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jeremiah Lawson (A0.985324). I composed my second guitar sonata in 2010. Guitar Sonata No. 2 in C major is six pages long, has two movements, and its estimated performance time is 8:30 to 9:00. The first movement, Inner Visions & Power Puffs, is a zippy sonata form opening with a 12-bar blues Theme 1. After a conventional modulating transition Theme 2 appears in the traditional key of G major. The title of the movement alludes to the Stevie Wonder album Innervisions and, of course, the Powerpuff Girls. The sonata form has a climax by way of three Bartok pizzicati on the dominant pedal to depict the girls defeating Mojo Jojo and putting him in jail. The second movement is a lullaby with variations. The lullaby is an original song I used to sing for one of my nieces to help her fall asleep. The complete sonata has been recorded by Daniel Estrem and is available on the Magnatune release Estrem Plays Lawson.http://magnatune.com/artists/albums/estrem-estremlawson/I played movement 1 at a Seattle Classic Guitar Society open mic in 2012 on a warm summer Friday night and there were kids playing and screaming in the background, which helped set the mood of the sonata rather than break it.
$5.00
4.53 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 2 in C major
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Jeremiah Lawson
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SheetMusicPlus
Sonatas Nos.1 C major and Nos. 2 G major
Guitare
Guitar - intermediate - Digital Download SKU: S9.Q583960 Facsimile. Composed…
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Guitar - intermediate - Digital Download SKU: S9.Q583960 Facsimile. Composed by Christian Gottlieb Scheidler. Downloadable. Edition Chanterelle - Digital #Q583960. Published by Edition Chanterelle - Digital (S9.Q583960). English â?¢ German.The original text of these easy early Classical Sonatas.
$12.99
11.76 €
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Guitare
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Christian Gottlieb Scheidler
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Sonatas Nos.1 C major and Nos. 2 G major
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Edition Chanterelle - Digital
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SheetMusicPlus
Romantic Guitar Anthology
Guitare
Guitar - easy - Digital Download 33 Original Works. This edition: Sheet music. Gita…
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Guitar - easy - Digital Download 33 Original Works. This edition: Sheet music. Gitarre, Romantik, Sammlung. Schott Anthology Series. Downloadable. Op. Vol. 1. Schott Music - Digital #Q53150. Published by Schott Music - Digital
English - French - German.<br> <br> 'Romantic Guitar Anthology' Vol.1 is a graded repertoire book suitable for students of c.2-3 years of playing experience. Standard teaching pieces by the 19th Century's leading composer-guitarists Carulli, Giuliani and Sor are presented alongside rarely available works by Jaime Bosch, Johann Kaspar Mertz and Franz Tucek. Also includes original guitar pieces by Berlioz and Paganini.<br>
$16.99
15.39 €
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Guitare
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Romantic Guitar Anthology
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Schott Music - Digital
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SheetMusicPlus
Cuises para Guitarra Alfredo Figueras
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1025524 Composed by Alfredo Figuer…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1025524 Composed by Alfredo Figueras. 20th Century,Children,Pop. Individual part. 42 pages. Alfredo Mario Figueras #4822405. Published by Alfredo Mario Figueras (A0.1025524). Compilado de Partituras para Guitarra del género Cuis. Estas partituras tienen una extensión de una página, van pasando por entre 2 y 5 ritmos argentinos nacionales y son de cómoda ejecución. Están digitadas y son bastante fáciles de leer https://www.youtube.com/watch?v=q8gDu6QKdO4
$4.00
3.62 €
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Guitare
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Alfredo Figueras
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Cuises para Guitarra Alfredo Figueras
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Alfredo Mario Figueras
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.58 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Aquarela-toquinho
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho,…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes. Arranged by KAUE PAIM NASCIMENTO. Children,Folk,Multicultural,Pop,Traditional,World. Individual part. 1 pages. KAUE PAIM NASCIMENTO #817895. Published by KAUE PAIM NASCIMENTO (A0.1221594). WatercolorA Work released in the early eighties, it is a song that goes back to the universe of childhood. She reminds the listener of the need to imagine alternative scenarios, contemplating the beauty of being able to go beyond through our creative capacity.For those who want to play chord melody on guitar (classical guitar), this is a good option for a new experience and great ideas for a good arrangement done in C major.Hope you like it. AquarelaUma Obra lançada no princÃpio dos anos oitenta, é uma música que remonta ao universo da infância. Ela recorda o ouvinte da necessidade de se imaginar cenários alternativos, contemplando a beleza que é poder ir além através da nossa capacidade de criação.Para quem almeija tocar chord melody no violão (guitarra classica), esta é uma boa opção para uma nova experiência e grandes ideias para um bom arranjo feito em Dó maior.Espero que gostem.
$4.99
4.52 €
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Guitare
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Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes
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KAUE PAIM NASCIMENTO
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Aquarela-toquinho
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KAUE PAIM NASCIMENTO
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.2 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
PRELUDIO EN DO MENOR
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1414112 By PeterMallender. By Agus…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1414112 By PeterMallender. By Agustin Barrios Mangore. Arranged by Luiz C Teixeira. 20th Century,21st Century,Classical,Latin,Multicultural,World. Individual part. 2 pages. Luiz C Teixeira #995883. Published by Luiz C Teixeira (A0.1414112). This arrangement is designed to be performed on the guitar, taking into account the instrument's capabilities and limitations. Agustin Barrios' arrangements are often challenging but rewarding for experienced guitarists, and I'm happy to have completed it while maintaining the original proposed by the composer.
$9.00
8.15 €
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Guitare
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PeterMallender
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Luiz C Teixeira
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PRELUDIO EN DO MENOR
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Luiz C Teixeira
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SheetMusicPlus
Another Lesson for Two Lutes
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1021156 Composed by Mary C W Hardy…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1021156 Composed by Mary C W Hardy. 20th Century. Individual part. 1 pages. Mary C W Hardy #5789337. Published by Mary C W Hardy (A0.1021156). A duet for two guitars. Written in the style of the well known 'Lesson for Two Lutes', and intended to be performed alongside it as a follow-up in a minor key, probably with the original as a Da Capo.
$4.50
4.07 €
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Guitare
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Mary C W Hardy
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Another Lesson for Two Lutes
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Mary C W Hardy
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SheetMusicPlus
I Know Whom I Have Believed
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938066 Composed by Daniel W. Whitt…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938066 Composed by Daniel W. Whittle - Music: James McGranahan. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #58925. Published by In His Name Music/SESAC (A0.938066). I Know Whom I Have Believed is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. I Know Whom I Have Believed is a favorite hymn arranged for solo classical guitar. This hymn is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. The first half of this arrangement is in the key of (G) then modulates to the key of (C). The hymn can also simply be played in the key of (G) or (C). Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise for God’s faithfulness in our lives,.
$3.99
3.61 €
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Guitare
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Daniel W
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Bruce J
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I Know Whom I Have Believed
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In His Name Music/SESAC
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SheetMusicPlus
Near You Always
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1128024 By Jewel. By Jewel Kilcher…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1128024 By Jewel. By Jewel Kilcher. Arranged by Vincent Frank. Contemporary,Folk,Pop,Singer/Songwriter. Individual part. 6 pages. Vincent Frank Music #728631. Published by Vincent Frank Music (A0.1128024). Guitar and voice arrangement of Near You Always by Jewel. C major (for original key C# major/Db major, use Capo 1), modified to fit standard tuning on guitar. Melody and accompaniment notated, with lyrics and chord symbols. 6 pages.
$6.99
6.33 €
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Guitare
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Jewel
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Vincent Frank
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Near You Always
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Vincent Frank Music
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SheetMusicPlus
Romantic Guitar Anthology
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q555469 18 Original…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Music - Digital #Q555469. Published by Schott Music - Digital (S9.Q555469). English • French • German.Romantic Guitar Anthology Vol.3 is a graded repertoire book suitable for students of c.5-7 years of playing experience. Well-established teaching pieces by leading 19th Century composer-guitarists Carcassi and Giuliani are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. Also included are carefully selected transcriptions of works by Schumann and Johann Strauss. Composer biographies and extensive teaching notes on each piece are included. Each piece has been recorded, performed by the series Editor, Jens Franke. The audio files can be downloaded with a voucher code (in the book). Also available: Baroque Guitar Anthology: Vol 1 – ED 13357 Vol 2 – ED 13437 Vol 3 – ED 13446 Vol 4 – ED 13489 Romantic Guitar Anthology: Vol 1 – ED 13110D Vol 2 – ED 13111D Vol 4 – ED 13113DCe volume est destinée à des élèves ayant environ cinq à sept ans de pratique de l'instrument. Des pièces appartenant de longue date au répertoire pédagogique, commes celles de Carcassi et Giuliani, y côtoient des oeuvres plus rares de José Ferrer et Johann Kaspar Mertz, de même que quelques transcriptions d'oeuvres de Schumann et Johann Strauss.
$16.99
15.39 €
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Guitare
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Romantic Guitar Anthology
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Schott Music - Digital
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SheetMusicPlus
Arioso
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.716385 Composed by Johann Sebastia…
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Solo Guitar - Level 2 - Digital Download SKU: A0.716385 Composed by Johann Sebastian Bach. Arranged by Gabriel Albuquerque. Baroque,Classical,Traditional,Wedding. Individual part. 4 pages. Gabriel Lucena C. de Albuquerque #305786. Published by Gabriel Lucena C. de Albuquerque (A0.716385). An original arrangement of one of the most beautiful music ever written Adapted for classical guitar, intermediate level.
$6.99
6.33 €
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Guitare
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Johann Sebastian Bach
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Gabriel Albuquerque
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Arioso
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Gabriel Lucena C. de Albuquerque
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SheetMusicPlus
Moonlight sonata
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1417419 Composed by Ludwig van Bee…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1417419 Composed by Ludwig van Beethoven. Arranged by Pasquale Di Caro. Classical,Romantic Period. Individual part. 6 pages. Pasquale Di Caro #998957. Published by Pasquale Di Caro (A0.1417419). Contains: an introduction and three pages of guitar sheet music of the Adagio sostenuto, first movement of the sonata. Source: Edizione Cappi, Vienna 1802 (first publication). Original data: Sonata quasi una fantasia, op. 27 n. 2, in C# minor, dedicated to Countess Giulietta Guicciardini. Arrangement and modifications: key of A minor, changes in position, inversion of intervals, reduction of range. The executive instructions are the original ones. There are no left hand positions on five frets.
$5.00
4.53 €
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Guitare
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Ludwig van Beethoven
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Pasquale Di Caro
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Moonlight sonata
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Pasquale Di Caro
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.8 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Constance
Guitare
Solo Guitar - Digital Download SKU: A0.784847 Composed by McCorkle, Dennis F. Conte…
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Solo Guitar - Digital Download SKU: A0.784847 Composed by McCorkle, Dennis F. Contemporary. Individual part. 22 pages. DF McCorkle Music and eBook Publications #11817. Published by DF McCorkle Music and eBook Publications (A0.784847). Original Classical Guitar Solo by Dennis McCorkle in C Major in Standard Notation. Difficulty Level: Easy.
$1.99
1.8 €
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Guitare
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McCorkle, Dennis F
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Constance
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Entertainer
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.943120 Composed by Scott Joplin. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.943120 Composed by Scott Joplin. Arranged by Tim Rushworth. Contemporary. Individual part. 2 pages. Tim Rushworth #4405610. Published by Tim Rushworth (A0.943120). This is an arrangement of the full work by Scott Joplin transposed from the original key of C major to A major, to better suit the guitar fingerboard. To see a performance of this arrangement go to:-https://youtu.be/oei1syBKyRg
$4.99
4.52 €
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Guitare
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Scott Joplin
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Tim Rushworth
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The Entertainer
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Tim Rushworth
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SheetMusicPlus
Spring (Solo Guitar Score)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.788584 Composed by Antonius Agung …
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Solo Guitar - Level 3 - Digital Download SKU: A0.788584 Composed by Antonius Agung Setiawan. Contemporary. Individual part. 4 pages. Antonius Agung Setiawan #6461511. Published by Antonius Agung Setiawan (A0.788584). SpringComposed by Antonius Agung SetiawanSolo guitar original composition C major scaleFingerstyle guitar composition, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$6.50
5.89 €
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Guitare
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Antonius Agung Setiawan
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Spring
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Antonius Agung Setiawan
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SheetMusicPlus
Wind and the Sea, The
Guitare
Solo Guitar - Digital Download SKU: A0.784907 Composed by McCorkle, Dennis F. Conte…
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Solo Guitar - Digital Download SKU: A0.784907 Composed by McCorkle, Dennis F. Contemporary,Folk,Standards,World. Individual part. 23 pages. DF McCorkle Music and eBook Publications #12091. Published by DF McCorkle Music and eBook Publications (A0.784907). Original Solo for Classical Guitar in C Major by Dennis McCorkle in Standard Notation. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.71 €
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Guitare
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McCorkle, Dennis F
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Wind and the Sea, The
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Star-Spangled Banner (National Anthem)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938088 Composed by Francis Scott K…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938088 Composed by Francis Scott Key - Music: Attributed to John Stafford Smith. Arranged by Bruce J. Patterson. Christian,Country,Film/TV,Sacred,World. Individual part. 3 pages. In His Name Music/SESAC #59109. Published by In His Name Music/SESAC (A0.938088). The Star-Spangled Banner (National Anthem) is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. The Star-Spangled Banner (National Anthem) is one of my favorite patriotic songs I arranged for solo guitar. It also works for Alto sing along. This song is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Tune 6th string to (C.) Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a patriotic expression of thanks for being a part of our great country.
$4.99
4.52 €
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Guitare
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Francis Scott Key - Music: Attributed to John Stafford Smith
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Bruce J
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The Star-Spangled Banner
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In His Name Music/SESAC
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SheetMusicPlus
My Funny Valentine
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.781763 Composed by Richard Rodgers…
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Solo Guitar - Level 5 - Digital Download SKU: A0.781763 Composed by Richard Rodgers. Arranged by Peter Miklitz. Pop,Rock. Individual part. 3 pages. Peter Miklitz #3018337. Published by Peter Miklitz (A0.781763). The beautiful Jazz standard My Funny Valentine arranged for Acoustic, Classical or Fingerstyle Guitar solo in both standard notation and TAB. With a Capo in the 3rd fret, this piece can be played in its original key C-Minor.
$8.00
7.24 €
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Guitare
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Richard Rodgers
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Peter Miklitz
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My Funny Valentine
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Peter Miklitz
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SheetMusicPlus
My Funny Valentine
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.781762 Composed by Richard Rodgers…
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Solo Guitar - Level 5 - Digital Download SKU: A0.781762 Composed by Richard Rodgers. Arranged by Peter Miklitz. Pop,Rock. Individual part. 2 pages. Peter Miklitz #3018317. Published by Peter Miklitz (A0.781762). The beautiful Jazz standard My Funny Valentine arranged for Acoustic, Classical or Fingerstyle Guitar solo. With a Capo in the 3rd fret, this piece can be played in its original key C-Minor.
$6.00
5.43 €
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Guitare
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Richard Rodgers
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Peter Miklitz
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My Funny Valentine
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Peter Miklitz
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SheetMusicPlus
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