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AUTRES
Vous avez sélectionné:
Good to Go!
Guitare
Partitions à imprimer
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"Winter Won't Let Me Go"
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodger…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodgers. Arranged by Dale K. Rodgers. 20th Century,Chamber,Classical,Contest,Festival,Wedding. Individual part. 6 pages. Dale K. Rodgers #898703. Published by Dale K. Rodgers (A0.1309543). This is a lively solo for finger-style or classical guitar. One of my best. Key of Am with well developed chords (maj7, add 9, flat 5ths, etc), harmonics, the entire fretboard is utilized.  4/4 time, Tempo 120 with some rapid time signature changes. Good piece to include in concert programs. Audiences have reacted most favorably to it. Two versions are provided: one in standard notation with extensive fingerings, and another with TAB also included.
$4.99
4.56 €
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Guitare
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Dale K
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Dale K
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"Winter Won't Let Me Go"
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Dale K. Rodgers
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SheetMusicPlus
Aquarela-toquinho
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho,…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes. Arranged by KAUE PAIM NASCIMENTO. Children,Folk,Multicultural,Pop,Traditional,World. Individual part. 1 pages. KAUE PAIM NASCIMENTO #817895. Published by KAUE PAIM NASCIMENTO (A0.1221594). WatercolorA Work released in the early eighties, it is a song that goes back to the universe of childhood. She reminds the listener of the need to imagine alternative scenarios, contemplating the beauty of being able to go beyond through our creative capacity.For those who want to play chord melody on guitar (classical guitar), this is a good option for a new experience and great ideas for a good arrangement done in C major.Hope you like it. AquarelaUma Obra lançada no princÃpio dos anos oitenta, é uma música que remonta ao universo da infância. Ela recorda o ouvinte da necessidade de se imaginar cenários alternativos, contemplando a beleza que é poder ir além através da nossa capacidade de criação.Para quem almeija tocar chord melody no violão (guitarra classica), esta é uma boa opção para uma nova experiência e grandes ideias para um bom arranjo feito em Dó maior.Espero que gostem.
$4.99
4.56 €
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Guitare
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Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes
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KAUE PAIM NASCIMENTO
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Aquarela-toquinho
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KAUE PAIM NASCIMENTO
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SheetMusicPlus
Christmas and Carols to download for guitar solo
Guitare
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the orig…
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing ,jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, Greensleeves, greensleaves, jesu joy of man desiring, green sleeves, greensleves, the first noel,o holy night,o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas,etc.,no.1,no.2,no.3,douce nuit, sainte nuit,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$14.99
13.7 €
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Guitare
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Christmas and Carols to download for guitar solo
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Virtualsheetmusic
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
$8.00
7.31 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Dodici Monferrine opera 12
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Socrates Arvanitakis
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SheetMusicPlus
8 Swinging Xmas Carols for Guitar & Piano
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Vario…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Individual part. 31 pages. Keith Terrett #903814. Published by Keith Terrett (A0.1315071). An exciting arrangement of eight popular swinging xmas carols arranged for Guitar & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs..
$15.99
14.62 €
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Guitare
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Guitar & Piano
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Keith Terrett
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SheetMusicPlus
Capricio No 8
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.905285 Composed by Nicolo Paganini…
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Solo Guitar - Level 3 - Digital Download SKU: A0.905285 Composed by Nicolo Paganini. Arranged by John Hurford. Contemporary,Instructional,Rock,Standards. Individual part. 6 pages. John Hurford #4830307. Published by John Hurford (A0.905285). Caprice No 8 - This piece is a challenging one and has been arranged to help you work on both legato and 2 hand tapping ideas. Musically it's a fun piece and would suit an intermediate player and above. Good for both educational and performance. For more products go to https://www.johnhurfordmusic.com/ mp3 track available under title name in listings.
$3.99
3.65 €
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Guitare
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Nicolo Paganini
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John Hurford
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Capricio No 8
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John Hurford
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SheetMusicPlus
Billie Eilish: all the good girls go to hell - guitar solo
Guitare
Instantly printable sheet music by Billie Eilish for guitar solo of VERY EASY skill level.…
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Instantly printable sheet music by Billie Eilish for guitar solo of VERY EASY skill level. / alternative,pop,children
$3.97
3.63 €
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Guitare
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Billie Eilish
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Virtualsheetmusic
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.56 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
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