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Vous avez sélectionné:
Granada
Guitare
Partitions à imprimer
12 partitions trouvées
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1
Granada
Guitare
Guitar - Digital Download SKU: S9.Q15730 Serenata from Suite española E major…
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Guitar - Digital Download SKU: S9.Q15730 Serenata from Suite española E major. Composed by Isaac Albeniz. This edition: Sheet music. Guitar Archive. Downloadable. Op. 47/1. Schott Music - Digital #Q15730. Published by Schott Music - Digital (S9.Q15730). Key: E major.
$11.99
10.97 €
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Guitare
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Isaac Albeniz
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Granada
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Schott Music - Digital
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SheetMusicPlus
Granada
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1188024 Composed by Isaac Albeniz. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1188024 Composed by Isaac Albeniz. Arranged by Luc Vanhee. 20th Century. Full Performance. Duration 277. Luc Vanhee #787639. Published by Luc Vanhee (A0.1188024). Arrangement for guitar trio of the famous composition from Isaac Albeniz.Score and parts available on sheet music.
$4.99
4.56 €
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Guitare
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Isaac Albeniz
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Luc Vanhee
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Granada
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Luc Vanhee
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SheetMusicPlus
Granada Guitar Trio Part 1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.919525 Composed by Isaac Albeniz. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.919525 Composed by Isaac Albeniz. Arranged by Luc Vanhee. Contemporary. Individual part. 2 pages. Luc Vanhee #3418217. Published by Luc Vanhee (A0.919525).
$1.99
1.82 €
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Guitare
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Isaac Albeniz
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Luc Vanhee
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Granada Guitar Trio Part 1
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Luc Vanhee
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SheetMusicPlus
Granada Guitar Trio Part 2
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.919526 Composed by Isaac Albeniz. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.919526 Composed by Isaac Albeniz. Arranged by Luc Vanhee. Romantic Period. Individual part. 2 pages. Luc Vanhee #3418219. Published by Luc Vanhee (A0.919526).
$1.99
1.82 €
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Guitare
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Isaac Albeniz
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Luc Vanhee
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Granada Guitar Trio Part 2
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Luc Vanhee
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SheetMusicPlus
Calles de Granada
Guitare
Composed by Jean-Maurice Mourat. Score. 8 pages. Les Productions d\'OZ - Digital …
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Composed by Jean-Maurice Mourat. Score. 8 pages. Les Productions d\'OZ - Digital #DZ 3273. Published by Les Productions d\'OZ - Digital
$5.95
5.44 €
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Guitare
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Jean-Maurice Mourat
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Calles de Granada
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Les Productions d\'OZ - Digital
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SheetMusicPlus
Spanish Guitar Study
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
1.82 €
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Guitare
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
Recuerdos de la Alhanbra for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Franc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
1.82 €
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Guitare
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Leyenda- Asturias by Isaac Albeniz
Guitare
Guitar - Digital Download SKU: A0.1070385 Composed by Isaac Albeniz. Arranged by Ap…
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Guitar - Digital Download SKU: A0.1070385 Composed by Isaac Albeniz. Arranged by Apostolos Paraskevas. Concert,Standards,World. Full Performance. Duration 412. Silver Sickle Publications #5041833. Published by Silver Sickle Publications (A0.1070385). Asturias, original title Preludio, also called Asturias-Leyenda is a solo piano piece written in the early 1890s by Catalan composer and pianist Isaac Albéniz using rolled chords that effectively evoke the strumming of a guitar. In fact, the version usually played is a transcription of the original piano piece for guitar. Despite being called Asturias-which is the name of a northern region of Spain the piece powerfully evokes the distinctive flamenco, or gypsy, music of Andalusia, the southernmost region of the country. Written while he was living outside his homeland, it was intended to conjure the Alhambra, the palace and fortress of the Moorish, monarchs of Granada. The composition has two main melodies. First comes a determined, driving theme that builds in energy. A more melancholy middle section follows. After the contemplative middle section, the opening melody returns and brings the piece to its conclusion.
$1.99
1.82 €
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Guitare
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Isaac Albeniz
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Apostolos Paraskevas
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Leyenda- Asturias by Isaac Albeniz
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Silver Sickle Publications
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SheetMusicPlus
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
Guitare
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac…
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Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.
$10.00
9.15 €
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Guitare
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Isaac Albeniz (1860-1909)
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Flavio Sala
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ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
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Flavio Sala
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SheetMusicPlus
Granada
Guitare
By Isaac Albeniz. By Isaac Albeniz (1860-1909). Classical. Easy Guitar. 8 pages. Published…
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By Isaac Albeniz. By Isaac Albeniz (1860-1909). Classical. Easy Guitar. 8 pages. Published by Hal Leonard - Digital Sheet Music (HX.332455). - Easy Guitar - Classical - Hal Leonard - Digital Sheet Music
$2.99
2.73 €
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Guitare
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Isaac Albeniz
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Granada
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Agustin Lara: Granada - guitar solo
Guitare
Instantly printable sheet music by Agustin Lara for guitar solo of MEDIUM skill level. Con…
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Instantly printable sheet music by Agustin Lara for guitar solo of MEDIUM skill level. Contents: granata / latin
$5.97
5.46 €
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Guitare
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Agustin Lara
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Virtualsheetmusic
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.56 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
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