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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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LIVRES
LUTH
MANDOLINE
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OCARINA
ORCHESTRE
ORGUE
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SYNTHETISEUR
TROMBONE
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VIBRAPHONE
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Guitar or Violin Solo
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Vous avez sélectionné:
Guitar or Violin Solo
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
Partita II (BWV1004) in d minor transcribed for guitar
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Partita II
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #64...
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Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
Recuerdos de la Alhanbra for Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for C
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instr...
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Solo Guitar - Level 3 - SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
Bach Cello Suite No 1 - solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Joh
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Georg Mertens
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Bach Cello Suite No 1 - solo g
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Georg Mertens
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual...
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Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
Danza Espanola No.2 'Oriental' for Spanish Guitar
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Danza Espanola No.2 'Oriental'
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1442514 By Keith Terrett. By Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916). Arranged by...
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Solo Guitar - Level 3 - SKU: A0.1442514 By Keith Terrett. By Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916). Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Individual part. 5 pages. Keith Terrett #1022477. Published by Keith Terrett (A0.1442514). Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916), commonly known as Enrique Granados in Spanish or Enric Granados in Catalan, was a Spanish composer of classical music, and concert pianist from Catalonia, Spain. His most well-known works include Goyescas, the Spanish Dances [es], and María del Carmen.Granados wrote piano music, chamber music (a piano quintet, a piano trio, music for violin and piano), songs, zarzuelas, and an orchestral tone poem based on Dante's Divine Comedy. Many of his piano compositions have been transcribed for the classical guitar; examples include Dedicatoria, Danza No. 5, and Goyescas.His music can be divided into three styles or periods:A romantic style including such pieces as Escenas Románticas and Escenas Poeticas.A more typically nationalist, Spanish style including such pieces as Danzas Españolas (Spanish Dances), 6 Piezas sobre cantos populares españoles (Six Pieces based on popular Spanish songs).The Goya (Goyesca) period, which includes the piano suite Goyescas, the opera Goyescas, various Tonadillas for voice and piano, and other works.Granados was a significant influence on at least two other famous Spanish composers and musicians, Manuel de Falla and Pablo Casals. He was also the teacher of composer Rosa García Ascot.
$1.99
I Am a Carpenter (Joseph's Song) [Acoustic Guitar - Key of F]
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Guitare
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INTERMÉDIAIRE
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Cherolyn Klosner Lane
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I Am a Carpenter
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Cher & Gene Klosner
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.869887 Composed by Cherolyn Klosner Lane. Arranged by Cherolyn Klosner Lane, Gene Klosner. Christian,Christmas,Pop,Sacre...
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Solo Guitar - Level 3 - SKU: A0.869887 Composed by Cherolyn Klosner Lane. Arranged by Cherolyn Klosner Lane, Gene Klosner. Christian,Christmas,Pop,Sacred. Individual part. 2 pages. Cher & Gene Klosner #2985. Published by Cher & Gene Klosner (A0.869887). Beautifully moving Christmas song from Joseph’s perspective, anticipating the birth of Jesus, after having a dream that Mary would bear a child. Perfect for any traditional Christmas Pageant or Nativity Story, no matter how large or small. Available separately: Piano/Vocal/Guitar (Tenor); Piano/Vocal/Guitar (Tenor)+SATB 1 and 2; Guitar, Vocal; Guitar (Capo 3), Vocal; Full Score; Tenor Solo Voice+SATB 1 and 2; Guitar; Guitar (Capo 3); Violins; Viola; Solo Cello+Celli; Bass Guitar; Drums. MP3 and backing tracks available (cdbaby.com/cd/cgklosner6). ca. 5:15.www.facebook.com/chergenewww.chergene.comwww.youtube.com/cgklosner
$3.00
I Am a Carpenter (Joseph's Song) [Acoustic Guitar - D, Capo 3]
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Guitare
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INTERMÉDIAIRE
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Cherolyn Klosner Lane
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I Am a Carpenter
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Cher & Gene Klosner
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.869889 Composed by Cherolyn Klosner Lane. Arranged by Cherolyn Klosner Lane, Gene Klosner. Christmas,Pop,Sacred. Individ...
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Solo Guitar - Level 3 - SKU: A0.869889 Composed by Cherolyn Klosner Lane. Arranged by Cherolyn Klosner Lane, Gene Klosner. Christmas,Pop,Sacred. Individual part. 2 pages. Cher & Gene Klosner #2987. Published by Cher & Gene Klosner (A0.869889). Beautifully moving Christmas song from Joseph’s perspective, anticipating the birth of Jesus, after having a dream that Mary would bear a child. Perfect for any traditional Christmas Pageant or Nativity Story, no matter how large or small. Available separately: Piano/Vocal/Guitar (Tenor); Piano/Vocal/Guitar (Tenor)+SATB 1 and 2; Guitar, Vocal; Guitar (Capo 3), Vocal; Full Score; Tenor Solo Voice+SATB 1 and 2; Guitar; Guitar (Capo 3); Violins; Viola; Solo Cello+Celli; Bass Guitar; Drums. MP3 and backing tracks available (cdbaby.com/cd/cgklosner6). ca. 5:15.www.facebook.com/chergenewww.chergene.comwww.youtube.com/cgklosner
$3.00
At Last
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Celine Dion
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Roger Wallace
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At Last
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Roger Wallace
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1277011 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Indi...
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Solo Guitar - Level 4 - SKU: A0.1277011 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Individual part. 11 pages. Roger Wallace #868692. Published by Roger Wallace (A0.1277011). Vocal or Instrumental Solo (in G) with Piano Accompaniment. The 1941 classic written by Mack Gordon and Harry Warren is performed in a 12/8 Blues style. Solo parts included in this set:Piano & Voice: AltoViolin/VibesClarinet/Flugelhorn Alto Sax/Eb HornHorn in FViolaGuitarVibraphoneMarimbaThe Audio Sample features the Guitar.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
At Last
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Celine Dion
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Roger Wallace
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At Last
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Roger Wallace
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1277197 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Indi...
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Solo Guitar - Level 4 - SKU: A0.1277197 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Individual part. 9 pages. Roger Wallace #868873. Published by Roger Wallace (A0.1277197). Vocal or Instrumental Solo (in C) with Piano Accompaniment. The 1941 classic written by Mack Gordon and Harry Warren is performed in a 12/8 Blues style. Solo parts included in this set:Piano & Voice: SopranoFlute/Oboe/Violin/VibesClarinet/Soprano Sax/Trumpet Alto SaxGuitarVibraphoneMarimbaThe Audio Sample features the Guitar.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Csardas
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Guitare
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AVANCÉ
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Classique
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Vittorio Monti
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Dimitri Lavrentiev
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Csardas
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Chanterelle
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SheetMusicPlus
Guitar - advanced - Digital Download Composed by Vittorio Monti (1868-1922). Arranged by Dimitri Lavrentiev. This edition: Sheet music. Downloadable....
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Guitar - advanced - Digital Download Composed by Vittorio Monti (1868-1922). Arranged by Dimitri Lavrentiev. This edition: Sheet music. Downloadable. Duration 4 minutes 56 seconds. Chanterelle #Q48113. Published by Chanterelle
German - English.
The Hungarian Dance Csardas is the best known work by Vittorio Monti (1868-1922) an Ita - lian composer born in Naples, who worked extensively as a conductor and composer in Paris. Originally written for Violin, or Mandolin, with piano or orchestra accompaniment Csardas was immediately selected by numerous virtuosos who adopted it as a showpiece. Nowadays, it is still widely heard for just about every instrumental combination from various solo instruments, particularly solo violin, to versions for many instrumental combinations from gypsy orchestras through to marching bands. We are proud to publish this fine solo guitar arrangement by the virtuoso Russian guitarist Dimitri Lavrentiev, who resides and teaches in Augsburg, Germany.
$9.99
Dust In The Wind
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Guitare
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INTERMÉDIAIRE
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Rock
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Kansas
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Paul Van Atta
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Dust In The Wind
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Paul Van Atta
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1000680 By Kansas. By Kerry Livgren. Arranged by Paul Van Atta. Rock. Individual part. 6 pages. Paul Van Atta #6206541. ...
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Solo Guitar - Level 3 - SKU: A0.1000680 By Kansas. By Kerry Livgren. Arranged by Paul Van Atta. Rock. Individual part. 6 pages. Paul Van Atta #6206541. Published by Paul Van Atta (A0.1000680). For solo fingerstyle guitar (Acoustic guitar or Classical guitar). Intermediate level.Arrangement includes the vocal melody and the violin solo.With guitar tablaturePages: 6 pages.
$4.99
The Vampire: A Dramatic Theme
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...
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Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Fiddler On The Roof
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Guitare
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INTERMÉDIAIRE
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Jerry Bock and Sheldon Harnick
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Josef Peter Traun
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Fiddler On The Roof
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Traun
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1330101 Composed by Jerry Bock and Sheldon Harnick. Arranged by Josef Peter Traun. Broadway,Film/TV,Musical/Show. Indivi...
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Solo Guitar - Level 3 - SKU: A0.1330101 Composed by Jerry Bock and Sheldon Harnick. Arranged by Josef Peter Traun. Broadway,Film/TV,Musical/Show. Individual part. 2 pages. Traun #918000. Published by Traun (A0.1330101). An arrangement for guitar solo. Fiddller On The Roof is also for Flute (alternate parts: Violin, Viola, Clarinet in Bb or Guitar 2) and Guitar (GP2) available.
$6.00
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