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PARTITIONS GRATUITES
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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Partitions
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
877
PIANO & CLAVIERS
1 Piano, 4 mains
4205
Piano seul
2229
Piano Facile
1034
2 Pianos, 4 mains
695
Piano, Voix
252
Piano, Voix et Guitare
201
1 Piano, 6 mains
105
Orgue
65
2 Pianos, 8 mains
38
Instruments en Do
22
Orgue, Piano (duo)
9
Accompagnement Piano
6
Accordéon
5
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavier
2
Ensemble de Pianos
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
62
Guitare
61
Ligne De Mélodie, (Paroles) et Accords
50
Basse electrique
13
Ukulele
13
Piano, Guitare (duo)
9
2 Guitares (duo)
7
Paroles et Accords
4
4 Guitares (Quatuor)
4
Mandoline
3
Basse électrique (partie séparée)
2
Banjo
2
Guitare (partie séparée)
2
3 Guitares (trio)
1
Dulcimer
1
Guitare Pedal Steel
1
Ensemble de guitares
1
Instrumentations suivantes
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VOIX
Chorale SATB
276
Chorale 3 parties
69
Chorale 2 parties
59
Chorale Unison
40
Chorale TTBB
31
Voix duo, Piano
22
Chorale SSAA
13
Voix Soprano, Piano
6
Voix duo
5
Voix seule
3
Voix Alto, Piano
2
Chorale SSATTB
2
Voix haute
2
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix, Guitare
1
Voix basse, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
50
Flûte traversière et Piano
49
Hautbois, Piano (duo)
48
Saxophone Alto et Piano
39
Clarinette
38
Saxophone (partie séparée)
35
Clarinette et Piano
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Flûte traversière
27
Quatuor de Saxophones: 4 saxophones
27
Saxophone Soprano et Piano
24
Saxophone Tenor et Piano
24
Saxophone Alto
21
Flûte, Hautbois, Clarinette, Basson
20
Saxophone
18
2 Flûtes traversières (duo)
18
Saxophone Baryton, Piano
18
2 Clarinettes (duo)
16
Quatuor de Clarinettes: 4 clarinettes
14
Hautbois (partie séparée)
13
Saxophone, Clarinette (duo)
13
2 Hautbois (duo)
12
Clarinette, Violon (duo)
11
Quintette de Saxophone: 5 saxophones
9
Clarinette, Trompette (duo)
8
Clarinette Basse, Piano
7
Flûte, Clarinette (duo)
7
Flûte, Alto (duo)
6
3 Clarinettes (trio)
6
Clarinette et Alto
6
Cor anglais, Piano
6
Flûte, Violon
5
Flûte, Trompette (duo)
5
Saxophone Tenor
5
Quatuor de Flûtes : 4 flûtes
5
Trio de Flûtes: 3 flûtes
5
Hautbois, Basson (duo)
4
Ensemble de saxophones
4
Flûte, Saxophone (duo)
3
Flûte, Clarinette et Basson
3
3 Saxophones (trio)
3
Hautbois
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Alto, Piano
3
Flûte à bec Soprano
3
Hautbois, Clarinette (duo)
2
Saxophone Baryton
2
Ensemble de Clarinettes
2
2 Clarinettes, Piano
2
Saxophone Soprano
2
Ensemble de Flûtes
2
Hautbois, Flûte
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Violoncelle
2
2 Flûte à bec (duo)
2
Flûte à bec Soprano, Piano
2
Flûte à bec Tenor
2
Clarinette (partie séparée)
2
Hautbois et alto (duo)
1
Flûte et Guitare
1
Hautbois, violon (duo)
1
Flute (partie séparée)
1
2 Saxophones, Piano
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
Flûte à Bec, Piano
1
Cor Anglais
1
Clarinette, Basson (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Harmonica
1
3 Hautbois
1
Instrumentations suivantes
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CUIVRES
Trombone et Piano
43
Trompette, Piano
33
Cor et Piano
33
Trompette
27
Trombone
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Tuba et Piano
18
2 Trompettes (duo)
17
Cor
14
2 Trombones (duo)
11
Trompette (partie séparée)
11
Tuba
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Euphonium, Piano (duo)
7
2 Cors (duo)
7
Trompette, Saxophone (duo)
7
Cor (partie séparée)
6
Cor anglais, Piano
6
Trompette, Trombone (duo)
5
2 Tubas (duo)
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trombones
3
Tuba et Orgue
3
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
1
Trombone (partie séparée)
1
Trombone basse et Piano
1
Ensemble de Trombones
1
Cor Anglais
1
Euphonium
1
Trompette, Cor (duo)
1
Ensemble de Trompettes
1
Trompette, violon (duo)
1
Instrumentations suivantes
Retracter
CORDES
Harpe
110
Violon et Piano
56
Quatuor à cordes: 2 violons, alto, violoncelle
55
Violon
45
Violoncelle, Piano
40
Alto, Piano
38
Violoncelle (partie séparée)
26
Alto seul
24
Violon, Violoncelle (duo)
20
Contrebasse, Piano (duo)
19
2 Violoncelles (duo)
15
2 Altos (duo)
13
2 Violons (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Contre Basse
8
Alto (partie séparée)
7
Violon, Alto (duo)
6
Violon (partie séparée)
5
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Contrebasse (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Violon, Basson (duo)
1
4 Violoncelles
1
Harpe, Violon, Violoncelle
1
2 Harpes (duo)
1
Harpe (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
125
Orchestre
27
Orchestre à Cordes
21
Fanfare
16
Cloches
14
Orchestre de chambre
13
Batterie
12
Batterie (partie séparée)
11
Ensemble de cuivres
10
Ensemble de Percussions
9
Ensemble Jazz
8
Marimba
4
Vibraphone
2
Percussion (partie séparée)
2
Jazz combo
2
Xylophone, Piano
1
Marimba, Piano (duo)
1
Bodhran
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Hands Down
Guitare
Partitions à imprimer
61 partitions trouvées
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51
Mahalia Jackson : He's Got The Whole World In His Hands (niveau facile, guitare avec band)
Guitare
Téléchargez la tablature et la partition Guitare He's Got The Whole Wor…
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Téléchargez la tablature et la partition Guitare He's Got The Whole World In His Hands (niveau facile, guitare avec band) de Mahalia Jackson. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
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Guitare
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Mahalia Jackson : He's Got The Whole World In His Hands (niveau avancé, avec band)
Guitare
Téléchargez la tablature et la partition Guitare He's Got The Whole Wor…
(+)
Téléchargez la tablature et la partition Guitare He's Got The Whole World In His Hands (niveau avancé, avec band) de Mahalia Jackson. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
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Guitare
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Mahalia Jackson : He's Got The Whole World In His Hands (niveau intermédiaire/difficile, avec band)
Guitare
Téléchargez la tablature et la partition Guitare He's Got The Whole Wor…
(+)
Téléchargez la tablature et la partition Guitare He's Got The Whole World In His Hands (niveau intermédiaire/difficile, avec band) de Mahalia Jackson. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
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Guitare
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Mahalia Jackson : He's Got The Whole World In His Hands (niveau intermédiaire, avec band)
Guitare
Téléchargez la tablature et la partition Guitare He's Got The Whole Wor…
(+)
Téléchargez la tablature et la partition Guitare He's Got The Whole World In His Hands (niveau intermédiaire, avec band) de Mahalia Jackson. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
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Guitare
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Wet Hands
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1216007 By C418. By Daniel Rosenfe…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1216007 By C418. By Daniel Rosenfeld. Arranged by André Nusa. Video Game. Individual part. 1 pages. Andre_Nusa #812665. Published by Andre_Nusa (A0.1216007). This arrangement for guitar of the song Wet Hands from the game Minecraft captures the contemplative and peaceful tone of the original composition. The guitar weaves in harmony, delicately exploring the melodic motifs that are central to the piece. The arrangement might include variations in dynamics and phrasing, allowing the guitar to convey the emotional depth of the song's simple yet poignant melody. The arrangement highlights the beauty of the piece's simple, minimalist structure, emphasizing the warmth and intimacy of the sound of the guitar playing. This arrangement is a great choice for guitarists looking to add a calming and reflective piece to their repertoire, or for gamers who want to experience the meditative quality of the music outside the context of the game.
$5.99
5.52 €
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Guitare
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C418
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André Nusa
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Wet Hands
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Andre_Nusa
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SheetMusicPlus
Wet Hands
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1359762 By C418. By Daniel Rosenfe…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1359762 By C418. By Daniel Rosenfeld. Arranged by N.G. Andrade. Video Game. Individual part. 3 pages. ANDRADE N.G #944238. Published by ANDRADE N.G (A0.1359762). Arrangement of Wet Hands, from Minecraft OST, for solo guitar. Sheet with fingering indications and tablature.
$4.99
4.6 €
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Guitare
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C418
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N
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Wet Hands
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ANDRADE N.G
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SheetMusicPlus
He's Got The Whole World In His Hands
Guitare
Easy Guitar (no TAB) - Interactive Download SKU: HX.1138969 This edition: Interacti…
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Easy Guitar (no TAB) - Interactive Download SKU: HX.1138969 This edition: Interactive Download,scorch. Children,Folk,Sacred. Score. 1 pages. Hal Leonard - Digital #316540. Published by Hal Leonard - Digital (HX.1138969).
$2.99
2.75 €
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Guitare
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He's Got The Whole World In His Hands
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Hal Leonard - Digital
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SheetMusicPlus
Daddy's Hands
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1386207 By Holly Dunn. This edition…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1386207 By Holly Dunn. This edition: scorch. Country,Pop. Score. 2 pages. Hal Leonard - Digital #176640. Published by Hal Leonard - Digital (HX.1386207).
$2.99
2.75 €
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Guitare
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Holly Dunn
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Daddy's Hands
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Hal Leonard - Digital
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SheetMusicPlus
Time On My Hands (you In My Arms)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1292699 By Ana Zingoni. By Harold …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1292699 By Ana Zingoni. By Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #883262. Published by Christopher J. Malin (A0.1292699). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful slow swing tune that is danceable! Unusual for a solo piece but could be fun? Beautiful head and really interesting tag at the end. Should be repeated a few times.This piece will make you stand out from the rest. Takes a bit of practise to make it swing smoothly.Sounds great on acoustic and electric guitars.This is the song by Vincent Youmans written in 1930. An oldy, but for sure a goody!
$4.99
4.6 €
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Guitare
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Ana Zingoni
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Christopher J
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Time On My Hands
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Christopher J. Malin
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Guitare
Guitar, Classical Guitar - Advanced Intermediate - Digital Download By Elton John. Ar…
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Guitar, Classical Guitar - Advanced Intermediate - Digital Download By Elton John. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Jaggs
Here is a unique arrangement of Elton John's hit, "Sorry Seems to be the Hardest Word" arranged for classical guitar by David Jaggs. Some arrangements don't come easily but this one seems to sit perfectly on the guitar, from the melody line to the piano instrumental part and gels together into a great arrangement. Due to popular demand, as with all of David's new arrangements it also comes in a version with tablature available on this website. Both right and left hands are fingered in the trickier passages.
$7.99
7.36 €
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Guitare
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Elton John
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David Jaggs
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Sorry Seems To Be The Hardest Word
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David Jaggs
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SheetMusicPlus
Feelings
Guitare
Guitar, Classical Guitar - Intermediate - Digital Download By Julio Iglesias. Arranged …
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Guitar, Classical Guitar - Intermediate - Digital Download By Julio Iglesias. Arranged by David Jaggs. Solo Part. 3 pages. Published by David Jaggs
Here is a lovely arrangement of the popular 1974 tune, "Feelings" made famous by Julio Iglesias, Shirley Bassey, Petula Clark to name just a few! The piece works really nicely for solo classical guitar, and is not too difficult to play. Fingerings of tricky passages are given for both right and left hands. There is another version available with tablature for non readers.
$7.99
7.36 €
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Guitare
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Julio Iglesias
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Feelings
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David Jaggs
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SheetMusicPlus
Landscape II - Standard Guitar Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
4.6 €
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Guitare
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Pablo Emiliano Fedele
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Landscape II - Standard Guitar Edition
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Pablo Fedele
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SheetMusicPlus
Landscape II - New Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the 10 strings classical guitar edition F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$5.99
5.52 €
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Guitare
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Pablo Emiliano Fedele
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Landscape II - New Edition
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Pablo Fedele
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SheetMusicPlus
Landscape III - Standard Guitar Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 5 pages. Published by Pablo Fedele
Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the standard guitar edition with tuning C A D G B E. (Originally written for 10 strings classical guitar F G Bb C D A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
4.6 €
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Guitare
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Pablo Emiliano Fedele
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Landscape III - Standard Guitar Edition
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Pablo Fedele
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SheetMusicPlus
Landscape III - New Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 5 pages. Published by Pablo Fedele
Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the 10 strings classical guitar edition F G Bb C D A D G B E (Standard guitar edition with tuning C A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$5.99
5.52 €
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Guitare
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Pablo Emiliano Fedele
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Landscape III - New Edition
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Pablo Fedele
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SheetMusicPlus
Achieving Guitar Artistry - Triads
Guitare
Guitar (flatpicking) - Intermediate-Advanced - Digital Download Composed by William B…
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Guitar (flatpicking) - Intermediate-Advanced - Digital Download Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM24EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117266.<br> <br> This book of triadic concepts is as much for the ears as it is for the hands. Playing harmonized scales in triadic form is very helpful for the progressing guitarist. By working through these exercises, the guitarist will learn the harmonic sound of each key and develop a strong sense of melodic and harmonic voice leading. These studies contain interesting melodic content and are very fun to play. The keys are presented in tonic major and tonic minor rather than tonic major and relative minor. This is the second book in Mel Bay's Achieving Guitar Artistry series and follows the initial Linear Etudes text. Readers should develop a routine of practicing one key per day for the best results. Mastery of this book will do much to enhance the guitarist's sense of voice leading, note reading and improvising.
$17.99
16.57 €
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Guitare
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William Bay
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Achieving Guitar Artistry - Triads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Beginning Pieces for Classical Guitar
Guitare
Guitar - Beginning - Intermediate - Digital Download Composed by Lily Afshar. Class…
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Guitar - Beginning - Intermediate - Digital Download Composed by Lily Afshar. Classic. E-book. 80 pages. Mel Bay Publications - Digital Sheet Music #30831EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513454993.<br> <br> In this book, Dr. Lily Afshar has clearly laid out the music and fingerings for 48 beginning to intermediate-level pieces by Aguado, Bach, Carcassi, Milan, Mertz, Sor and other Renaissance through nineteenth-century composers. While many of these selections are set in first position for ease of reading, they are effective for teaching different rhythms and arpeggio techniques, as well as for learning to play simple intervals and three and four-note chords. These compositions were carefully chosen for their use in developing finger independence in both hands, and can be used to advance rest stroke, free stroke, arpeggio, and tremolo techniques. Dynamic markings have been added for interpretation if not originally indicated in the originals so, in addition to learning positions and note locations along the fretboard, youll have to pay attention to dynamic and tempo changes.Written in standard notation only, this book is ideal for private study, as a teaching and student recital sourcebook, or for inclusion in the syllabus for a high school or first-year collegiate guitar program.
$17.99
16.57 €
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Guitare
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Lily Afshar
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Beginning Pieces for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Heartbeats
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
4.6 €
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Guitare
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Jose Gonzalez
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Pablo Alcázar
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Heartbeats
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Pablo Alcázar
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SheetMusicPlus
Pluck for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.74 €
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Guitare
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Guitar Finger Independence Method
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online audio. 137 pages. Mel Bay Publications - Digital Sheet Music #30969MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30969MEB). ISBN 9781513472911. 8.75X11.75 inches.As a guitarist, have you ever dreamed of playing contrapuntal bass lines and melodies? Or maybe you would like to sound more like a pianist, able to perform fluently with independent right and left hands.Playing multiple lines simultaneously can be one of the most physically and mentally demanding challenges posed by the guitar. Using the concept of planted notesùa fretting-hand finger that remains in place while the other fingers play scale-like passages or arpeggiosù this book will methodically guide you towards right and left-hand finger independence.Written in standard notation and tablature, this no-nonsense revolutionary method is the first of its kind. Together with 95 online audio recordings, it will help you build finger independence in both hands, approaching that of a pianist. Includes access to online audio.
$24.99
23.02 €
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Guitare
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Guitar Finger Independence Method
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Leerboek voor de beginnende Gitarist
Guitare
Guitar - very easy to easy - Digital Download SKU: S9.Q6734 This edition: method. D…
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Guitar - very easy to easy - Digital Download SKU: S9.Q6734 This edition: method. Downloadable, Textbook. Schott Music - Digital #Q6734. Published by Schott Music - Digital (S9.Q6734). Dutch.The educational work 'De beginnende gitarist' by Luc Cauwelier and Johan Vandecaveye playfully introduces children to guitar playing. Starting with information on all aspects of the instrument and tips on the position of the hands, the method gradually introduces easy tunes, scale playing, chromatic exercises as well as tirando and apoyando. Numerous songs and instrumental pieces help to deepen the new contents, thus making up a varied educational work which will help all pupils to enjoy learning the guitar.
$16.99
15.65 €
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Guitare
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Leerboek voor de beginnende Gitarist
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Schott Music - Digital
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SheetMusicPlus
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