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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Happy the Man
Sheetmusicplus
Non classifié
406
Piano & claviers
Piano seul
191
Piano, Voix
62
Piano Facile
56
Piano, Voix et Guitare
30
Orgue
21
Instruments en Do
11
Accompagnement Piano
7
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Clavecin
2
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano grosses notes
1
2 Pianos, 8 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Guitare
6
Mandoline
5
Banjo
3
Ukulele
2
Ensemble de guitares
2
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
56
Chorale 3 parties
40
Chorale 2 parties
27
Chorale Unison
25
Chorale TTBB
15
Chorale SSAA
5
Voix duo, Piano
4
Voix duo
3
Voix Alto, Piano
3
Voix haute
2
Voix Baryton, Piano
2
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix basse, Piano
1
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
Voix seule
1
Chorale
1
Chorale SSAB, Piano
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
95
2 Clarinettes (duo)
58
2 Flûtes traversières (duo)
43
Clarinette, Violon (duo)
33
Clarinette, Trompette (duo)
29
Quatuor de Saxophones: 4 saxophones
26
Saxophone, Clarinette (duo)
25
Flûte traversière et Piano
21
2 Hautbois (duo)
20
Hautbois, Clarinette (duo)
19
Flûte, Violon
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flûte, Clarinette (duo)
17
Hautbois, Basson (duo)
17
Flûte, Saxophone (duo)
17
Clarinette et Alto
16
Flûte, Alto (duo)
16
Flûte, Hautbois, Clarinette, Basson
16
Hautbois, Piano (duo)
14
Quatuor de Clarinettes: 4 clarinettes
14
Flûte, Trompette (duo)
13
Flûte, Hautbois (duo)
13
Saxophone Tenor et Piano
11
Hautbois, violon (duo)
11
Saxophone Alto et Piano
9
Clarinette
8
Quintette de Clarinettes: 5 clarinettes
7
Clarinette et Piano
7
Flûte traversière
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Alto
6
3 Saxophones (trio)
5
Saxophone (partie séparée)
5
Flûte à Bec
5
Hautbois, Flûte
5
Hautbois (partie séparée)
4
Saxophone Tenor
4
Ensemble de Flûtes
4
3 Clarinettes (trio)
3
Ensemble de saxophones
3
Quintette de Flûte : 5 flûtes
3
Flute (partie séparée)
2
Flûte à bec Soprano
2
4 Hautbois
2
Saxophone Soprano et Piano
2
Trio de Flûtes: 3 flûtes
2
Ocarina
2
2 Flûte à bec (duo)
2
Flûte, Violoncelle
2
Flûte, Hautbois, Basson
2
Clarinette, Basson, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Clarinette et Basson
1
Quatuor de Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
2 Flûtes à bec, Piano
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois
1
Flûte, Basson et Piano
1
Flûte à bec Alto
1
Flûte, Violon, Piano
1
2 Clarinettes, Piano
1
3 Hautbois
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Trompette, Saxophone (duo)
21
2 Trombones (duo)
20
2 Trompettes (duo)
20
Trompette, Trombone (duo)
18
Trombone et Piano
10
Trompette, Piano
7
Trompette
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 trombones
5
Trompette (partie séparée)
4
Trombone
4
Cor et Piano
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor
3
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trombone (partie séparée)
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
4 Euphoniums
1
Tuba et Piano
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon, Alto (duo)
24
Violon et Piano
23
Violon, Violoncelle (duo)
22
2 Altos (duo)
21
2 Violoncelles (duo)
20
2 Violons (duo)
19
Violoncelle, Piano
15
Violon
12
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle
10
Alto, Piano
9
Alto seul
6
Harpe
6
Trio à Cordes: 2 violons, violoncelle
5
Violon (partie séparée)
4
Contrebasse (partie séparée)
3
4 Violoncelles
2
Contre Basse
2
2 Violoncelles, Piano
1
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
Contrebasse, Piano (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Alto (partie séparée)
1
Violon, Basson (duo)
1
Harpe, Violon (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
45
Orchestre à Cordes
40
Ensemble de cuivres
27
Orchestre
23
Cloches
14
Orchestre de chambre
12
Jazz combo
12
Ensemble Jazz
12
Fanfare
4
Xylophone, Piano
3
Ensemble de Percussions
3
Batterie
2
Percussion (partie séparée)
1
Vibraphone (partie séparée)
1
Vibraphone
1
+ 10 instrumentations
Retracter
Autres
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HARPE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Happy the Man
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
Interrupted Dance (He Who Sings is Not Always Happy)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Guitar Music - Melodies for Beginners
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Guitare
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DÉBUTANT
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Numerous
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Robert Styles
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Guitar Music - Melodies for Be
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Robert Styles
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Ro...
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Solo Guitar - Level 1 - SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Robert Styles #3562181. Published by Robert Styles (A0.921998). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as ‘finger-picking’, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. ‘Melodies for Beginners’ is, as the title suggests, a collection of melodies for beginners (step one to grade one). ‘Book One’ is of elementary to intermediate standard (grade one to grade four). ‘Book Two’ is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music ‘Sits Comfortably Under the Fingers’. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the ‘feel’ of the music.Happy music making.Robert Styles
$9.95
Guitar Music - Book Two
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Guitare
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INTERMÉDIAIRE
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Numerous
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Robert Styles
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Guitar Music - Book Two
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Robert Styles
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. ...
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Solo Guitar - Level 3 - SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. Robert Styles #3562187. Published by Robert Styles (A0.921999). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as â??finger-pickingâ??, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. â??Melodies for Beginnersâ?? is, as the title suggests, a collection of melodies for beginners (step one to grade one). â??Book Oneâ?? is of elementary to intermediate standard (grade one to grade four). â??Book Twoâ?? is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music â??Sits Comfortably Under the Fingersâ??. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the â??feelâ?? of the music.Happy music making.Robert Styles
$12.95
PRELUDIO EN DO MENOR
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Guitare
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AVANCÉ
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Contemporain
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PeterMallender
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Luiz C Teixeira
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PRELUDIO EN DO MENOR
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Luiz C Teixeira
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1414112 By PeterMallender. By Agustin Barrios Mangore. Arranged by Luiz C Teixeira. 20th Century,21st Century,Classical,...
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Solo Guitar - Level 5 - SKU: A0.1414112 By PeterMallender. By Agustin Barrios Mangore. Arranged by Luiz C Teixeira. 20th Century,21st Century,Classical,Latin,Multicultural,World. Individual part. 2 pages. Luiz C Teixeira #995883. Published by Luiz C Teixeira (A0.1414112). This arrangement is designed to be performed on the guitar, taking into account the instrument's capabilities and limitations. Agustin Barrios' arrangements are often challenging but rewarding for experienced guitarists, and I'm happy to have completed it while maintaining the original proposed by the composer.
$9.00
Sol y Sombra
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Sol y Sombra
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Richard Hirsch
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SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Published by Richard Hirsch
An arrangement of traditional themes of the Flamenco style (palo) Alegrias de Baile (Alegrias for dance) that I acquired during my years of study with Juan Gonzlez ?Triguito? in Madrid in the late 1960s. The title of the piece that contains bright and happy passages in A major and slower more somber passages in A minor is taken from the name of a popular alcoholic drink that is a mixture of clear anisette (sol) and cognac (sombra). The composition is meant to resemble an Alegrias played in accompaniment to the dance, often performed by a solo woman dancer (bailaora) in a beautifully coloured long flowing dress. The piece finishes with a Macho por Buleras (finale) that is almost twice as fast as the passages in the introduction and middle parts. There is a long beautiful tremolo passage that rounds off the middle part before the jump into the finale. The piece is recommended for students of Flamenco guitar at the intermediate to advanced intermediate levels.
$4.99
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