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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Harmonization
Non classifié
651
Piano & claviers
Orgue
613
Piano seul
528
Piano, Voix
108
Orgue, Trompette (duo)
93
Piano Facile
72
Piano, Voix et Guitare
42
Instruments en Do
26
Clavecin
18
Piano Quatuor: piano, violon, alto, violoncelle
14
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
5
2 Pianos, 4 mains
3
Accordéon
2
Piano (partie séparée)
2
Orgue, Piano (duo)
2
2 Orgues (duo)
1
Fake Book
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
61
Guitare
42
Mandoline
4
Paroles et Accords
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
3
Basse electrique
3
Ukulele
2
Guitare Pedal Steel
1
Dulcimer
1
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
339
Chorale 3 parties
80
Chorale TTBB
43
Chorale 2 parties
28
Chorale SSAA
25
Chorale Unison
10
Voix Soprano, Piano
8
Voix duo, Piano
6
Voix Baryton, Piano
3
Chorale SSAATTBB
2
Voix duo
2
Voix seule
2
Chorale SSATB
2
Voix basse, Piano
2
Voix Soprano
1
Chorale
1
Voix Tenor
1
Voix Alto, Piano
1
Voix haute
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Quintette de Saxophone: 5 saxophones
50
Flûte traversière et Piano
43
Quatuor de Saxophones: 4 saxophones
34
Clarinette et Piano
32
Flûte, Hautbois, Clarinette, Basson
29
Saxophone Alto et Piano
26
Hautbois, Piano (duo)
24
Saxophone Tenor et Piano
22
2 Flûtes traversières (duo)
16
2 Clarinettes (duo)
15
Saxophone Soprano et Piano
15
2 Saxophones (duo)
15
Saxophone (partie séparée)
15
Quatuor de Clarinettes: 4 clarinettes
11
Ensemble de Clarinettes
10
Saxophone Baryton, Piano
9
3 Clarinettes (trio)
8
Clarinette
8
Saxophone Alto
8
Flûte traversière
8
3 Saxophones (trio)
8
Flûte traversière, Orgue (duo)
7
Saxophone Tenor
7
Quatuor de Flûtes : 4 flûtes
6
Hautbois (partie séparée)
5
Flûte et Guitare
5
Cor anglais, Piano
4
Quintette de Flûte : 5 flûtes
4
Ensemble de saxophones
3
Flûte à Bec
3
Flûte, Clarinette et Basson
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Clarinette (duo)
3
Quatuor de Flûtes à bec
2
Flûte, Violon, Piano
2
Hautbois, Basson (duo)
2
2 Hautbois (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte et Trio à cordes
2
Flûte, Hautbois (duo)
2
Flute (partie séparée)
2
Hautbois, Clarinette (duo)
2
Flûte, Violon
1
3 Hautbois
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Clarinette (partie séparée)
1
Melodica
1
Hautbois, Guitare (duo)
1
Ensemble de Flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Flûte à bec Alto, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Flûtes à bec (trio)
1
Flûte à bec Soprano, Piano
1
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Clarinette, Basson (duo)
1
Flûte à bec, Guitare (duo)
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
90
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trombone et Piano
20
Trompette, Piano
16
Cor et Piano
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trombone
12
2 Trompettes (duo)
11
2 Trompettes, Clavier (piano ou orgue)
10
Trompette
10
Trombone (partie séparée)
9
Quatuor de Cuivres
8
2 Trombones (duo)
7
Quatuor de cuivres: 4 trombones
7
Cor
6
Trompette (partie séparée)
6
Tuba et Piano
5
Tuba
5
Trompette, Trombone (duo)
4
Ensemble de Trombones
4
Cor anglais, Piano
4
2 Cors (duo)
4
Euphonium, Piano (duo)
4
Tuba (partie séparée)
3
3 Trombones (trio)
2
Ensemble de Trompettes
2
Tuba et Orgue
2
2 Tubas (duo)
2
Cor et Orgue
2
Cor (partie séparée)
2
Ensemble de Cors
1
Trombone, Orgue
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Violoncelle (duo)
1
Trompette, Cor (duo)
1
Cor, Violoncelle (duo)
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
1
Trompette, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
118
Violon et Piano
48
Alto, Piano
31
Trio à Cordes: violon, alto, violoncelle
31
Violoncelle, Piano
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon
17
2 Violons (duo)
17
Violon, Orgue
14
Violoncelle
14
Harpe
13
2 Altos (duo)
9
2 Harpes (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Alto seul
8
Violoncelle, Orgue
7
Violon (partie séparée)
7
Contrebasse, Piano (duo)
6
Alto (partie séparée)
5
Contrebasse (partie séparée)
5
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
5
Harpe, Flûte (duo)
4
Trio à cordes: 3 altos
4
Violon, Alto (duo)
4
Ensemble d'Altos
4
Ensemble de Violons
4
Contre Basse
4
Violoncelle , Guitare (duo)
3
Alto, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
Alto, Orgue
2
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
61
Orchestre d'harmonie
53
Ensemble Jazz
47
Cloches
38
Orchestre
30
Ensemble de cuivres
25
Jazz combo
24
Orchestre de chambre
20
Percussion (partie séparée)
3
Fanfare
3
Marimba
2
Vibraphone
1
Batterie
1
Piano et Orchestre
1
Orchestre, Violon
1
Batterie (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Crtitères actifs :
Harmonization
Guitare
Partitions à imprimer
42 partitions trouvées
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1
26
The Keel Row (Harmonized Fingerstyle Arrangement)
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Guitare
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FACILE
#
Traditional
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Harrison Marsh
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The Keel Row
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Harrison Marsh
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1437971 By Traditional. By Harrison Marsh. Arranged by Harrison Marsh. Celtic,Folk,Irish,Traditional. Individual part. 1...
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Solo Guitar - Level 2 - SKU: A0.1437971 By Traditional. By Harrison Marsh. Arranged by Harrison Marsh. Celtic,Folk,Irish,Traditional. Individual part. 1 pages. Harrison Marsh #1018036. Published by Harrison Marsh (A0.1437971). The traditional English Folk song harmonized and arranged for solo fingerstyle guitar in standard tuning.
$1.99
Mauro Giuliani Op.1- Studies for the guitar 120 Studies Reimagined and Harmonically Restructured
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Guitare
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INTERMÉDIAIRE
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Eric Charles Mokotoff
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Eric Charles Mokotoff
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Mauro Giuliani Op.1- Studies f
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eric mokotoff
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1292897 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 19th Century,20th Century,Classical,Instru...
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Solo Guitar - Level 3 - SKU: A0.1292897 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 19th Century,20th Century,Classical,Instructional,Traditional. Individual part. 32 pages. Eric mokotoff #883493. Published by eric mokotoff (A0.1292897). Mauro Giuliani's Op. 1 Right Hand 120 Studies is now available in this newly reimagined and harmonically restructured format.All 120 studies have been rewritten for both Left and Right Hand progressively moving from 1st position to 10th position.This new course will take you through both Major and Minor Keys traveling through chord structures that will teach you the entirety of the guitars neck and frets.Each study recreates the RH fingering and retains the original rhythms while offering new chord progressions in more keys.The original studies focused on two chords to accomplish the Right Hand focus, but both hands are essential in understanding the connection of the strings, frets, and chord structures.This is an exciting, and compelling project that any serious Classical Guitarist should take advantage of.Now learn and play all 120 Mauro Giuliani Studies with a whole new Harmonic journey. Each Major key expresses a I IV I vi ii V7 I progression and each minor key expresses a i iv i V7 i progression.Teachers, professors, and Universities will be excited to introduce students to a whole new reimagined modern look at these essential pedagogic lessons.
$19.99
Just Jazz Guitar Articles
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Guitare
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INTERMÉDIAIRE
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Jazz
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Jack Wilkins
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Just Jazz Guitar Articles
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Intermediate-Advanced - SKU: M0.20201EB Composed by Jack Wilkins. Technique, Theory, Reference & Rhythm. Jazz. E-book. Mel Bay Publicatio...
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Guitar (all) - Intermediate-Advanced - SKU: M0.20201EB Composed by Jack Wilkins. Technique, Theory, Reference & Rhythm. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #20201EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20201EB). ISBN 9781609745615. 8.75x11.75 inches.Jack's skills as a session player, jazz player and all around guitar virtuoso have been honed by playing countless gigs and recording sessions. This book compiles many of Jack's lessons originally written forJust Jazz Guitar magazine. Subjects including comping, harmonization, and single-note soloing in the jazz setting are covered in this text by one of the world's greatest...so practice hard. This material is tried and tested and will make you a better player. The difficulty is intermediate to advanced.
$17.99
Dialethia
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeremy Hart
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Dialethia
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Jeremy Graham Hart
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1028190 Composed by Jeremy Hart. 20th Century,Contemporary. Individual part. 8 pages. Jeremy Graham Hart #6590411. Publi...
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Solo Guitar - Level 4 - SKU: A0.1028190 Composed by Jeremy Hart. 20th Century,Contemporary. Individual part. 8 pages. Jeremy Graham Hart #6590411. Published by Jeremy Graham Hart (A0.1028190). Dialethia is, at its core, an internal dialogue on style, musical language and authenticity. Through its many, abrupt and questioning diversions it portrays a process of self-interrogation which can become quite confrontational at times. Despite this the music always returns to the simple diatonic melody that forms the principle character of this work, regardless of the metamorphoses of its harmonization. This is of course with the exception of the closing passages, in which the work retains a melodic construction of limited intervallic usage taken from the previous diversion. Though, whether this retention represents an answer or a lingering question is not made clear.
$4.99
Adagio con dolore in A minor
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Guitare
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INTERMÉDIAIRE
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Christopher Alexander
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Adagio con dolore in A minor
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Christopher Alexander
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1168397 By Christopher Alexander. By Christopher Alexander. Baroque,Classical,Renaissance. Individual part. 6 pages. Chr...
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Solo Guitar - Level 3 - SKU: A0.1168397 By Christopher Alexander. By Christopher Alexander. Baroque,Classical,Renaissance. Individual part. 6 pages. Christopher Alexander #768728. Published by Christopher Alexander (A0.1168397). This work for classical guitar features a lyrical melody and bass harmonization, reflective of many Renaissance and Baroquean compositions. Â Ending with a short but adventurous cadenza, this piece will be a great addition to your classical guitar repertoire. Â Included in the score is a tablature line for proper finger and fret positions.
$2.00
Modern Blues
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Guitare
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Jazz
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Bruce Saunders
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Modern Blues
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Advanced Blues Reharmonizations and Melodic Ideas for Guitar. Composed by Bruce Saunders. Mel Bay's Private Lessons. Jazz. E-book and online audio. 48 pa...
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Advanced Blues Reharmonizations and Melodic Ideas for Guitar. Composed by Bruce Saunders. Mel Bay's Private Lessons. Jazz. E-book and online audio. 48 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.20415BCDEB). - e-book and online audio - Jazz - Mel Bay Publications - Digital Sheet Music
$14.99
O Little Town of Bethlehem
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Guitare
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Louis H
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Bronson Ferdinand Wright
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O Little Town of Bethlehem
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Bronson Ferdinand
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SheetMusicPlus
Solo Guitar - SKU: A0.1355260 Composed by Louis H. Redner and Phillips Brooks. Arranged by Bronson Ferdinand Wright. Christian,Christmas,Jazz,Standards,...
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Solo Guitar - SKU: A0.1355260 Composed by Louis H. Redner and Phillips Brooks. Arranged by Bronson Ferdinand Wright. Christian,Christmas,Jazz,Standards,Traditional. Individual part. 2 pages. Bronson Ferdinand #939979. Published by Bronson Ferdinand (A0.1355260). Chord melody arrangement of this classic Christmas carol.This arrangement features: Hip intro and outro Interesting reharmonizations and voicings Conterpoint In the style of Tim Lerch, Ted Greene and Jack Wilkins.
$4.99
O Come All Ye Faithful - Adeste Fideles
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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John Francis Wade
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Marc Teclas
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O Come All Ye Faithful - Adest
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MARC TECLAS GARCIA
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.525424 Composed by John Francis Wade. Arranged by Marc Teclas. Christmas,Classical,Jazz. Individual part. 1 pages. MARC ...
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Solo Guitar - Level 4 - SKU: A0.525424 Composed by John Francis Wade. Arranged by Marc Teclas. Christmas,Classical,Jazz. Individual part. 1 pages. MARC TECLAS GARCIA #135923. Published by MARC TECLAS GARCIA (A0.525424). Here is my arrangement of this great tune for guitar solo with some classic jazz reharmonizations.
$5.00
What Child Is This?
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Guitare
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Noël
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Traditional and William Chatte
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Bronson Ferdinand Wright
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What Child Is This?
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Bronson Ferdinand
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SheetMusicPlus
Solo Guitar - SKU: A0.1355192 Composed by Traditional and William Chatterton Dix. Arranged by Bronson Ferdinand Wright. Christian,Christmas,Jazz,Praise ...
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Solo Guitar - SKU: A0.1355192 Composed by Traditional and William Chatterton Dix. Arranged by Bronson Ferdinand Wright. Christian,Christmas,Jazz,Praise & Worship,Standards. Individual part. 3 pages. Bronson Ferdinand #939910. Published by Bronson Ferdinand (A0.1355192). Beautiful arrangement of the this classic Christmas carol.This arrangement includes an intro and detailed articulations for expressive playing.Hip chord voicings and reharmonizations make this arrangement stand out. Would be great in a solo or a jazz small ensemble setting.
$4.99
The Kesh Jig (Solo Fingerstyle arrangement)
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Guitare
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INTERMÉDIAIRE
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Traditional
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Harrison Marsh
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The Kesh Jig
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Harrison Marsh
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1437962 By Traditional. By Harrison Marsh. Arranged by Harrison Marsh. Celtic,Folk,Irish. Individual part. 1 pages. Harr...
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Solo Guitar - Level 3 - SKU: A0.1437962 By Traditional. By Harrison Marsh. Arranged by Harrison Marsh. Celtic,Folk,Irish. Individual part. 1 pages. Harrison Marsh #1018028. Published by Harrison Marsh (A0.1437962). A Traditional Irish jig harmonized and arranged for solo fingerstyle guitar.
$1.99
Reflections: Ten Solos for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Michael Reardon
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Reflections: Ten Solos for Gui
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Son...
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Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Away in a Manger (Spillman Version)
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Guitare
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Noël
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Jonathan Spillman
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Bronson Ferdinand Wright
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Away in a Manger
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Bronson Ferdinand
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SheetMusicPlus
Solo Guitar - SKU: A0.1364456 Composed by Jonathan Spillman. Arranged by Bronson Ferdinand Wright. Advent,Christian,Christmas,Jazz,Standards. Individual...
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Solo Guitar - SKU: A0.1364456 Composed by Jonathan Spillman. Arranged by Bronson Ferdinand Wright. Advent,Christian,Christmas,Jazz,Standards. Individual part. 2 pages. Bronson Ferdinand #948748. Published by Bronson Ferdinand (A0.1364456). Chord melody arrangement of the Jonathan Spillman version of Away in a Manger.This arrangment features:-interesting harmonizations and chord voicings-different time signature than the original-creative ways to incorporate open strings which adds an ethereal qualityIn the style of Bill Frisell, Tim Lerch and Ted Greene.
$4.99
A LITTLE WHILE FROM NOW
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Guitare
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AVANCÉ
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Contemporain
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Larry Williams
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variation style.
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A LITTLE WHILE FROM NOW
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1004411 Composed by Larry Williams. Contemporary. Individual part. 5 pages. Larry Andrew Williams #3533669. Published by...
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Solo Guitar - Level 5 - SKU: A0.1004411 Composed by Larry Williams. Contemporary. Individual part. 5 pages. Larry Andrew Williams #3533669. Published by Larry Andrew Williams (A0.1004411). A harmonically progressive piece with syncopated and complex rhythms in a theme & variation style. .
$10.00
Preludium Australis
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Markus Plattner
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Preludium Australis
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Markus Plattner
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.870289 Composed by Markus Plattner. Contemporary. Individual part. 3 pages. Markus Plattner #46371. Published by Markus ...
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Solo Guitar - Level 3 - SKU: A0.870289 Composed by Markus Plattner. Contemporary. Individual part. 3 pages. Markus Plattner #46371. Published by Markus Plattner (A0.870289). Flowing solo guitar piece, roughly reminiscent of Bach's famous Prelude No 1, but with harmonically modern chord sequences.
$2.99
Creekside Manor
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Guitare
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Steve Adams
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Creekside Manor
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Steve Adams
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SheetMusicPlus
Solo Guitar - SKU: A0.966726 Composed by Steve Adams. Contemporary,Standards. Individual part. 1 pages. Steve Adams #3037387. Published by Steve Adams (...
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Solo Guitar - SKU: A0.966726 Composed by Steve Adams. Contemporary,Standards. Individual part. 1 pages. Steve Adams #3037387. Published by Steve Adams (A0.966726). A warm fire, a rustic centuries old manor,,,adventure awaits. Simple fun tune, yet harmonically interesting.
$1.99
Twinkle,Twinkle Little Star For Guitar Trio
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Guitare
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DÉBUTANT
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Traditional
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Neal Fitzpatrick
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Twinkle,Twinkle Little Star Fo
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Neal Fitzpatrick Editions
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1199999 Composed by Traditional. Arranged by Neal Fitzpatrick. Classical,Country,Folk,Jazz,Traditional. 2 pages. Neal Fitzpat...
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Guitar - Level 1 - SKU: A0.1199999 Composed by Traditional. Arranged by Neal Fitzpatrick. Classical,Country,Folk,Jazz,Traditional. 2 pages. Neal Fitzpatrick Editions #798822. Published by Neal Fitzpatrick Editions (A0.1199999). Twinkle,Twinkle Little Star here is arranged for three guitars. This arrangement is in the first position in the familiar key of G Major. The parts are designed so that each participant can switch play each part. This essentially makes it a three-fold learning tool for the students by their being able to play in different registers in the first position and understand the harmonized melody for all perspectives. The student gets a chance to perform the melody and also be part of the accompaniment. Great for schools, group guitar lessons and private studios.
$2.50
Air (J.S. Bach) - Guitar Solo Complete - Tondi. FR Version
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Tondi Rangkuti a
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Air
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ToRa Swarna Diva
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1038259 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Tondi Rangkuti a.k.a Tondi. FR. Classical,Contem...
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Solo Guitar - Level 3 - SKU: A0.1038259 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Tondi Rangkuti a.k.a Tondi. FR. Classical,Contemporary,Multicultural,Praise & Worship,Standards,World. Individual part. 4 pages. ToRa Swarna Diva #643194. Published by ToRa Swarna Diva (A0.1038259). 'Air' is a very famous musical composition that is hundreds of years old and was written by Maestro Johan Sebastian Bach. The music written for Strings Orchestra and provides a beautiful, cool and serene atmosphere. Unfortunately, there has not been an arrangement for a guitar solo that is complete and perfectly represents the ambient as Bach has described through this composition. Tondi Rangkuti a.k.a Tondi. FR has written an Air arrangement to play for a guitar solo with a complete set of all two 'movements' from Air. With the proper selection of voicing and harmonizing as from a String Orchestra. Now you can play this composition with a guitar solo and will succeed in producing the same ambient as played by a Strings Orchestra. Only for just $12 you can download this arrangement to put it on a dazzling guitar solo show.
$11.00
The Entertainer (Excerpt)
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Guitare
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DÉBUTANT
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Ragtime
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual pa...
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Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
Stella By Starlight
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Guitare
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Ray Charles
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Bronson Ferdinand Wright
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Stella By Starlight
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Bronson Ferdinand
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SheetMusicPlus
Solo Guitar - SKU: A0.1326611 By Ray Charles. By Ned Washington and Victor Young. Arranged by Bronson Ferdinand Wright. 20th Century,Broadway,Instructio...
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Solo Guitar - SKU: A0.1326611 By Ray Charles. By Ned Washington and Victor Young. Arranged by Bronson Ferdinand Wright. 20th Century,Broadway,Instructional,Jazz,Musical/Show,Standards. Individual part. 2 pages. Bronson Ferdinand #914752. Published by Bronson Ferdinand (A0.1326611). Chord melody arrangement of Stella by Starlight Full harmonic analysis above the staff Detailed articulations and tab included Great study of the chord melody style A harmonically rich and beautiful arrangement of a must know standard.
$6.49
Lyric Piece
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Doug Smith
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Lyric Piece
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1170228 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar St...
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Solo Guitar - Level 4 - SKU: A0.1170228 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #770593. Published by Doug Smith Guitar Studio (A0.1170228). Lyric Piece is melodeic light jazz music that uses the 1st through 5th Positions in the key of A major. There are harmonized melodic runs, connecting bass melodies, slurs with left hand fingers, pizzicato articulations and key changes.
$2.99
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Yankee Doodle For Guitar Quartet
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Guitare
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DÉBUTANT
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Traditional
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Neal Fitzpatrick
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Yankee Doodle For Guitar Quart
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.955189 Composed by Traditional. Arranged by Neal Fitzpatrick. Country,Folk,Instructional,Traditional. Individual part. 2...
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Solo Guitar - Level 1 - SKU: A0.955189 Composed by Traditional. Arranged by Neal Fitzpatrick. Country,Folk,Instructional,Traditional. Individual part. 2 pages. Neal Fitzpatrick Editions #4783553. Published by Neal Fitzpatrick Editions (A0.955189). Yankee Doodle here is arranged for four guitars. This arrangement is in the first position in the familiar key of D Major. The parts are designed so that each participant can switch play each part. This essentially makes it a four-fold learning tool for the students by their being able to play in different registers in the first position and understand the harmonized melody from all perspectives. The student gets a chance to perform the melody and also be part of the accompaniment. Great for schools, group guitar lessons and private studios.
$2.99
Lo! A Rose! - Es Ist Ein Ros' - Guitar Ensemble
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Guitare
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AVANCÉ
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Michael Praetorius
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Gail CM Gordon Chang
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Lo! A Rose! - Es Ist Ein Ros'
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Gail CM Gordon Chang
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.1127942 Composed by Michael Praetorius. Arranged by Gail CM Gordon Chang. Christmas,Early Music,Historic,Holiday,Renaissance....
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Guitar - Level 5 - SKU: A0.1127942 Composed by Michael Praetorius. Arranged by Gail CM Gordon Chang. Christmas,Early Music,Historic,Holiday,Renaissance. 8 pages. Gail CM Gordon Chang #728553. Published by Gail CM Gordon Chang (A0.1127942). Lo, How A Rose E'er Blooming is from Geistliche Kirchengesang as harmonized by Michael Praetorius, reharmonized in E Major in contemporary polyphonic style, for Guitar Quartet Ensemble. Lo! A Rose!
$4.99
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Harmonization