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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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MANDOLINE
MARIMBA
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OUD
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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VIOLONCELLE
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ASIE
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CLASSIQUE - BAROQUE …
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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Non classifié
1371
PIANO & CLAVIERS
Piano, Voix
987
Piano seul
736
Piano grosses notes
263
Piano, Voix et Guitare
235
Piano Facile
197
Orgue
120
Instruments en Do
63
Accompagnement Piano
47
1 Piano, 4 mains
20
Piano Trio: piano, violon, violoncelle
15
Piano (partie séparée)
14
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ligne De Mélodie, Piano
2
1 Piano, 6 mains
2
Clavier
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
Guitare
69
Guitare notes et tablatures
54
Ligne De Mélodie, (Paroles) et Accords
31
Guitare (partie séparée)
26
Ukulele
25
Basse electrique
11
4 Guitares (Quatuor)
8
2 Guitares (duo)
6
Banjo
5
Paroles et Accords
3
Mandoline
3
Ensemble de Ukulélés
2
3 Guitares (trio)
2
Ensemble de guitares
1
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
316
Chorale 3 parties
93
Chorale TTBB
82
Chorale SSAA
71
Chorale 2 parties
62
Chorale Unison
48
Pack Instrumental pour Chorale
33
Voix Alto, Piano
31
Voix Soprano, Piano
27
Voix Tenor, Piano
22
Voix Baryton, Piano
19
Voix duo
13
Voix duo, Piano
11
Voix haute
8
Voix Tenor
5
Voix seule
4
Voix Soprano
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Chorale
2
Voix moyenne, Piano
2
Chorale SSATTB
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
Chorale SSAATTBB
1
Voix Baryton
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
147
Quatuor de Saxophones: 4 saxophones
107
2 Saxophones (duo)
101
Saxophone (partie séparée)
101
Flûte traversière et Piano
80
Quintette de Saxophone: 5 saxophones
74
2 Flûtes traversières (duo)
67
Clarinette et Piano
65
Clarinette
56
Flûte, Hautbois, Clarinette, Basson
55
Flûte traversière
53
Saxophone Alto et Piano
49
Hautbois, Piano (duo)
48
2 Clarinettes (duo)
47
Quatuor de Clarinettes: 4 clarinettes
43
Saxophone Tenor et Piano
38
Saxophone Soprano et Piano
36
Hautbois (partie séparée)
36
Ensemble de saxophones
36
Quintette de Flûte : 5 flûtes
33
Saxophone Baryton, Piano
30
Saxophone, Clarinette (duo)
28
Saxophone Alto
26
Ensemble de Clarinettes
24
Cor anglais, Piano
22
Quintette de Clarinettes: 5 clarinettes
22
Saxophone Tenor
21
Clarinette, Violon (duo)
21
Quatuor de Flûtes : 4 flûtes
20
2 Hautbois (duo)
19
Clarinette, Trompette (duo)
19
Ensemble de Flûtes
17
Flûte, Clarinette (duo)
16
Flûte, Violon
15
Clarinette Basse, Piano
15
3 Clarinettes (trio)
14
Flûte à bec Soprano
13
2 Flûte à bec (duo)
12
Clarinette et Alto
12
Flûte, Alto (duo)
11
Hautbois, Basson (duo)
10
Flute (partie séparée)
10
Hautbois, Clarinette (duo)
10
Hautbois, Flûte
9
Flûte, Saxophone (duo)
9
3 Saxophones (trio)
9
Harmonica
8
Flûte, Trompette (duo)
8
Trio de Flûtes: 3 flûtes
7
Ocarina
7
Flûte irlandaise
7
Clarinette (partie séparée)
7
Flûte et Guitare
7
Saxophone Soprano
6
Hautbois
6
Flûte à bec Alto
5
Flûte à bec Alto, Piano
5
Clarinette, Guitare (duo)
4
Saxophone Baryton
4
Saxophone
4
Flûte, Hautbois (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle
3
Cor Anglais
2
Flûte à bec Tenor
2
2 Clarinettes, Piano
2
Flûte à Bec
2
Clarinette Basse
2
Clarinette, Violoncelle (duo)
2
Hautbois, violon (duo)
2
Flûte, Clarinette et Basson
2
Clarinette, Trombone (duo)
2
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle
1
Piccolo, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais, Guitare (duo)
1
Hautbois et alto (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Trio à cordes
1
Flûte à Bec, Piano
1
2 Flûtes traversières, Harpe
1
Flûte, Hautbois, Basson
1
Quatuor de Flûtes à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Trombone (partie séparée)
74
Trompette (partie séparée)
65
Trompette
47
Trombone et Piano
41
Trombone
37
Trompette, Piano
33
Cor et Piano
31
Ensemble de Trombones
29
Quatuor de cuivres: 4 trombones
28
Cor
27
Tuba
26
Euphonium, Piano (duo)
26
2 Trompettes (duo)
24
Cor anglais, Piano
22
Trompette, Saxophone (duo)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
19
2 Trombones (duo)
19
Trompette, Trombone (duo)
18
Tuba et Piano
16
2 Cors (duo)
10
Cor (partie séparée)
9
Tuba (partie séparée)
8
Ensemble de Trompettes
7
Trio de Cuivres
6
Tuba et Orgue
5
Ensemble de Cors
4
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
3
Euphonium
3
Cor Anglais
2
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
3 Euphoniums
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Trompette, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
395
Violon, Violoncelle (duo)
204
Violon
175
Trio à Cordes: violon, alto, violoncelle
144
Violon et Piano
70
Violoncelle
67
Violoncelle, Piano
54
Harpe
44
2 Violons (duo)
41
Alto, Piano
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
2 Violoncelles (duo)
27
Violon, Alto (duo)
26
2 Altos (duo)
25
Alto seul
23
Trio à Cordes: 2 violons, violoncelle
23
Contrebasse (partie séparée)
18
Contre Basse
17
Alto (partie séparée)
16
Contrebasse, Piano (duo)
11
Violon (partie séparée)
9
2 Harpes (duo)
7
Ensemble d'Altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Ensemble de Violons
6
4 Violoncelles
6
2 Contrebasses (duo)
5
Harpe, Voix
4
Alto, Violoncelle (duo)
3
Alto et Basson
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Violon, Basson (duo)
1
Violoncelle, Orgue
1
Violon, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
211
Orchestre à Cordes
169
Orchestre
110
Ensemble Jazz
87
Orchestre de chambre
52
Ensemble de cuivres
49
Jazz combo
27
Cloches
23
Fanfare
22
Batterie (partie séparée)
14
Marimba
11
Batterie
8
Percussion (partie séparée)
7
Ensemble de Percussions
7
2 Xylophones
5
Xylophone
4
Xylophone, Piano
2
Timbales (partie séparée)
1
Bodhran
1
Piano et Orchestre
1
2 Marimbas
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Here's How
Guitare
Partitions à imprimer
69 partitions trouvées
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51
Where's Hiccup?
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1356696 By Various. By John Powell…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1356696 By Various. By John Powell. Arranged by Celil Refik Kaya. Classical,Film/TV. Individual part. 3 pages. Celil Refik Kaya #941338. Published by Celil Refik Kaya (A0.1356696). An excerpt from Dreamwork's How to Train Your Dragon Where's Hiccup? by John Powell arranged for Solo Classical GuitarIncludes the Main Theme Arranged by Celil Refik KayaTabs and Sheet Music included
$6.99
6.34 €
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Guitare
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Various
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Celil Refik Kaya
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Where's Hiccup?
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Celil Refik Kaya
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SheetMusicPlus
(there's No Place Like) Home For The Holidays
Guitare
Solo Guitar - Digital Download SKU: A0.1337287 By Perry Como. By Al Stillman and Ro…
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Solo Guitar - Digital Download SKU: A0.1337287 By Perry Como. By Al Stillman and Robert Allen. Arranged by Bronson Ferdinand Wright. 20th Century,Broadway,Christmas,Jazz,Musical/Show,Standards. Individual part. 2 pages. Bronson Ferdinand #923099. Published by Bronson Ferdinand (A0.1337287). Chord melody arrangement of the classic Christmas song.This chart features full harmonic analysis and tab. Detailed articulations are also notated. A must-know tune for solo guitar Christmas gigs.
$6.49
5.88 €
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Guitare
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Perry Como
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Bronson Ferdinand Wright
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(there's No Place Like) Home For The Holidays
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Bronson Ferdinand
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SheetMusicPlus
Charley's Waltz
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315833 By Sibelius 7 Software. By…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315833 By Sibelius 7 Software. By Andrew Howes. 19th Century,20th Century,Chamber,Classical,Romantic Period. Individual part. 3 pages. Andrew Howes #904608. Published by Andrew Howes (A0.1315833). A waltz I wrote for my first grand-daughter Charley on her 13th birthday. Originally for piano, I present it here for classical guitarists. It is very much in the style of Chopin and makes an excellent salon piece.
$4.00
3.63 €
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Guitare
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Sibelius 7 Software
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Charley's Waltz
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Andrew Howes
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SheetMusicPlus
Where Is Love?
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Arranged by Derek Hasted. Broadway,Contemporary,Musical/Show. Individual part. 4 pages. Derek Hasted #3561145. Published by Derek Hasted (A0.797701). WHERE IS LOVE (from Oliver) - SOLO GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This beautiful piece from the Stage Show Oliver is a perfect fit for Classical Guitar. Many of the shapes will seem instantly familiar, and the arrangement is not tricky to play, meaning the sound is gentle and effortless.My arrangement is in 3 voices. The middle voice, which provides support for the sustained tune, needs to be subdued so the tune stays audible. Some of the rests in the middle voice are absent, so as not to crowd the page.I hope you enjoy playing this piece!
$4.99
4.52 €
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Guitare
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Lionel Bart
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Derek Hasted
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Where Is Love?
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Derek Hasted
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SheetMusicPlus
SOFIA'S LULLABY guitar solo
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1018755 Composed by Gilbert Piger.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1018755 Composed by Gilbert Piger. Contemporary,World. Individual part. 2 pages. GJP Productions #1998669. Published by GJP Productions (A0.1018755). SOFIA'S LULLABY here is the guitar solo. if you wish to perform it with the strings plus bassoon upload under Sofia's lullaby score. This is a great encore piece and how I used it when I performed my first concerto.
$6.45
5.85 €
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Guitare
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Gilbert Piger
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SOFIA'S LULLABY guitar solo
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GJP Productions
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SheetMusicPlus
Carolan's Dream - Guitar Arrangement
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1192422 By Turlough O'carolan. By …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1192422 By Turlough O'carolan. By Turlough O'carolan. Arranged by Victor Araújo. Baroque,Celtic,Classical,Folk,Irish,Traditional. Individual part. 1 pages. Arezzo Music #791861. Published by Arezzo Music (A0.1192422). Here you have the traditional Irish tune Carolan's Dream on acoustic guitar. The piece features intricate fingerstyle playing that showcases the melody's haunting beauty, and is sure to captivate listeners with its lyrical qualities.  guitarists of all skill can learn and play the piece Carolan's Dream for themselves, whether as a solo guitar piece or as part of an ensemble. So whether you're a fan of traditional Irish music or simply love the sound of a well-played acoustic guitar, be sure to check out this stunning rendition of Carolan's Dream and try your hand at playing along with the sheet music.
$2.99
2.71 €
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Guitare
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Turlough O'carolan
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Victor Araújo
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Carolan's Dream - Guitar Arrangement
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Arezzo Music
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SheetMusicPlus
Something There
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken an…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Individual part. 5 pages. Geofonica Artistworks #959262. Published by Geofonica Artistworks (A0.1374708). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation (LYRICS are included for reference). It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.52 €
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Guitare
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Alan Menken and Howard Ashman
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Brad Powell
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Something There
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Geofonica Artistworks
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SheetMusicPlus
Riely's Dance
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954944 Composed by Jim Bosse. Afri…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by Jim Bosse (A0.954944). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.8 €
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Guitare
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Air (J.S. Bach) - Guitar Solo Complete - Tondi. FR Version
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1038259 By Johann Sebastian Bach. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1038259 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Tondi Rangkuti a.k.a Tondi. FR. Classical,Contemporary,Multicultural,Praise & Worship,Standards,World. Individual part. 4 pages. ToRa Swarna Diva #643194. Published by ToRa Swarna Diva (A0.1038259). 'Air' is a very famous musical composition that is hundreds of years old and was written by Maestro Johan Sebastian Bach. The music written for Strings Orchestra and provides a beautiful, cool and serene atmosphere. Unfortunately, there has not been an arrangement for a guitar solo that is complete and perfectly represents the ambient as Bach has described through this composition. Tondi Rangkuti a.k.a Tondi. FR has written an Air arrangement to play for a guitar solo with a complete set of all two 'movements' from Air. With the proper selection of voicing and harmonizing as from a String Orchestra. Now you can play this composition with a guitar solo and will succeed in producing the same ambient as played by a Strings Orchestra. Only for just $12 you can download this arrangement to put it on a dazzling guitar solo show.
$11.00
9.97 €
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Guitare
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Johann Sebastian Bach
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Tondi Rangkuti a
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Air
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ToRa Swarna Diva
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SheetMusicPlus
A Flatpicker's Guide to Jamming
Guitare
Composed by Carl Yaffey. Country. Bluegrass. E-book and online audio. 24 pages. Mel …
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Composed by Carl Yaffey. Country. Bluegrass. E-book and online audio. 24 pages. Mel Bay Publications - Digital Sheet Music #20820BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652360.<br> <br> Joining a jam session can be intimidating. This book presents everything a beginning or intermediate guitar flatpicker needs to know to participate in a jam session. There are sections that describe how jam sessions work, and jam session etiquette. The book also describes the typical chords and keys for jamming, and describes right hand usage. A section is included on the role each instrument plays in bluegrass rhythm. A play-along audio is included with 9 typical bluegrass jam tunes. The tunes are played twice: once with the tune played on the left channel and a verbal description on the right channel, and once in stereo. Includes access to online audio.
$9.99
9.06 €
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Guitare
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Carl Yaffey
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A Flatpicker's Guide to Jamming
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
10.87 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Irving Berlin: There's No Business Like Show Business - guitar solo
Guitare
Instantly printable sheet music by Irving Berlin for guitar solo of MEDIUM skill level. / …
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Instantly printable sheet music by Irving Berlin for guitar solo of MEDIUM skill level. / musical/show,standards,broadway
$6.97
6.32 €
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Guitare
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Irving Berlin
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Virtualsheetmusic
The William Bay Collection - Sacred Guitar Solo Anthology #2
Guitare
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List: Adoro Devote All My Trials All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks Balm in Gilead Benediction Bread of the World Eucharistic Hymn Canticle #1 Canticle #2 Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby Come to the Feast Compline Consecration Deep River Evening Prayer Gloria God Unseen Yet Ever Near St Flavian Have Thine Own Way, Lord Adelaide He Hideth My Soul Kirkpatrick Crosby Here, O My Lord, I See Thee Face to Face Penitentia Higher Ground Gabriel Oatman Hold to God’s Unchanging Hand Eiland Holy Is The Lord I Love to Tell the Story Fischer Hankey At the Cross Hudson Watts I Will Arise and Go to Jesus Arise I Will Praise Him Harris More Love to Thee Doane Prentiss Jesu, Joy of Man’s Desiring Jesus Paid It All Grape HallI Am Coming, Lord Hartsough Jesus Spreads His Banner O’er Us Autumn Just As I Am Woodworth Kyrie Eleison Lamb Of God Lenten Meditation Let All Mortal Flesh Keep Silence Picardy Let Us Break Bread Together Light Of The World Litany Lonesome Valley Look Down That Lonesome Road Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby Lord, Speak to Me Canonbury Meditation on Psalm My Faith Looks Up to Thee Olivet My Lord, My God My Shepherd Will Supply My Need Resignation Nearer, My God, to Thee Bethany Never Alone Anon Night Prayer Nobody Knows The Trouble I’ve Seen O Esca Viatorum Pass Me Not Doane Crosby Only Trust Him Stockton Peace Praxis Pietatis Melica Prayer Prayer of Simeon Psalm 102:1 Hear My Prayer, O Lord Psalm 118:24 This Is the Day That the Lord Hath Made Psalm 119:28 My Soul Is Heavy with Sorrow Psalm 126:6 They That Sow in Tears Psalm 128:1 Blessed Are They That Fear the Lord Psalm 139:7 Where Shall I Go From Thy Spirit Psalm 142:3 When My Spirit Grows Faint Within Me Psalm 144:3 Lord, What Is Man Psalm 16:1 Keep Me Safe, O God Psalm 19:1 The Heavens Declare the Glory of God Psalm 34:18 The Lord Is Close to the Broken Hearted Psalm 65:2 Thou That Hearest Prayer Psalm 88:13 Unto Thee Have I Cried, O Lord Rendez a Dieu Sanctus Shall We Gather at the River Lowry Softly And Tenderly Sometimes I Feel Like a Motherless Child St Gregory Chorale Steal Away Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman Swing Low, Sweet Chariot The Lord’s Supper Way To God Be the Glory Doane Crosby Turn Your Eyes Upon Jesus He Is Lord Wade In The Water Wayfaring Stranger We Give Thee Thanks Were You There What a Friend We Have in Jesus Converse When I Lay My Burdens Down
$24.99
22.66 €
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Guitare
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The William Bay Collection - Sacred Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.8 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.44 €
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Guitare
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Instant Guitar Chord Finder
Guitare
Guitar (flatpicking) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.947…
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Guitar (flatpicking) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.94794EB Composed by William Bay. Rock & Blues. E-book. Mel Bay Publications - Digital Sheet Music #94794EB. Published by Mel Bay Publications - Digital Sheet Music (M0.94794EB). ISBN 9781609741907. 8.75x11.75 inches.Here’s a quick reference guide to essential guitar chord forms. Every chord is spelled out in notation indicating each note’s position or function within the chord (Root, 3rd, 5th, 7th, etc.). The three most popular forms of each particular chord are shown in three different locations on the guitar fretboard. A diagram of the entire fretboard reveals the location of every tonic or root tone for each chord. In addition, handy side tabs help you locate the exact chord form needed in seconds. This book is available in full-size (94794) or reduced case-size (94824) editions. From each tonic note, the following chords are presented in multiple forms: Major, Minor, Dominant 7th, Diminished, Augmented, Minor Seventh, Sixth, 7#5, 7b5, Major 7th, Major 7b3, Minor 7b5, 7sus4, Minor 6th, 9th, Major 9th, 9#5, 9b5, 7b9, 7#9, 6 add 9, 7#9, 11th, Augmented 11th, 13th, 13 b9, 13 b9 b5. That’s some 324 chords in all. Just imagine what you might do with them!
$12.99
11.78 €
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Guitare
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William Bay
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Intermediate
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Instant Guitar Chord Finder
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.8 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Dungeons of Danger for five classical guitars
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1162331 By Matthew H Schwarz. By Matthe…
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Guitar - Level 3 - Digital Download SKU: A0.1162331 By Matthew H Schwarz. By Matthew H Schwarz. Arranged by Matthew H Schwarz. Chamber,Classical,Contemporary,Rock,Video Game. 31 pages. Matthew H Schwarz #762689. Published by Matthew H Schwarz (A0.1162331). A 3-1/2 minute piece written to showcase a 5-piece guitar ensemble. This was written for classical guitars, but playable on steel-string or electric with pick.  A fun piece that evokes the ominous atmosphere of a fantasy dungeon adventure, influenced by Spanish classical guitar and maybe a touch of heavy metal. Melodies and ideas are traded between the guitarists for stereo/antiphonal fun.There are some challenging fast runs, but having five guitars means each part plays a melody or chord, so there's little multi-part playing for any individual. Due to fitting in five voices, there are some passsages up to the 12th fret. Parts include suggested fret positions and chord names for full chords.
$10.00
9.07 €
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Guitare
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Matthew H Schwarz
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Matthew H Schwarz
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Dungeons of Danger for five classical guitars
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Matthew H Schwarz
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SheetMusicPlus
Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.52 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Recuerdos de la Alhanbra for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Franc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
1.8 €
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Guitare
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for Classical Guitar
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Keith Terrett
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SheetMusicPlus
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