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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here I Am
Non classifié
443
Piano & claviers
Piano seul
287
Piano, Voix
202
Piano, Voix et Guitare
142
Piano Facile
83
Accompagnement Piano
31
Piano grosses notes
26
Instruments en Do
21
Orgue
12
2 Pianos, 4 mains
7
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Clavier
3
Orgue, Trompette (duo)
2
Piano (partie séparée)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
38
Guitare notes et tablatures
37
Guitare
20
Paroles et Accords
11
Ukulele
9
Basse electrique
5
Ensemble de guitares
3
2 Guitares (duo)
3
Mandoline
2
Dulcimer
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
158
Chorale 3 parties
39
Chorale 2 parties
38
Pack Instrumental pour Chorale
21
Voix duo, Piano
21
Voix Soprano, Piano
21
Voix Alto, Piano
19
Voix Tenor, Piano
16
Voix Baryton, Piano
16
Chorale TTBB
13
Chorale Unison
11
Chorale SSAA
7
Voix duo
7
Chorale
5
Voix seule
4
Voix haute
1
+ 11 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
35
Quatuor de Saxophones: 4 saxophones
27
Clarinette et Piano
24
Flûte traversière et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Hautbois, Piano (duo)
13
Saxophone Alto
13
2 Saxophones (duo)
13
Saxophone (partie séparée)
12
Flûte traversière
12
Saxophone Tenor
11
Saxophone Alto et Piano
11
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone, Clarinette (duo)
9
Hautbois (partie séparée)
8
Cor anglais, Piano
8
Saxophone Tenor et Piano
8
2 Clarinettes (duo)
7
Clarinette
7
2 Flûtes traversières (duo)
7
Flûte et Guitare
6
Clarinette, Violon (duo)
6
Saxophone Soprano et Piano
5
Saxophone Baryton, Piano
5
Clarinette, Guitare (duo)
5
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
2 Saxophones, Piano
3
2 Hautbois (duo)
3
Flute (partie séparée)
3
Clarinette et Alto
3
Flûte, Trompette (duo)
3
Hautbois, Basson (duo)
3
Flûte, Clarinette (duo)
3
2 Flûtes traversières, Piano
3
Clarinette Basse, Piano
2
Clarinette, Basson (duo)
2
Flûte, Alto (duo)
2
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
Flûte à bec Soprano, Piano
2
Flûte à bec Soprano
2
Quintette de Saxophone: 5 saxophones
2
Instruments en Mib
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Alto, Piano
1
Flûte, Violon, Piano
1
4 Hautbois
1
Clarinette (partie séparée)
1
Cor anglais, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Saxophone (duo)
1
Saxophone Soprano
1
Quatuor de Flûtes à bec
1
Ensemble de saxophones
1
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Ensemble de Trompettes
33
Trombone et Piano
21
Trompette, Piano
11
Cor anglais, Piano
8
Trombone
7
Trompette
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor et Piano
7
Euphonium, Piano (duo)
5
2 Trompettes (duo)
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trompettes
4
Trombone (partie séparée)
3
2 Cors (duo)
3
Bass Clef Instruments
3
Instruments en Sib
2
Tuba
2
Trompette (partie séparée)
2
Trompette, Violoncelle et Piano
2
3 Trompettes (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trio de Cuivres
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium
1
Cor (partie séparée)
1
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
Cor
1
2 Trombones (duo)
1
4 Euphoniums
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
26
Violon
25
Violoncelle, Piano
17
Alto, Piano
13
Violoncelle
12
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Alto (partie séparée)
6
Harpe
6
2 Violoncelles (duo)
6
2 Violons (duo)
6
Violon, Alto (duo)
5
Alto seul
4
2 Altos (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Voix
4
Violon (partie séparée)
3
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Alto, Guitare (duo)
1
Violoncelle, Orchestre
1
Violoncelle (partie séparée)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
24
Orchestre d'harmonie
23
Orchestre de chambre
22
Ensemble de cuivres
19
Orchestre à Cordes
18
Ensemble Jazz
9
Cloches
5
Jazz combo
4
Batterie
4
Fanfare
3
Piano et Orchestre
1
Percussion (partie séparée)
1
Vibraphone
1
Marimba
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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REGGAE
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TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Here I Am
Guitare
Partitions à imprimer
20 partitions trouvées
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1
Here I Am To Worship (light Of The World)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Phillips, Craig & Dean
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Antonius Agung Setiawan
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Here I Am To Worship
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Antonius Agung Setiawan
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1134391 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Antonius Agung Setiawan. Christian,Contemporary,Pop. Indiv...
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Solo Guitar - Level 4 - SKU: A0.1134391 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Antonius Agung Setiawan. Christian,Contemporary,Pop. Individual part. 7 pages. Antonius Agung Setiawan #734480. Published by Antonius Agung Setiawan (A0.1134391). Here I Am To Worship (Light Of The World) by Tim Hughes Solo guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play To see more of my work, please visit https://linktr.ee/pakagung.
$5.75
Mountains of Stowe, I Stand Strong
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, I Stand St
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publication...
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Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Here I Am To Worship (Light Of The World)
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Guitare
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Musique Sacrée
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Phillips, Craig & Dean and Tim
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Here I Am To Worship
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Hal Leonard - Digital
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SheetMusicPlus
Easy Guitar (no TAB) - Interactive Download SKU: HX.1310222 By Phillips, Craig & Dean and Tim Hughes. This edition: Interactive Download,scorch. Christia...
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Easy Guitar (no TAB) - Interactive Download SKU: HX.1310222 By Phillips, Craig & Dean and Tim Hughes. This edition: Interactive Download,scorch. Christian,Christmas,Sacred. Score. 1 pages. Hal Leonard - Digital #51213. Published by Hal Leonard - Digital (HX.1310222).
$2.99
Bintang Ku Bintang Kejora
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Guitare
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DÉBUTANT
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A
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Satriyo Wibowo
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Bintang Ku Bintang Kejora
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Satriyo Wibowo
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1025486 Composed by A. T. Mahmud. Arranged by Satriyo Wibowo. Children,Contemporary,Folk,Instructional,Pop. Individual p...
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Solo Guitar - Level 1 - SKU: A0.1025486 Composed by A. T. Mahmud. Arranged by Satriyo Wibowo. Children,Contemporary,Folk,Instructional,Pop. Individual part. 1 pages. Satriyo Wibowo #4806897. Published by Satriyo Wibowo (A0.1025486). Bintang Kejora is a folk song from Indonesia, and here I am the arrangement for a beginner for guitar solo
$1.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
#
Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Bach Cello Suite No 1 - solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Joh
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Georg Mertens
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Bach Cello Suite No 1 - solo g
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Georg Mertens
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual...
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Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
Neve
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Neve
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by Eric J Roth (A0.914745). Two pages of music.Neve (pronounced NEEV) is an ancestral name within my family, to whom this piece is dedicated. The word appears in multiple languages and has a variety of meanings. In British English, Neve has two definitions, both of which have long been out of common usage. The first definition refers to a younger male relative such as a nephew or grandson. The second refers to a spendthrift. Neve is also found in Irish as a girl’s name. In various Latin and Romance languages, it refers to snow or glaciers. Neve is one of a set of four pieces composed in late 2019 and early 2020. The publication of the entire set is forthcoming, but I am also offering Neve here as a short standalone work. Composed for guitar solo, Neve evokes a young boy’s leisurely daydream. The 3/2 time signature, marked andante, and opening G major tonality convey the sense of a lazy weekend day outside in the woods or by the water. Like many daydreams, Neve starts out simply before wandering off into different moods and ideas. A recurring transitional passage (set as a quasi hemiola) serves to modulate to new tonal areas, each of which has its own distinct character. The brief section in A Dorian is marked con moto and evokes the thoughts of excitement and adventure. This is followed by a contrapuntal section in E minor with hints of Dorian. The mood here is more subdued and perhaps even melancholy. The penultimate section in C# minor (with hints of pentatonic and Phrygian) suggests a longing for faraway exotic places before returning to G major to end the piece.
$2.99
Ain't Always The Cowboy
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Guitare
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INTERMÉDIAIRE
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Jon Pardi
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Kyle Pudenz
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Ain't Always The Cowboy
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wed...
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Guitar - Level 3 - SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
Gigue
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
Nadir
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Guitare
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #62...
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Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Prelude Op.9 No.1
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Guitare
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Contemporain
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A
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Rod Whittle
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Prelude Op.9 No.1
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Publ...
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Solo Guitar - SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Published by Maggie Creek Music (A0.899138). for solo classical guitar (tremolo) 3 pp (4 min.)Alexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The prelude (Op.9 No.1) is an early piece exhibiting Scriabin's melodic flair. It's form is a kind of condensed sonata – ABA with a coda. The 'B' section of roving, moderately distant, harmonies, and the 'coda' with its binding bass line are equal to the theme, as they should be. I am very fond of the tremolo style, and here it highlights the marvelous counterpoint of the piece.
$5.00
Harlequin (Arlecchino) for guitar solo (mp3)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Harlequin
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David Warin Solomons
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1267996 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 147. David Wa...
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Guitar - Level 3 - SKU: A0.1267996 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 147. David Warin Solomons #860550. Published by David Warin Solomons (A0.1267996). Arlecchino is a character in the Italian Commedia dell'Arte (Comedy of professions). He represents pantomime and clowning.  The name Harlequin is taken from that of a mischievous devil or demon character in popular French passion plays, but he has clearly developed this lighter side, which I am illustrating here, (as well as the much darker side of the Erlkönig whose related name comes from the more demonic character).Please see the youtube description for details if you would like to buy the score.
$4.50
Mountains of Stowe, and The Sky is The Limit
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sk
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publication...
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Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Anonymous Soldier (for Guitar)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Emiliano Brunetti
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Anonymous Soldier
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Emiliano Brunetti
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1371167 Composed by Emiliano Brunetti. Chamber,Romantic Period. Individual part. 4 pages. Emiliano Brunetti #955418. Pub...
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Solo Guitar - Level 4 - SKU: A0.1371167 Composed by Emiliano Brunetti. Chamber,Romantic Period. Individual part. 4 pages. Emiliano Brunetti #955418. Published by Emiliano Brunetti (A0.1371167). Anonymous Soldier seeks to portray the fight between what you need to do and what you want to do. It reflects that battle against the Impostor Syndrome, which tells you how far you are from where you really belong. It is my everyday fight for my dreams, despite how hard they are to achieve, and despite the conflicting context I might be living in (writing classical music from my home of Argentina). This piece explores the use of tremolo effect, which is usually found in advanced pieces. As I am not able to play pieces like Recuerdos de la Alhambra (Tárrega) or Una Limosna por el Amor de Dios (Barrios), I tried to write a piece with this technique I enjoy listening to a lot, in a way that I can perform it while improving my playing.
$2.00
14 Contemporary Compositions for the Solo Guitarist
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Guitare
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Contemporain
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Ryan Brock Campbell
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14 Contemporary Compositions f
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Ryan Brock Campbell
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SheetMusicPlus
Solo Guitar - SKU: A0.1030778 Composed by Ryan Brock Campbell. 20th Century,Contemporary. Individual part. 18 pages. Ryan Brock Campbell #553745. Publis...
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Solo Guitar - SKU: A0.1030778 Composed by Ryan Brock Campbell. 20th Century,Contemporary. Individual part. 18 pages. Ryan Brock Campbell #553745. Published by Ryan Brock Campbell (A0.1030778). This is a collection of 14 compositions I have written for the solo guitar. These works are highly stylized, but not so that they can not be easily mastered and expressed by a solo guitarist. There are intensions in each work to express ideas beyond the musical composition itself. It is my intension that the message in each piece be only suggested by my original work, interpreted/embellished by the musician and the larger meaning be unique to those who experience the idea. I am happy to discuss my own view on any work I release with anyone who is interested. The audio sample is a recording of myself performing 'Grizzly'-one of the 14 compositions on offer in this release. More music posted at: https://soundcloud.com/ryanbrockcampbell.
$5.00
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Guitare
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INTERMÉDIAIRE
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Renaissance
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Various
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Socrates Arvanitakis
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RENAISSANCE GUITAR MUSIC - Vol
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanita...
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Solo Guitar - Level 3 - SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
Nicky Ryan: From Where I Am for guitar solo
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Guitare
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INTERMÉDIAIRE
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New Age
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Nicky Ryan
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Virtualsheetmusic
Instantly printable sheet music by Enya for guitar solo of MEDIUM skill level. / new age,pop
Instantly printable sheet music by Enya for guitar solo of MEDIUM skill level. / new age,pop
$6.97
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
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Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
What Am I Here For?
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Guitare
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Jazz
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Duke Ellington
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Standards
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What Am I Here For?
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Duke Ellington. C Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music...
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By Duke Ellington. C Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
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