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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here I stand
Sheetmusicplus
Non classifié
968
Piano & claviers
Piano seul
431
Piano, Voix et Guitare
180
Piano grosses notes
116
Piano, Voix
102
Instruments en Do
67
Orgue
56
Piano Facile
51
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
8
Accompagnement Piano
7
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
113
Guitare
77
Ligne De Mélodie, (Paroles) et Accords
31
Basse electrique
24
Ukulele
13
2 Guitares (duo)
9
Banjo
6
4 Guitares (Quatuor)
4
Mandoline
4
3 Guitares (trio)
4
Dulcimer
4
Paroles et Accords
2
Piano, Guitare (duo)
2
Guitare (partie séparée)
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
24
Chorale TTBB
19
Chorale 2 parties
17
Voix duo, Piano
15
Chorale SSAA
11
Chorale Unison
8
Voix haute
6
Pack Instrumental pour Chorale
5
Voix seule
5
Voix Alto, Piano
2
Chorale
2
Voix Soprano, Piano
2
Voix duo
1
+ 9 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
113
Quintette de Saxophone: 5 saxophones
79
2 Saxophones (duo)
44
Flûte, Hautbois, Clarinette, Basson
41
Ensemble de saxophones
37
Flûte traversière et Piano
37
2 Clarinettes (duo)
29
Ensemble de Clarinettes
29
Clarinette et Piano
26
2 Flûtes traversières (duo)
23
Flûte traversière
21
Quatuor de Saxophones: 4 saxophones
20
Saxophone Alto et Piano
20
Hautbois, Piano (duo)
19
Clarinette
16
Saxophone, Clarinette (duo)
16
Saxophone Tenor et Piano
16
Saxophone Alto
15
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de Flûtes
13
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
12
Quintette de Flûte : 5 flûtes
11
Saxophone Baryton, Piano
10
Flûte à bec Soprano
10
Clarinette, Violon (duo)
9
Clarinette, Trompette (duo)
8
Cor anglais, Piano
8
Saxophone Tenor
8
Saxophone Soprano et Piano
8
Saxophone (partie séparée)
7
Hautbois (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
6
Flûte irlandaise
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
2 Hautbois (duo)
6
Cor Anglais
5
Flûte et Guitare
5
Hautbois, Basson (duo)
5
Trio de Flûtes: 3 flûtes
5
Flûte, Alto (duo)
5
Flûte, Clarinette, Piano (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette Basse, Piano
4
Flûte à bec Alto, Piano
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Flûte, Violon
2
Flûte à bec Soprano, Piano
2
Flûte, Trompette (duo)
2
Cor anglais, Guitare (duo)
2
Flûte, Violon, Piano
2
Clarinette, Guitare (duo)
2
Saxophone et Harpe
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Orgue
2
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Clarinette (partie séparée)
1
Flûte, Clarinette et Basson
1
2 Flûte à bec (duo)
1
Flûte à bec Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
Harmonica
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
3 Saxophones (trio)
1
Flûte à Bec
1
Instruments en Mib
1
Piccolo, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Ensemble de Trompettes
46
Trompette
22
Ensemble de Trombones
20
Trombone et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone
14
Trompette, Piano
12
Cor anglais, Piano
8
2 Trombones (duo)
8
2 Trompettes (duo)
8
Trompette, Saxophone (duo)
7
Euphonium, Piano (duo)
7
Trompette, Trombone (duo)
7
Cor et Piano
7
Quatuor de Cuivres
7
Cor Anglais
5
Cor
5
Tuba et Piano
4
2 Cors (duo)
4
Tuba
3
Quatuor de cuivres: 4 trompettes
3
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Euphonium
2
Trompette (partie séparée)
2
Bass Clef Instruments
2
Trompette, Trombone, Piano
2
3 Trombones (trio)
2
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Cor et Harpe
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Trombone (partie séparée)
1
Cor (partie séparée)
1
Instruments en Sib
1
2 Euphoniums (duo)
1
Trompette, Harpe
1
3 Cors (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
123
Violon et Piano
68
2 Violons (duo)
57
Alto, Piano
33
Violon, Alto (duo)
29
Violoncelle, Piano
28
Trio à Cordes: violon, alto, violoncelle
23
2 Altos (duo)
20
Violon, Violoncelle (duo)
20
Violon
17
Violoncelle
15
Harpe
13
Ensemble d'Altos
13
Ensemble de Violons
12
Alto seul
12
2 Violoncelles (duo)
9
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle, Contrebasse (duo)
5
Contrebasse, Piano (duo)
5
Trio à cordes: 3 altos
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
3
Contrebasse (partie séparée)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
2
2 Violons, Piano
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Contre Basse
2
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
68
Orchestre à Cordes
55
Orchestre d'harmonie
46
Orchestre de chambre
44
Orchestre
26
Jazz combo
20
Ensemble de cuivres
11
Ensemble de Percussions
7
Marimba
6
Fanfare
5
Cloches
5
Batterie
3
Xylophone
2
Ensemble d'École
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Virtualsheetmusic
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Vous avez sélectionné:
Here I stand
SheetMusicPlus
Partitions à imprimer
77 partitions trouvées
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76
Where I Stand
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Guitare
#
INTERMÉDIAIRE
#
Mia Wray
#
Antonius Agung Setiawan
#
Where I Stand
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1098735 By Mia Wray. By Mia Isobel Wray-mccann. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. ...
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Solo Guitar - Level 3 - SKU: A0.1098735 By Mia Wray. By Mia Isobel Wray-mccann. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 4 pages. Antonius Agung Setiawan #702588. Published by Antonius Agung Setiawan (A0.1098735). Where I Stand (Solo Guitar Tablature) By Mia Wray Solo guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play To see more of my work, please visit https://linktr.ee/pakagung.
$5.50
Mountains of Stowe, I Stand Strong
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Guitare
#
Apostolos Paraskevas
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Mountains of Stowe, I Stand St
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Silver Sickle Publications
#
SheetMusicPlus
Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publication...
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Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Here Comes The Sun
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Guitare
#
INTERMÉDIAIRE
#
The Beatles
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Rick Alexander
#
Here Comes The Sun
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Rick Alexander
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1455647 By The Beatles. By George Harrison. Arranged by Rick Alexander. 20th Century,Pop,Rock. Individual part. 4 pages....
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Solo Guitar - Level 3 - SKU: A0.1455647 By The Beatles. By George Harrison. Arranged by Rick Alexander. 20th Century,Pop,Rock. Individual part. 4 pages. Rick Alexander #1034741. Published by Rick Alexander (A0.1455647). This is an arrangement for solo classical guitar or fingerstyle acoustic guitar of The Beatles, Here Comes the Sun by George Harrison. I've based this arrangement closely on the acoustic guitar accompaniment played on the original song by George Harrison but have made changes in a few places in order to play the vocal melody.I've decided to start the piece slowly and sparsely for the introdution and first chorus and to then build during the first verse and second chorus. I recommend playing the piece with either no capo or a capo on the second fret. This is a standard notation version - there is also a tab version available.
$4.99
I Saw Her Standing There
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Guitare
#
DÉBUTANT
#
Rock
#
The Beatles
#
Rene Alves
#
I Saw Her Standing There
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Rene Alves
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1277627 By The Beatles. By John Lennon and Paul McCartney. Arranged by Rene Alves. Multicultural,Pop,Rock,Singer/Songwri...
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Solo Guitar - Level 1 - SKU: A0.1277627 By The Beatles. By John Lennon and Paul McCartney. Arranged by Rene Alves. Multicultural,Pop,Rock,Singer/Songwriter,Wedding,World. Individual part. 1 pages. Rene Alves #869306. Published by Rene Alves (A0.1277627). Guitar score for the song I Saw Her Standing There - beatles. The score is in large size, great for reading on tablets.
$6.00
I Will
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Guitare
#
Rock
#
The Beatles
#
Robert McCormack
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I Will
#
Robert McCormak
#
SheetMusicPlus
Solo Guitar - SKU: A0.483584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Robert McCormack. Contemporary,Pop,Rock,Standards. Individua...
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Solo Guitar - SKU: A0.483584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Robert McCormack. Contemporary,Pop,Rock,Standards. Individual part. 2 pages. Published by Robert McCormak (A0.483584). Juxtaposing the anticipated beats of the melody over the calm walking bass shouldn't be too hard to play gracefully. Lines 4 and 5 have a 12th fret harmonic which contains the melody and quickly returns to fretted strings as the melody proceeds. Hearing the melody note on the downbeat of the harmonic is the goal. I missed the mis-alignment of the last three beats of the 1st measure on page 2. Those are three homophonic chords played on the beats. The last 2 measures of the coda (and the song) require a few position jumps. Legato is the goal here.
$4.99
Somewhere In Time
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Allen Comyns
#
John Fries
#
Somewhere In Time
#
John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jaz...
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Solo Guitar - Level 4 - SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jazz,Standards. Individual part. 2 pages. John Fries #863872. Published by John Fries (A0.1271471). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
Something There
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Guitare
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INTERMÉDIAIRE
#
Rock
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Film Walt Disney
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Alan Menken and Howard Ashman
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Brad Powell
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Something There
#
Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1374708 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,...
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Solo Guitar - Level 3 - SKU: A0.1374708 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Individual part. 5 pages. Geofonica Artistworks #959262. Published by Geofonica Artistworks (A0.1374708). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation (LYRICS are included for reference). It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
Standard Music Reading for Beginning Guitar
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Guitare
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DÉBUTANT
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Methodes
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Jay Jordan
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Standard Music Reading for Beg
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Pro Creations Music
#
SheetMusicPlus
Acoustic Guitar - Level 1 - SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Publ...
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Acoustic Guitar - Level 1 - SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Published by Pro Creations Music (A0.1315011). Beginning guitar courses at the middle school and high school level can be a popular addition to curricula that so often center around performing groups. Such a course, when offered as a general music course, i.e.,a course that has no prerequisite and no public performance component, can be an attractive way for students to complete an arts requirement without an extra-curricular commitment.  At the same time a class like beginning guitar may serve as the only chance a music educator has to introduce the very idea of music to students as both an art form and a language. In todayâ??s on-line world there are countless avenues for learning guitar, be it YouTube videos, dedicated apps, or TAB sites. While the sharing of user-generated transcriptions of popular songs using tablature may be quick and easy, TAB sites do not employ standard music notation (not to mention being rife with mistakes both practical and theoretical). Standard Music Reading for Beginning Guitar was developed as a sequential, practical method for learning the basics of standard music notation using acoustic guitar as a vehicle. It is not meant to replace other methods e.g., the learning of popular songs or a music theory component, but as a companion so that students can learn about music as a language while, hopefully, continuing to enjoy guitar playing for years to come.
$10.00
As I went to Walsingham - Solo Guitar
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Guitare
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FACILE
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Anonymous
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Bisdre Santos
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As I went to Walsingham - Solo
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Soul - Musical Creations
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.948998 Composed by Anonymous. Arranged by Bisdre Santos. Renaissance,Standards,Wedding. Individual part. 2 pages. Soul -...
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Solo Guitar - Level 2 - SKU: A0.948998 Composed by Anonymous. Arranged by Bisdre Santos. Renaissance,Standards,Wedding. Individual part. 2 pages. Soul - Musical Creations #6438311. Published by Soul - Musical Creations (A0.948998). Walsingham was a popular folk song arranged by almost all the Elizabethan composers. The song, from the Cambridge lute book (D.D.2.11), relates to the traditional pigrimage to the Church of Our Lady at Walsingham, Norfolk, which was a shrine famous for miracles. Since priory there was dissolved in 1538, the tune is clearly a very old one.
$1.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Summertime
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dorothy Heyward, Du Bose Heywa
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Christopher J
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Summertime
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1293329 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Christopher J. Mali...
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Solo Guitar - Level 4 - SKU: A0.1293329 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Christopher J. Malin. 20th Century,Blues,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #883900. Published by Christopher J. Malin (A0.1293329). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Gershwin's finer songs. This arrangement is different than the 500+ out there. I did it in the upper regitster (soprano) of the guitar. Works well if you play through the changes in lower voicings to establish your rhythm, then play my arrangement. It will raise a few eyebrows and put smiles on the faces of your listeners. I do this with a number of my arrangements. It will also help to have accurate intonation on your instrument. This piece makes you stand out as a solo jazz guitarist of all idioms. Sounds great on acoustic and electric guitars.
$4.99
Mountains of Stowe, and The Sky is The Limit
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sk
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publication...
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Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Over The Rainbow
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
Adelita by Francisco Tárrega
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Guitare
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FACILE
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Francisco Tarrega
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Zellev
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Adelita by Francisco Tá
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Zellev Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Individual part. 1 pa...
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Solo Guitar - Level 2 - SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Individual part. 1 pages. Zellev Music #6253151. Published by Zellev Music (A0.910911). Adelita is a charming mazurka written by Francisco Tárrega that has been recorded by many famous guitarists.the intended beats per minute of a particular tempo indicator was ambiguous at best. Tárrega could well have intended the tempo to be faster than what we today conceive of as Lento. Therefore, you may choose to play the piece faster than the 60 bpm I've listed, opting for a faster 80–90 in the Andante range.Adelita is deceptively simple. If you are a novice guitarist, you may feel it is within your reach based on hearing the first half of the song. Even if you've mastered barres, upon reaching measures 11 and 12, you may reach an impasse. Playing the slurs fluidly requires a well-developed little finger. Therefore, I recommend not trying to learn the piece until you've developed both comfort with barres and sufficient strength and flexibility in the little finger to play clear hammer-ons and pull-offs.
$2.00
Home
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Edward Sharpe and the Magnetic
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Cameron Jones
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Home
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New Verse Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1376503 By Edward Sharpe and the Magnetic Zeros. By Alex Ebert and Jade Castrinos. Arranged by Cameron Jones. Contempora...
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Solo Guitar - Level 4 - SKU: A0.1376503 By Edward Sharpe and the Magnetic Zeros. By Alex Ebert and Jade Castrinos. Arranged by Cameron Jones. Contemporary,Folk,Pop,Rock. Individual part. 4 pages. New Verse Music #961031. Published by New Verse Music (A0.1376503). Home (popularly known as Home Is Wherever I'm With You), by Edward Sharpe & The Magnetic Zeros, arranged for solo guitar. This file includes both easy-to-read tablature (including rhythms and note durations) and standard notation, with chord symbols above the staff.To help clarify the song form and reduce the number of pages, each song section is notated separately, with the form listed on the final page.Check out NewVerseMethod.com for in-depth video lessons.
$4.99
Don't Get Around Much Anymore
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Bob Russell and Duke Ellington
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Christopher J
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Don't Get Around Much Anymore
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Indiv...
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Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
Penthouse Serenade
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Guitare
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AVANCÉ
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Jazz
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Contemporain
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Val Burton and Will Jason
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Christopher J
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Penthouse Serenade
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standard...
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Solo Guitar - Level 5 - SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #935289. Published by Christopher J. Malin (A0.1350480). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful melody. I think this one will make you a cut above the rest! A challenging but fullfilling piece of jazz music. This piece makes you stand out as a solo jazz guitarist of all idioms. This is for the chord expert. There are 44 different chords in this piece! Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This was on of Nat King Cole's signature pieces.I love this tune! Hope you will too.
$4.99
Can't Help Falling In Love
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Guitare
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INTERMÉDIAIRE
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Elvis Presley
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Seamus McDaniel
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Can't Help Falling In Love
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Seamus McDaniel
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1496357 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Seamus McDaniel. 20th Cen...
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Solo Guitar - Level 3 - SKU: A0.1496357 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Seamus McDaniel. 20th Century,Pop. Individual part. 4 pages. Seamus McDaniel #1072929. Published by Seamus McDaniel (A0.1496357). This is my arrangement/transcription of Can't Help Falling in Love by Elvis! I've included the chord names and really aimed for note-by-note accuracy with the melody in this one. There is standard notation as well as tabature in the PDF.If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$5.99
Fly Me To The Moon (in Other Words)
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Guitare
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INTERMÉDIAIRE
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Tony Bennett
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Christopher J
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Fly Me To The Moon
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1310263 By Tony Bennett. By Bart Howard. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Pop,S...
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Solo Guitar - Level 3 - SKU: A0.1310263 By Tony Bennett. By Bart Howard. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #899378. Published by Christopher J. Malin (A0.1310263). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bart Howard's finer pieces. He's from Iowa! This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. There are many arrangements of this song. Give mine a go, it's a bit different. Sounds great on acoustic and electric guitars.
$4.99
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1342617 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christopher J. Malin. 20th Century,Chamber,Contem...
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Solo Guitar - Level 2 - SKU: A0.1342617 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christopher J. Malin. 20th Century,Chamber,Contemporary,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #928091. Published by Christopher J. Malin (A0.1342617). Solo jazz guitar chord/melody arrangement with tablature. Beautiful, instantly recognizable melody. One of The Beatles finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I realise there are many arrangments of this great song. Give mine a try...I tend to play this song as a ballad. It's such a beautiful melody no need to rush it. Better to relish it! I love this tune! Hope you will too.
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