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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here We Come
Non classifié
397
Piano & claviers
Piano seul
233
Piano, Voix et Guitare
90
Piano Facile
68
Piano, Voix
62
Accompagnement Piano
53
Orgue
28
Instruments en Do
26
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Instrument seul et Orgue
1
Piano (partie séparée)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
28
Guitare
18
Ukulele
13
Ligne De Mélodie, (Paroles) et Accords
9
Basse electrique
3
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
Mandoline
2
Paroles et Accords
2
Ukulele Baryton
2
Banjo
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
147
Chorale 3 parties
57
Chorale 2 parties
26
Voix Tenor, Piano
18
Chorale TTBB
16
Chorale Unison
16
Voix Soprano, Piano
8
Voix Alto, Piano
6
Chorale SSAA
6
Chorale
5
Voix Tenor
5
Voix haute
5
Voix duo
5
Voix duo, Piano
5
Voix Mezzo-Soprano, Piano
2
Voix seule
2
Voix Soprano
1
Voix basse, Piano
1
Voix basse
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
33
Flûte traversière
25
Saxophone Alto
24
2 Flûtes traversières (duo)
23
Quatuor de Saxophones: 4 saxophones
23
Clarinette
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte traversière et Piano
18
Flûte, Hautbois, Clarinette, Basson
16
Saxophone Alto et Piano
16
3 Saxophones (trio)
14
Quatuor de Clarinettes: 4 clarinettes
14
2 Clarinettes (duo)
13
Clarinette et Piano
12
Saxophone (partie séparée)
11
Saxophone Tenor et Piano
11
Hautbois, Piano (duo)
11
Hautbois (partie séparée)
9
Saxophone Tenor
9
Clarinette (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Saxophone: 5 saxophones
7
Flûte, Clarinette (duo)
6
Saxophone Soprano et Piano
6
2 Hautbois (duo)
6
Saxophone, Clarinette (duo)
5
Clarinette, Harpe (duo)
5
Flûte, Clarinette et Basson
4
Flûte à bec Soprano
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte à Bec
4
Trio de Flûtes: 3 flûtes
4
Flûte, Harpe et Violoncelle
4
Hautbois
3
Saxophone Baryton, Piano
3
Saxophone Soprano
3
3 Clarinettes (trio)
3
Clarinette Basse, Piano
3
Ensemble de Clarinettes
3
Flute (partie séparée)
3
Ensemble de saxophones
3
Ensemble de Flûtes
3
Clarinette, Violon (duo)
2
Hautbois, Guitare (duo)
2
Flûte irlandaise
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Basson (duo)
2
Flûte, Saxophone (duo)
2
Ocarina
2
Clarinette et Alto
2
Quatuor de Flûtes à bec
2
Saxophone Baryton
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Flûte
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
Flûte et Guitare
1
Flûte, Trompette (duo)
1
Clarinette, Trompette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flute, harpe et violon
1
Flûte, Hautbois (duo)
1
Flûte à Bec, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
Cor anglais, Piano
1
Flûte à bec Alto
1
Harmonica
1
2 Flûtes traversières, Harpe
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Clarinette, Trombone (duo)
1
3 Hautbois
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle
1
+ 72 instrumentations
Retracter
Cuivres
Trompette
27
Trombone
21
Cor
17
2 Trompettes (duo)
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de cuivres: 4 trombones
13
Trombone (partie séparée)
11
Tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trombones (duo)
7
Trompette (partie séparée)
7
Trombone et Piano
7
Cor et Piano
7
Trompette, Trombone (duo)
7
2 Cors (duo)
5
Trompette, Saxophone (duo)
4
Tuba et Piano
4
Quatuor de Cuivres
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor (partie séparée)
3
Cor, Tuba (duo)
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Tuba (partie séparée)
2
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trombones
1
4 Tubas
1
Cor anglais, Piano
1
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon
36
Violon et Piano
30
2 Violons (duo)
23
Violoncelle
23
Harpe
21
Violoncelle, Piano
20
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
12
Alto, Piano
11
Alto seul
11
2 Violoncelles (duo)
9
Violon, Alto (duo)
8
2 Altos (duo)
7
2 Harpes (duo)
7
Harpe, Flûte (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse, Piano (duo)
5
Contre Basse
5
2 Contrebasses (duo)
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Voix
4
Piano Trio: Violon, Alto, Piano
2
Violon (partie séparée)
2
2 Violons, Piano
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Violoncelle, Orgue
2
Ensemble d'Altos
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
Violon, Violoncelle, Clarinette
1
4 Contrebasses
1
Violon, Guitare (duo)
1
Trio à cordes
1
Trio à cordes: 3 violins
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
71
Orchestre
35
Ensemble de cuivres
26
Orchestre de chambre
25
Cloches
16
Orchestre à Cordes
15
Ensemble Jazz
10
Jazz combo
3
Ensemble de Percussions
3
Percussion (partie séparée)
3
Vibraphone
1
Piano et Orchestre
1
Fanfare
1
2 Marimbas
1
Percussion
1
Timbales (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Nouveautes
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difficulté (tous)
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facile
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expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Here We Come
Guitare
Partitions à imprimer
18 partitions trouvées
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1
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
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Guitare
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AVANCÉ
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Classique
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Jean-Philippe Rameau
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Maël Fauvy
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RAMEAU - Nouvelles Suites de P
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Mfp Éditions
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éd...
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Solo Guitar - Level 5 - SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.
$30.00
Over The Rainbow
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
Carolan's Dream - Classical Guitar
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Guitare
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FACILE
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Turlough O'carolan
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Arezzo Music
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Carolan's Dream - Classical Gu
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Arezzo Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1216544 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Classical,Early Music,Iri...
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Solo Guitar - Level 2 - SKU: A0.1216544 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Classical,Early Music,Irish,Traditional. Individual part. 1 pages. Arezzo Music #813110. Published by Arezzo Music (A0.1216544). Carolan's Dream is a traditional Irish tune that was composed by the legendary harper, Turlough O'Carolan, in the 18th century. Over the years, it has become a popular folk tune, played on various instruments and in different styles. here we bought a Guitar Sheet Music, this classical celtic tune was been arranged for classical guitar, trying to make this simple but yet with the evolving feeling that it has that remote us to the Irish landscapes. Whether you're a fan of Irish music, classical guitar, or simply enjoy listening to beautiful melodies, this performance of Carolan's Dream is sure to enchant you. Hope that you watching our Greensleeves - Guitar Sheet Music.
$3.99
At the Safe Refuge
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Guitare
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Contemporain
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Sotiris Andreou
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At the Safe Refuge
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Sotiris Andreou
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SheetMusicPlus
Solo Guitar - SKU: A0.1028150 Composed by Sotiris Andreou. Contemporary. Individual part. 3 pages. Sotiris Andreou #3386421. Published by Sotiris Andreo...
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Solo Guitar - SKU: A0.1028150 Composed by Sotiris Andreou. Contemporary. Individual part. 3 pages. Sotiris Andreou #3386421. Published by Sotiris Andreou (A0.1028150). The music is capable of transforming the soul. This composition is written with the intention of promoting the unique sound of the classical guitar by moving away from the already existing repertoire. It is music written with love, care and sincere passion for bringing us closer to a place where music becomes the bridge that connects us with that which we cannot see. You can listen to me performing the score from the website www.sotirisandreou.com
$15.99
Here We Come A-Wassailing
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Guitare
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Noël
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Traditional
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Christmas
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Here We Come A-Wassailing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Traditional. For easy guitar. Carol; Christmas; Traditional. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By Traditional. For easy guitar. Carol; Christmas; Traditional. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
Miscellaneous: Here We Come A-Wassailing - guitar solo (ChordBuddy system)
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Guitare
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INTERMÉDIAIRE
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Noël
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Miscellaneous
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Virtualsheetmusic
Instantly printable sheet music by Miscellaneous for guitar solo (ChordBuddy system) of MEDIUM skill level. / christmas,holiday,carol,winter,advent,festival...
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Instantly printable sheet music by Miscellaneous for guitar solo (ChordBuddy system) of MEDIUM skill level. / christmas,holiday,carol,winter,advent,festival
$2.97
Miscellaneous: Here We Come A-Wassailing for guitar
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Guitare
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FACILE
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Noël
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Miscellaneous
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Virtualsheetmusic
Instantly printable sheet music by Miscellaneous for guitar solo (chords) of EASY skill level. / christmas,traditional,carol,advent,festival,children
Instantly printable sheet music by Miscellaneous for guitar solo (chords) of EASY skill level. / christmas,traditional,carol,advent,festival,children
$4.97
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Seven Sacred Songs for Fingerstyle Jazz Guitar
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Guitare
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INTERMÉDIAIRE
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Public Domain
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Thomas E
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Seven Sacred Songs for Fingers
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Thomas E. Lipe, Jr.
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1438017 Composed by Public Domain. Arranged by Thomas E. Lipe Jr. Jazz,Religious,Sacred. Individual part. 30 pages. Thom...
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Solo Guitar - Level 3 - SKU: A0.1438017 Composed by Public Domain. Arranged by Thomas E. Lipe Jr. Jazz,Religious,Sacred. Individual part. 30 pages. Thomas E. Lipe, Jr. #1018082. Published by Thomas E. Lipe, Jr. (A0.1438017). Jazz guitar has a long and rich history in worship settings, but there are few transcriptions of of sacred pieces available for intermediate guitarists. Too often the guitarist is presented with the choice of playing from a fake book, or taking the time to arrange the pieces to suit. With this in mind, here are seven sacred songs arranged for the intermediate guitarist. The arrangements are unique - for example, Silent Night is arranged in 5/8 in the style of Dave Brubeck. Arrangements include:Amazing GracePrecious Lord, Take My HandJust a Closer Walk With TheeSwing Low, Sweet ChariotCome, Thou Long Expected Jesus (Hyfrydol)Lo How a Rose is Blooming/Silent NightWe Three KingsThe arrangements are suitable for playing in a worship setting, or just for the fun of playing something different in the jazz language.
$15.00
Nadir
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Guitare
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #62...
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Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Mountains of Stowe, I Stand Strong
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, I Stand St
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publication...
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Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Mountains of Stowe, and The Sky is The Limit
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sk
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publication...
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Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Song Of The Jet (samba Do Avião)
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Guitare
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INTERMÉDIAIRE
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Antonio Carlos Jobim and Gene
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Luiz Duarte
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Song Of The Jet
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Alan Anunciação
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1115898 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Luiz Duarte. 20th Century,Jazz,Latin,Multicultural,S...
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Solo Guitar - Level 3 - SKU: A0.1115898 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Luiz Duarte. 20th Century,Jazz,Latin,Multicultural,Standards,World. Individual part. 4 pages. Alan Anunciação #717621. Published by Alan Anunciação (A0.1115898). In this video, we will show you how to play the famous Samba do Avião (Song of the Jet) by Tom Jobim - Sheet Music + Tablature. This beautiful song was written in the late 1960s and has become one of the most famous and well-known samba tunes of all time. This is an arrangement that, according to my teacher Luiz, is a combination of arrangements he likes, such as Gamela and Baden Powell. If you're a fan of Brazilian music and want to learn how to play the famous Samba do Avião (Song of the Jet) then this video is for you! We'll teach you the chords and melody of this beautiful song, so you can enjoy it wherever you go.
$6.00
Confidence / Danse
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Michel Dalle Ave
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Confidence / Danse
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Intermediate - SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Producti...
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Guitar - Intermediate - SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Productions d'OZ - Digital (ZZ.DZ-4288). ISBN 9782898522055.This composition in two distinct parts, of classical and baroque inspiration, evokes a stay in the beautiful Quercy region, in particular in Rocamadour.In the first movement, Confidence, it evokes stories, stories the tales of yesteryear shared in a peaceful and serene setting, like that of the landscapes calm and picturesque views around Rocamadour. The melody seems to whisper secrets offering an atmosphere that is both nostalgic and contemplative.Then, in the more rhythmic part, the Dance comes alive with energy.Its rhythm reflects the joyful and festive spirit of local traditions.We can imagine a lively dance, perhaps inspired by festivals and celebrations which take place in Rocamadour, where the music resonatesthrough the cobbled streets and old city walls.Cette composition en deux parties distinctes, d'inspirations classique et baroque,évoque un séjour dans la belle région quercynoise, en particulier à Rocamadour.Dans le premier mouvement, Confidence, celui-ci évoque les récits, les histoiresles contes d'antan partagés dans un cadre paisible et serein, comme celui des paysagescalmes et des vues pittoresques autour de Rocamadour. La mélodie semble murmurer des secretsoffrant une atmosphère à la fois nostalgique et contemplative.Ensuite, dans la partie plus rythmée, la Danse s'anime avec énergie.Son rythme reflète l'esprit joyeux et festif des traditions locales.On peut imaginer une danse vivante, peut-être inspirée des fêtes etdes célébrations qui ont lieu à Rocamadour, où la musique résonne àtravers les rues pavées et les vieux murs de la ville.
$3.95
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
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Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
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