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ACCORDEON
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AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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difficulté (tous)
débutant
facile
intermédiaire
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expert
avec audio
avec vidéo
avec play-along
Non classifié
1361
PIANO & CLAVIERS
Piano seul
672
Piano, Voix
311
Piano, Voix et Guitare
263
Piano Facile
246
Instruments en Do
130
Accompagnement Piano
26
1 Piano, 4 mains
21
Piano (partie séparée)
17
Orgue
14
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
2
Clavier
1
Ligne De Mélodie, Piano
1
2 Pianos, 8 mains
1
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
86
Ligne De Mélodie, (Paroles) et Accords
74
Guitare
63
Dulcimer
44
Guitare (partie séparée)
38
Basse electrique
19
Ukulele
15
Paroles et Accords
11
Basse électrique (partie séparée)
9
Piano, Guitare (duo)
7
Mandoline
4
4 Guitares (Quatuor)
3
2 Dulcimers (duo)
3
2 Guitares (duo)
3
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
342
Chorale 3 parties
144
Chorale TTBB
123
Chorale SSAA
91
Chorale 2 parties
61
Chorale Unison
19
Voix duo, Piano
5
Voix seule
5
Voix Soprano, Piano
4
Voix duo
4
Voix haute
1
Chorale
1
Voix Alto, Piano
1
Voix Tenor
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
231
Quatuor de Saxophones: 4 saxophones
167
Flûte, Hautbois, Clarinette, Basson
104
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
104
Quatuor de Clarinettes: 4 clarinettes
92
Flûte traversière
83
Saxophone Alto
83
Flûte traversière et Piano
75
Quintette de Saxophone: 5 saxophones
66
2 Saxophones (duo)
63
Saxophone Alto et Piano
58
Clarinette
56
Hautbois, Piano (duo)
55
Clarinette et Piano
44
Quintette de Clarinettes: 5 clarinettes
43
Clarinette (partie séparée)
42
Hautbois (partie séparée)
38
Quatuor de Flûtes : 4 flûtes
35
Saxophone Tenor et Piano
34
2 Clarinettes (duo)
31
Flute (partie séparée)
29
2 Flûtes traversières (duo)
22
Ensemble de saxophones
21
Ensemble de Clarinettes
21
Saxophone Tenor
21
Saxophone, Clarinette (duo)
20
Clarinette, Violon (duo)
18
Saxophone Soprano
17
Clarinette, Trompette (duo)
16
3 Saxophones (trio)
14
2 Hautbois (duo)
13
Hautbois, Basson (duo)
13
3 Clarinettes (trio)
13
Ensemble de Flûtes
13
Saxophone Baryton, Piano
13
Saxophone Soprano et Piano
12
Hautbois, Clarinette (duo)
11
Flûte, Violon
10
Clarinette et Alto
10
Quintette de Flûte : 5 flûtes
10
Hautbois, Flûte
9
Flûte et Guitare
9
Flûte, Alto (duo)
8
Flûte, Clarinette (duo)
8
Clarinette Basse, Piano
8
Flûte, Trompette (duo)
8
Flûte à bec Soprano
7
Flûte, Clarinette et Basson
5
Cor Anglais
5
Flûte, Saxophone (duo)
4
Flûte à bec Alto
3
Quatuor de Flûtes à bec
3
Hautbois, violon (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Hautbois
3
Cor anglais, Piano
2
Flûte à Bec
2
Flûte, Violon et Violoncelle
2
2 Flûte à bec (duo)
2
Harmonica
2
Flûte, Hautbois (duo)
2
Flûte, Violoncelle
2
Saxophone
2
Hautbois, Guitare (duo)
2
Trio de Flûtes: 3 flûtes
2
Ensemble De Flûte à bec
2
Flûte, Basson et Piano
1
Clarinette, Contrebasse (duo)
1
Hautbois, Violoncelle
1
Saxophone Baryton
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
2 Saxophones, Piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Saxophone et Orgue
1
Flûte de Pan
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
139
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Trombone (partie séparée)
117
Trompette (partie séparée)
117
Trompette
84
Trombone
49
Cor (partie séparée)
46
Cor et Piano
45
Trompette, Piano
44
Trombone et Piano
43
Tuba (partie séparée)
33
Cor
30
Quatuor de Cuivres
23
Tuba et Piano
19
Trompette, Saxophone (duo)
18
Tuba
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de cuivres: 4 trombones
14
2 Trompettes (duo)
13
2 Trombones (duo)
12
Euphonium, Piano (duo)
11
2 Euphoniums et 2 Tubas
8
Trompette, Trombone (duo)
6
Cor Anglais
5
Trio de Cuivres
4
Quatuor de cuivres: 4 cors
4
2 Cors (duo)
3
3 Trompettes (trio)
3
Ensemble de Trombones
3
2 Euphoniums (duo)
2
Cor anglais, Piano
2
2 Tubas (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Trombone basse
1
Ensemble de Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
441
Violon
112
Violon et Piano
91
Violon, Violoncelle (duo)
79
Violoncelle, Piano
74
Violoncelle (partie séparée)
64
Alto, Piano
61
Trio à Cordes: violon, alto, violoncelle
47
Trio à Cordes: 2 violons, violoncelle
42
Contrebasse (partie séparée)
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
35
Violon (partie séparée)
29
Alto seul
27
Violoncelle
25
2 Violoncelles (duo)
22
Alto (partie séparée)
20
Harpe
19
Contrebasse, Piano (duo)
18
Violon, Alto (duo)
16
2 Violons (duo)
15
Contre Basse
13
2 Altos (duo)
12
4 Violoncelles
7
Harpe, Flûte (duo)
6
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, alto
3
Piano Trio: Violon, Alto, Piano
2
2 Harpes (duo)
2
Violon, Basson (duo)
2
Violoncelle , Guitare (duo)
2
Trio à cordes
1
Harpe et mandoline
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
504
Ensemble Jazz
164
Orchestre
146
Fanfare
109
Ensemble de cuivres
92
Orchestre à Cordes
91
Batterie (partie séparée)
57
Percussion (partie séparée)
36
Jazz combo
36
Cloches
32
Batterie
24
Ensemble de Percussions
15
Orchestre de chambre
14
Marimba
5
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
1
Vibraphone
1
Xylophone
1
Piano et Orchestre
1
Marimba, Piano (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Hit It
Guitare
Partitions à imprimer
63 partitions trouvées
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51
🎼 Tre Preludi per Chitarra [GUITAR SCORE] (Collection)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1120247 By Andrea Balzani. By Andr…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1120247 By Andrea Balzani. By Andrea Balzani. Arranged by Fabrizio Proietti. 20th Century,Classical,Contemporary. Individual part. 5 pages. Andrea Balzani #721569. Published by Andrea Balzani (A0.1120247). 🔸  Tre Preludi per chitarraThree Preludes for GuitarsLANGUAGE: ITAâž¡ï¸â€ŠLinktree: https://linktr.ee/AndreaBalzaniâ–¶ WEBSITE: https://www.andrea-balzani.it ▶ FACEBOOK: https://www.facebook.com/AndreaxBalzani/ ▶ YOUTUBE: https://www.youtube.com/user/KeymasterAndrea ✉ï¸â€Šâ€ŠContact: andreabalzani.workinprogress@gmail.com
$3.99
3.69 €
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Guitare
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Andrea Balzani
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Fabrizio Proietti
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🎼 Tre Preludi per Chitarra [GUITAR SCORE]
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Andrea Balzani
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SheetMusicPlus
"It Came Upon a Midnight Clear" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1413852 By Keith Gehle. By Traditi…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1413852 By Keith Gehle. By Traditional Carol. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Individual part. 2 pages. Keith Gehle #995638. Published by Keith Gehle (A0.1413852). â??It Came Upon a Midnight Clearâ? was arranged and recorded as part of Keithâ??s 2006 recording entitled Songs of December. The arrangement includes detailed fingerings in standard notation. There's also a version with TAB on this site. This gorgeous tune is a hit with fans of the guitar at Christmas holiday gatherings and church services.
$2.99
2.76 €
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Guitare
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Keith Gehle
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Keith W
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"It Came Upon a Midnight Clear" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
"It Came Upon The Midnight Clear"-Piano Background for Guitar and Piano
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.633079 Composed by Richard Storrs …
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Solo Guitar - Level 3 - Digital Download SKU: A0.633079 Composed by Richard Storrs Willis. Arranged by Fishel Pustilnik. Christmas,Film/TV,Jazz,Pop. Individual part. 6 pages. F & N Enterprise #3365319. Published by F & N Enterprise (A0.633079). Piano Background for famous Christmas Song It Came Upon The Midnight Clear- Guitar & Piano (Jazz/Pop Version). Plus Version at SMP: SO 263893 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard
$1.99
1.84 €
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Guitare
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Richard Storrs Willis
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Fishel Pustilnik
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Piano (Jazz/Pop Version)
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"It Came Upon The Midnight Clear"-Piano Background for Guitar and Piano
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F & N Enterprise
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SheetMusicPlus
Ecco la chitarra
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1041315 By Jozsef Ludvig. By Jozse…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1041315 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646055. Published by Koncert 1234 Kft (A0.1041315). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00
9.25 €
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Guitare
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Jozsef Ludvig
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Ecco la chitarra
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Koncert 1234 Kft
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SheetMusicPlus
White Christmas
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1341281 By Bing Crosby. By Irving …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1341281 By Bing Crosby. By Irving Berlin. Arranged by Bettina Schipp. 20th Century,Christian,Christmas,Religious,Traditional. Individual part. 3 pages. Songbooks.info #926856. Published by songbooks.info (A0.1341281). White Christmas was written in 1940 by US composer Irving Berlin (1888-1989). In 1942 the song was recorded for the film Holiday Inn. Bing Crosby's version, published in 1947, has sold an estimated 50 million copies, making it the best-selling single worldwide.The song was arranged for the Guitar and notated in classical musical notation and tablature.The sound of a piano was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!White Christmas wurde 1940 vom US-Komponisten Irving Berlin (1888-1989) geschrieben. 1942 wurde das Lied für den Film Holiday Inn aufgenommen. Die 1947 veröffentlichte Version von Bing Crosby verkaufte sich bisher geschätzte 50 Millionen mal, und ist somit die bisher meistverkaufte Single Weltweit.Das Lied wurde für die Gitarre arrangiert und in klassischer Notenschrift und Tabulatur notiert.In der Vertonung wurde der Sound eines Pianos verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Guitare
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Bing Crosby
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Bettina Schipp
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White Christmas
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songbooks.info
#
SheetMusicPlus
Black And White Rag - guitar duet
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.943128 Composed by George Botsford…
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Solo Guitar - Level 4 - Digital Download SKU: A0.943128 Composed by George Botsford. Arranged by Tim Rushworth. Jazz. Individual part. 7 pages. Tim Rushworth #6116335. Published by Tim Rushworth (A0.943128). This was the theme tune for the BBC TV snooker programme in the 1970's called Pot Black. Originally for piano, I have arranged it here for two guitars. Roughly grades 7 and 5 for parts 1 and 2 respectively. It's a fun piece and should be fun to play with a friend.
$3.99
3.69 €
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Guitare
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George Botsford
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Tim Rushworth
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Black And White Rag - guitar duet
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Tim Rushworth
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SheetMusicPlus
White Christmas
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1301780 By Bing Crosby. By Irving …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1301780 By Bing Crosby. By Irving Berlin. Arranged by Bill Swick. 20th Century,Broadway,Christmas,Film/TV,Holiday,Musical/Show. Individual part. 5 pages. Bill Swick #891372. Published by Bill Swick (A0.1301780). This arrangement of White Christmas is written for solo guitar and may be performed on an electric guitar, steel string acoustic, or nylon string guitar. Â It is written in both standard notation with chord symbols as well as tablature.
$4.99
4.61 €
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Guitare
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Bing Crosby
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Bill Swick
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White Christmas
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Bill Swick
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SheetMusicPlus
White Horse
Guitare
Solo Guitar - Digital Download SKU: A0.504644 By Taylor Swift and Taylor Swift (tay…
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Solo Guitar - Digital Download SKU: A0.504644 By Taylor Swift and Taylor Swift (taylor's Version). By Liz Rose and Taylor Swift. Arranged by Enrique Rojas. Pop. Individual part. 5 pages. Published by Enrique Rojas Music (A0.504644). This is a solo guitar fingerstyle arrangement for acoustic guitar. This easy arrangement is ideal for guitarists that would like to include popular music into their repertoire. It uses standard tuning and capo on the 2nd fret to maximize open strings to harmonize with the melody.
$4.99
4.61 €
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Guitare
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Taylor Swift and Taylor Swift
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Enrique Rojas
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White Horse
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Enrique Rojas Music
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SheetMusicPlus
White Christmas
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.810590 By Dave Koz & Kelly Sweet. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.810590 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Bill Swick. Jazz. Individual part. 3 pages. Bill Swick #2836711. Published by Bill Swick (A0.810590). This chord solo has the melody and chords symbols so it is easy to read, yet has the sound of a more advanced player. This would be considered Intermediate Level for a solo guitarist.
$4.99
4.61 €
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Guitare
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Dave Koz & Kelly Sweet
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Bill Swick
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White Christmas
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Bill Swick
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SheetMusicPlus
Hit And Take It
Guitare
Digital Download SKU: HX.361797 By Robert Johnson II. Classical. Solo Guitar. 2 pag…
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Digital Download SKU: HX.361797 By Robert Johnson II. Classical. Solo Guitar. 2 pages. Published by Hal Leonard Europe (HX.361797).
$4.99
4.61 €
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Guitare
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Robert Johnson II
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Hit And Take It
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Hal Leonard Europe
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SheetMusicPlus
Hudson Whittaker: It Hurts Me Too for guitar
Guitare
Instantly downloadable sheet music by Hudson Whittaker for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Hudson Whittaker for guitar of MEDIUM skill level.
$2.99
2.76 €
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Guitare
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Hudson Whittaker
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Virtualsheetmusic
I Could Have Lied
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppe…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Correia. Rock. Individual part. 5 pages. Cleber Domingues #893390. Published by Cleber Domingues (A0.1303867). I Could Have Lied was one of the Red Hot Chilli Peppers' biggest hits. It appeared on the same album (Blood Sugar) as other important songs from the band's history, such as Give It Away, Under The Bridge and Breaking in the Girk.In the beginning, the intro lick performed by the guitar, and the guitar solo were what inspired me for the arrangement, but I also found the bass line, another attraction to do the work.A pleasure to have reproduced this musical gem.Contacts:Tel - 55 11 9 5348 3015Instagram - euclebercorreia.
$10.00
9.25 €
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Guitare
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The Red Hot Chili Peppers
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Cleber Correia
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I Could Have Lied
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Cleber Domingues
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SheetMusicPlus
Trillo-Tremolo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899142 Composed by Benvenuto Terzi…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899142 Composed by Benvenuto Terzi. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #4634351. Published by Maggie Creek Music (A0.899142). for solo classical guitar 2 ppBenvenuto Terzi Benvenuto Terzi was born in Bergamo, Italy in 1892. A virtuoso guitarist and composer of numerous distinguished guitar pieces, his career flourished in the period between the two world wars, when he gave concerts in all major cities of Italy. In 1934 he co-founded the magazine 'La Chitarra'. In 1963 the publishing house Ricordi issued Terzi's book, 'The Self-taught Guitarist, A Comprehensive Approach to Classical Guitar'. The publication had numerous reprints. Terzi died in Bergamo in 1980, at the age of 88 years. I have changed the beautiful Trillo – Tremolo to a tremolo piece which suggests the trills, in order to make it more widely playable. It keeps all the subtle harmonic inferences of the original without the frustration of needing rarefied ability to play.
$5.00
4.62 €
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Guitare
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Benvenuto Terzi
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Rod Whittle
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Trillo-Tremolo
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Maggie Creek Music
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SheetMusicPlus
Trois Beaux Oiseaux du Paradis
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3868243. Published by Maggie Creek Music (A0.899132). For solo classical guitar; 2 pp; intermediate difficulty.Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Ravel wrote both music and lyrics for a number of songs including Trois Beaux Oiseaux du Paradis (Three Lovely Birds from Paradise - see below), composed in 1916 while he was posted in the French army during WW1, this at significant physical and mental cost (ref. Wikipedia). Thus the tragic lyrics arise from experience, and the music (Ravel was 40) is typically expressive and uncomplicated with the usual harmonic surprises.Three Lovely Birds from Paradise (English translation)Three lovely birds from Paradise(My beloved has to the fighting gone)Three lovely birds from ParadiseHave flown along this way.The first was bluer than Heaven's blue,(My beloved has to the fighting gone)The second white as the fallen snow,The third was wrapped in bright red glow.'Ye lovely birds from Paradise(My beloved has to the fighting gone)Ye lovely birds from ParadiseWhat bring ye then this way?''I bring to thee a glance of azure(Thy beloved has to the fighting gone)And I on fairest snow white browA fond kiss must leave, yet purer still.''Thou bright red bird from Paradise(My beloved has to the fighting gone)Thou bright red bird from Paradise,What brings thou to me?''A faithful heart all crimson red,(Thy beloved has to the fighting gone)''Ah! I feel my heart glowing cold…Take it also with thee.' Maurice Ravel (1914)
$4.00
3.7 €
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Guitare
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Maurice Ravel
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Rod Whittle
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2 pp
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Trois Beaux Oiseaux du Paradis
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Maggie Creek Music
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SheetMusicPlus
Every Breath You Take
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
4.61 €
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Guitare
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
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Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.62 €
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Guitare
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Nocturne
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.47 €
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Guitare
#
Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
When I Survey the Wondrous Cross
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1405348 Composed by Gideon Whitehe…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1405348 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988401. Published by Shaw Music (A0.1405348). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
3.65 €
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Guitare
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Gideon Whitehead
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Gideon Whitehead
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When I Survey the Wondrous Cross
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Shaw Music
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SheetMusicPlus
Nothing but the Blood
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1405392 Composed by Gideon Whitehe…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1405392 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988445. Published by Shaw Music (A0.1405392). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
3.65 €
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Guitare
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Gideon Whitehead
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Gideon Whitehead
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Nothing but the Blood
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Shaw Music
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SheetMusicPlus
Holy, Holy, Holy, Lord God Almighty!
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1405347 Composed by Gideon Whitehe…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1405347 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988400. Published by Shaw Music (A0.1405347). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
3.65 €
#
Guitare
#
Gideon Whitehead
#
Gideon Whitehead
#
Holy, Holy, Holy, Lord God Almighty!
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Shaw Music
#
SheetMusicPlus
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