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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hope In The Air
Sheetmusicplus
Non classifié
212
Piano & claviers
Piano seul
115
Piano, Voix
45
Instruments en Do
11
Piano Facile
11
Piano, Voix et Guitare
10
Orgue
7
Orgue, Piano (duo)
5
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
+ 6 instrumentations
Retracter
Guitares
Guitare
8
2 Guitares (duo)
6
Guitare notes et tablatures
5
Mandoline
5
Banjo
2
Basse electrique
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
83
Chorale 3 parties
15
Chorale Unison
11
Chorale 2 parties
11
Chorale SSAA
3
Chorale TTBB
3
Voix Soprano, Piano
2
Voix duo, Piano
1
Chorale
1
Voix moyenne, Piano
1
Voix duo
1
Voix Alto, Piano
1
Voix Tenor
1
Voix Baryton, Piano
1
+ 9 instrumentations
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Vents
Flûte traversière et Piano
12
Ocarina
8
Flûte à bec Soprano
7
Harmonica
7
Flûte à bec Alto
7
Clarinette
7
Flûte traversière
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Hautbois, Piano (duo)
5
Saxophone Alto
4
Clarinette et Piano
4
Saxophone Alto et Piano
3
Saxophone Tenor
3
2 Flûtes traversières (duo)
2
Flûte et Guitare
2
Flûte, Hautbois, Clarinette, Basson
2
2 Clarinettes (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Ensemble de Flûtes
2
Saxophone Soprano et Piano
2
Flûte, Clarinette, Piano (trio)
2
Hautbois (partie séparée)
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Saxophone (partie séparée)
1
Flûte à bec Alto, Piano
1
Saxophone Tenor et Piano
1
3 Saxophones (trio)
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Violoncelle
1
+ 27 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
4
Trombone
2
Trombone et Piano
2
Cor et Piano
2
2 Cors (duo)
2
Cor
2
2 Trompettes (duo)
2
Trompette, Piano
2
Tuba et Piano
1
2 Euphoniums et 2 Tubas
1
Euphonium, Piano (duo)
1
Trompette, Basson (duo)
1
+ 8 instrumentations
Retracter
Cordes
Violon et Piano
13
Violon
12
Quatuor à cordes: 2 violons, alto, violoncelle
8
Alto seul
3
Violoncelle, Piano
3
2 Violons (duo)
2
Violoncelle
2
Harpe, Voix
2
Harpe
2
Violon, Violoncelle (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Piano
1
Contre Basse
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Violon, Alto (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
20
Cloches
17
Orchestre
17
Orchestre d'harmonie
14
Ensemble Jazz
13
Jazz combo
3
Ensemble de Percussions
2
Fanfare
2
Ensemble de cuivres
1
+ 4 instrumentations
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COR ANGLAIS
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DOBRO - GUI…
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Vous avez sélectionné:
Hope In The Air
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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1
Walking In The Air
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Guitare
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FACILE
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Howard Blake
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Derek Hasted
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Walking In The Air
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Derek Hasted
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.797705 Composed by Howard Blake. Arranged by Derek Hasted. 20th Century,Film/TV. 17 pages. Derek Hasted #3676693. Published b...
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Guitar - Level 2 - SKU: A0.797705 Composed by Howard Blake. Arranged by Derek Hasted. 20th Century,Film/TV. 17 pages. Derek Hasted #3676693. Published by Derek Hasted (A0.797705). WALKING IN THE AIR (The Snowman) - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece from the film The Snowman is a family favorite for all ages! This is a very straightforward and accessible arrangement that would suit a mixed-ability ensemble with limited experience. It makes it ideal for a school concert but also as a well-known piece in a Christmas charity concert.All the arpeggios are based on well-known guitar shapes and the piece locks tightly together, whether played on four guitars or in a large ensemble.It's written without repeats or page turns so it's robust in performance. It's been a firm favorite in concerts that I've put on!I hope you enjoy playing this piece!
$4.99
Le chemin de croix / Labyrinthe
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinth
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Di...
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Guitar - SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Timeless Solos for Guitar
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Guitare
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INTERMÉDIAIRE
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Contemporain
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate-Advanced - SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William...
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Guitar (fingerpicking) - Intermediate-Advanced - SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
Butterfly
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Guitare
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INTERMÉDIAIRE
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Tulio Cremisini
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Butterfly
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Tulio Cremisini
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.987599 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 3 pages. Tulio Cremisini (TC Note by Note/A...
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Solo Guitar - Level 3 - SKU: A0.987599 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 3 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6525. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987599). I literally created this piece while watching a quirky and beautiful butterfly happily dancing in the air right outside my window. Her colors and playfulness actually inspired me to write this music. Hope you learn it and play it in the spirit it was created.
$8.99
"Seven Guitar Solos from Space and Time"
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Guitare
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INTERMÉDIAIRE
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New Age
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Keith Gehle
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"Seven Guitar Solos from
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith ...
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Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
Summer Sunset
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Steve Martin, Rainy Night Musi
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Summer Sunset
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Steve Martin, Rainy Night Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.973001 Composed by Steve Martin, Rainy Night Music. 20th Century,Contemporary,Standards. Individual part. 2 pages. Steve...
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Solo Guitar - Level 4 - SKU: A0.973001 Composed by Steve Martin, Rainy Night Music. 20th Century,Contemporary,Standards. Individual part. 2 pages. Steve Martin, Rainy Night Music #6436875. Published by Steve Martin, Rainy Night Music (A0.973001). This piece is evocative of those really chilled summer nights when the sun is going down, and you're reflecting on the day. It's composed specifically for classical guitar with a standard EADGBE tuning. The piece is approximately Grade 5 to 6 in standard (ABRSM), with plenty of barré and half-barré passages providing the technical challenge. As a gentle piece, it would work particularly well paired with Holly's Lullaby, another of my classical guitar compositions. Thank you for your interest in my music, and I hope you enjoy playing it - especially on those balmy summer evenings! .
$3.99
Imagine
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Guitare
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INTERMÉDIAIRE
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John Lennon And The Plastic On
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Andy Howes
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Imagine
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Andrew Howes
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1421535 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Andy Howes. 20th Century,Contemporary,Pop. ...
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Solo Guitar - Level 3 - SKU: A0.1421535 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Andy Howes. 20th Century,Contemporary,Pop. Individual part. 5 pages. Andrew Howes #1002941. Published by Andrew Howes (A0.1421535). An arrangement of John Lennon's lovely melody for the Classical Guitar. It is a good addition to the repertoire for anyone busking or playing in cafés.I've kept it fairly simple for that purpose. I hope you enjoy playing it ! This version has both notation and tab, a notation-only version is also published.
$5.00
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