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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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CHORALE - CHAN…
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416
PIANO & CLAVIERS
Piano seul
240
Piano, Voix
137
Piano, Voix et Guitare
99
Piano Facile
49
Accordéon
10
Orgue
10
Instruments en Do
8
1 Piano, 4 mains
4
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
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Piano grosses notes
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2 Pianos, 4 mains
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GUITARES
Guitare
31
Guitare notes et tablatures
31
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
8
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6
Banjo
6
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5
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3
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3
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2
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2
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1
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1
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1
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VOIX
Chorale SATB
75
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29
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17
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16
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14
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6
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4
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2
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1
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1
Voix basse, Piano
1
Chorale
1
Voix Soprano, Piano
1
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VENTS
Ensemble de saxophones
26
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25
2 Flûtes traversières (duo)
21
Clarinette
16
Hautbois, Piano (duo)
16
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone Alto et Piano
13
Quintette de Saxophone: 5 saxophones
11
Ensemble de Clarinettes
10
Hautbois (partie séparée)
9
Clarinette et Piano
9
2 Saxophones (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Tenor et Piano
8
Saxophone (partie séparée)
7
2 Clarinettes (duo)
7
3 Clarinettes (trio)
7
Flûte traversière
5
Ensemble de Flûtes
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes : 4 flûtes
4
Saxophone, Clarinette (duo)
3
Saxophone
3
Flûte à bec Soprano
3
Flûte, Hautbois, Clarinette (trio)
3
3 Saxophones (trio)
3
Hautbois
2
Clarinette, Violon (duo)
2
Flûte à bec Alto
2
Flûte à bec Alto, Piano
2
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2
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2
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2
Hautbois, Basson (duo)
2
Flûte, Alto (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Clarinette et Alto
1
Hautbois, Flûte
1
Flûte à Bec
1
Flûte, Trompette (duo)
1
Saxophone et Orgue
1
Saxophone Alto
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Piccolo, Piano
1
Cor anglais, Piano
1
Saxophone Soprano et Piano
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte irlandaise
1
2 Flûtes à bec, Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Quatuor de Cuivres
15
Trombone et Piano
10
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone (partie séparée)
6
Trompette, Piano
6
Cor et Piano
5
Ensemble de Trombones
5
2 Cors (duo)
4
Ensemble de Trompettes
4
Tuba et Piano
4
2 Trombones (duo)
4
Ensemble de Cors
3
Trombone
3
Cor
3
Trompette (partie séparée)
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
2
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
1
3 Cors (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
Bass Clef Instruments
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
78
Violon, Violoncelle (duo)
33
Violon
25
Violon et Piano
23
Trio à Cordes: 2 violons, violoncelle
19
Harpe
15
Violoncelle, Piano
14
2 Violons (duo)
13
Alto, Piano
11
Violoncelle (partie séparée)
9
2 Violoncelles (duo)
8
2 Altos (duo)
7
Violoncelle
6
Trio à Cordes: violon, alto, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 violins
4
Violon, Alto (duo)
4
2 Contrebasses (duo)
3
Alto seul
3
Contre Basse
3
4 Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
Contrebasse, Piano (duo)
1
Violoncelle, Orchestre
1
Ensemble d'Altos
1
Violon (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
36
Orchestre à Cordes
31
Orchestre
29
Ensemble Jazz
28
Ensemble de cuivres
19
Batterie
11
Orchestre de chambre
9
Jazz combo
5
Cloches
4
Fanfare
3
Batterie (partie séparée)
1
Piano et Orchestre
1
Vibraphone
1
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AUTRES
Théorie de la musique
1
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How Much
Guitare
Partitions à imprimer
31 partitions trouvées
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26
Bésame Mucho
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.951409 Composed by Consuelo Velazq…
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Solo Guitar - Level 5 - Digital Download SKU: A0.951409 Composed by Consuelo Velazquez. Arranged by Andrew Howes. Contemporary. Individual part. 3 pages. Andrew Howes #6129815. Published by Andrew Howes (A0.951409). An intensely expressive and technically demanding version of this dark and powerful melody for advanced-level classical guitar soloists.
$5.00
4.59 €
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Guitare
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Consuelo Velazquez
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Andrew Howes
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Bésame Mucho
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Andrew Howes
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SheetMusicPlus
Don't Get Around Much Anymore
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271539 Composed by Bob Russell an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. John Fries #863938. Published by John Fries (A0.1271539). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.
$4.99
4.58 €
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Guitare
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Bob Russell and Duke Ellington
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John Fries
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Don't Get Around Much Anymore
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John Fries
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SheetMusicPlus
Don't Get Around Much Anymore
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1298326 Composed by Bob Russell an…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1298326 Composed by Bob Russell and Duke Ellington. Arranged by Bill Swick. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. Individual part. 3 pages. Bill Swick #888310. Published by Bill Swick (A0.1298326). This arrangement of Don’t Get Around Much Anymore is written for solo guitar and may be performed on an electric guitar, steel string acoustic, or nylon string guitar.  It is written in both standard notation with chord symbols as well as tablature.
$4.99
4.58 €
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Guitare
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Bob Russell and Duke Ellington
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Bill Swick
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Don't Get Around Much Anymore
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Bill Swick
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SheetMusicPlus
Much Needed Advice
Guitare
Composed by Adrian Molina, Michael Giacchino, and Germaine Franco. Arranged by Dan J…
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Composed by Adrian Molina, Michael Giacchino, and Germaine Franco. Arranged by Dan Jones. Broadway, Film/TV, Folk, Latin, Multicultural, Musical/Show, World. Guitar Tab. 5 pages. Dan Jones #299228. Published by Dan Jones
$5.00
4.59 €
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Guitare
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Adrian Molina, Michael Giacchino, and Germaine Franco
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Dan Jones
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Much Needed Advice
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Dan Jones
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SheetMusicPlus
Joy To The World for guitar quartet
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1120784 By Simon James. By G. F. Handel…
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Guitar - Level 2 - Digital Download SKU: A0.1120784 By Simon James. By G. F. Handel. Arranged by Simon James. Baroque,Chamber,Christian,Christmas,Contemporary. Full Performance. Duration 91. DML #721999. Published by DML (A0.1120784). A popular Christmas carol, the tune usually used today is from an 1848 edition by Lowell Mason for The National Psalmist (Boston, 1848). There has long been speculation over how much a part Handel's Messiah had in Joy to the World. However, resemblances between Messiah and Joy to the World, have been dismissed as 'chance ' by Handel scholars today. It seems likely that the tune as we know it was probably from an 1833 publication by Thomas Hawkes with the title “Comfortâ€, Author Unknown. I have combined Handelian elements with the tune that most people know to create an arrangement that works well for guitar quartet retaining the bounce and vigour of the carol. Score available.
$1.99
1.83 €
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Guitare
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Simon James
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Simon James
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Joy To The World for guitar quartet
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DML
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Bob Russell: Don't Get Around Much Anymore for guitar solo
Guitare
Instantly printable sheet music by Duke Ellington for guitar solo of MEDIUM skill level. /…
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Instantly printable sheet music by Duke Ellington for guitar solo of MEDIUM skill level. / jazz,latin,musical/show,standards,broadway
$5.97
5.48 €
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Guitare
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Bob Russell
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Virtualsheetmusic
Bob Russell: Don't Get Around Much Anymore for guitar solo
Guitare
Instantly printable sheet music by Duke Ellington for guitar solo of MEDIUM skill level. /…
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Instantly printable sheet music by Duke Ellington for guitar solo of MEDIUM skill level. / jazz,latin,musical/show,standards,broadway
$6.97
6.39 €
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Guitare
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Bob Russell
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Virtualsheetmusic
Trois Beaux Oiseaux du Paradis
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3868243. Published by Maggie Creek Music (A0.899132). For solo classical guitar; 2 pp; intermediate difficulty.Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Ravel wrote both music and lyrics for a number of songs including Trois Beaux Oiseaux du Paradis (Three Lovely Birds from Paradise - see below), composed in 1916 while he was posted in the French army during WW1, this at significant physical and mental cost (ref. Wikipedia). Thus the tragic lyrics arise from experience, and the music (Ravel was 40) is typically expressive and uncomplicated with the usual harmonic surprises.Three Lovely Birds from Paradise (English translation)Three lovely birds from Paradise(My beloved has to the fighting gone)Three lovely birds from ParadiseHave flown along this way.The first was bluer than Heaven's blue,(My beloved has to the fighting gone)The second white as the fallen snow,The third was wrapped in bright red glow.'Ye lovely birds from Paradise(My beloved has to the fighting gone)Ye lovely birds from ParadiseWhat bring ye then this way?''I bring to thee a glance of azure(Thy beloved has to the fighting gone)And I on fairest snow white browA fond kiss must leave, yet purer still.''Thou bright red bird from Paradise(My beloved has to the fighting gone)Thou bright red bird from Paradise,What brings thou to me?''A faithful heart all crimson red,(Thy beloved has to the fighting gone)''Ah! I feel my heart glowing cold…Take it also with thee.' Maurice Ravel (1914)
$4.00
3.67 €
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Guitare
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Maurice Ravel
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Rod Whittle
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2 pp
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Trois Beaux Oiseaux du Paradis
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Maggie Creek Music
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SheetMusicPlus
Menuet antique
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899153 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899153 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #6019493. Published by Maggie Creek Music (A0.899153). Menuet antique for solo classical guitar 4 ppMaurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. The charming Menuet antique was written for piano in 1895 and orchestrated by Ravel in 1929. This guitar arrangement is of moderate difficulty but I think well worth learning. The music is very expressive, and I have varied tempo and dynamics to enhance that, starting in slow triple time. To my ear the the second part concludes the piece well, so the arrangement does not return to the first ('minuet') part.
$5.00
4.59 €
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Guitare
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Maurice Ravel
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Rod Whittle
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Menuet antique
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Maggie Creek Music
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SheetMusicPlus
Piece en Forme de Habenera
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899152 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899152 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #5957569. Published by Maggie Creek Music (A0.899152). Arranged for solo classical guitar 4 pp intermediate difficulty Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Piece en Forme de Habenera is from the 'Rapsodie espagnole', written for orchestra in 1907. Habenera is a Cuban dance that came to Spain in the mid-19th century and named after Havana (Habana).
$5.00
4.59 €
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Guitare
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Maurice Ravel
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Rod Whittle
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Piece en Forme de Habenera
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Maggie Creek Music
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SheetMusicPlus
Kaddisch
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899151 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899151 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #5957565. Published by Maggie Creek Music (A0.899151). Arranged for solo classical guitar 3 pp intermediate difficultyMaurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Kaddisch (1914) is one of two pieces based on Hebrew songs that Ravel wrote for solo voice and piano.
$5.00
4.59 €
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Guitare
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Maurice Ravel
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Rod Whittle
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Kaddisch
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Maggie Creek Music
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SheetMusicPlus
Charley's Waltz
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315833 By Sibelius 7 Software. By…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315833 By Sibelius 7 Software. By Andrew Howes. 19th Century,20th Century,Chamber,Classical,Romantic Period. Individual part. 3 pages. Andrew Howes #904608. Published by Andrew Howes (A0.1315833). A waltz I wrote for my first grand-daughter Charley on her 13th birthday. Originally for piano, I present it here for classical guitarists. It is very much in the style of Chopin and makes an excellent salon piece.
$4.00
3.67 €
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Guitare
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Sibelius 7 Software
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Charley's Waltz
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Andrew Howes
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SheetMusicPlus
Sweet Caroline
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamon…
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Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 55 pages. DanJonesGuitarist #811570. Published by DanJonesGuitarist (A0.1214983). Sweet Caroline - by Neil DiamondArranged for Guitar Quartet (with Optional Bass Guitar) by Dan Joneswww.danjonesguitarist.comThis arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.Sweet Caroline was released as a single by Neil Diamond in 1969. It enjoyed immediate chart success in the US, and further success in the UK in 1971. In recent years, it has had a resurgence in popularity, as it has been sung by supporters at sporting events due to its epic, stadium-rock quality. It is therefore much-known and loved by audiences of all generations.This arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.For a wealth of arrangements for guitar in ensemble or solo, writings, original works, teaching material, compositions and much more, please visit www.danjonesguitarist.com
$7.95
7.29 €
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Guitare
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Neil Diamond
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Dan Jones www
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Sweet Caroline
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DanJonesGuitarist
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SheetMusicPlus
FAQ: Types and Uses of the Capo
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.21002EB Composed by Tom Rasely.…
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Guitar (all) - Beginning - Digital Download SKU: M0.21002EB Composed by Tom Rasely. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #21002EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21002EB). ISBN 9781609742089. 8.75x11.75 inches.The capo is a tool of the trade. This will guide you through an understanding of how it works, and how to select the one that is right for you and your guitar. It is a theoretically correct method that relies mainly on an understanding of the fingerboard of the guitar; and which can be employed with any notational system. Lots of photos, examples, charts, and exercises are included. The author has created a systematic method that aids your understanding of note relationships, offers a practical application of Circle of Fifths, and works it all from the orientation of the guitar itself, so you also gain valuable knowledge about note relationships and chord shapes all over the fretboard.Since not all capos are created equal, a complete gallery of capos is presented to make your selection process that much easier.,• Guides you through an understanding of how the capo works., ;• Teaches how to select the one that is right for you and your guitar. • Lots of photos, examples, charts, and exercises are included.   • A theoretically correct method of capo use that relies mainly on an understanding of the fingerboard of the guitar; from note relationships to the Circle of Fifths to valuable knowledge about chord shapes all over the fretboard.
$3.99
3.66 €
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Guitare
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Tom Rasely
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FAQ: Types and Uses of the Capo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Prelude No. 1 "Expectations"
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1167192 Composed by Brian Streckfu…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1167192 Composed by Brian Streckfus. Classical,Contemporary,Romantic Period. Individual part. 4 pages. Brian Streckfus #767569. Published by Brian Streckfus (A0.1167192). Romantic classical guitar piece with adventerous harmonies. I wrote this cinematic sounding piece before I really knew how to engrave well, so I am not charging much until I make it look cleaner, though I figured I would upload the draft for now. It's in a bizarre tuning with the thickest string tuned to F (or down tune everything except E down a halfstep).
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Prelude No. 1 "Expectations"
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Brian Streckfus
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SheetMusicPlus
Scoring The Blues
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1313078 Composed by Timothy Royal.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1313078 Composed by Timothy Royal. 21st Century,Blues,Classical. Individual part. 18 pages. Guitaroffice #901914. Published by guitaroffice (A0.1313078). Scoring the Blues by Timothy RoyalThe book is titled ‘Blues’ although one of the pieces may be close to the rock genre.My first Blues book was titled 5 Blues for Classical Guitar (Hampton Music Publishers). ‘Blues No.1’ from that book became popular in the Trinity College of Music Exam Syllabus (Grade Three) for a number of years and to this day is very popular on You Tube. The pieces herein are intended as a follow up to that book.Much time has been spent deliberating the tempo, dynamics and interpretation of these pieces with (note bending, staccato riffs etc). In the end much of these skills must be down to the players’ unique idea of groove.The last two bars of ‘Drum’ may initially present a challenge, however isolating them and with slow practice, you’ll win!
$8.99
8.25 €
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Guitare
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Timothy Royal
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Scoring The Blues
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guitaroffice
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SheetMusicPlus
Bittersweet Symphony
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1212661 Composed by Thomas Mark Harmer …
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Guitar - Level 3 - Digital Download SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Pop,Rock. 36 pages. DanJonesGuitarist #809981. Published by DanJonesGuitarist (A0.1212661). Bittersweet Symphony - The Verve Arranged for Intermediate Guitar Quartet by Dan Jones www.danjonesguitarist.com This arrangement is suitable for guitarists of an intermediate standard. Your download will provide you with: A full score with the parts shown in notes and TAB A score with just notes (to facilitate page turns for directors) All parts in notes and TAB Parts with just notes. Bittersweet Symphony is a single taken from the 1997 album Urban Hymns.  The song become an iconic anthem of the 1990’s making this an excellent and original concert or encore item.  The repeated motif heard in the track was taken as a sample from an orchestral arrangement of the Rolling Stones classic ‘The Last Time’ by The Andrew Oldham Orchestra. Years of legal wrangling over copyright followed the single’s huge success. In 2019, following the death of their former manager, Keith Richards and Mick Jagger returned all rights of authorship to The Verve. This arrangement gives equal melodic interest to all players. A video of the arrangement will be uploaded before the end of May 2023.  You can find a huge range of solo and chamber music for guitar in all styles at www.danjonesguitarist.com I hope you enjoy performing Bittersweet Symphony as much as I enjoyed arranging it.Â
$7.95
7.29 €
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Guitare
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Thomas Mark Harmer Nichols and Tim Baxter
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Dan Jones www
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Bittersweet Symphony
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DanJonesGuitarist
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SheetMusicPlus
Pluck for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.68 €
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Guitare
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.59 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.59 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.59 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
That's How Much (My Father Loves Me) Acoustic Guitar
Guitare
Composed by Angie Thompson. Contemporary Christian, Christmas. Individual Part. 3 pages. P…
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Composed by Angie Thompson. Contemporary Christian, Christmas. Individual Part. 3 pages. Published by Angie Thompson (S0.154775). - Individual Part - Contemporary Christian,Christmas - Angie Thompson
$1.99
1.83 €
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Guitare
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Angie Thompson
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That's How Much
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Angie Thompson
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SheetMusicPlus
Cazandra (The Fortune-Teller).
Guitare
Solo Guitar - Digital Download SKU: A0.1029634 Composed by G.S.Coleman. 20th Centur…
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Solo Guitar - Digital Download SKU: A0.1029634 Composed by G.S.Coleman. 20th Century,Contemporary,Instructional,Standards. Individual part. 3 pages. G.S.Coleman #6696949. Published by G.S.Coleman (A0.1029634). A Classical Guitar Solo by G.S.Coleman. An exciting contemporary composition which lends itself to emotional interpretation. A melodic piece with much contrast between hypnotic calm and controlled fury! Taking some influences from Arabic and Boroque styles, with fast scale runs and syncopated rhythms over a persistent tempo. A great show piece and also nice exercise piece for scale runs using 'picado' and hammer-on / pull-off techniques. (See alternative listing of this title for Tableture.).
$3.00
2.75 €
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Guitare
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G
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Cazandra
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G.S.Coleman
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SheetMusicPlus
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