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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Get It
Non classifié
951
Piano & claviers
Piano seul
506
Piano, Voix
156
Piano, Voix et Guitare
141
Piano Facile
108
Instruments en Do
48
Orgue
30
2 Pianos, 4 mains
29
1 Piano, 4 mains
26
Piano Trio: piano, violon, violoncelle
6
Accordéon
5
Orgue, Trompette (duo)
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
2
Clavecin
2
Clavier
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
72
Guitare notes et tablatures
67
Ukulele
17
Ligne De Mélodie, (Paroles) et Accords
14
2 Guitares (duo)
10
4 Guitares (Quatuor)
7
Basse electrique
7
3 Guitares (trio)
4
Guitare (partie séparée)
2
Ensemble de guitares
2
Banjo
2
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
190
Chorale 3 parties
78
Chorale 2 parties
51
Chorale TTBB
35
Chorale SSAA
30
Chorale Unison
15
Voix duo
9
Voix Soprano, Piano
7
Voix duo, Piano
5
Chorale
3
Voix Alto, Piano
3
Voix seule
2
Voix Tenor
2
Voix haute
2
Voix Baryton, Piano
2
Voix basse, Piano
1
Chorale SSATTB
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
53
Flûte, Hautbois, Clarinette, Basson
42
Hautbois, Piano (duo)
38
2 Flûtes traversières (duo)
36
Quatuor de Clarinettes: 4 clarinettes
36
Flûte traversière et Piano
35
Flûte traversière
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Clarinette
28
Quatuor de Flûtes : 4 flûtes
26
Saxophone Alto
24
Clarinette et Piano
23
Saxophone Alto et Piano
21
Saxophone Tenor et Piano
21
Quintette de Saxophone: 5 saxophones
21
Quintette de Clarinettes: 5 clarinettes
18
2 Clarinettes (duo)
16
Saxophone (partie séparée)
15
Flûte et Guitare
12
Saxophone Tenor
12
Hautbois (partie séparée)
11
3 Saxophones (trio)
11
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Saxophone Soprano et Piano
9
Ensemble de saxophones
8
2 Saxophones (duo)
8
Hautbois, Flûte
7
Flûte, Clarinette (duo)
7
Flûte à Bec
7
Clarinette, Violoncelle (duo)
6
Clarinette, Basson (duo)
6
3 Clarinettes (trio)
6
2 Flûtes traversières, Piano
5
Trio de Flûtes: 3 flûtes
5
2 Flûte à bec (duo)
5
Saxophone Baryton, Piano
4
Saxophone Soprano
4
Hautbois
4
Flûte, Violon, Piano
4
Clarinette, Guitare (duo)
4
Clarinette Basse, Piano
4
2 Hautbois (duo)
4
Flûte, Trombone (duo)
3
Flûte, Violoncelle
3
Quatuor de Flûtes à bec
3
Hautbois, Clarinette (duo)
3
Flûte, Clarinette et Basson
3
Flute (partie séparée)
2
Clarinette et Alto
2
Quintette de Flûte : 5 flûtes
2
Flûte, Alto et Piano
2
Flûte, Trompette (duo)
2
Cor Anglais
2
Flûte et Trio à cordes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violon (duo)
2
Clarinette (partie séparée)
2
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
Flûte, Violon
1
5 Flûtes à bec
1
Flûte à Bec, Piano
1
2 Saxophones, Piano
1
Piccolo
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois (duo)
1
Cor anglais, Piano
1
Hautbois, Basson (duo)
1
Flûte à bec Soprano
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trompette
33
Trombone et Piano
31
Trompette, Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor et Piano
20
Trombone
17
Tuba
16
Cor
15
2 Trompettes (duo)
14
Tuba et Piano
12
Trombone (partie séparée)
12
Trompette (partie séparée)
11
Trompette, Trombone (duo)
11
Quatuor de Cuivres
10
2 Trombones (duo)
10
Quatuor de cuivres: 4 trombones
7
Quatuor de cuivres: 4 cors
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Tubas (duo)
7
2 Cors (duo)
6
Ensemble de Trompettes
4
Euphonium, Piano (duo)
4
2 Euphoniums et 2 Tubas
4
Euphonium, Tuba (duo)
4
Euphonium
3
Cor, Tuba (duo)
3
Ensemble de Trombones
3
Trio de Cuivres
3
Trompette, violon (duo)
2
Trompette, Cor (duo)
2
Cor (partie séparée)
2
Cor Anglais
2
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Tuba (partie séparée)
1
Trompette, Euphonium (duo)
1
Ensemble de Cors
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Piano
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
352
Violon, Violoncelle (duo)
179
Violon
165
Trio à Cordes: violon, alto, violoncelle
138
Harpe
54
Violon et Piano
47
Violoncelle
44
Violoncelle, Piano
33
2 Violons (duo)
33
Alto, Piano
29
2 Harpes (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violon, Alto (duo)
24
Alto seul
21
Trio à Cordes: 2 violons, violoncelle
18
2 Violoncelles (duo)
15
2 Altos (duo)
10
Violoncelle, Contrebasse (duo)
8
Alto, Violoncelle (duo)
5
4 Violoncelles
5
Contrebasse, Piano (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto (partie séparée)
3
Contre Basse
3
Trio à cordes: 3 violins
3
Trio à Cordes: 2 violons, alto
3
Harpe, Violoncelle (duo)
3
4 Contrebasses
2
2 Contrebasses (duo)
2
Trio à cordes
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Voix
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Harpe, Violon (duo)
1
Ensemble de Violons
1
Ensemble d'Altos
1
Violon, Guitare (duo)
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
2 Violoncelles, Piano
1
Violoncelle , Guitare (duo)
1
Violon (partie séparée)
1
Violoncelle, Orgue
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
153
Orchestre à Cordes
135
Orchestre
64
Ensemble Jazz
49
Ensemble de cuivres
35
Orchestre de chambre
27
Jazz combo
21
Ensemble de Percussions
13
Cloches
11
Fanfare
10
Batterie
8
Xylophone, Piano
4
Marimba
3
Percussion (partie séparée)
2
Vibraphone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Ensemble d'École
1
Batterie (partie séparée)
1
Orchestre, Violon
1
Piano et Orchestre
1
Percussion
1
Xylophone
1
Big band
1
+ 18 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
I Get It
Guitare
Partitions à imprimer
72 partitions trouvées
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1
26
51
Don't Get Around Much Anymore
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Bob Russell and Duke Ellington
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Christopher J
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Don't Get Around Much Anymore
#
Christopher J. Malin
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Indiv...
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Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
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Guitare
#
INTERMÉDIAIRE
#
Classique
#
Aaron Larget-Caplan
#
Aaron Larget-Caplan
#
Prelude No. 1 in C Major by J.
#
Aaron Larget-Caplan
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,C...
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Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
It Came Upon a Midnight Clear
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Guitare
#
INTERMÉDIAIRE
#
Rock
#
The Candlelight Guitarist
#
Bradley Powell
#
It Came Upon a Midnight Clear
#
Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316386 By The Candlelight Guitarist. By Edmund Sears and Richard Storrs Willis. Arranged by Bradley Powell. Christian,C...
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Solo Guitar - Level 3 - SKU: A0.1316386 By The Candlelight Guitarist. By Edmund Sears and Richard Storrs Willis. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 3 pages. Geofonica Artistworks #904878. Published by Geofonica Artistworks (A0.1316386). This arrangement of It Came Upon A Midnight Clear is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. It Came Upon A Midnight Clear can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 0:20.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, playing for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell..
$2.99
Landscape I - New Edition
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Pablo Emiliano Fedele
#
Landscape I - New Edition
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
$5.99
Landscape I - Standard Guitar Edition
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Pablo Emiliano Fedele
#
Landscape I - Standard Guitar
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
Alice In Wonderland
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Guitare
#
AVANCÉ
#
Bill Evans
#
Christopher J
#
Alice In Wonderland
#
Christopher J. Malin
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/...
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Solo Guitar - Level 5 - SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99
Canto de mi corazon, meditacion, The singing of my heart, meditation
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Guitare
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AVANCÉ
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Alfred Feenstra
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Canto de mi corazon, meditacio
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.978021 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 8 pages. Alfred Feenstra #...
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Solo Guitar - Level 5 - SKU: A0.978021 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 8 pages. Alfred Feenstra #4986005. Published by Alfred Feenstra (A0.978021). Here again a very special piece for the classical guitar. Now some years later for me, it feels like a kind of monument.A very intense work, hard labour for the right hand. If it flows well you get in a type of trance and then it has an effect that a meditation piece has.I played it for Leo Brouwer some time ago, with the fear that he would not like it al all. But happily, he judged it, like also my Gabriel piece that I played for, as very positive. The video is recorded in the tower of Benavites with a lot of natural acoustics
$4.50
Oracion , Prayer
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Guitare
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Musique Sacrée
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Alfred Feenstra
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Oracion , Prayer
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - SKU: A0.978018 Composed by Alfred Feenstra. Concert,Contemporary,Wedding,World. Individual part. 3 pages. Alfred Feenstra #4985993. Publis...
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Solo Guitar - SKU: A0.978018 Composed by Alfred Feenstra. Concert,Contemporary,Wedding,World. Individual part. 3 pages. Alfred Feenstra #4985993. Published by Alfred Feenstra (A0.978018). This prayer has been written very strongly with a feeling of desire. Not clearly for what, but at least to look for contact with a higher spirit and ask for contact. It repeats a lot, as a feeling in a person repeats a lot. Question is to put a lot of feeling in the interpretation of this piece. I played it on a wedding some time ago and I was rewarded, noting after playing it , that some people were crying. What can you wish more to achieve?You can also consider it as a meditation, to get peace in your mind.
$4.00
Tanguillo de Cádiz Guitar 2
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Tanguillo de Cádiz Guitar 2
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Richard Hirsch
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World....
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Jour de pluie
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Guitare
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DÉBUTANT
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Richard Lamontagne
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Jour de pluie
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Richard Lamontagne
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1023556 Composed by Richard Lamontagne. Contemporary,Standards. Individual part. 1 pages. Richard Lamontagne #6025895. P...
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Solo Guitar - Level 1 - SKU: A0.1023556 Composed by Richard Lamontagne. Contemporary,Standards. Individual part. 1 pages. Richard Lamontagne #6025895. Published by Richard Lamontagne (A0.1023556). Classical guitar solo. Easy but help to get familiar with high positions.I composed it for one of my student in 2010.
$3.00
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
J.S. Bach: Prelude and Fugue in A-Flat Major, BWV 862 transcription for Duo Guitars
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Guitare
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AVANCÉ
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Classique
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Yuriy Kuznetsov
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Yuriy Kuznetsov
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J.S. Bach: Prelude and Fugue i
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Viacheslav Aleksandrov
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1317254 By Yuriy Kuznetsov. By Johann Sebastian Bach. Arranged by Yuriy Kuznetsov. Baroque,Chamber,Classical. Individual...
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Solo Guitar - Level 5 - SKU: A0.1317254 By Yuriy Kuznetsov. By Johann Sebastian Bach. Arranged by Yuriy Kuznetsov. Baroque,Chamber,Classical. Individual part. 5 pages. Viacheslav Aleksandrov #905914. Published by Viacheslav Aleksandrov (A0.1317254). Professional level transcription for Duo guitars of the original J.S. Bach: The Well-Tempered Clavier, Book I , Prelude and Fugue in A-Flat Major, BWV 862. Dear Guitar Players, let me to bring to your attention my next transcription: Prelude and Fugue in A-Flat Major, BWV 862 from the The Well-Tempered Clavier, Book I by J.S.Bach. The transcription was made for duo guitars, so you can expect interesting and creative work, which may result in the emergence of a new wonderful ensemble of guitarists.The level of this transcription is highly professional - in the guitar's score you will get the full fingering for both players, for the right and left hands. The attached midi represents the melody you will get, but, of course, the sound of midi is simple and it can't provide you the magic of the magnificent sound of the real two guitars. So, I hope you manage to realize it!
$20.00
Bach's Harp (from The Well Tempered Guitarist)
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Guitare
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INTERMÉDIAIRE
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Tim Rushworth
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Bach's Harp
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.943124 Composed by Tim Rushworth. Baroque,Concert,Contemporary. Individual part. 3 pages. Tim Rushworth #5208959. Publis...
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Solo Guitar - Level 3 - SKU: A0.943124 Composed by Tim Rushworth. Baroque,Concert,Contemporary. Individual part. 3 pages. Tim Rushworth #5208959. Published by Tim Rushworth (A0.943124). Have you ever been frustrated by trying to play Bach’s Prelude in C (from the well tempered clavier) on the guitar? As he wrote it for keyboard, it’s not surprising that it doesn’t quite work, I suppose. Well, after many years of wanting to play it on my guitar, I have realised that unless I learn to play the lute or get a 10 string guitar, it’s not going to happen. The keyboard version is so beautiful that it doesn’t need any alteration, but I have always felt that it should work on guitar, somehow or other.
$4.99
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
Ain't Always The Cowboy
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Guitare
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INTERMÉDIAIRE
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Jon Pardi
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Kyle Pudenz
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Ain't Always The Cowboy
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wed...
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Guitar - Level 3 - SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
Interrupted Dance (He Who Sings is Not Always Happy)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
Gabriel
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Guitare
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AVANCÉ
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Alfred Feenstra
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Gabriel
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Publ...
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Solo Guitar - Level 5 - SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Published by Alfred Feenstra (A0.978016). A very special piece. I had in mind to be in contact with the angel Gabriel and floating with him in space where he must be and does his work to protect people from evil and accidents.If you want to learn to play something very different from all existing guitar work and get a special feeling, try this!!!Best results you get playing it in a space with very nice and full acoustics.
$4.50
Love Of My Life
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Guitare
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INTERMÉDIAIRE
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Queen
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Derek Hasted
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Love Of My Life
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1299289 By Queen. By Freddie Mercury. Arranged by Derek Hasted. 20th Century,Film/TV,Pop. 14 pages. Derek Hasted #889151. Pub...
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Guitar - Level 3 - SKU: A0.1299289 By Queen. By Freddie Mercury. Arranged by Derek Hasted. 20th Century,Film/TV,Pop. 14 pages. Derek Hasted #889151. Published by Derek Hasted (A0.1299289). LOVE OF MY LIFE (Queen) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric GuitarDerek Hasted writes This delightful melody fits classical guitar like a glove.There are two arrangements in this one edition - one for “solo and accompaniment†and one where the roles swap over at each verse. The versions are otherwise identical. The first of these arrangements is ideal for a duo in which the abilities are slightly unequal.My arrangement is based on Queen’s Official Video and includes all the key changes and phrases except for one little piece of quasi-improvisation I have removed (which would otherwise leave one player looking at the floor in a duet performance!)There is an amount of fingering and slurring which may help to get the smoothest performance, but there are plenty of places where the music needs to breathe, so please don’t rush... I hope you enjoy playing this lovely and moving piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Gnossienne No. 1 (Tablature +)
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Guitare
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Brian Streckfus
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Gnossienne No. 1
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1156456 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Instructional,Romantic Period. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1156456 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Instructional,Romantic Period. Individual part. 5 pages. Brian Streckfus #756774. Published by Brian Streckfus (A0.1156456). IMPORTANT NOTE: You get both tablature version and sheet music version in one 5 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Just be careful with your printer settings if you don't want two versions!1. Arranged for guitar2. Tablature added3. Measures and times signature removed reflecting the original composer's ethos. 4. Form simplified so that the piece fits on three pages. D.S. in retrograde is a strange navigation indication, but it seems the most elegant way to save a lot of paper and ink. 5. Slurs added.6. Some left hand fingerings added. I didn't want to add too many to the point where it becomes cumbersome or confusing.
$1.99
La lluvia , The rain
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Guitare
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AVANCÉ
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Alfred Feenstra
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La lluvia , The rain
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.978014 Composed by Alfred Feenstra. Concert,World. Individual part. 6 pages. Alfred Feenstra #4984705. Published by Alfr...
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Solo Guitar - Level 5 - SKU: A0.978014 Composed by Alfred Feenstra. Concert,World. Individual part. 6 pages. Alfred Feenstra #4984705. Published by Alfred Feenstra (A0.978014). La Lluvia, the rain, my idea with this piece was to achieve to get the feeling and sound or rhythm of the rain that we experience in real life, now listening to this song. If I did a good job, it is up to your opinion. .
$4.00
Walking In The Air
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Guitare
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FACILE
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Howard Blake
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Derek Hasted
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Walking In The Air
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Derek Hasted
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.797705 Composed by Howard Blake. Arranged by Derek Hasted. 20th Century,Film/TV. 17 pages. Derek Hasted #3676693. Published b...
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Guitar - Level 2 - SKU: A0.797705 Composed by Howard Blake. Arranged by Derek Hasted. 20th Century,Film/TV. 17 pages. Derek Hasted #3676693. Published by Derek Hasted (A0.797705). WALKING IN THE AIR (The Snowman) - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece from the film The Snowman is a family favorite for all ages! This is a very straightforward and accessible arrangement that would suit a mixed-ability ensemble with limited experience. It makes it ideal for a school concert but also as a well-known piece in a Christmas charity concert.All the arpeggios are based on well-known guitar shapes and the piece locks tightly together, whether played on four guitars or in a large ensemble.It's written without repeats or page turns so it's robust in performance. It's been a firm favorite in concerts that I've put on!I hope you enjoy playing this piece!
$4.99
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