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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Have to Say
Non classifié
177
Piano & claviers
Piano seul
117
Piano, Voix et Guitare
65
Piano, Voix
45
Instruments en Do
13
Piano Facile
11
Piano grosses notes
3
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
44
Guitare
12
Ukulele
8
Basse electrique
2
Paroles et Accords
2
Mandoline
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 3 instrumentations
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Voix
Chorale SATB
40
Chorale 3 parties
10
Chorale 2 parties
8
Voix Soprano, Piano
5
Voix duo
4
Chorale TTBB
3
Voix haute
3
Chorale Unison
3
Voix Baryton, Piano
1
Chorale SSAA
1
Voix seule
1
Chorale SSATTB
1
Voix Alto, Piano
1
+ 8 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
20
2 Flûtes traversières (duo)
14
Saxophone Tenor et Piano
11
Clarinette
10
Hautbois (partie séparée)
9
Quintette de Saxophone: 5 saxophones
8
Flûte, Hautbois, Clarinette, Basson
7
Flûte traversière
6
Flûte traversière et Piano
6
Saxophone Alto et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Quatuor de Flûtes : 4 flûtes
5
3 Clarinettes (trio)
4
Hautbois, Piano (duo)
4
Clarinette et Piano
3
Clarinette, Guitare (duo)
3
Flûte et Guitare
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quintette de Flûte : 5 flûtes
3
Ensemble de Flûtes
2
Cor anglais, Guitare (duo)
2
Flûte, Alto et Piano
2
Saxophone Alto
2
Ensemble de Clarinettes
2
Ensemble de saxophones
1
Saxophone et Orgue
1
Saxophone Soprano et Piano
1
Cor anglais, Piano
1
2 Clarinettes (duo)
1
2 Saxophones (duo)
1
Saxophone et Guitare
1
Trio de Flûtes: 3 flûtes
1
3 Saxophones (trio)
1
Flûte traversière, Orgue (duo)
1
+ 29 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Ensemble de Trombones
3
Trombone et Piano
3
Trompette, Piano
3
Cor anglais, Guitare (duo)
2
Trompette
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon et Piano
8
Violoncelle, Piano
6
2 Violons (duo)
6
Violoncelle
6
Violon, Guitare (duo)
5
Violon, Violoncelle (duo)
3
Violon
3
Trio à Cordes: violon, alto, violoncelle
3
Ensemble de Violons
2
Alto, Piano
2
2 Violoncelles (duo)
2
Alto seul
2
Harpe
2
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
13
Orchestre à Cordes
12
Orchestre
11
Jazz combo
8
Orchestre de chambre
7
Ensemble Jazz
6
Ensemble de cuivres
3
Marimba
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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EUPHONIUM
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Vous avez sélectionné:
I Have to Say
Guitare
Partitions à imprimer
12 partitions trouvées
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1
Prelude No 1 in D (Memories)
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Guitare
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INTERMÉDIAIRE
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Simon James
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Prelude No 1 in D
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DML
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #78484...
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Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
Prelude No 3 in C (Streams)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published ...
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Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
Prelude No 4 in Em (Fire In The Sky)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Simon James
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Prelude No 4 in Em
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DML
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published ...
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Solo Guitar - Level 4 - SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published by DML (A0.1189647). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. This Prelude is based on the use of thirds and sixths on the guitar. These intervals are the easiest to play on guitar and the sweetest sounding though they can still be used dramatically as in this work. The middle section, or B section if you prefer, uses chords with dissonance built into the chord shape and which are also not too difficult to play.
$2.99
Sing Me A Song
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dominic Brown
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John Fries
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Sing Me A Song
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271459 Composed by Dominic Brown. Arranged by John Fries. 19th Century,Celtic,Film/TV,Folk,Irish,Standards. Individual ...
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Solo Guitar - Level 4 - SKU: A0.1271459 Composed by Dominic Brown. Arranged by John Fries. 19th Century,Celtic,Film/TV,Folk,Irish,Standards. Individual part. 2 pages. John Fries #863860. Published by John Fries (A0.1271459). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Here are the words to this Scottish song used in the TV series the Outlander. Sing me a song of a lass that is gone, Say, could that lass be I? Merry of soul she sailed on a day Over the sea to Skye. Billow and breeze, islands and seas, Mountains of rain and sun, All that was good, all that was fair, All that was me is gone. Sing me a song of a lass that is gone, Say, could that lass be I? Merry of soul she sailed on a day Over the sea to Skye.
$4.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Tremolo from the Regondi Nocturne (Op.19)
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Guitare
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Classique
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Noctu
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081...
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Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
Jim Croce: I'll Have To Say I Love You In A Song - guitar solo
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Guitare
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INTERMÉDIAIRE
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Rock
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Jim Croce
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Virtualsheetmusic
Instantly printable sheet music by Jim Croce for guitar solo of MEDIUM skill level. / folk,pop,rock
Instantly printable sheet music by Jim Croce for guitar solo of MEDIUM skill level. / folk,pop,rock
$6.97
Last Encores (Letzte Zugaben)
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Guitare
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AVANCÉ
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Contemporain
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Georg Schmitz
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Last Encores
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Chanterelle
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SheetMusicPlus
Guitar - advanced - Digital Download Composed by Georg Schmitz. This edition: Sheet music. Downloadable. Duration 5 minutes 30 seconds. Chanterelle #...
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Guitar - advanced - Digital Download Composed by Georg Schmitz. This edition: Sheet music. Downloadable. Duration 5 minutes 30 seconds. Chanterelle #Q51799. Published by Chanterelle
English - German.
Dedicated to Aniello Desiderio and Premeiered by him at the 2009 Coblenz Guitar Festival, here is what Aniello and Classical Guitar Magazine have to say about this work: 'It is always difficult to find the right words to speak about music. Good music, like poetry, communicates with us on a different level to other sounds or words. The best music reaches greater depths with each hearing. This is how I feel about these pieces by Georg Schmitz: they really express something from deep inside, which cannot be expressed with words.' (Aniello Desiderio, Napoli 2009).
$12.99
I'll Have To Say I Love You In A Song
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Guitare
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Folk Rock
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Jim Croce
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Pop
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I'll Have To Say I Love Y
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jim Croce. For guitar solo. Folk; Pop; Rock. 3 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Jim Croce. For guitar solo. Folk; Pop; Rock. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Jim Croce: I'll Have To Say I Love You In A Song for guitar
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Guitare
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INTERMÉDIAIRE
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Jim Croce
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Virtualsheetmusic
Instantly downloadable sheet music by Jim Croce for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Jim Croce for guitar of MEDIUM skill level.
$2.99
Music of Jorge Morel
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Guitare
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Latin/Musique du monde
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Jazz
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Jorge Morel
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Music of Jorge Morel
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Jorge Morel. E-book. 36 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30399EB). - E-book - - Mel Bay Publications - Digital Sh...
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Composed by Jorge Morel. E-book. 36 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30399EB). - E-book - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619114265. These compositions, like most of my music, are of Latin American roots, rhythms and melodies. However, the harmonies always have a jazz influence without losing that Latin flavor. Four of the five pieces in this book are dedications, except Lullaby of Love. I would say I wrote it for myself, and it is the only piece recorded by me on my CD Latin Dialog, released by Luthier Music. My hope with this music is to bring more guitarists closer to the Latin American literature for the guitar that is still much in need of recognition.- Jorge Morel.
$9.99
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I Have to Say
