Partitions Numériques de I Want You Back

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TRI ET FILTRES

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Non classifié 38

PIANO & CLAVIERS

Piano seul 18 Piano Facile 5 Piano, Voix et Guitare 4 Piano grosses notes 2 Instruments en Do 2

Piano, Voix 2 1 Piano, 4 mains 1

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GUITARES

Guitare notes et tablatures 7 Paroles et Accords 3 Basse electrique 3 Guitare 2 Ligne De Mélodie, (Paroles) et Accords 2

Ukulele 1 2 Guitares (duo) 1

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VOIX

Chorale 3 parties 164 Chorale SATB 12 Chorale TTBB 8 Chorale SSAA 3 Chorale Unison 3

Chorale 2 parties 2

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3 Hautbois, Piano (duo) 2 3 Saxophones (trio) 1 Quatuor de Clarinettes: 4 clarinettes 1 Saxophone Tenor et Piano 1

Saxophone Alto et Piano 1 Quatuor de Saxophones: 4 saxophones 1 Ensemble de Flûtes 1 Saxophone Soprano et Piano 1

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CUIVRES

Cor 1 Trombone (partie séparée) 1

CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 14 Violon, Violoncelle (duo) 14 Trio à Cordes: violon, alto, violoncelle 12 Quintette à cordes: 2 violons, alto, violoncelle, basse 10 Violon 6

Violon et Piano 4 2 Violons (duo) 2 Alto, Piano 2 Quintette à cordes: 2 violons, 2 altos, violoncelle 1 Alto, Violoncelle (duo) 1 Violoncelle 1 Violon, Alto (duo) 1 Alto seul 1

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PERCUSSIONS & ORCHESTRES

Ensemble Jazz 14 Orchestre d'harmonie 3 Orchestre 3 Jazz combo 1 Ensemble de Percussions 1

Orchestre de chambre 1

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AUTRES

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I Want You Back - Trumpet 3

Guitare

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Edwin Culver: a bridge a-way, exits within (for solo guitar)

Guitare

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …(+)

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you canâ€™t fully understand no matter how hard you try? Perhaps itâ€™s something from our past that we never invited...or something weâ€™ve missed in our closest relationships, maybe itâ€™s just the dread weâ€™ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like weâ€™re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. Thereâ€™s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. Weâ€™re spinning our wheelsâ€¦But one of the interesting things about great minimalist music is that itâ€™s not merely about repetition. I donâ€™t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mindâ€™s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer canâ€™t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument heâ€™s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesnâ€™t feel like weâ€™re making headway whenever weâ€™re having to crawl out of our skin - until, suddenly, when itâ€™s all over. And you hear this towards the end of the piece, when thereâ€™s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One Iâ€™ve put my trust in, because I canâ€™t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.

$11.99 11 € #Guitare #Edwin Culver #Edwin Culver: a bridge a-way, exits within #Edwin Culver #SheetMusicPlus

RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE

Guitare

Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…(+)

Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME Â & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing Â the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuÃ¡rdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.

$15.00 13.76 € #Guitare #Various #Socrates Arvanitakis #RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE #Socrates Arvanitakis #SheetMusicPlus