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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian Clar
Non classifié
12 898
Piano & claviers
Piano seul
1 692
Piano, Voix et Guitare
888
Piano, Voix
575
Piano Facile
575
Accompagnement Piano
496
Instruments en Do
125
Piano Trio: piano, violon, violoncelle
88
Piano (partie séparée)
46
Orgue
45
Piano grosses notes
27
1 Piano, 4 mains
23
2 Pianos, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 8 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
1 Piano, 6 mains
3
Accordéon et Orchestre
2
Orgue, Trompette (duo)
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Fake Book
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
54
Guitare
43
Guitare notes et tablatures
21
Guitare (partie séparée)
12
Paroles et Accords
9
Ukulele
8
Basse electrique
5
Piano, Guitare (duo)
4
Guitare, Flûte, Clarinette
3
Mandoline
3
Dulcimer
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
571
Pack Instrumental pour Chorale
503
Chorale 3 parties
181
Chorale 2 parties
110
Chorale Unison
63
Chorale SSAA
56
Voix seule
49
Chorale TTBB
44
Voix duo, Piano
31
Voix Soprano, Piano
25
Voix haute
20
Voix Tenor, Piano
15
Voix duo
15
Voix Alto, Piano
8
Voix moyenne, Piano
7
Voix d'Enfants
6
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
3
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
Clarinette et Piano
10 289
Clarinette
10 113
Flûte, Hautbois, Clarinette, Basson
2 650
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 598
2 Clarinettes (duo)
1 661
Quatuor de Clarinettes: 4 clarinettes
1 548
Flûte, Clarinette (duo)
921
Clarinette Basse, Piano
728
Ensemble de Clarinettes
726
Clarinette (partie séparée)
722
3 Clarinettes (trio)
713
2 Saxophones (duo)
502
Hautbois, Piano (duo)
427
Quintette de Clarinettes: 5 clarinettes
379
Clarinette, Violon (duo)
372
Flûte, Clarinette, Piano (trio)
364
Hautbois, Clarinette (duo)
358
Saxophone, Clarinette (duo)
337
Flûte traversière et Piano
303
Saxophone Alto et Piano
270
Flûte, Clarinette et Basson
215
Saxophone Tenor et Piano
214
Clarinette, Basson (duo)
211
2 Clarinettes, Piano
206
Flûte, Hautbois, Clarinette (trio)
202
Clarinette, Trompette (duo)
196
2 Flûtes traversières (duo)
195
Hautbois, Clarinette, Basson (trio d'anches)
167
Saxophone Soprano et Piano
165
Clarinette et Alto
147
Clarinette, Guitare (duo)
139
Clarinette, Violoncelle, Piano (trio)
132
Clarinette, Violoncelle (duo)
113
2 Hautbois (duo)
107
Hautbois, Basson (duo)
104
Flûte, Violon
97
Flûte, Saxophone (duo)
82
Clarinette, Basson, Piano (trio)
76
Flûte, Trompette (duo)
75
Flûte, Alto (duo)
69
Saxophone (partie séparée)
64
Hautbois, Flûte
63
Quatuor de Saxophones: 4 saxophones
58
Flûte traversière
50
3 Saxophones (trio)
46
Clarinette, Alto et Piano (trio)
44
Flûte, Clarinette, Cor, Basson (Quartet)
35
Saxophone Baryton, Piano
34
Clarinette, Trombone (duo)
33
Trio de Flûtes: 3 flûtes
31
Clarinette, Harpe (duo)
30
Quintette de Saxophone: 5 saxophones
27
Clarinette Basse
25
Clarinette, trompette et piano
25
Flûte à bec Soprano
24
2 Clarinettes, Basson
24
Saxophone Tenor
23
Saxophone Alto
22
Flûte et Guitare
21
Flûte, Clarinette, Violon (trio)
21
Cor anglais, Piano
20
Flûte, Hautbois (duo)
17
Saxophone
16
Flûte à bec Soprano, Piano
16
Cor Anglais
16
Clarinette, Tuba
16
Hautbois, Clarinette et Piano (Trio)
16
Flûte à bec Tenor
15
Quatuor de Flûtes : 4 flûtes
14
Flûte à bec Alto, Piano
14
Hautbois (partie séparée)
12
Flûte à Bec, Piano
11
Hautbois, violon (duo)
11
Flute (partie séparée)
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Clarinette, Orgue
9
Quintette de Flûte : 5 flûtes
7
Hautbois
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Violon, Piano
7
Flûte, Alto et Piano
6
Ensemble à vent
6
2 Flûte à bec (duo)
6
3 Flûtes à bec (trio)
5
Clarinette, Orchestre
5
Flûte, Basson et Piano
5
Flûte, Hautbois, Basson
4
Ensemble de saxophones
4
2 Saxophones, Piano
4
Clarinette, Contrebasse (duo)
4
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Saxophone, Piano
3
Flute, harpe et violon
3
Flûte, Hautbois, Piano (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle
3
Flûte à Bec
3
Cor anglais, Guitare (duo)
3
Piccolo, Piano
3
Ensemble de Flûtes
2
5 Flûtes à bec
1
Piccolo
1
Flûte traversière, Orchestre
1
Hautbois, Violoncelle
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Cor anglais et Harpe (duo)
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Basson et Piano
1
+ 112 instrumentations
Retracter
Cuivres
Trompette, Piano
171
Trompette, Saxophone (duo)
157
Trombone et Piano
141
Trompette
135
Trompette, Trombone (duo)
103
2 Trombones (duo)
98
2 Trompettes (duo)
97
Cor et Piano
86
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Tuba et Piano
33
Trombone (partie séparée)
31
Trompette (partie séparée)
29
Instruments en Sib
28
Trombone
26
Euphonium, Piano (duo)
23
Cor anglais, Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor Anglais
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
11
Clarinette, Cor (duo)
11
Euphonium
10
Cor (partie séparée)
9
Tuba
7
3 Trompettes (trio)
7
2 Cors (duo)
5
Tuba et Orgue
5
Tuba (partie séparée)
5
Quatuor de Cuivres
4
Ensemble de Trombones
4
Trombone basse et Piano
3
2 Tubas (duo)
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
3 Cors (trio)
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Cor et Orgue
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
Trompette, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Violon et Piano
364
Alto, Piano
265
Violoncelle, Piano
233
Quatuor à cordes: 2 violons, alto, violoncelle
176
2 Altos (duo)
118
2 Violoncelles (duo)
118
Violon
112
Violon, Clarinette, Piano (trio)
105
Violon, Alto (duo)
104
Violon, Violoncelle (duo)
98
2 Violons (duo)
96
Violoncelle
71
Alto seul
58
Contrebasse, Piano (duo)
41
4 Violoncelles
38
Harpe
35
Trio à Cordes: violon, alto, violoncelle
31
Harpe, Flûte (duo)
18
Harpe, Violon (duo)
16
Alto et Harpe
15
Violon, Guitare (duo)
14
Harpe, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Contrebasse (partie séparée)
12
Trio à cordes: 3 violins
10
Piano Trio: Violon, Alto, Piano
9
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: 3 violoncelles
6
Violon (partie séparée)
6
Alto, Guitare (duo)
5
Alto (partie séparée)
4
Contre Basse
4
Violoncelle , Guitare (duo)
4
2 Harpes (duo)
4
Harpe, Voix
4
Violon, Violoncelle, Clarinette
4
Violoncelle (partie séparée)
3
Ensemble d'Altos
2
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Ensemble de Violons
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 777
Orchestre
953
Ensemble Jazz
507
Orchestre de chambre
272
Fanfare
78
Ensemble de cuivres
69
Jazz combo
66
Orchestre à Cordes
54
Vibraphone
21
Marimba
18
Batterie
13
Piano et Orchestre
13
Xylophone, Piano
11
Cloches
8
Batterie (partie séparée)
8
Ensemble de Percussions
8
Ensemble d'École
6
Quintette à Vent
5
Big band
2
Percussion (partie séparée)
2
Trio à Vent: 3 instruments à vents
2
Marimba, Piano (duo)
1
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
2 Xylophones
1
Instrumentation Flexible
1
Timbales (partie séparée)
1
+ 24 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Vous avez sélectionné:
Ian Clar
Guitare
Partitions à imprimer
43 partitions trouvées
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1
26
Clara Luciani : La grenade (niveau débutant, guitare d'accompagnement)
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Guitare
#
DÉBUTANT
#
Chanson Française
#
Clara Luciani
#
La grenade
#
Tomplay
Telechargez la tablature et la partition Guitare La grenade (niveau debutant, guitare d'accompagnement) de Clara Luciani. Tab pour Guitare d'accompagn...
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Telechargez la tablature et la partition Guitare La grenade (niveau debutant, guitare d'accompagnement) de Clara Luciani. Tab pour Guitare d'accompagnement -- Variete française
5.99€
Clara Luciani : La grenade (niveau intermédiaire, guitare d'accompagnement)
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Guitare
#
INTERMÉDIAIRE
#
Chanson Française
#
Clara Luciani
#
La grenade
#
Tomplay
Telechargez la tablature et la partition Guitare La grenade (niveau intermediaire, guitare d'accompagnement) de Clara Luciani. Tab pour Guitare d'acco...
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Telechargez la tablature et la partition Guitare La grenade (niveau intermediaire, guitare d'accompagnement) de Clara Luciani. Tab pour Guitare d'accompagnement -- Variete française
5.99€
Clara Luciani : La grenade (niveau facile, guitare d'accompagnement)
#
Guitare
#
FACILE
#
Chanson Française
#
Clara Luciani
#
La grenade
#
Tomplay
Telechargez la tablature et la partition Guitare La grenade (niveau facile, guitare d'accompagnement) de Clara Luciani. Tab pour Guitare d'accompagnem...
(+)
Telechargez la tablature et la partition Guitare La grenade (niveau facile, guitare d'accompagnement) de Clara Luciani. Tab pour Guitare d'accompagnement -- Variete française
5.99€
Gnossienne no. 5 for clarinet in Bb and guitar
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
E
#
Klas Krantz
#
Gnossienne no. 5 for clarinet
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Amadeus Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.532390 Composed by E. Satie. Arranged by Klas Krantz. 20th Century,Concert. Individual part. 4 pages. Amadeus Music #606...
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Solo Guitar - Level 4 - SKU: A0.532390 Composed by E. Satie. Arranged by Klas Krantz. 20th Century,Concert. Individual part. 4 pages. Amadeus Music #6064875. Published by Amadeus Music (A0.532390). Erik Satie (1866 – 1925), was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
$3.95
Trumpet Voluntary by Jeremiah Clarke - Guitar
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Guitare
#
INTERMÉDIAIRE
#
Jeremiah Clarke
#
Joseph Burrows
#
Trumpet Voluntary by Jeremiah
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Joseph Burrows
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.929672 Composed by Jeremiah Clarke. Arranged by Joseph Burrows. Baroque,Sacred,Wedding. Individual part. 2 pages. Joseph...
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Solo Guitar - Level 3 - SKU: A0.929672 Composed by Jeremiah Clarke. Arranged by Joseph Burrows. Baroque,Sacred,Wedding. Individual part. 2 pages. Joseph Burrows #3538029. Published by Joseph Burrows (A0.929672). Guitar / Lead Sheet arrangement of the classic Trumpet Voluntary by Jeremiah Clarke. Simple and easy to follow arrangement for any musician just wanting the melody and chords. Great for wedding gigs! .
$4.99
"Trumpet Voluntary (Prince of Denmark’s March)" by J. Clarke for solo fingerstyle guitar
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Guitare
#
FACILE
#
Jeremiah Clarke
#
Keith W
#
"Trumpet Voluntary
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1413893 Composed by Jeremiah Clarke. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part. 1 pages. Keit...
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Solo Guitar - Level 2 - SKU: A0.1413893 Composed by Jeremiah Clarke. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part. 1 pages. Keith Gehle #995670. Published by Keith Gehle (A0.1413893). This very familiar wedding tune works well as a processional or recessional and fits very comfortably on the solo classical or steel string guitar. The PDF includes detailed fingerings and interpretation in standard notation. There's also a version with TAB available on this site. This piece is an essential choice for musicians playing wedding ceremonies in their community.
$1.99
Moonlight Sonata for Acoustic Guitar and Piano Accompaniment
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Guitare
#
DÉBUTANT
#
Classique
#
Ludwig van Beethoven
#
Valdir Maia
#
Moonlight Sonata for Acoustic
#
Valdir Maia
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1437239 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Period,Traditional. I...
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Solo Guitar - Level 1 - SKU: A0.1437239 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Period,Traditional. Individual part. 7 pages. Valdir Maia #1017312. Published by Valdir Maia (A0.1437239). **Moonlight Sonata for Acoustic Guitar and Piano**Embark on a captivating musical journey with our rendition of Moonlight Sonata for Acoustic Guitar and Piano. Crafted for intermediate guitarists, this arrangement beautifully blends the warm tones of the acoustic guitar with the elegant accompaniment of the piano.Crafted with precision and care, our high-quality PDF ensures clarity in every note, while the included score and parts facilitate seamless ensemble performance. Perfect for musicians eager to explore the romantic era, this arrangement offers a captivating journey through Beethoven's musical genius.Key Features:- Impeccable PDF quality for enhanced readability.- Score and parts included for convenient ensemble playing.- Ideal for intermediate guitarists seeking a rewarding challenge.- Experience the beauty of Moonlight Sonata on acoustic guitar and piano today.Unlock the magic of Moonlight Sonata and add a touch of romance to your repertoire. Seize the opportunity to bring Beethoven's timeless masterpiece to life – purchase your copy now and let the music inspire you.
$9.99
Für Elise by Beethoven - Guitar and Piano with Chord Notation
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Guitare
#
DÉBUTANT
#
Classique
#
Ludwig van Beethoven
#
Glauco Fernandes
#
Für Elise by Beethoven -
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Glauco Fernandes
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1361962 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by Glauco Fernandes. Classical,Instructional. Individ...
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Solo Guitar - Level 1 - SKU: A0.1361962 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by Glauco Fernandes. Classical,Instructional. Individual part. 5 pages. Glauco Fernandes #946420. Published by Glauco Fernandes (A0.1361962). Introducing a special sheet music arrangement of Beethoven's classic Für Elise, carefully crafted to be accessible to all age groups. This simplified version is ideal for beginners taking their first steps into the world of music.Designed with clarity in mind, this arrangement ensures a gratifying musical experience, suitable for both young and adult learners embarking on their musical journey. For teachers in search of engaging educational materials, this sheet music provides a charming introduction to one of Beethoven's most cherished compositions.Seize the opportunity to enhance your lessons or individual practice with this simplified rendition of Für Elise. Acquire it now and offer an inspiring musical journey for your students.To explore more high-quality sheet music, consider searching for Glauco Fernandes on the website. Contact: glaucofernandes.arrangements@gmail.com.Additionally, don't forget to visit my YouTube channel for captivating performances and to learn more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic).
$4.99
The Nutcracker Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Pyotr Tchaikovsky
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Ian Deterling
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II. March
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The Nutcracker Suite
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Ian Deterling
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1322183 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 175 pages. Ian...
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Guitar - Level 4 - SKU: A0.1322183 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 175 pages. Ian Deterling #910543. Published by Ian Deterling (A0.1322183). This arrangement of all eight movements from The Nutcracker Suite is a faithful adaptation of the original with slight modifications to make it more accessible for clarinet quartets. Full of rich colors and beautiful melodies, this memorable classic will be a wonderful addition to your next holiday concert! Includes: I. Overture Miniature; II. March; III. Dance of the Sugar Plum Fairy; IV. Trepak (Russian Dance); V. Arabian Dance; VI. Chinese Dance; VII. Dance of the Mirlitons (Dance of the Reed Pipes); and VIII. Waltz of the Flowers.Instrumentation: Guitars 1-4 (Guitar 4 also available for Bass Guitar).
$70.00
Suite for guitar in E minor by J. A. de Logy
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Guitare
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INTERMÉDIAIRE
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Classique
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Jan Antonin de Logy
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Socrates Arvanitakis
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Suite for guitar in E minor by
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 page...
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Solo Guitar - Level 3 - SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
Spanish Dance for Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Adolf Frey
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Keith Terrett
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Spanish Dance for Classical Gu
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1443629 Composed by Adolf Frey (4 April 1865 – 4 October 1938). Arranged by Keith Terrett. 19th Century,Classical,Cont...
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Solo Guitar - Level 3 - SKU: A0.1443629 Composed by Adolf Frey (4 April 1865 – 4 October 1938). Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 6 pages. Keith Terrett #1023567. Published by Keith Terrett (A0.1443629). Adolf Frey (4 April 1865 – 4 October 1938) was an American composer of German birth. Born in Landau, Kingdom of Bavaria. He was a pupil of Johannes Brahms, Immanuel Faiszt, and Clara Schumann. From 1887 to 1893 he was a musician to Prince Alexander Frederick of Hesse. He then moved to the United States, where he began teaching on the faculty of Syracuse University in the Fall of 1893. From Wikipedia, the free encyclopedia This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources.Find sources: Adolf Frey composer – news · newspapers · books · scholar · JSTOR (October 2010)Adolf Frey (4 April 1865 – 4 October 1938)[1] was an American composer of German birth. Born in Landau, Kingdom of Bavaria. He was a pupil of Johannes Brahms, Immanuel Faiszt, and Clara Schumann. From 1887 to 1893 he was a musician to Prince Alexander Frederick of Hesse. He then moved to the United States, where he began teaching on the faculty of Syracuse University in the Fall of 1893.[2].
$1.99
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
Céline Dion,Clara Luciani,Jean-Jacques Goldman,Joe Dassin,Sinsemilia : Les meilleures chansons françaises pour la guitare, Intermédiaire, Vol. 3
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Guitare
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INTERMÉDIAIRE
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Céline Dion,Clara Luciani,Jea
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Les meilleures chansons franç
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Tomplay
Téléchargez la tablature et la partition Guitare Les meilleures chansons françaises pour la guitare, Intermédiaire, Vol. 3. Partition pour Guitare mélodiqu...
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Téléchargez la tablature et la partition Guitare Les meilleures chansons françaises pour la guitare, Intermédiaire, Vol. 3. Partition pour Guitare mélodique avec band/orchestre -- Variété française
19.99€
Clara Luciani,Jean-Jacques Goldman,Joe Dassin,Johnny Hallyday,Sinsemilia : Les meilleures chansons françaises pour la guitare, Débutant, Vol. 3
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Guitare
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Clara Luciani,Jean-Jacques Gol
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Les meilleures chansons franç
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Tomplay
Téléchargez la tablature et la partition Guitare Les meilleures chansons françaises pour la guitare, Débutant, Vol. 3. Partition pour Guitare mélodique ave...
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Téléchargez la tablature et la partition Guitare Les meilleures chansons françaises pour la guitare, Débutant, Vol. 3. Partition pour Guitare mélodique avec band/orchestre -- Variété française
19.99€
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Prelude, BWV 999
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Guitare
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INTERMÉDIAIRE
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Classique
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Gerry Saulter
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Gerry Saulter
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Prelude, BWV 999
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Serenade Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1186697 By Gerry Saulter. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Early Music. Individual...
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Solo Guitar - Level 3 - SKU: A0.1186697 By Gerry Saulter. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Early Music. Individual part. 7 pages. Serenade Music #786346. Published by Serenade Music (A0.1186697). Johann Sebastian Bach likely composed this Prelude sometime between 1717-1723 while he served as Kapellmeister for Prince Leopold of Anhalt-Cöthen. My goal was to create a very playable arrangement that sounds beautiful. I started with developing left hand gestures and fingerings that would be simple and logical. The left hand gestures combine with the right hand arpeggio pattern help to enhance the lyrical quality of the down-stem voice, which is consistently played with the right hand thumb. Additionally, the simplified left hand function assists to give clarity to the moving sequential chord arpeggio. To help memorize the sequential chords, I have identified the implied chord harmony as it changes throughout the Prelude.I hope that this arrangement makes the process of learning this magical and beautiful Prelude a joyful one for every guitar player.
$6.99
Carlos Barbosa-Lima: 30 Short Pieces for Guitar
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Guitare
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Classique
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John Griggs
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Carlos Barbosa-Lima: 30 Short
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Beginning-Intermediate - SKU: M0.97038MEB Composed by John Griggs. Classical. Style. E-book and online audio. Mel Bay Publications - Digital Sh...
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Guitar - Beginning-Intermediate - SKU: M0.97038MEB Composed by John Griggs. Classical. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97038MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97038MEB). ISBN 9781619116795. 8.75x11.75 inches.Brazilian guitar virtuoso Carlos Barbosa-Lima and guitarist/ instructor John Griggs present this collection of short pieces by various Classical composers, plus a few of their own original compositions. Beginning to intermediate in difficulty, each piece has been meticulously set for solo guitar in standard notation and tablature. Selections include works by Handel, Purcell, Jeremiah Clark, Corelli, Scarlatti, Pachelbel, Zipoli, Mozart, Telemann, and J.S. Bach. The online audio offers performances of all 30 pieces by Carlos Barbosa-Lima. A fine addition to any classic guitarist's library! Includes access to online audio.
$14.99
Partita II (BWV1004) in d minor transcribed for guitar
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Partita II
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #64...
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Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
Prelude (BWV1006) in E major transcribed for guitar
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Prelude
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #643...
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Solo Guitar - Level 5 - SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #6437311. Published by Daniel Clark (A0.982528). This is a transcription of the prelude from Bach's third solo violin partita. The transcription has been made to be as close to the original violin partita as possible while still being playable (taking into account the octave difference between the instruments). The key changes made are transposition by an octave of pedal notes, similar to lute versions.The main difference between this violin transcription version and the arrangements from lute is that the bass notes are not present. However, there are also some minor differences in melody which may be unfamiliar to guitarists familiar with the lute arrangements.
$2.00
The Twin
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Guitare
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INTERMÉDIAIRE
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Celtique/Irlandais
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Sibelius 7 Software
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The Twin
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Andrew Howes
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1359877 By Sibelius 7 Software. By Andy Howes. 20th Century,Celtic,Folk,Irish. Individual part. 1 pages. Andrew Howes #9...
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Solo Guitar - Level 3 - SKU: A0.1359877 By Sibelius 7 Software. By Andy Howes. 20th Century,Celtic,Folk,Irish. Individual part. 1 pages. Andrew Howes #944362. Published by Andrew Howes (A0.1359877). An arrangement of an air I wrote for my friends, the twins Gillian and Lesley Ashby in 1988. Originally written for flute, clarinet and 'cello it is given here as a solo for intermediate classical guitarists. It is also available as a classical guitar duet. It is in the style of a berceuse.
$4.00
Violin partitas II (BWV1004) in d minor and III (BWV1006) in E major transcribed for guitar
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Violin partitas II
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Daniel Clark
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Clark. Baroque Period. 48 pages. Published by Daniel Clark...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Clark. Baroque Period. 48 pages. Published by Daniel Clark
$10.00
Violin partita III (BWV1006) in E major transcribed for guitar
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Guitare
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Classique
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Johann Sebastian Bach
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Daniel Clark
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Violin partita III
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Daniel Clark
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SheetMusicPlus
Guitar - Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Clark. Baroque Period. 21 pages. Published by Daniel Clark...
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Guitar - Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Clark. Baroque Period. 21 pages. Published by Daniel Clark
Contents: Preludio; Loure; Gavotte en Rondeau; Menuet I and II; Bourree; Gigue.
$8.00
André (Guitar)
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Guitare
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part...
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Solo Guitar - Level 3 - SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
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