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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian P
Non classifié
1 447
Piano & claviers
Piano seul
2 150
Piano, Voix
770
Piano, Voix et Guitare
575
Piano Facile
545
Accompagnement Piano
316
1 Piano, 4 mains
48
Instruments en Do
43
Piano Trio: piano, violon, violoncelle
34
Orgue
31
2 Pianos, 4 mains
26
Piano grosses notes
16
Orgue, Piano (duo)
8
Piano Quatuor: piano, violon, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Accordéon
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Fake Book
3
Clavier
3
Piano (partie séparée)
3
Clavecin
2
1 Piano, 6 mains
2
Orgue, Trompette (duo)
1
Orgue, Voix
1
2 Pianos, 8 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
64
Ukulele
51
Basse electrique
40
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
14
Piano, Guitare (duo)
7
Paroles et Accords
5
2 Mandolines (duo)
2
2 Guitares (duo)
2
Ukulele Baryton
2
Mandoline
1
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
Dulcimer
1
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
420
Chorale 2 parties
73
Chorale 3 parties
66
Chorale Unison
43
Voix seule
35
Voix duo
29
Chorale TTBB
25
Voix duo, Piano
24
Voix Soprano, Piano
18
Voix haute
11
Voix Tenor, Piano
10
Voix moyenne, Piano
10
Chorale SSAA
8
Voix Baryton, Piano
7
Voix basse, Piano
7
Pack Instrumental pour Chorale
6
Voix Alto, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
2
Voix d'Enfants
1
Voix Tenor
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
159
Saxophone Alto et Piano
141
Flûte traversière
129
Hautbois, Piano (duo)
117
Clarinette et Piano
114
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
99
Clarinette
93
Saxophone Tenor et Piano
87
Saxophone (partie séparée)
77
Saxophone Tenor
58
Quintette de Saxophone: 5 saxophones
52
2 Flûtes traversières (duo)
43
Hautbois (partie séparée)
43
2 Saxophones (duo)
41
2 Clarinettes (duo)
37
Saxophone Soprano et Piano
36
Saxophone Alto
35
Saxophone
32
Saxophone Baryton, Piano
32
Quatuor de Saxophones: 4 saxophones
30
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Soprano
25
Flûte, Hautbois, Clarinette, Basson
19
Flûte à Bec
13
Ensemble de Clarinettes
13
Quatuor de Flûtes : 4 flûtes
11
Flûte, Clarinette (duo)
10
Flûte, Violon, Piano
9
Flûte, Clarinette, Piano (trio)
8
Flûte, Hautbois, Basson
8
Cor anglais, Piano
8
Ensemble de Flûtes
7
Flûte, Violoncelle, Piano (trio)
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois
7
2 Hautbois (duo)
6
2 Flûte à bec (duo)
6
3 Saxophones (trio)
6
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte à bec Soprano
4
3 Clarinettes (trio)
4
Ensemble de saxophones
4
Saxophone et Piano
4
Flûte, Basson et Piano
4
Clarinette Basse, Piano
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Clarinette (trio)
3
Flute (partie séparée)
3
Harmonica
2
Flûte, Trombone (duo)
2
Saxophone et Guitare
2
Hautbois, Basson (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Basson, Piano (trio)
2
2 Clarinettes, Piano
2
Flûte, Clarinette et Basson
2
2 Flûtes traversières, Piano
2
2 Clarinettes, Basson
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instruments en Mib
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon et Violoncelle
1
Ocarina
1
Flûte, Violoncelle
1
Piccolo, Piano
1
Flûte, Clarinette, Violon (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Basson (duo)
1
Flûte, trombone et piano
1
Flûte à bec Soprano, Basse continue
1
Flûte à Bec, Piano
1
Hautbois, Clarinette (duo)
1
3 Flûtes à bec (trio)
1
Hautbois et alto (duo)
1
Clarinette, Violon (duo)
1
Flûte à bec Alto
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
+ 77 instrumentations
Retracter
Cuivres
Trombone et Piano
116
Trombone
92
Trompette, Piano
85
Trompette
76
Cor et Piano
66
Cor
39
Tuba
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Euphonium
30
Euphonium, Piano (duo)
24
2 Trombones (duo)
14
2 Trompettes (duo)
12
Cor anglais, Piano
8
Ensemble de Trombones
7
Quatuor de Cuivres
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Tuba et Piano
6
2 Cors (duo)
6
Trompette (partie séparée)
6
Trompette, Trombone (duo)
6
Quatuor de cuivres: 4 trombones
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Trombones (trio)
4
Ensemble de Trompettes
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
3
Trompette, Violoncelle et Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Violoncelle (duo)
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 trompettes
1
Trombone (partie séparée)
1
Cor et Basson (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Cornet et Piano
1
Instruments en Sib
1
Trombone, Tuba (duo)
1
3 Euphoniums
1
2 Euphoniums (duo)
1
+ 40 instrumentations
Retracter
Cordes
Violon et Piano
212
Violoncelle, Piano
162
Quatuor à cordes: 2 violons, alto, violoncelle
152
Alto, Piano
124
Violon
75
Violoncelle
66
Alto seul
45
Contre Basse
38
2 Violons (duo)
35
Harpe
34
Violon, Violoncelle (duo)
27
4 Violoncelles
27
Contrebasse, Piano (duo)
22
Trio à Cordes: violon, alto, violoncelle
19
Alto (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Violoncelles (duo)
14
Violon, Alto (duo)
13
2 Altos (duo)
12
Piano Trio: Violon, Alto, Piano
10
Trio à Cordes: 2 violons, violoncelle
7
Alto, Violoncelle (duo)
6
Ensemble d'Altos
5
Trio à Cordes: 2 violons, alto
5
Trio à Cordes: 3 violoncelles
5
Harpe, Violon (duo)
4
Ensemble de Violons
4
Trio à cordes: 3 violins
4
2 Violons, Piano
4
2 Harpes (duo)
3
Violon, Guitare (duo)
3
Violon, Clarinette, Piano (trio)
3
Harpe, Flûte (duo)
2
2 Violoncelles, Piano
1
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Alto et Basson
1
Alto, Guitare (duo)
1
Violon, Trompette et Piano
1
2 Contrebasses (duo)
1
Violon, Basse continue
1
Trio à cordes: 3 altos
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
95
Batterie
86
Orchestre
70
Ensemble de cuivres
50
Orchestre à Cordes
48
Orchestre de chambre
33
Cloches
20
Ensemble Jazz
15
Jazz combo
7
Marimba
6
Ensemble de Percussions
6
Quintette à Vent
5
Fanfare
3
Vibraphone
2
Orchestre Symphonique
1
Vibraphone (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Ian P
Guitare
Partitions à imprimer
39 partitions trouvées
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26
Quique Sinesi : 14 estudios para Guitarra Fusión - Estudio para púa n° 2
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Guitare
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FACILE
#
Classique
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Quique Sinesi
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14 estudios para Guitarra Fusi
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Tomplay
Telechargez la tablature et la partition Guitare 14 estudios para Guitarra Fusión - Estudio para púa n° 2 de Quique Sinesi. Tab pour Guitare s...
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Telechargez la tablature et la partition Guitare 14 estudios para Guitarra Fusión - Estudio para púa n° 2 de Quique Sinesi. Tab pour Guitare seule -- Classique
3.99€
"Solfeggietto" by Carl P.E. Bach for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Fishel Pustilnik
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"Solfeggietto" by Ca
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.634023 Composed by Carl Philipp Emanuel Bach. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 p...
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Solo Guitar - Level 5 - SKU: A0.634023 Composed by Carl Philipp Emanuel Bach. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3497203. Published by F & N Enterprise (A0.634023). An excellent arrangement of famous Solfeggietto by Carl Philipp Emanuel Bach for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
J.S. Bach Gavotte II BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Guitare
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Classique
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Johann Sebastian Bach
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J.S. Bach Gavotte II BWV 1012-
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Pedro Jesús Gómez
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SheetMusicPlus
Solo Guitar - SKU: A0.943987 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pag...
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Solo Guitar - SKU: A0.943987 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pages. Pedro Jesús Gómez #4592737. Published by Pedro Jesús Gómez (A0.943987). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Gavotte II BWV 1012
$2.99
J.S. Bach Sarabande BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Guitare
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Classique
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Johann Sebastian Bach
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J.S. Bach Sarabande BWV 1012-6
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Pedro Jesús Gómez
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SheetMusicPlus
Solo Guitar - SKU: A0.943985 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pag...
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Solo Guitar - SKU: A0.943985 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pages. Pedro Jesús Gómez #4592731. Published by Pedro Jesús Gómez (A0.943985). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Sarabande BWV 1012
$2.99
J.S. Bach Courante BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Guitare
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Classique
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Johann Sebastian Bach
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J.S. Bach Courante BWV 1012-6t
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Pedro Jesús Gómez
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SheetMusicPlus
Solo Guitar - SKU: A0.943984 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pag...
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Solo Guitar - SKU: A0.943984 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pages. Pedro Jesús Gómez #4592729. Published by Pedro Jesús Gómez (A0.943984). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Courante BWV 1012
$3.99
J.S. Bach Gavotte I BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Guitare
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Classique
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Johann Sebastian Bach
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J.S. Bach Gavotte I BWV 1012-6
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Pedro Jesús Gómez
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SheetMusicPlus
Solo Guitar - SKU: A0.943986 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pag...
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Solo Guitar - SKU: A0.943986 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 1 pages. Pedro Jesús Gómez #4592735. Published by Pedro Jesús Gómez (A0.943986). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Gavotte I BWV 1012
$2.99
J.S. Bach Allemande BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Guitare
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Classique
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Johann Sebastian Bach
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J.S. Bach Allemande BWV 1012-6
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Pedro Jesús Gómez
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SheetMusicPlus
Solo Guitar - SKU: A0.943982 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pag...
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Solo Guitar - SKU: A0.943982 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pages. Pedro Jesús Gómez #4592727. Published by Pedro Jesús Gómez (A0.943982). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Allemande BWV 1012
$3.99
J.S. Bach complete Suite BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Guitare
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Classique
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Johann Sebastian Bach
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J.S. Bach complete Suite BWV 1
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Pedro Jesús Gómez
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SheetMusicPlus
Solo Guitar - SKU: A0.943979 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez, Hernán Navarro. Baroque. Individual part. 17 pag...
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Solo Guitar - SKU: A0.943979 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez, Hernán Navarro. Baroque. Individual part. 17 pages. Pedro Jesús Gómez #4592705. Published by Pedro Jesús Gómez (A0.943979).
$12.99
J.S. Bach Gigue BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Guitare
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Classique
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Johann Sebastian Bach
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J.S. Bach Gigue BWV 1012-6th.
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Pedro Jesús Gómez
#
SheetMusicPlus
Solo Guitar - SKU: A0.943988 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pag...
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Solo Guitar - SKU: A0.943988 Composed by Johann Sebastian Bach. Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 3 pages. Pedro Jesús Gómez #4592741. Published by Pedro Jesús Gómez (A0.943988). Classsical guitar arrangement with fingerings proposed of original J. S. Bach 6th. cello Gigue BWV 1012
$3.99
J.S. Bach Prelude BWV 1012-6th. suite cello guitar arr.: P.J. Gómez & H. Navarro edition
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Guitare
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Classique
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Johann Sebastian Bach
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Herná
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J.S. Bach Prelude BWV 1012-6th
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Pedro Jesús Gómez
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 5 page...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Pedro Jesús Gómez & Hernán Navarro. Baroque. Individual part. 5 pages. Pedro Jesús Gómez #4592721. Published by Pedro Jesús Gómez
$4.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Joseph P. Webster: Sweet By And By for guitar solo
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Guitare
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INTERMÉDIAIRE
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Christian contemporain
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Joseph P. Webster
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Virtualsheetmusic
Instantly printable sheet music by Sanford Fillmore Bennett for guitar solo of MEDIUM skill level. / christian,gospel,hymn
Instantly printable sheet music by Sanford Fillmore Bennett for guitar solo of MEDIUM skill level. / christian,gospel,hymn
$6.97
All This Love
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Guitare
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INTERMÉDIAIRE
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Pop musique
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DeBarge
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Mopianic
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All This Love
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Mopianic
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1489879 By DeBarge. By Eldra P. Debarge. Arranged by Mopianic. Pop. Individual part. 4 pages. Mopianic #1066753. Publish...
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Solo Guitar - Level 3 - SKU: A0.1489879 By DeBarge. By Eldra P. Debarge. Arranged by Mopianic. Pop. Individual part. 4 pages. Mopianic #1066753. Published by Mopianic (A0.1489879). All This LoveDeBargeBass part with chordX (Twitter)https://twitter.com/MopianicYm All This LoveDeBargeコードネーム付きベース譜.
$5.99
STUDY nº 2 op. 60 [ by Matteo Carcassi ]: guitar solo (No fingerings, neither marks)
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Guitare
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FACILE
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Matteo Carcassi
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Cristiano Sousa
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STUDY nº 2 op. 60 [ by Ma
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Cristiano Sousa
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.941926 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Classical,Concert,Instructional,Standards. Individual p...
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Solo Guitar - Level 2 - SKU: A0.941926 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Classical,Concert,Instructional,Standards. Individual part. 2 pages. Cristiano Sousa #6444017. Published by Cristiano Sousa (A0.941926). Study n°2 (Moderato con Espressivo) is focused arppeggiation. To left hand, the main concern is centered on the connection between the chords. There is little room for alternative fingerings because attention is focused on the right hand. In it, a fixed typing in p-i-m-a-m-i-m-i is reiterated throughout the piece. This edition DOES NOT feature detailled fingerings, being useful as blank material for scratches. You can contact me at cristiano.sousa.santos@gmail.com
$2.99
STUDY nº 2 op. 60 [ by Matteo Carcassi ]: guitar solo
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Guitare
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FACILE
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Matteo Carcassi
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Cristiano Sousa
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STUDY nº 2 op. 60 [ by Ma
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Cristiano Sousa
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.941925 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Classical,Concert,Instructional,Standards. Individual p...
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Solo Guitar - Level 2 - SKU: A0.941925 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Classical,Concert,Instructional,Standards. Individual part. 2 pages. Cristiano Sousa #6444015. Published by Cristiano Sousa (A0.941925). Study n°2 (Moderato con Espressivo) is focused arppeggiation. To left hand, the main concern is centered on the connection between the chords. There is little room for alternative fingerings because attention is focused on the right hand. In it, a fixed typing in p-i-m-a-m-i-m-i is reiterated throughout the piece. This edition features detailled fingerings.
$5.99
Romantic Guitar Anthology
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Romantic Guitar Anthology
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Musi...
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Guitar - intermediate to advanced - SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Music - Digital #Q555469. Published by Schott Music - Digital (S9.Q555469). English • French • German.Romantic Guitar Anthology Vol.3 is a graded repertoire book suitable for students of c.5-7 years of playing experience. Well-established teaching pieces by leading 19th Century composer-guitarists Carcassi and Giuliani are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. Also included are carefully selected transcriptions of works by Schumann and Johann Strauss. Composer biographies and extensive teaching notes on each piece are included. Each piece has been recorded, performed by the series Editor, Jens Franke. The audio files can be downloaded with a voucher code (in the book). Also available: Baroque Guitar Anthology: Vol 1 – ED 13357 Vol 2 – ED 13437 Vol 3 – ED 13446 Vol 4 – ED 13489 Romantic Guitar Anthology: Vol 1 – ED 13110D Vol 2 – ED 13111D Vol 4 – ED 13113DCe volume est destinée à des élèves ayant environ cinq à sept ans de pratique de l'instrument. Des pièces appartenant de longue date au répertoire pédagogique, commes celles de Carcassi et Giuliani, y côtoient des oeuvres plus rares de José Ferrer et Johann Kaspar Mertz, de même que quelques transcriptions d'oeuvres de Schumann et Johann Strauss.
$16.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Solfeggietto in E minor
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Guitare
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AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Joseph Dávila
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Solfeggietto in E minor
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JaGlo Music
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1164642 Composed by Carl Philipp Emanuel Bach. Arranged by Joseph Dávila. Baroque,Classical,Film/TV,Multicultural,Vid...
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Solo Guitar - Level 5 - SKU: A0.1164642 Composed by Carl Philipp Emanuel Bach. Arranged by Joseph Dávila. Baroque,Classical,Film/TV,Multicultural,Video Game,World. Individual part. 2 pages. JaGlo Music #764975. Published by JaGlo Music (A0.1164642). Solfeggietto in C minor has been played by accomplished pianists worldwide and is considered one of C.P.E. Bach's most famous compositions. This study is challenging but beneficial for the left and right-hand techniques on the piano and the guitar. The key has been changed to E minor which allows the guitarist to use the full range of the guitar while maintaining the challenging aspects of this study. This is a great solo piece for advanced students.
$4.99
White Mountain
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Guitare
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INTERMÉDIAIRE
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Rock
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Genesis
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P Welsh
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White Mountain
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Accubass
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1285404 By Genesis. By Anthony Edwin Phillips, Mike Rutherford, Peter Brian Gabriel, and Tony Banks. Arranged by P Welsh...
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Solo Guitar - Level 3 - SKU: A0.1285404 By Genesis. By Anthony Edwin Phillips, Mike Rutherford, Peter Brian Gabriel, and Tony Banks. Arranged by P Welsh. Rock. Individual part. 14 pages. Accubass #876524. Published by Accubass (A0.1285404). Mike Rutherford's guitar and bass pedal parts transcribed in full.
$7.99
Diana Guaran by Agust n Barrios Mangor - Guitar Solo
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Guitare
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Contemporain
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Classique
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Agust n Barrios Mangor
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Diana Guaran
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Musicnotes
Agust n P o Barrios - Diana Guaran Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: ...
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Agust n P o Barrios - Diana Guaran Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar 1; 10 pages -- Classical~~20th-Century
$6.25
André (Guitar)
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Guitare
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part...
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Solo Guitar - Level 3 - SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
Metodo Completo de Guitarra Moderna de Mel Bayá
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Guitare
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Jazz
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Mel Bay
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Intermediate
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Metodo Completo de Guitarra Mo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Beginning; Intermediate; Advanced - SKU: M0.93396SPEB Composed by Mel Bay. Jazz. Complete. All styles. E-book. Mel Bay Publications - Dig...
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Guitar (all) - Beginning; Intermediate; Advanced - SKU: M0.93396SPEB Composed by Mel Bay. Jazz. Complete. All styles. E-book. Mel Bay Publications - Digital Sheet Music #93396SPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93396SPEB). ISBN 9781610650120. 8.75x11.75 inches.Los siete volúmenes de la serie original Modern Method Method de Mel Bay se incluyen en esta compilación maestra única y enorme. Esta edición también incluye arreglos sobresalientes de solo de guitarra plectrum que no se encuentran en los volúmenes originales. Cuando el Sr. Bay percibió la necesidad de un método de guitarra que enseñara efectivamente a los guitarristas principiantes a leer música, este método está escrito intencionalmente solo en notación estándar. Aunque es una técnica de estilo de dedo, este libro está diseñado especÃficamente para el jugador de estilo de púas, desde principiante hasta niveles avanzados.All seven volumes of Mel Bay's original, internationally acclaimed Modern Guitar Method series are included in this single, huge master compilation. This edition also includes additional outstanding plectrum guitar solo arrangements not found in the original volumes. As Mr. Bay perceived the need for a guitar method that would effectively teach beginning guitarists to read music, this method is intentionally written in standard notation only. Although fingerstyle technique, this book is tailored specifically for the plectrum-style player, beginner through advanced levels.
$34.99
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
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Guitare
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AVANCÉ
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Classique
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Bryan Johanson and Jesse McCan
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Guitar Repertoire, vol. 1 - da
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Publis...
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Guitar - Advanced - SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
Old Folks at Home
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Stephen Collins Foster
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Edmar FenÃcio
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Old Folks at Home
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Edmar FenÃcio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1007232 Composed by Stephen Collins Foster. Arranged by Edmar FenÃcio. Romantic Period,World. Individual part. 2 page...
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Solo Guitar - Level 4 - SKU: A0.1007232 Composed by Stephen Collins Foster. Arranged by Edmar FenÃcio. Romantic Period,World. Individual part. 2 pages. Edmar FenÃcio #3046551. Published by Edmar FenÃcio (A0.1007232). This song was first the title of Ethiopian Melody and music by E.P. Christy. Times after Foster bought the tune of him.
$2.00
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