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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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If I Had You
Non classifié
265
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387
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140
Piano, Voix
28
Instruments en Do
15
Orgue
10
Piano Facile
9
2 Pianos, 4 mains
7
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2
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
+ 8 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
13
Guitare
9
Paroles et Accords
7
Guitare notes et tablatures
5
Basse electrique
3
4 Guitares (Quatuor)
1
+ 1 instrumentations
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Voix
Chorale SATB
25
Chorale TTBB
8
Chorale 3 parties
8
Chorale 2 parties
4
Voix duo
2
Voix Baryton, Piano
2
Voix Tenor
2
Chorale Unison
1
Voix basse, Piano
1
Chorale SSAB, Piano
1
Voix Alto, Piano
1
Chorale SSAA
1
+ 7 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Quintette de Saxophone: 5 saxophones
55
Ensemble de saxophones
13
Ensemble de Clarinettes
11
Quatuor de Clarinettes: 4 clarinettes
8
Quintette de Flûte : 5 flûtes
7
Flûte traversière
5
Quatuor de Saxophones: 4 saxophones
5
Saxophone Alto
5
Flûte, Hautbois, Clarinette, Basson
4
Flûte, Violon
3
2 Saxophones (duo)
3
Saxophone Tenor
3
Hautbois, Piano (duo)
3
Quintette de Clarinettes: 5 clarinettes
2
Clarinette
2
Flûte traversière et Piano
2
Saxophone Alto et Piano
2
Saxophone Tenor et Piano
1
2 Flûtes traversières (duo)
1
Hautbois (partie séparée)
1
2 Clarinettes (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone (partie séparée)
1
Saxophone et Orgue
1
Clarinette et Piano
1
Saxophone Soprano et Piano
1
Flûte, Alto (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Trombone (duo)
1
2 Flûtes traversières, Piano
1
Cor Anglais
1
Flûte, Clarinette (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Trompette (duo)
1
Ensemble de Flûtes
1
+ 31 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Ensemble de Trombones
8
Trompette
7
Ensemble de Trompettes
6
Trombone
3
Cor
2
Cor et Piano
1
Trompette, Euphonium (duo)
1
Tuba
1
2 Tubas (duo)
1
2 Trompettes (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Tubas
1
Trompette, Saxophone (duo)
1
Cor Anglais
1
2 Trombones (duo)
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
10
Violon
9
Violon, Violoncelle (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Ensemble de Violons
7
Ensemble d'Altos
5
2 Violoncelles (duo)
3
Violoncelle
3
2 Altos (duo)
3
Harpe
3
Alto seul
3
2 Violons (duo)
2
Alto, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Alto et Basson
1
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violoncelles
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
59
Orchestre de chambre
18
Orchestre
12
Ensemble Jazz
11
Orchestre à Cordes
10
Ensemble de Percussions
5
Ensemble de cuivres
4
Jazz combo
3
Cloches
3
Batterie
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Vous avez sélectionné:
If I Had You
Guitare
Partitions à imprimer
9 partitions trouvées
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1
For Emily
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Guitare
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FACILE
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Dale K
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For Emily
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Dale K. Rodgers
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1312304 Composed by Dale K. Rodgers. Classical,Instructional. Individual part. 4 pages. Dale K. Rodgers #901164. Publish...
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Solo Guitar - Level 2 - SKU: A0.1312304 Composed by Dale K. Rodgers. Classical,Instructional. Individual part. 4 pages. Dale K. Rodgers #901164. Published by Dale K. Rodgers (A0.1312304). One of my young students asked if I had any pieces SHE could play. So I wrote this over the following weekend. For fingerstyle or classical guitar, Keys of Em and G.  3/4 and 4/4 time. Even a R.H. harmonic is in there. Two versions provided: one in standard notation with extensive fingerings, and one also including TAB.
$3.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Gabriel
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Guitare
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AVANCÉ
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Alfred Feenstra
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Gabriel
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Publ...
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Solo Guitar - Level 5 - SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Published by Alfred Feenstra (A0.978016). A very special piece. I had in mind to be in contact with the angel Gabriel and floating with him in space where he must be and does his work to protect people from evil and accidents.If you want to learn to play something very different from all existing guitar work and get a special feeling, try this!!!Best results you get playing it in a space with very nice and full acoustics.
$4.50
Scenes From the Life of Death, Part 1
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #...
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Guitar - SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Scenes From the Life of Death, Part 3
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #...
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Guitar - SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #6103011. Published by Silver Sickle Publications (A0.1070392). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Scenes From the Life of Death, Part 2
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #...
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Guitar - SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #6103009. Published by Silver Sickle Publications (A0.1070390). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
Tanguillo de Cádiz Guitar 2
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Tanguillo de Cádiz Guitar 2
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Richard Hirsch
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World....
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99
Alfie
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Cher
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individua...
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Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99
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