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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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SAXOPHONE
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2565
PIANO & CLAVIERS
Piano, Voix
1810
Piano seul
1358
Piano, Voix et Guitare
771
Piano Facile
643
Orgue
144
Instruments en Do
104
Accompagnement Piano
88
1 Piano, 4 mains
41
2 Pianos, 4 mains
33
Piano Trio: piano, violon, violoncelle
14
Piano (partie séparée)
13
Piano grosses notes
11
Orgue, Piano (duo)
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Trompette (duo)
6
Accordéon
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 8 mains
2
Clavecin
2
1 Piano, 6 mains
1
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GUITARES
Guitare notes et tablatures
225
Guitare
152
Ukulele
142
Ligne De Mélodie, (Paroles) et Accords
101
Paroles et Accords
35
Guitare (partie séparée)
35
Basse electrique
27
2 Guitares (duo)
19
Dulcimer
18
4 Guitares (Quatuor)
10
Banjo
6
3 Guitares (trio)
6
Mandoline
5
Piano, Guitare (duo)
4
2 Dulcimers (duo)
4
Ensemble de guitares
4
2 Ukuleles
3
2 Mandolines (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Guitare (duo)
1
Guitare Pedal Steel
1
Instrumentations suivantes
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VOIX
Chorale SATB
647
Chorale 3 parties
246
Chorale TTBB
145
Chorale SSAA
134
Chorale 2 parties
94
Chorale Unison
40
Voix Soprano, Piano
35
Voix Tenor, Piano
24
Voix haute
20
Voix duo
17
Voix duo, Piano
12
Chorale
10
Voix Alto, Piano
10
Voix basse, Piano
9
Voix seule
8
Voix Tenor
6
Voix Baryton, Piano
4
Voix basse
3
Voix moyenne, Piano
3
Voix Soprano
3
Chorale SSATTB
2
Chorale SSAB, Piano
1
Chorale SSAATTBB
1
Chorale SSAB a cappella
1
Chorale SAATB A Cappella
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
193
Quatuor de Saxophones: 4 saxophones
151
Flûte traversière et Piano
138
Quintette de Saxophone: 5 saxophones
129
Saxophone (partie séparée)
124
Flûte, Hautbois, Clarinette, Basson
122
Clarinette et Piano
108
2 Saxophones (duo)
100
Flûte traversière
98
Hautbois, Piano (duo)
88
Ensemble de Clarinettes
85
Quatuor de Clarinettes: 4 clarinettes
84
Saxophone Alto
83
Clarinette
79
Flûte irlandaise
78
2 Flûtes traversières (duo)
66
Saxophone Alto et Piano
60
Saxophone Tenor et Piano
60
Ensemble de Flûtes
58
Saxophone Tenor
54
Ensemble de saxophones
53
Hautbois (partie séparée)
51
Saxophone Soprano et Piano
44
Saxophone Baryton, Piano
35
2 Clarinettes (duo)
34
Flûte et Guitare
28
2 Flûtes traversières, Piano
26
Quatuor de Flûtes : 4 flûtes
25
Quintette de Clarinettes: 5 clarinettes
24
2 Hautbois (duo)
21
Quintette de Flûte : 5 flûtes
21
Clarinette (partie séparée)
19
Cor anglais, Piano
19
Trio de Flûtes: 3 flûtes
18
Hautbois
17
Saxophone, Clarinette (duo)
17
Flûte, Clarinette (duo)
16
Saxophone
14
Clarinette, Trompette (duo)
13
Clarinette, Violon (duo)
12
Flute (partie séparée)
12
Clarinette Basse, Piano
12
Flûte, Violon
11
3 Saxophones (trio)
11
Clarinette, Guitare (duo)
10
Saxophone Baryton
9
Saxophone Soprano
9
2 Flûte à bec (duo)
9
Flûte à bec Soprano
9
Harmonica
8
3 Clarinettes (trio)
8
Flûte, Trompette (duo)
7
Hautbois, Clarinette (duo)
7
Clarinette et Alto
6
Flûte à Bec
6
Flûte à bec Alto
5
Flûte, Alto (duo)
4
Clarinette, Basson (duo)
4
Flûte à bec Soprano, Piano
4
Hautbois, Flûte
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Saxophone (duo)
4
Flûte, Trombone (duo)
3
Clarinette, Violoncelle (duo)
3
Instruments en Mib
3
Hautbois, Basson (duo)
3
Flûte, Violoncelle
3
5 Flûtes à bec
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte à bec Alto, Piano
2
Ensemble De Flûte à bec
2
Cor Anglais
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette et Basson
2
Ensemble à vent
2
Ocarina
2
Flûte à bec Tenor
2
Flûte, Clarinette, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Basson
1
Flute, harpe et violon
1
2 Flûtes à bec, Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Violon et Violoncelle
1
3 Flûtes à bec (trio)
1
Saxophone et Orgue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
284
Quatuor de Cuivres : 2 trompettes, trombone, tuba
148
Trombone (partie séparée)
102
Trompette
97
Trompette (partie séparée)
86
Trompette, Piano
79
Trombone et Piano
79
Cor et Piano
75
Trombone
65
Cor
50
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
Tuba et Piano
43
Tuba
42
Euphonium, Piano (duo)
29
Ensemble de Trombones
29
2 Trombones (duo)
26
2 Trompettes (duo)
22
Ensemble de Trompettes
19
Cor anglais, Piano
19
Cor (partie séparée)
18
Tuba (partie séparée)
15
Trompette, Trombone (duo)
15
Quatuor de Cuivres
15
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
11
Quatuor de cuivres: 4 cors
9
2 Tubas (duo)
9
Trompette, Saxophone (duo)
9
Bass Clef Instruments
4
2 Euphoniums et 2 Tubas
4
Tuba et Orgue
4
Ensemble de Cors
4
4 Tubas
4
Trompette, Cor (duo)
3
Trio de Cuivres
2
Instruments en Sib
2
Cor Anglais
2
Trombone, Orgue
2
Quatuor de cuivres: 4 trompettes
2
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Cor, Tuba (duo)
1
Trompette, Basson (duo)
1
Euphonium
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
Trompette, violon (duo)
1
Trompette, Tuba (duo)
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Euphonium (duo)
1
Trombone basse
1
Instrumentations suivantes
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CORDES
Harpe
699
Quatuor à cordes: 2 violons, alto, violoncelle
573
Violon
311
Violon, Violoncelle (duo)
204
Trio à Cordes: violon, alto, violoncelle
154
Violon et Piano
146
Violoncelle
129
Violoncelle, Piano
105
Alto, Piano
86
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
Alto seul
63
2 Violoncelles (duo)
44
2 Violons (duo)
41
Contrebasse, Piano (duo)
39
Contre Basse
36
2 Altos (duo)
30
Violon, Alto (duo)
30
Contrebasse (partie séparée)
28
Trio à Cordes: 2 violons, violoncelle
25
Alto (partie séparée)
23
Violon (partie séparée)
17
Ensemble de Violons
16
Ensemble d'Altos
14
2 Harpes (duo)
12
4 Violoncelles
10
2 Contrebasses (duo)
7
Alto, Violoncelle (duo)
6
Quatuor à cordes : 4 altos
6
Trio à Cordes: 3 violoncelles
5
Trio à Cordes: 2 violons, alto
4
Piano Trio: Violon, Alto, Piano
4
Violoncelle , Guitare (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 violins
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
3
Alto et Basson
2
Quatuor à cordes: 4 violons
2
Violon, Basson (duo)
2
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Flûte, Contrebasse (duo)
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Trio à cordes
1
Violon, Tuba (duo)
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
4 Harpes
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
589
Orchestre à Cordes
302
Ensemble Jazz
299
Orchestre
201
Ensemble de cuivres
122
Cloches
76
Orchestre de chambre
54
Jazz combo
50
Fanfare
47
Ensemble de Percussions
34
Batterie
31
Batterie (partie séparée)
20
Percussion (partie séparée)
10
Vibraphone
6
Orchestre, Violon
3
Marimba
3
Big band
2
Xylophone
2
3 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Piano et Orchestre
1
Xylophone, Piano
1
Percussion
1
Instrumentations suivantes
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AUTRES
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Guitare
Partitions à imprimer
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151
If It's Magic
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1356930 Composed by Stevie Wonder.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1356930 Composed by Stevie Wonder. Arranged by Alexander Elliott Miller. 20th Century,Contemporary,R & B,Singer/Songwriter,Soul. Individual part. 6 pages. Alexander Elliott Miller #941567. Published by Alexander Elliott Miller (A0.1356930). This arrangements aims to capture Stevie Wonder's If It's Magic on a solo guitar as a chord melody arrangement representing both Stevie Wonder's vocal melody and the original harp accompaniment.
$4.99
4.52 €
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Guitare
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Stevie Wonder
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Alexander Elliott Miller
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If It's Magic
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Alexander Elliott Miller
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SheetMusicPlus
It's Only A Paper Moon
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #894466. Published by Christopher J. Malin (A0.1305049). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. The film Papermoon was named after the song! Very unusual.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I also wrote the lyrics under the chords/notes in the B section to help with the timing. This song is in an ABABA format. I love the light, childlike melody! Sounds great on acoustic and electric guitars.
$5.99
5.43 €
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Guitare
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Billy Rose, E
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Christopher J
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It's Only A Paper Moon
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Christopher J. Malin
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SheetMusicPlus
Wonderful Words: What if Today?
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1003253 Composed by Public Domain.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1003253 Composed by Public Domain. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3033663. Published by Gordon Wolfe (A0.1003253). An arrangement for Guitar of the two hymns: Wonderful Words of Life and What if it Were Today?
$2.40
2.18 €
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Guitare
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Public Domain
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Gordon Wolfe
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Wonderful Words: What if Today?
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Gordon Wolfe
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SheetMusicPlus
If I Loved You
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899328 Composed by Richard Rodgers…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899328 Composed by Richard Rodgers. Arranged by Gerald Schleicher. Broadway,Film/TV. Individual part. 2 pages. Gerald Schleicher #2807483. Published by Gerald Schleicher (A0.899328). This beautiful love songs flows nicely on the classical guitar. Play it slowly. No need to rush through it.
$4.99
4.52 €
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Guitare
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Richard Rodgers
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Gerald Schleicher
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If I Loved You
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Gerald Schleicher
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SheetMusicPlus
If I Fell
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1045112 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1045112 By The Beatles. By John Lennon and Paul McCartney. Arranged by NATHAN L HATICO. Classical,Contemporary,Jazz,Pop,Rock. Individual part. 4 pages. Nathan L. Hatico #649677. Published by Nathan L. Hatico (A0.1045112). This arrangement was inspired by Earl Klugh's recording of the song on his Naked Guitar CD. The melody line switches back and forth between the upper and lower registers and some sections have been reharmonized. This arrangement will work played in strict time, but I prefer to play it freely and expressively. It isn't too difficult and should be accessible to the intermediate level player.
$4.99
4.52 €
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Guitare
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The Beatles
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NATHAN L HATICO
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If I Fell
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Nathan L. Hatico
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SheetMusicPlus
The Winner Takes It All
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1283320 By ABBA. By Benny Andersson and…
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Guitar - Level 3 - Digital Download SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #874514. Published by Derek Hasted (A0.1283320). THE WINNER TAKES IT ALL - Great concert piece for 4 GUITARS or larger ensemblePrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar only.Derek Hasted writes This is a concert crowd-pleaser perfect for intermediate or advanced intermediate guitarists!One reason ABBA songs are so memorable isn’t the strong melody line, it’s all the other clever harmonies and countermelodies that lurk just under the surface to make a crafted masterpiece.My arrangement uses guitar-friendly shapes to capture the whole song and many of the countermelodies that make the original such a great listen.The dynamics on the score tie in with the orchestration, so that the quiet sections are slow-moving and the louder sections are busy, adding yet more notes before the previous ones fade away. I’ve added just a little fingering here and there if there’s really only one place on the neck to play what’s on the page. Elsewhere, please choose the sweet spot that gives you, the player, the best mix of tone, sustain, playability and confidence.I hope you enjoy performing this as much as the audience will enjoy hearing it!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.52 €
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Guitare
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ABBA
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Derek Hasted
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The Winner Takes It All
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Derek Hasted
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SheetMusicPlus
Raindrops Keep Fallin' On My Head
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Ba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #933060. Published by Christopher J. Malin (A0.1348275). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable cheerful melody. One of Burt Bacharach's many fine pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the triad chords using a little hand vibrato, makes them sing a bit. I also slide up to the single notes at times. The tag at the end, is a nice jam in itself if playing with another guitar or bass, if solo I play it 4 times. Listeners will love this tune! Hope you will too.
$4.99
4.52 €
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Guitare
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B
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Christopher J
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Raindrops Keep Fallin' On My Head
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Christopher J. Malin
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SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
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Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.53 €
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Guitare
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Nocturne
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Maggie Creek Music
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SheetMusicPlus
Michelle
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1342617 By The Beatles. By John Le…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1342617 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christopher J. Malin. 20th Century,Chamber,Contemporary,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #928091. Published by Christopher J. Malin (A0.1342617). Solo jazz guitar chord/melody arrangement with tablature. Beautiful, instantly recognizable melody. One of The Beatles finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I realise there are many arrangments of this great song. Give mine a try...I tend to play this song as a ballad. It's such a beautiful melody no need to rush it. Better to relish it! I love this tune! Hope you will too.
$4.99
4.52 €
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Guitare
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The Beatles
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Christopher J
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Michelle
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Christopher J. Malin
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SheetMusicPlus
I'm Beginning To See The Light
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Du…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #980800. Published by Christopher J. Malin (A0.1397472). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. If someone asks you to play a swing jazz tune this is a archetypical piece. This is a jazz classic! Every jazz guitarist should have this in their repitore. I love this tune! Hope you will too.
$4.99
4.52 €
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Guitare
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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Christopher J
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I'm Beginning To See The Light
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Christopher J. Malin
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SheetMusicPlus
FOR CELLO AND MUSIC BOX (PARA VIOLONCELLO Y CAJITA DE MÚSICA)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1135428 Composed by Claudio Amadeo…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1135428 Composed by Claudio Amadeo Viggiano. Classical,Contemporary. Individual part. 5 pages. Claudio viggiano #735474. Published by claudio viggiano (A0.1135428). Original composition for classical guitar. If it is played with only one guitar it is very difficult. If it is played with two guitars it is very easy. My email contact: clavi10@hotmail.com.
$2.50
2.27 €
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Guitare
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Claudio Amadeo Viggiano
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FOR CELLO AND MUSIC BOX
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claudio viggiano
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1310263 By Tony Bennett. By Bart H…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1310263 By Tony Bennett. By Bart Howard. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #899378. Published by Christopher J. Malin (A0.1310263). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bart Howard's finer pieces. He's from Iowa! This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. There are many arrangements of this song. Give mine a go, it's a bit different. Sounds great on acoustic and electric guitars.
$4.99
4.52 €
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Guitare
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Tony Bennett
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Christopher J
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Fly Me To The Moon
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Christopher J. Malin
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SheetMusicPlus
Don't Get Around Much Anymore
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
6.35 €
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Guitare
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Bob Russell and Duke Ellington
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Christopher J
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Don't Get Around Much Anymore
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Christopher J. Malin
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SheetMusicPlus
Solitude
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #916882. Published by Christopher J. Malin (A0.1328873). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the A section in free time, adding improvisation. Then almost like a modern Power Ballad I play the B' section in a strong swing time. I repeat measures 11 to 14 three times! Then, I pull in the reins and slow her down towards the end and improvise freely at the bitter end. I love this tune! Hope you will too.
$7.00
6.35 €
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Guitare
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40s Instrumental Music
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Christopher J
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Solitude
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Christopher J. Malin
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SheetMusicPlus
Satin Doll
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Bill…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Billy Strayhorn, Duke Ellington, and Johnny Mercer. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. Christopher J. Malin #933670. Published by Christopher J. Malin (A0.1348935). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This is a jazz classic! When I hear or play this song I think of my parents dancing to Satin Doll at Navy Pier in Chicago with the Duke's orchestra! His intro opening lick on the piano to that generation is like Clapton's Layla riff to my generation!I love this tune! Hope you will too.
$4.99
4.52 €
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Guitare
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Duke Ellington
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Christopher J
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Satin Doll
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Christopher J. Malin
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #899389. Published by Christopher J. Malin (A0.1310272). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. In the film The Wizard of Oz. Sung by Judy Garland.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
4.52 €
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Guitare
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Judy Garland
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Christopher J
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Over The Rainbow
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Christopher J. Malin
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SheetMusicPlus
Penthouse Serenade
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1350480 Composed by Val Burton and…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #935289. Published by Christopher J. Malin (A0.1350480). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful melody. I think this one will make you a cut above the rest! A challenging but fullfilling piece of jazz music. This piece makes you stand out as a solo jazz guitarist of all idioms. This is for the chord expert. There are 44 different chords in this piece! Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This was on of Nat King Cole's signature pieces.I love this tune! Hope you will too.
$4.99
4.52 €
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Guitare
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Val Burton and Will Jason
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Christopher J
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Penthouse Serenade
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Christopher J. Malin
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SheetMusicPlus
Canto de mi corazon, meditacion, The singing of my heart, meditation
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.978021 Composed by Alfred Feenstra…
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Solo Guitar - Level 5 - Digital Download SKU: A0.978021 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 8 pages. Alfred Feenstra #4986005. Published by Alfred Feenstra (A0.978021). Here again a very special piece for the classical guitar. Now some years later for me, it feels like a kind of monument.A very intense work, hard labour for the right hand. If it flows well you get in a type of trance and then it has an effect that a meditation piece has.I played it for Leo Brouwer some time ago, with the fear that he would not like it al all. But happily, he judged it, like also my Gabriel piece that I played for, as very positive. The video is recorded in the tower of Benavites with a lot of natural acoustics
$4.50
4.08 €
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Guitare
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Alfred Feenstra
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Canto de mi corazon, meditacion, The singing of my heart, meditation
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Alfred Feenstra
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SheetMusicPlus
Mood Indigo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Alba…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,R & B,Soul,Standards. Individual part. 1 pages. Christopher J. Malin #885330. Published by Christopher J. Malin (A0.1295010). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of the Duke's      finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. This piece needs to be swung hard. It don't mean a thing, if it ain't got that swing! Very danceable piece. Legend has it that Ellington's orchestra would play this rhythm as long as the floor was filled with dancers! Another tried and true arrangement. Have fun with it! Sounds great on acoustic and electric guitars.
$4.99
4.52 €
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Guitare
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Duke Ellington
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Christopher J
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Mood Indigo
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Christopher J. Malin
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.53 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.53 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.53 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.8 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
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