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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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UKULELE
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VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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MEDIEVAL - RENAISSAN…
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Non classifié
2092
PIANO & CLAVIERS
Piano grosses notes
3296
Orgue
1639
Piano seul
1215
Piano Facile
480
Piano, Voix
192
Instruments en Do
122
Piano, Voix et Guitare
118
1 Piano, 4 mains
62
Clavier
59
Accompagnement Piano
54
Piano Trio: piano, violon, violoncelle
35
2 Pianos, 4 mains
17
Clavecin
13
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue, Piano (duo)
8
Accordéon
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
4
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare
116
Guitare notes et tablatures
51
2 Guitares (duo)
21
Ligne De Mélodie, (Paroles) et Accords
15
Ukulele
13
Basse electrique
10
4 Guitares (Quatuor)
8
Guitare (partie séparée)
6
Mandoline
5
Banjo
4
Piano, Guitare (duo)
2
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
2
Dobro
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
Paroles et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
479
Chorale 3 parties
139
Chorale TTBB
105
Chorale SSAA
84
Chorale 2 parties
66
Voix Alto, Piano
53
Voix Soprano, Piano
52
Voix Tenor, Piano
47
Voix Baryton, Piano
43
Chorale Unison
37
Voix duo, Piano
23
Voix duo
17
Voix basse, Piano
5
Voix Soprano
4
Voix seule
4
Voix haute
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix Tenor
2
Chorale SSAB, Piano
2
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Chorale SSATTB
1
Chorale SSATB
1
Voix duo, Orgue
1
Chorale SATBB
1
Chorale
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
207
Flûte traversière et Piano
161
Clarinette et Piano
131
2 Saxophones (duo)
130
Quatuor de Saxophones: 4 saxophones
126
Hautbois, Piano (duo)
121
2 Flûtes traversières (duo)
99
2 Clarinettes (duo)
82
Saxophone Alto et Piano
81
Quintette de Saxophone: 5 saxophones
75
Flûte, Hautbois, Clarinette, Basson
75
Quatuor de Clarinettes: 4 clarinettes
51
Flûte traversière
47
Saxophone Tenor et Piano
44
Ensemble de Clarinettes
43
Saxophone, Clarinette (duo)
42
Flûte, Clarinette (duo)
42
Clarinette
39
Quatuor de Flûtes : 4 flûtes
36
Clarinette, Violon (duo)
35
Hautbois, Basson (duo)
32
Saxophone Alto
30
Saxophone (partie séparée)
29
Clarinette, Trompette (duo)
29
2 Hautbois (duo)
28
Hautbois, Clarinette (duo)
27
Ensemble de saxophones
27
Saxophone Soprano et Piano
27
Clarinette, Basson (duo)
26
2 Flûtes traversières, Piano
25
3 Clarinettes (trio)
25
Flûte, Violon
23
Quintette de Clarinettes: 5 clarinettes
23
Saxophone Baryton, Piano
22
Flûte, Alto (duo)
21
Clarinette Basse, Piano
20
Flûte, Violoncelle
20
Ensemble de Flûtes
20
Trio de Flûtes: 3 flûtes
19
Clarinette et Alto
18
Clarinette, Violoncelle (duo)
17
Hautbois, Flûte
17
3 Saxophones (trio)
17
Hautbois (partie séparée)
17
Hautbois, Violoncelle
16
Cor anglais, Piano
16
Flûte et Guitare
15
Flûte, Trompette (duo)
15
Saxophone Tenor
13
Flûte, Saxophone (duo)
13
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Hautbois, Basson
10
Quintette de Flûte : 5 flûtes
10
Quatuor de Flûtes à bec
8
Flûte, Hautbois (duo)
8
2 Flûte à bec (duo)
8
Flûte à bec Soprano
8
Flute (partie séparée)
7
Clarinette, Guitare (duo)
7
Flûte, Basson et Piano
5
Hautbois, violon (duo)
5
Flûte, Clarinette et Basson
5
Flûte à bec Alto
4
3 Flûtes à bec (trio)
4
Flûte, Violon, Piano
4
Clarinette, Harpe (duo)
4
Clarinette (partie séparée)
4
2 Clarinettes, Piano
3
Hautbois et alto (duo)
3
Hautbois
3
Flûte, Alto et Piano
3
Flûte à Bec
3
2 Cors Anglais Et Pianoforte
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Tenor
2
Flûte, Harpe et Violoncelle
2
Hautbois, Guitare (duo)
2
Flute, harpe et violon
2
5 Flûtes à bec
2
4 Hautbois
2
Hautbois, Violon, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte traversière, Orgue (duo)
2
Flûte à Bec, Piano
2
Flûte à bec Alto, Piano
1
Saxophone, Tuba (duo)
1
Saxophone et Orgue
1
Piccolo, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone
1
Flûte à bec Soprano, Piano
1
Clarinette, Trombone (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble à vent
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Harpe
1
Saxophone Soprano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
178
Trompette, Piano
97
Quatuor de Cuivres : 2 trompettes, trombone, tuba
84
Cor et Piano
75
Trombone et Piano
72
Trompette
40
2 Trombones (duo)
40
2 Trompettes (duo)
37
Cor
34
Trompette, Trombone (duo)
33
Trompette, Saxophone (duo)
30
Trompette (partie séparée)
30
Tuba et Piano
30
Quatuor de Cuivres
26
Euphonium, Piano (duo)
25
Quatuor de cuivres: 4 cors
21
Ensemble de Trombones
19
Quatuor de cuivres: 4 trombones
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone (partie séparée)
17
Cor anglais, Piano
16
Trombone
15
2 Cors (duo)
15
Tuba
10
Cor, Violoncelle (duo)
8
2 Euphoniums (duo)
7
Quatuor de cuivres: 4 trompettes
7
Ensemble de Trompettes
7
Trompette, Cor (duo)
6
2 Tubas (duo)
6
Trompette, Violoncelle (duo)
6
3 Trombones (trio)
4
3 Trompettes (trio)
4
Cor et Harpe
4
Trompette, Basson (duo)
4
Cor (partie séparée)
4
Trompette, violon (duo)
3
Ensemble de Cors
3
3 Euphoniums
3
4 Tubas
3
Cor et Basson (duo)
3
Tuba (partie séparée)
3
2 Cors Anglais Et Pianoforte
3
2 Euphoniums et 2 Tubas
3
Tuba et Orgue
3
Trompette, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Euphonium
2
Trombone, Tuba (duo)
2
Trio de Cuivres
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors, Piano
1
Trompette et Guitare
1
Trompette, Harpe
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
4 Euphoniums
1
Cor anglais, Guitare (duo)
1
Trombone et orchestre
1
3 Cors (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
368
Violon et Piano
198
2 Harpes (duo)
124
Alto, Piano
122
Violoncelle, Piano
122
Violon, Violoncelle (duo)
77
Harpe
74
2 Violons (duo)
70
Violon
55
Violon, Alto (duo)
50
Trio à Cordes: violon, alto, violoncelle
48
Violoncelle
47
2 Violoncelles (duo)
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
2 Altos (duo)
35
Quintette à cordes: 2 violons, 2 altos, violoncelle
27
Alto, Violoncelle (duo)
27
Trio à Cordes: 2 violons, violoncelle
26
Alto seul
23
Contrebasse, Piano (duo)
23
Violon, Basson (duo)
16
Violon (partie séparée)
14
Alto et Basson
13
4 Violoncelles
12
Violon, Guitare (duo)
12
Alto (partie séparée)
11
Piano Trio: Violon, Alto, Piano
9
Contrebasse (partie séparée)
9
Contre Basse
8
Harpe, Flûte (duo)
8
Trio à cordes: 3 violins
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
7
Ensemble de Violons
6
Ensemble d'Altos
6
Violoncelle (partie séparée)
5
Trio à cordes: 3 altos
5
Violoncelle , Guitare (duo)
5
2 Contrebasses (duo)
4
Alto et Harpe
4
Quatuor à cordes : 4 altos
4
Alto, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Harpe, Violoncelle (duo)
3
Violon, Clarinette, Piano (trio)
3
Quatuor à cordes: 4 violons
3
Harpe, Violon, Violoncelle
2
Trio à Cordes: 2 violons, alto
2
Harpe et Piano
1
Harpe, Voix
1
Violon, Basse continue
1
Violoncelle, Basse continue
1
Ensemble de Violoncelles
1
2 Violoncelles, Piano
1
2 Violons, Piano
1
Harpe et mandoline
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
519
Orchestre à Cordes
180
Orchestre
147
Cloches
136
Orchestre de chambre
105
Ensemble de cuivres
103
Ensemble Jazz
71
Ensemble de Percussions
26
Jazz combo
13
Batterie
13
Fanfare
9
Vibraphone
7
Ensemble d'École
6
Marimba
5
Instrumentation Flexible
3
Batterie (partie séparée)
3
Xylophone, Piano
3
Percussion (partie séparée)
2
Orchestre, Violon
2
Vibraphone et Marimba
2
Quintette à Vent
1
2 Xylophones
1
Piano et Orchestre
1
Xylophone
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Formation musicale - Solfège
1
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101
Guitar Sonata No. 9 in E flat major (homage to Stevie Wonder)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 7 pages. Jeremiah Lawson #863416. Published by Jeremiah Lawson (A0.1271026). I started composing this single-movement sonata for guitar on October 29, 2016 and completed it on May 11, 2018. As the title says, this is an homage to Stevie Wonder, one of my musical heroes. This is a roughly 12-minute single-movement that has original themes inspired by the chord changes from the synth break to Stevie Wonder's Living for the City.  The work is primarly in standard tuning but the performer must switch to the tuning E flat, A, D, G, B flat, E flat in the final page. The sonata may be played on classical, electric or acoustic guitar. Although this is not indicated in the published score between measures 236 and 260 you can introduce embellishments and four-measure cadenzas. I suggest inserted cadenzas between measures 255 and 256 as well as between measures 259 and 260.Â
$5.00
4.57 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 9 in E flat major
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Jeremiah Lawson
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SheetMusicPlus
Prelude (BWV1006) in E major transcribed for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #6437311. Published by Daniel Clark (A0.982528). This is a transcription of the prelude from Bach's third solo violin partita. The transcription has been made to be as close to the original violin partita as possible while still being playable (taking into account the octave difference between the instruments). The key changes made are transposition by an octave of pedal notes, similar to lute versions.The main difference between this violin transcription version and the arrangements from lute is that the bass notes are not present. However, there are also some minor differences in melody which may be unfamiliar to guitarists familiar with the lute arrangements.
$2.00
1.83 €
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Guitare
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Johann Sebastian Bach
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Daniel Clark
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Prelude
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Daniel Clark
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SheetMusicPlus
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
9.1 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Jeremiah Lawson
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SheetMusicPlus
Alice In Wonderland
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hill…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99
4.56 €
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Guitare
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Bill Evans
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Christopher J
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Alice In Wonderland
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Christopher J. Malin
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SheetMusicPlus
10 Studies in a Minimal Style for Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1211957 Composed by Aleksander Wil…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1211957 Composed by Aleksander Wilgos. Classical,Contemporary. Individual part. 15 pages. Aleksander Wilgos #809497. Published by Aleksander Wilgos (A0.1211957). 10 Studies in a Minimal Style for Guitar by Aleksander WilgosI came to the idea of composing this set of studies because I wanted to enrich educational guitar repertoire with some modern sounding pieces. I also wanted to keep them simple, yet interesting for young people.Minimal style is great for both tasks. My students already played those studies with engagement and joy.Tehnical and musical difficulty is between beginner and intermediate. Studies are designed in a progressive mode, so the last study is probably the most difficult to play.More about me:www.facebook.com/wilgos.guitarwww.youtube.com/@wilgos.guitar
$9.99
9.13 €
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Guitare
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Aleksander Wilgos
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10 Studies in a Minimal Style for Guitar
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Aleksander Wilgos
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SheetMusicPlus
Melody in F
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1168887 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1168887 Composed by Doug Smith. 20th Century,Classical,Contemporary,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #769224. Published by Doug Smith Guitar Studio (A0.1168887). Melody in F uses notes in the 1st through 5th positions. There are sixteenth note scale runs interspersed between arpeggios, slurs with left hand fingers and the tasteful use of dynamics and lightly strummed chords with a jazz touch and feel.
$1.99
1.82 €
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Guitare
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Doug Smith
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Melody in F
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Doug Smith Guitar Studio
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SheetMusicPlus
Once In Royal David's City (Irby)
Guitare
Solo Guitar - Digital Download SKU: A0.483296 Composed by Henry John Gauntlett. Arr…
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Solo Guitar - Digital Download SKU: A0.483296 Composed by Henry John Gauntlett. Arranged by Robert McCormack. Christmas,Classical,Holiday,Praise & Worship,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483296). Very playable arrangement, mostly in first position key of C. Homophonic for the verse. Polyphony in the refrain occurs with the rising bass scale under the melody. A stretch between fingers one and four, frets one and five occurs here. This provides a nice musical pay-off and is well within the ability of an intermediate player.
$1.99
1.82 €
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Guitare
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Henry John Gauntlett
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Robert McCormack
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Once In Royal David's City
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Robert McCormak
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SheetMusicPlus
Five Studies in B-flat for Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.820347 Composed by Kenneth Pasciak…
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Solo Guitar - Level 3 - Digital Download SKU: A0.820347 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 9 pages. Kenneth Pasciak #5869575. Published by Kenneth Pasciak (A0.820347). Five Studies in B-Flat:I - Tempo di Valse - An easy, up-tempo waltz based on arpeggios in the key of B-flat.II - Moderato - A slow march featuring an on-going call and response between two contrasting rhythmic patterns.III - Tempo di Valse - A two-octave arpeggiating pattern appears throughout this quick waltz.IV - Adagio - Exploring the key of B-flat beyond the first position.V - Andante - A counterpoint study featuring a flowing melody supported by descending scalar patterns.The Flat Key Series features not often seen keys for guitar to expand the guitarist's harmonic vocabulary and experience. Keep an eye out for additional volumes.Kenneth Pasciak Music Publishing, ASCAPkenpasciak.com
$2.49
2.28 €
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Guitare
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Kenneth Pasciak
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Five Studies in B-flat for Guitar
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Kenneth Pasciak
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SheetMusicPlus
Away In a Manger
Guitare
Solo Guitar - Digital Download SKU: A0.483131 Composed by J. R. Murray and W. J. Ki…
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Solo Guitar - Digital Download SKU: A0.483131 Composed by J. R. Murray and W. J. Kirkpatrick. Arranged by Robert McCormack. Christmas,Classical,Holiday,Praise & Worship,Standards. Individual part. 2 pages. Published by Robert McCormak (A0.483131). This arrangement of the Christmas Carol, Away In a Manger, combines the two well known versions of the song. The arpeggiated introduction also serves as a bridge between the two iterations. It isn't as difficult as it appears and sounds as it climbs to the 15th fret G as the position changes are pretty user friendly. A peaceful and pleasant arrangement for a peaceful and pleasant song. Enjoy.
$2.99
2.73 €
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Guitare
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J
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Robert McCormack
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Away In a Manger
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Robert McCormak
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SheetMusicPlus
Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
Guitare
Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publica…
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Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118249.<br> <br> Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.ISBN 9781619118249.<br> <br> Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.
$9.99
9.13 €
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Guitare
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Johann Sebastian Bach
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Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
5.44 €
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Guitare
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Las Morillas de Jaen - Canciones españolas antiguas
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. B…
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Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. By Federico Garcia Lorca. Arranged by Nick Mordal. 20th Century,Folk,Latin,Multicultural,Romantic Period,World. Individual part. 1 pages. Nick Mordal #6285033. Published by Nick Mordal (A0.946415). Garcia Lorca is the most famous name in the flamenco songwriting tradition. His compositions have been covered by countless musicians in the classical and folk flamenco world. The pieces he wrote were often short and repetitive like a folk song, but full of the rhythmic energy that characterizes flamenco. This piece is right in between, as it is fairly rubato and can be interpreted in various ways. Techniques used include barre chords, right hand precision and bringing a melody out over dense chord voicings. This is a song from his collection titled Canciones españolas antiguas. The arrangement has full barre chords with melody. Its sound is a bridge between classical Spanish and flamenco folk Spanish musics. Listen to the album 12 Canciones De Garcia Lorca Para Guitarra by Paco de LucÃa and Ricardo Modrego to hear this music performed at its finest.Â
$4.00
3.66 €
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Guitare
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Federico Garcia Lorca
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Nick Mordal
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Las Morillas de Jaen - Canciones españolas antiguas
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Nick Mordal
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SheetMusicPlus
Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.56 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
"More... Jazz Licks at Your Fingertips" for Guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.809110 Composed by Tony Benade. In…
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Solo Guitar - Level 5 - Digital Download SKU: A0.809110 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573821. Published by Tony Benade (A0.809110). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.
$29.95
27.38 €
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Guitare
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the end of the study, you can improve on the enitre song
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Tony Benade
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"More... Jazz Licks at Your Fingertips" for Guitar
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Tony Benade
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SheetMusicPlus
Red Sunset - Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.948491 Composed by J.W. Heidebrech…
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Solo Guitar - Level 3 - Digital Download SKU: A0.948491 Composed by J.W. Heidebrecht. Jazz. Individual part. 2 pages. Musician Place #3457601. Published by Musician Place (A0.948491). This contrasting piece was written with influences in mind: Snarky Puppy and Monty Norman. Red Sunset starts off very mellow and delicate, then slowly transitions into an intense chord progression, with solos in between, meant to be a break before the climax, as well as after. After the second chorus, an enormous breakdown takes place, to end the piece!
$2.00
1.83 €
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Guitare
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J
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Red Sunset - Guitar
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Musician Place
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SheetMusicPlus
Suite for guitar and orchestra (mp3)
Guitare
Guitar - Digital Download SKU: A0.1059303 Composed by David Warin Solomons. 20th Ce…
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Guitar - Digital Download SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Published by David Warin Solomons (A0.1059303). Performance of my suite for guitar and orchestra by András Csáki and the Budapest Scoring Symphonic Orchestra under Péter Illényi in 2015. The suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm It has elements of Romantic and Renaissance music, flamenco, Latin American, a bit of Celtic square dancing, classical minuets and a general joie de vivre mixed with a little spirituality. Dreaming is a romantic getting to know you scene between guitar and orchestra, with slow harmonic progressions in the strings and melodic imitations and dialogues between guitar and woodwind and then also between guitar and harp. A simple waltz follows, in which the flutes take up new melodies and the guitar initially just provides accompaniment but joins in the conversation as the movement progresses. The Sanctus and Benedictus section reflects the rhythms of the Latin words of the mass, with the Osanna after each main part being a little faster and reminsicent of some of the lute works of Vincenzo Galilei. The harmonic ideas of the Sanctus also colour the slower parts of the last movement, Distant Storm, but the main part of this final movement is a rhythmically exciting dialogue between the various sections of the orchestra and the guitar, leading to an abrupt conclusion, possibly the first thunderclap of a distant but approaching storm, or possibly just a bit of fun. Score and parts:https://www.sheetmusicplus.com/title/20143223?aff_id=175705
$3.50
3.2 €
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Guitare
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David Warin Solomons
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Suite for guitar and orchestra
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David Warin Solomons
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SheetMusicPlus
Passacaglia
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
2.73 €
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Guitare
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.27 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
The Renaissance Vihuela and Guitar in Sixtenth-Century Spain
Guitare
Music transcribed and adapted for modern guitar. Composed by Frank W. Koonce. Frank…
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Music transcribed and adapted for modern guitar. Composed by Frank W. Koonce. Frank Koonce. Early Music/Renaissance. E-book. 192 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21590EB). - e-book - Early Music/Renaissance - Mel Bay Publications - Digital Sheet Music
ISBN 9781609746810. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.* A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576* A companion volume to The Baroque Guitar in Spain and the New World (MB21122)*Intended to help bridge the gap between scholarly editions and performance editions* An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.ISBN 9781609746810. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.* A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576* A companion volume to The Baroque Guitar in Spain and the New World (MB21122)*Intended to help bridge the gap between scholarly editions and performance editions* An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
$29.99
27.42 €
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Guitare
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Frank W
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The Renaissance Vihuela and Guitar in Sixtenth-Century Spain
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Ricordi di Messina
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1462949 Composed by Socrates Arvan…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1462949 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 6 pages. Socrates Arvanitakis #1041673. Published by Socrates Arvanitakis (A0.1462949). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata refers to the port city of Messina in the narrow straits between Calabria and Sicily.
$3.00
2.74 €
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Guitare
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Socrates Arvanitakis
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Ricordi di Messina
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Socrates Arvanitakis
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SheetMusicPlus
La Philippine by CPE Bach
Guitare
Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach…
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Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.
$2.99
2.73 €
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Guitare
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Philippine by CPE Bach
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Eric J Roth
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SheetMusicPlus
Serafin Que Con Dulce Armonia
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1143138 By Simon James. By Joan Cererol…
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Guitar - Level 2 - Digital Download SKU: A0.1143138 By Simon James. By Joan Cererols. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 18 pages. DML #743497. Published by DML (A0.1143138). Joan Cererols (1618 – 1680) was a Spanish composer and Benedictine monk. Cererols was born in Martorell. He entered the choir school Escolania de Montserrat around 1626. Cererols took his first steps in music under the direction of Father Joan Marc, a famous organist. He is known today chiefly for a single villancico, the beautiful marizápalos a lo divino - SerafÃn que con dulce armonÃa . The marizápalos was a song with a special harmonic pattern that often served as a framework for improvisation. This arrangement is for guitar quartet and solo guitar (Guitar 5). The quartet parts are easy, the solo guitar part is more challenging. The piece is fascinating, at times a dialogue between the solo guitar and the quartet but at other times the quartet splits into two giving a dialogue between three groups.
$5.99
5.48 €
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Guitare
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Simon James
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Simon James
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Serafin Que Con Dulce Armonia
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DML
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SheetMusicPlus
Ricordi di Ellesponto
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1470251 Composed by Socrates Arvan…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1470251 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 6 pages. Socrates Arvanitakis #1047998. Published by Socrates Arvanitakis (A0.1470251). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata refers to the Hellespont Straits between Europe and Asia.
$3.00
2.74 €
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Guitare
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Socrates Arvanitakis
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Ricordi di Ellesponto
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Socrates Arvanitakis
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SheetMusicPlus
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