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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNEMUSE
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OPERA
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Non classifié
414
PIANO & CLAVIERS
Piano seul
165
Accompagnement Piano
58
Piano, Voix
49
Orgue
25
Piano Facile
21
Orgue, Trompette (duo)
9
Piano Trio: piano, violon, violoncelle
6
Piano, Voix et Guitare
5
2 Pianos, 4 mains
4
1 Piano, 4 mains
3
Instruments en Do
2
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
Piano (partie séparée)
1
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GUITARES
Guitare
20
Guitare notes et tablatures
6
2 Guitares (duo)
4
Guitare (partie séparée)
2
Mandoline
1
Guitare, Orchestre
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
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VOIX
Chorale 3 parties
456
Chorale SATB
221
Chorale SSAA
116
Chorale 2 parties
38
Chorale TTBB
25
Voix Tenor, Piano
17
Voix Soprano, Piano
17
Chorale Unison
15
Voix Alto, Piano
10
Chorale SSAATTBB
5
Voix Tenor
5
Voix Baryton, Piano
3
Voix haute
3
Voix seule
2
Voix basse, Piano
2
Voix duo, Piano
2
Chorale SSATTB
2
Voix Soprano
1
Voix duo
1
Chorale SSATB
1
Voix moyenne, Piano
1
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VENTS
2 Saxophones (duo)
66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Flûte traversière et Piano
34
2 Clarinettes (duo)
34
Quatuor de Saxophones: 4 saxophones
33
Quatuor de Clarinettes: 4 clarinettes
32
2 Flûtes traversières (duo)
32
Flûte, Hautbois, Clarinette, Basson
29
Saxophone, Clarinette (duo)
26
Clarinette et Piano
22
Clarinette, Violon (duo)
20
Quintette de Saxophone: 5 saxophones
20
Clarinette, Trompette (duo)
17
Hautbois, Piano (duo)
16
Saxophone Alto et Piano
16
2 Hautbois (duo)
15
Clarinette
14
Quatuor de Flûtes : 4 flûtes
14
Flûte, Violon
12
Hautbois, Basson (duo)
11
Ensemble de Clarinettes
11
3 Clarinettes (trio)
11
Saxophone Alto
11
3 Saxophones (trio)
11
Flûte, Clarinette (duo)
10
Flûte traversière
10
Hautbois, Clarinette (duo)
10
Trio de Flûtes: 3 flûtes
9
Clarinette et Alto
9
Flûte, Alto (duo)
9
Flûte, Saxophone (duo)
9
Flûte, Trompette (duo)
8
Saxophone Soprano et Piano
8
Hautbois, Flûte
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Tenor et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Saxophone (partie séparée)
5
Quintette de Flûte : 5 flûtes
4
Quatuor de Flûtes à bec
4
Flûte et Guitare
4
Clarinette, Basson (duo)
3
Flûte, Clarinette et Basson
3
Ensemble de saxophones
3
Clarinette Basse, Piano
2
Ensemble de Flûtes
2
5 Flûtes à bec
2
Clarinette (partie séparée)
2
Cor anglais, Piano
2
Flûte, Hautbois, Basson
2
2 Flûtes traversières, Piano
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
4 Hautbois
1
Clarinette, Violoncelle (duo)
1
2 Flûte à bec (duo)
1
Ocarina
1
Flûte, Violoncelle
1
Flute (partie séparée)
1
Saxophone Baryton, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
2 Saxophones, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trompette, Saxophone (duo)
22
2 Trombones (duo)
20
Trompette
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
2 Trompettes (duo)
14
Cor
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
11
Trompette, Trombone (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone
8
Quatuor de Cuivres
6
2 Tubas (duo)
5
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Euphoniums (duo)
4
Ensemble de Trompettes
4
2 Cors (duo)
4
Trombone (partie séparée)
3
Trio de Cuivres
3
Trompette (partie séparée)
3
Tuba et Piano
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
3
Tuba
2
Trompette, Cor (duo)
2
Euphonium, Tuba (duo)
2
Cor anglais, Piano
2
2 Cors Anglais Et Pianoforte
2
Euphonium
1
Trombone et orchestre
1
4 Tubas
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Trompette, Trombone, Piano
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Trombone basse
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon et Piano
43
Violon
31
2 Violoncelles (duo)
23
2 Violons (duo)
18
Violon, Violoncelle (duo)
18
Violoncelle, Piano
17
Alto, Piano
16
Violon, Alto (duo)
15
2 Altos (duo)
15
Harpe
15
Violoncelle
14
Trio à Cordes: violon, alto, violoncelle
12
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Violoncelles
6
Violon, Guitare (duo)
5
Harpe, Flûte (duo)
4
Quatuor à cordes : 4 altos
4
Alto seul
4
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Contrebasse (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Contre Basse
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Violoncelle (partie séparée)
1
Alto et Basson
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
489
Orchestre à Cordes
91
Orchestre
59
Orchestre de chambre
27
Ensemble de cuivres
27
Cloches
25
Ensemble Jazz
16
Ensemble de Percussions
11
Jazz combo
6
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Fanfare
1
Marimba
1
Instrumentations suivantes
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AUTRES
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Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.44 €
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Guitare
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Grace Found in the Beautiful (Bumblebees, Butterflies and Hummingbirds)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1031608 Composed by Dan Riordan. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1031608 Composed by Dan Riordan. Christian,Concert,Contemporary,New Age. Individual part. 10 pages. Dan Riordan #3481991. Published by Dan Riordan (A0.1031608). A fresh new 21st century musical composition for classical guitar that is 31/2 minutes long and will thrill an audience. Using the guitar, the music presents themes that mimic three beautiful creatures as they dash around fulfilling their purpose while revealing something about their creator. It holds within it a deep spiritual message that will engage an audience of all ages. It can be used in a worship service with other media. https://youtu.be/GJvPES0zgpM. It is also excellent as a program piece used for concerts, weddings and other special events.
$3.99
3.62 €
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Guitare
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Dan Riordan
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Grace Found in the Beautiful
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Dan Riordan
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SheetMusicPlus
Eric Satie - Gymnopedie 1 arr. for guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.790882 Composed by Erik Satie. Arr…
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Solo Guitar - Level 3 - Digital Download SKU: A0.790882 Composed by Erik Satie. Arranged by Georg Mertens. 20th Century,Concert,Romantic Period,Standards. Individual part. 4 pages. Georg Mertens #3691539. Published by Georg Mertens (A0.790882). Eric Satie's famous Gymnopedie is written in a slow and transparent manner. This is ideal to be transcribed for guitar, being not too difficult as no fast passages or heavy chords need to be managed.The subtleness comes out very well on the guitar.The original composition is in D major. I chose as the key E major to allow open strings to sound longer out and also making it easier for the left hand.
$4.99
4.52 €
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Guitare
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Erik Satie
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Georg Mertens
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Eric Satie - Gymnopedie 1 arr. for guitar
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Georg Mertens
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SheetMusicPlus
Parrhesia,
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.978006 Composed by Alfred Feenstra…
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Solo Guitar - Level 5 - Digital Download SKU: A0.978006 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 4 pages. Alfred Feenstra #4983433. Published by Alfred Feenstra (A0.978006). A quite special piece this Parrhesia piece.The fast and stable right-hand appergio of this piece brings a mystic atmosphere in the performance.A messenger announces with his personal tune an important politic statement (the middle part of the piece),After that, he leaves the place and goes to the next village to bring his message.
$4.50
4.08 €
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Guitare
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Alfred Feenstra
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Parrhesia,
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Alfred Feenstra
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.58 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Making Friends
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell …
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Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell (The Candlelight Guitarist). Concert,Folk,Sacred,Spiritual. Individual part. 5 pages. Geofonica Artistworks #6856481. Published by Geofonica Artistworks (A0.948712). Guitar solo (in standard notation) composed by Bradley Powell (The Candlelight Guitarist), from his CD Beatitude Bridge. Intermediate to advanced level blend of folk-jazz and classical finger-style guitar (a trademark style blend of The Classical Guitarist.) It's a positive, moving, yet reflective guitar instrumental, inspired by the many biblical verses about friendship (incl. Ecclesiastes 4:9-10, John 15:15, John 15:12-15, Job 6:14, Proverbs 18:24, Proverbs 27:10, John 15:13). Wonderful for an offertory or musical interlude in a church service, spiritual gathering, concert or recital.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$3.99
3.62 €
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Guitare
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Bradley Powell
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Making Friends
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Geofonica Artistworks
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.6 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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SheetMusicPlus
Idiogloassia
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.775916 Composed by Jonathan David …
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Solo Guitar - Level 5 - Digital Download SKU: A0.775916 Composed by Jonathan David Barlow. Contemporary. Individual part. 16 pages. Musik Fabrik Music Publishing #2026809. Published by Musik Fabrik Music Publishing (A0.775916). The term idioglossia is used to describe invented languages and often refers to speech patterns developed by twins. Barlow’s piece is inspired by this phenomenon. The musical ideas repeat, lengthen, self-reference, and develop freely representing the composer’s perception of idioglossia from his observations of recorded examples and live exposure. This three movement concert piece includes fast passage work, interesting textures, and beautiful melodies. Although challenging, it is composed to sit well on the instrument and fingerings are included to aid the performer. Alternation between dissonant pitch clusters and lydian material is common throughout. Indeed, a general dissonant-consonant-dissonant structure is represented in each movement and across the piece as a whole. 1st movement Uproot winner in the Colorado Composers Competition.
$12.94
11.73 €
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Guitare
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Jonathan David Barlow
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Idiogloassia
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Musik Fabrik Music Publishing
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SheetMusicPlus
Preludio
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert Pieces from 6 Centuries for Guitar (easy). This edition: Sheet music. Guitar - classical music - original pieces. Guitarissimo. 130 leichte Vortragsstücke aus 6 Jahrhunderten für Gitarre. Downloadable. Schott Music - Digital #Q46314. Published by Schott Music - Digital (S9.Q46314). Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers. The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance – Baroque – Classical period – Romanticism and early 20th century – modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method. Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter. The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much.
$21.99
19.93 €
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Guitare
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Preludio
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Schott Music - Digital
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SheetMusicPlus
Asturias (Leyenda)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.955043 Composed by Issac Albeniz. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.955043 Composed by Issac Albeniz. Arranged by Jim Bosse. Concert,Romantic Period. Individual part. 5 pages. Jim Bosse #4601783. Published by Jim Bosse (A0.955043). Issac Albeniz wrote this challenging piece for piano but it has become an integral part of the classical guitar repertoire. This arrangement for solo classical guitar is demanding, in the advanced level. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.8 €
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Guitare
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Issac Albeniz
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Jim Bosse
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Asturias
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Jim Bosse
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SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
5.39 €
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Guitare
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Whimsical monologue [Guitar Solo]
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.912064 By Masakazu YAMAMOTO. By Ma…
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Solo Guitar - Level 5 - Digital Download SKU: A0.912064 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. Contemporary,Contest,Festival,Film/TV,Holiday,Multicultural,World. Individual part. 6 pages. Motch Music #517992. Published by Motch Music (A0.912064). Original work by Masakazu Yamamoto.Work for guitar solo. Composed for guitarist Tatsuya Aikawa. Premiered at his solo concert on November 7, 2021. Various passage like muttering and rhythm appears whimsically, and music leads you gradually enters the delusional world. Fragments of improvised phrases are lined up in a guitar-specific playing style, as if to mutter a sudden idea.Duration : 8 minutes around ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$20.00
18.13 €
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Guitare
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Masakazu YAMAMOTO
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Whimsical monologue [Guitar Solo]
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Motch Music
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SheetMusicPlus
Jesu, Joy of Man's Desiring
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.940533 Composed by Johann Sebastia…
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Solo Guitar - Level 3 - Digital Download SKU: A0.940533 Composed by Johann Sebastian Bach. Arranged by Nick Clow. Concert,Instructional,Spiritual,Standards,Wedding. Individual part. 2 pages. Nick Clow #3379965. Published by Nick Clow (A0.940533). This famous piece is something of a crowd pleaser. It is often indicated to be an intermediate piece, but some versions are a little awkward for a piece at this level.This arrangement pays attention to left hand fingerings in order to smooth out some clunky sections. Bass notes are done away with in certain sections (with no loss to the musicality of the piece) to make it easier and more consistent. Hopefully this piece flows a little better than some others.The piece is set out tidily and logically on one page with one set of repeat bar lines. More fingerings are indicated than strictly necessary.The main tip for playing this piece relates to the unusual 9/8 tempo. Don't let it run away with you - play it solidly with a slowish pulse. That is the biggest challenge of this piece.
$2.99
2.71 €
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Guitare
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Johann Sebastian Bach
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Nick Clow
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Jesu, Joy of Man's Desiring
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Nick Clow
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SheetMusicPlus
Leçon No. 59
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46895 From: Méthode…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46895 From: Méthode Complete. Composed by Francois de Fossa. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46895. Published by Schott Music - Digital (S9.Q46895). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99
2.71 €
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Guitare
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Francois de Fossa
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Leçon No. 59
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Schott Music - Digital
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SheetMusicPlus
Leçon No. 127
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46922 Variation de Fol…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46922 Variation de Folies d`Espagne from: Méthode complète pour la guitare. Composed by Francois de Fossa. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46922. Published by Schott Music - Digital (S9.Q46922). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99
2.71 €
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Guitare
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Francois de Fossa
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Leçon No. 127
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Schott Music - Digital
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SheetMusicPlus
Leçon No. 51
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46892 From: Méthode…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46892 From: Méthode Complete. Composed by Francois de Fossa. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46892. Published by Schott Music - Digital (S9.Q46892). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99
2.71 €
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Guitare
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Francois de Fossa
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Leçon No. 51
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Schott Music - Digital
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SheetMusicPlus
Ecosaisse No. 2
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46898 From: 12 Ecossai…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46898 From: 12 Ecossaises op. 33. Composed by Mauro Giuliani. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46898. Published by Schott Music - Digital (S9.Q46898). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99
2.71 €
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Guitare
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Mauro Giuliani
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Ecosaisse No. 2
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Schott Music - Digital
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SheetMusicPlus
Ecosaisse No. 10
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46893 From: 12 Ecossai…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46893 From: 12 Ecossaises op. 33. Composed by Mauro Giuliani. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46893. Published by Schott Music - Digital (S9.Q46893). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99
2.71 €
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Guitare
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Mauro Giuliani
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Ecosaisse No. 10
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Schott Music - Digital
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SheetMusicPlus
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