English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
14
Librairie
Musicale
31
Matériel
de Musique
49
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
231
PIANO & CLAVIERS
Piano seul
212
Piano Facile
67
Piano, Voix
60
Piano, Voix et Guitare
42
Accompagnement Piano
40
Instruments en Do
21
1 Piano, 4 mains
16
Orgue
12
Piano grosses notes
11
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
6
3 Pianos
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
15
Guitare
14
Paroles et Accords
11
Ligne De Mélodie, (Paroles) et Accords
6
3 Guitares (trio)
2
Ukulele
2
Basse electrique
2
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
97
Chorale 3 parties
19
Chorale TTBB
11
Chorale 2 parties
9
Voix duo, Piano
5
Voix Baryton, Piano
3
Chorale SSAA
3
Chorale Unison
2
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Voix duo
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix seule
1
Instrumentations suivantes
Retracter
VENTS
Clarinette et Piano
42
2 Saxophones (duo)
31
Flûte traversière et Piano
31
Saxophone Alto et Piano
29
Hautbois, Piano (duo)
25
2 Clarinettes (duo)
20
Saxophone Tenor et Piano
20
Flûte traversière
19
2 Flûtes traversières (duo)
16
Clarinette
16
Saxophone Baryton, Piano
16
Cor anglais, Piano
14
Saxophone, Clarinette (duo)
13
Flûte, Clarinette (duo)
11
Saxophone Alto
11
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Saxophones: 4 saxophones
11
Clarinette, Violon (duo)
10
Saxophone Soprano et Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Clarinette, Trompette (duo)
9
Hautbois (partie séparée)
9
Saxophone (partie séparée)
7
Saxophone Tenor
6
Clarinette et Alto
6
2 Hautbois (duo)
6
Flûte, Alto (duo)
5
Flûte, Saxophone (duo)
4
Clarinette Basse, Piano
4
Clarinette (partie séparée)
3
Flûte à bec Alto, Piano
3
Flûte, Clarinette, Piano (trio)
3
Hautbois, Basson (duo)
3
Flûte à bec Soprano, Piano
3
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
3
2 Saxophones, Piano
3
Flûte et Guitare
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Violon
2
Hautbois, Flûte
2
2 Flûtes traversières, Piano
2
2 Clarinettes, Piano
1
Quatuor de Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Ensemble de saxophones
1
3 Saxophones (trio)
1
Flute (partie séparée)
1
Cornemuse
1
3 Clarinettes (trio)
1
Saxophone Soprano
1
Flûte, Violoncelle
1
Flûte à bec Soprano
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
31
Trompette
24
Trompette, Piano
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Cor anglais, Piano
14
Trompette, Trombone (duo)
13
Cor et Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone
12
Euphonium, Piano (duo)
9
Tuba
8
2 Trombones (duo)
8
Tuba et Piano
7
2 Trompettes (duo)
7
Trompette, Saxophone (duo)
7
Cor
5
Trompette (partie séparée)
4
Quatuor de Cuivres
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 cors
3
2 Cors (duo)
2
Trompette, Trombone, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone (partie séparée)
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
3 Trombones (trio)
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
40
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violoncelle, Piano
34
Alto, Piano
22
Violoncelle
20
Violon
20
Violon, Violoncelle (duo)
18
2 Violons (duo)
12
Violon, Alto (duo)
12
2 Altos (duo)
10
Alto seul
9
2 Violoncelles (duo)
9
Contre Basse
8
Trio à Cordes: violon, alto, violoncelle
7
Contrebasse, Piano (duo)
6
Violon (partie séparée)
5
Alto (partie séparée)
5
Trio à Cordes: 2 violons, alto
4
Harpe, Voix
3
Contrebasse (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violons, Piano
2
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
42
Orchestre
19
Ensemble Jazz
10
Cloches
9
Orchestre à Cordes
6
Jazz combo
5
Ensemble de cuivres
5
Fanfare
2
Orchestre de chambre
2
Batterie
2
Ensemble de Percussions
1
Percussion (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
In The Blood
Guitare
Partitions à imprimer
14 partitions trouvées
<
1
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.57 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
Vienna Blood
Guitare
Guitar - easy - Digital Download SKU: S9.Q44820 From: Waltz for Orchestra op. 35…
(+)
Guitar - easy - Digital Download SKU: S9.Q44820 From: Waltz for Orchestra op. 354. Composed by Johann Strauss Jr. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44820. Published by Schott Music - Digital (S9.Q44820). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.73 €
#
Guitare
#
Johann Strauss Jr
#
Martin Hegel
#
Vienna Blood
#
Schott Music - Digital
#
SheetMusicPlus
Nothing but the Blood
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1405392 Composed by Gideon Whitehe…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1405392 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Sacred. Individual part. 3 pages. Shaw Music #988445. Published by Shaw Music (A0.1405392). This classic hymn for guitar will delight listeners and performers alike. This setting juxtaposes exciting and intriguing harmonies with worshipful and meditative moods, and it serves equally well in both sanctuary and recital hall. Excerpted from HYMNS FOR CLASSICAL GUITAR, BOOK 1.
$3.95
3.61 €
#
Guitare
#
Gideon Whitehead
#
Gideon Whitehead
#
Nothing but the Blood
#
Shaw Music
#
SheetMusicPlus
There Is Power In The Blood
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1371844 This edition: scorch. Chris…
(+)
Easy Guitar (no TAB) - Digital Download SKU: HX.1371844 This edition: scorch. Christian,Gospel,Sacred. Score. 1 pages. Hal Leonard - Digital #828780. Published by Hal Leonard - Digital (HX.1371844).
$2.99
2.73 €
#
Guitare
#
There Is Power In The Blood
#
Hal Leonard - Digital
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.57 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
(+)
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.57 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
(7 min
#
Excerpt from Lulu Suite
#
Maggie Creek Music
#
SheetMusicPlus
Are You Washed In The Blood?
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1386256 This edition: scorch. Chris…
(+)
Easy Guitar (no TAB) - Digital Download SKU: HX.1386256 This edition: scorch. Christian,Gospel,Sacred. Score. 1 pages. Hal Leonard - Digital #38500. Published by Hal Leonard - Digital (HX.1386256).
$2.99
2.73 €
#
Guitare
#
Are You Washed In The Blood?
#
Hal Leonard - Digital
#
SheetMusicPlus
In My Place
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.944023 By Coldplay. By Chris Marti…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.944023 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Peter Wrieden. Rock,Wedding. Individual part. 2 pages. Peter Wrieden #6862089. Published by Peter Wrieden (A0.944023). An arrangement of Coldplay's 'In My Place' from the album 'A Rush Of Blood To The Head' for solo classical guitar.
$4.99
4.56 €
#
Guitare
#
Coldplay
#
Peter Wrieden
#
In My Place
#
Peter Wrieden
#
SheetMusicPlus
Sunday Bloody Sunday
Guitare
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.947793 By U2. By U2. Ar…
(+)
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.947793 By U2. By U2. Arranged by Ted Allen. Pop,Rock. Score and parts. 28 pages. Western Meadowlark Song #6428243. Published by Western Meadowlark Song (A0.947793). I created this arrangement as a year-end performance project for a high school beginning guitar class of about 25 students. This arrangement will also work with one on a part, as I played it on the demo recording. In our performance, most of the students played Guitar 3 and 4, while a few slightly more advanced students played the lead parts, Guitar 1 and 2. Players could also use electric guitar on those parts, especially if balance is a problem. Less advanced students can play Guitar 5 which doubles the bass guitar part. An optional drum part is included. Duration: 3:40Parts include notation and TAB. Guitar 1 (intermediate)Guitar 2 (intermediate)Guitar 3 (easy)Guitar 4 (easy)Guitar 5 (doubles Bass Guitar, easy)Bass Guitar (easy)Drums (optional)
$16.99
15.53 €
#
Guitare
#
U2
#
Ted Allen
#
Sunday Bloody Sunday
#
Western Meadowlark Song
#
SheetMusicPlus
I Could Have Lied
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppe…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Correia. Rock. Individual part. 5 pages. Cleber Domingues #893390. Published by Cleber Domingues (A0.1303867). I Could Have Lied was one of the Red Hot Chilli Peppers' biggest hits. It appeared on the same album (Blood Sugar) as other important songs from the band's history, such as Give It Away, Under The Bridge and Breaking in the Girk.In the beginning, the intro lick performed by the guitar, and the guitar solo were what inspired me for the arrangement, but I also found the bass line, another attraction to do the work.A pleasure to have reproduced this musical gem.Contacts:Tel - 55 11 9 5348 3015Instagram - euclebercorreia.
$10.00
9.14 €
#
Guitare
#
The Red Hot Chili Peppers
#
Cleber Correia
#
I Could Have Lied
#
Cleber Domingues
#
SheetMusicPlus
Hymns for Classical Guitar, Book 1
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1405732 Composed by Gideon Whitehe…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1405732 Composed by Gideon Whitehead. Arranged by Gideon Whitehead. Lent,Sacred. Individual part. 20 pages. Shaw Music #988797. Published by Shaw Music (A0.1405732). This set of five classic hymns for guitar will delight listeners and performers alike. These settings juxtapose exciting and intriguing harmonies with worshipful and meditative moods, and they serve equally well in both sanctuary and recital hall. Titles include: Beneath the Cross of Jesus; Holy, Holy, Holy, Lord God Almighty!; Like a River Glorious; Nothing but the Blood; When I Survey the Wondrous Cross.
$11.95
10.93 €
#
Guitare
#
Gideon Whitehead
#
Gideon Whitehead
#
Hymns for Classical Guitar, Book 1
#
Shaw Music
#
SheetMusicPlus
Interrupted Dance (He Who Sings is Not Always Happy)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
10.97 €
#
Guitare
#
Rocco Di Pietro
#
Interrupted Dance
#
Rocco Di Pietro
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale