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FLUTE A DIX…
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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SAXOPHONE
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AFRICAIN
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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difficulté (tous)
débutant
facile
intermédiaire
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expert
avec audio
avec vidéo
avec play-along
Non classifié
410
PIANO & CLAVIERS
Piano seul
1007
Piano Facile
78
2 Pianos, 4 mains
45
Piano, Voix
36
Orgue
32
Piano, Voix et Guitare
13
Clavecin
12
Orgue, Piano (duo)
9
Accordéon
7
1 Piano, 4 mains
5
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
2
2 Accordéons
1
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
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GUITARES
Piano, Guitare (duo)
110
Guitare
55
Guitare notes et tablatures
21
2 Guitares (duo)
18
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Banjo
2
Mandoline, Guitare (duo)
1
Mandoline
1
2 Mandolines (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
68
Chorale 3 parties
32
Chorale 2 parties
13
Chorale Unison
7
Chorale TTBB
5
Voix moyenne, Piano
2
Chorale SSAA
2
Voix duo, Piano
1
Voix basse
1
Voix Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Hautbois, Piano (duo)
199
Flûte traversière et Piano
173
Clarinette
142
Saxophone Alto et Piano
130
Saxophone Tenor et Piano
125
Clarinette et Piano
64
2 Saxophones (duo)
61
2 Clarinettes (duo)
47
2 Flûtes traversières (duo)
42
3 Clarinettes (trio)
24
Flûte traversière
23
Hautbois (partie séparée)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
14
Flûte, Violoncelle
11
Quatuor de Clarinettes: 4 clarinettes
11
Hautbois, Basson (duo)
10
3 Saxophones (trio)
8
Trio de Flûtes: 3 flûtes
8
Flûte, Clarinette (duo)
8
Quatuor de Flûtes : 4 flûtes
8
3 Flûtes à bec (trio)
7
Ensemble de Clarinettes
7
Clarinette, Basson (duo)
6
Saxophone Baryton, Piano
5
Ensemble de Flûtes
4
Flûte à Bec
4
Hautbois, Clarinette (duo)
4
Flûte, Saxophone (duo)
4
Saxophone (partie séparée)
4
Flûte, Hautbois (duo)
4
Saxophone Alto
4
2 Flûte à bec (duo)
4
Flûte, Alto (duo)
3
2 Hautbois (duo)
3
Clarinette (partie séparée)
3
Flûte, Violon
3
Flûte et Guitare
2
5 Flûtes à bec
2
Quintette de Saxophone: 5 saxophones
2
Flute, Cor (duo)
2
Saxophone Soprano et Piano
2
Clarinette, Violon (duo)
2
Flûte, Trompette (duo)
2
Flûte, Trombone (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone, Clarinette (duo)
1
Flute (partie séparée)
1
Flûte et Quatuor à Cordes
1
Clarinette Basse, Piano
1
Hautbois, Violoncelle
1
Cor Anglais
1
2 Saxophones, Piano
1
Saxophone
1
Saxophone, Basson (duo)
1
Cor anglais, Piano
1
Hautbois, Flûte
1
Saxophone et violoncelle
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Piano (trio)
1
Ensemble à vent
1
Flûte irlandaise
1
Quintette de Clarinettes: 5 clarinettes
1
Piccolo
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
142
Trompette
85
Trompette, Piano
64
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone
19
Trompette (partie séparée)
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
2 Trompettes (duo)
10
Cor
8
Trombone (partie séparée)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
2 Trombones (duo)
5
Trompette, Trombone (duo)
5
3 Trombones (trio)
5
Quatuor de Cuivres
5
Cor, Tuba (duo)
3
Tuba et Piano
3
Tuba (partie séparée)
2
Trompette, Tuba (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
2 Cors (duo)
2
Cor Anglais
1
Trompette, Cor (duo)
1
3 Euphoniums
1
Cor anglais, Piano
1
Tuba
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
Cor et Piano
1
Instrumentations suivantes
Retracter
CORDES
Alto, Piano
168
Violon et Piano
155
Violoncelle, Piano
136
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon, Violoncelle (duo)
73
2 Violoncelles (duo)
53
Violon, Alto (duo)
38
Violon
29
Trio à Cordes: violon, alto, violoncelle
27
Violoncelle (partie séparée)
19
Violoncelle et Marimba
15
2 Violons (duo)
15
Alto (partie séparée)
10
Alto seul
9
Contrebasse (partie séparée)
5
2 Altos (duo)
5
Violon (partie séparée)
5
Harpe
5
Trio à Cordes: 3 violoncelles
4
Violoncelle
4
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto et Basson
2
Violon, Guitare (duo)
2
4 Violoncelles
2
Contre Basse
2
Alto, Guitare (duo)
1
2 Harpes (duo)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
88
Orchestre à Cordes
27
Orchestre
26
Marimba
15
2 Marimbas
15
Ensemble de cuivres
11
Orchestre de chambre
9
Ensemble Jazz
6
Percussion
3
Jazz combo
2
Cloches
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Batterie
2
Vibraphone
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
2
Vous avez sélectionné:
Invent
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51
Professor Burble's first invention (mp3)
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1284428 By András Csáki. By David…
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Guitar - Level 4 - Digital Download SKU: A0.1284428 By András Csáki. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 181. David Warin Solomons #875600. Published by David Warin Solomons (A0.1284428). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo.It is performed here by András Csáki guitar.
$6.50
5.97 €
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Guitare
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András Csáki
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Professor Burble's first invention
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David Warin Solomons
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SheetMusicPlus
Professor Burble's 3rd invention for guitar solo
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.578346 Composed by David Warin Sol…
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Solo Guitar - Level 3 - Digital Download SKU: A0.578346 Composed by David Warin Solomons. 20th Century. Individual part. 2 pages. David Warin Solomons #4575801. Published by David Warin Solomons (A0.578346). This is the third in the series of Inventions by my fictitious character Professor Burble
$8.00
7.35 €
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Guitare
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David Warin Solomons
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Professor Burble's 3rd invention for guitar solo
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David Warin Solomons
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SheetMusicPlus
Professor Burble's 3rd Invention for guitar solo (mp3)
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1267924 By David Warin Solomons. By Dav…
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Guitar - Level 3 - Digital Download SKU: A0.1267924 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 102. David Warin Solomons #860476. Published by David Warin Solomons (A0.1267924). This is the third in the series of Inventions by my fictitious character Professor Burble whom I created back in the 1970s to cover (what I considered at the time to be) my more adventurous compositions.
$4.50
4.13 €
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Guitare
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David Warin Solomons
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Professor Burble's 3rd Invention for guitar solo
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David Warin Solomons
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SheetMusicPlus
Professor Burble's 2nd Invention for guitar solo (mp3)
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1267923 By David Warin Solomons. By Dav…
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Guitar - Level 4 - Digital Download SKU: A0.1267923 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 296. David Warin Solomons #860474. Published by David Warin Solomons (A0.1267923). This is the second in the series of Inventions by my fictitious character Professor Burble whom I created back in the 1970s to cover my more adventurous compositions.In this case the original idea for the tune came from a scrap of paper given to me by the Princess of Pembroke Collegein Oxford in 1972.It appears in various subsequent compositions including a tuba quartet and a short story called the Duchess' Tune.
$4.50
4.13 €
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Guitare
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David Warin Solomons
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Professor Burble's 2nd Invention for guitar solo
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David Warin Solomons
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SheetMusicPlus
Professor Burble's 2nd Invention - for guitar solo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.578345 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.578345 Composed by David Warin Solomons. 20th Century. Individual part. 5 pages. David Warin Solomons #4575687. Published by David Warin Solomons (A0.578345). This is the second in the series of Inventions by my fictitious character Professor Burble
$8.00
7.35 €
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Guitare
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David Warin Solomons
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Professor Burble's 2nd Invention - for guitar solo
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David Warin Solomons
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SheetMusicPlus
Invention 4 for guitar duet BWV 774
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.569961 Composed by Johann Sebastia…
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Solo Guitar - Level 1 - Digital Download SKU: A0.569961 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque. Individual part. 4 pages. Cadenza Editions #3389217. Published by Cadenza Editions (A0.569961). Invention 4 for guitar duet BWV 774.
$2.99
2.75 €
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Guitare
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Johann Sebastian Bach
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Cadenza Editions
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Invention 4 for guitar duet BWV 774
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Cadenza Editions
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SheetMusicPlus
Invention (C Major)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.978142 Composed by Valery Dzyabenk…
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Solo Guitar - Level 4 - Digital Download SKU: A0.978142 Composed by Valery Dzyabenko. Baroque,Contemporary,Standards,World. Individual part. 3 pages. Valery Dzyabenko #5733757. Published by Valery Dzyabenko (A0.978142). Polyphonic Composition - Invention in C Major for Classical Guitar. Performed at a fast pace. For the repertoire of graduates of music schools and first-year students of a music college.Duration 1:30.
$2.00
1.84 €
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Guitare
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Valery Dzyabenko
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Invention
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Valery Dzyabenko
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SheetMusicPlus
Invention #2 for Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.1003232 Composed by Gordon Wolfe. Baroque. I…
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Solo Guitar - Digital Download SKU: A0.1003232 Composed by Gordon Wolfe. Baroque. Individual part. 1 pages. Gordon Wolfe #2917137. Published by Gordon Wolfe (A0.1003232). An invention similar to those of J.S. Bach but an original one composed for the Guitar.
$1.99
1.83 €
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Guitare
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Gordon Wolfe
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Invention #2 for Guitar
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Gordon Wolfe
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SheetMusicPlus
Invention 8 for guitar duet BWV 778
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.569963 Composed by Johann Sebastia…
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Solo Guitar - Level 2 - Digital Download SKU: A0.569963 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque. Individual part. 4 pages. Cadenza Editions #3393773. Published by Cadenza Editions (A0.569963). Invention 8 for guitar duet BWV 778from Urtext editions.
$2.99
2.75 €
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Guitare
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Johann Sebastian Bach
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Cadenza Editions
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Invention 8 for guitar duet BWV 778
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Cadenza Editions
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SheetMusicPlus
Invention 1 in C Major, BWV 772
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1173695 By Andrei Krylov. By Johan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1173695 By Andrei Krylov. By Johann Sebastian Bach. Arranged by Andrei Krylov. Baroque,Chamber. Individual part. 2 pages. Andrei Krylov #773842. Published by Andrei Krylov (A0.1173695). Invention 1 in C Major, BWV 772, Classical guitar arrangement.
$5.00
4.59 €
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Guitare
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Andrei Krylov
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Andrei Krylov
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Invention 1 in C Major, BWV 772
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Andrei Krylov
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SheetMusicPlus
Invention 3 for guitar duet BWV 774
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.569960 Composed by Johann Sebastia…
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Solo Guitar - Level 2 - Digital Download SKU: A0.569960 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque. Individual part. 4 pages. Cadenza Editions #3389213. Published by Cadenza Editions (A0.569960). Invention 3 for guitar duet BWV 774.
$2.99
2.75 €
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Guitare
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Johann Sebastian Bach
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Cadenza Editions
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Invention 3 for guitar duet BWV 774
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Cadenza Editions
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SheetMusicPlus
Invention 1 for guitar duet BWV 772
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.569964 Composed by Johann Sebastia…
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Solo Guitar - Level 2 - Digital Download SKU: A0.569964 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque. Individual part. 4 pages. Cadenza Editions #3393777. Published by Cadenza Editions (A0.569964). Invention 1 for guitar duet BWV 772from Urtext editions.
$2.99
2.75 €
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Guitare
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Johann Sebastian Bach
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Cadenza Editions
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Invention 1 for guitar duet BWV 772
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Cadenza Editions
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SheetMusicPlus
Johann Sebastian Bach - Invention No.1 (Guitar duet)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.706119 Composed by Johann Sebastia…
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Solo Guitar - Level 1 - Digital Download SKU: A0.706119 Composed by Johann Sebastian Bach. Arranged by André Laitano. Baroque,Concert,Wedding. Individual part. 4 pages. ANDRÉ DOS SANTOS #5774083. Published by ANDRÉ DOS SANTOS (A0.706119). Johann Sebastian Bach - Invention No.1 (Guitar duet)Content:Duet Score; Guitar 1 Part; Guitar 2 PartContact me:andrelaitanods@gmail.com.
$4.00
3.67 €
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Guitare
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Johann Sebastian Bach
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André Laitano
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Guitar 1 Part
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Johann Sebastian Bach - Invention No.1
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Irrésolu
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.987796 Composed by Daniel R. McLel…
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Solo Guitar - Level 2 - Digital Download SKU: A0.987796 Composed by Daniel R. McLellan. Arranged by Daniel R. McLellan. Contemporary,Instructional. Individual part. 3 pages. Daniel McLellan #36395. Published by Daniel McLellan (A0.987796). Une piece originale inventé et écrite par Daniel Richard McLellan en hiver 2013. An original piece composed and arranged by Daniel Richard McLellan in the winter of 2013.
$1.99
1.83 €
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Guitare
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Daniel R
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Daniel R
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Irrésolu
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Daniel McLellan
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SheetMusicPlus
Die Passion in 9 Inventionen
Guitare
Composed by Hermann Reutter (1900-1985). Downloadable. Op. 25. Schott Music - Digital …
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Composed by Hermann Reutter (1900-1985). Downloadable. Op. 25. Schott Music - Digital #Q16074. Published by Schott Music - Digital
$15.99
14.69 €
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Guitare
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Hermann Reutter (1900-1985)
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Die Passion in 9 Inventionen
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Schott Music - Digital
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SheetMusicPlus
Inventions I, II & III - BWV 772-774 (Arranged for Solo Guitar)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1253668 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1253668 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Individual part. 4 pages. Pedro Nunes #847294. Published by Pedro Nunes (A0.1253668).
$3.89
3.57 €
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Guitare
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Johann Sebastian Bach
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Pedro Nunes
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Inventions I, II & III - BWV 772-774
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Pedro Nunes
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SheetMusicPlus
Invention No.13 in A minor, BWV 784 (arr. Kian Beatty)
Guitare
By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Kian Bea…
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By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Kian Beatty. Baroque, Classical. Individual part. 2 pages. Published by Kian Beatty
$3.99
3.66 €
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Guitare
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Johann Sebastian Bach
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Kian Beatty
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Invention No.13 in A minor, BWV 784
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Kian Beatty
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.43 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
The Jarrod Elks Travis-Picking Method : A Complete Step-by-Step Guide for Beginners
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1336406 By Jarrod Elks. By Jarrod …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1336406 By Jarrod Elks. By Jarrod Elks. Arranged by Jarrod Elks. Blues,Country,Folk,Jazz,Singer/Songwriter. Individual part. 39 pages. Jarrod Elks #922204. Published by Jarrod Elks (A0.1336406). A beginners guide to the country finger-style of guitar playing known as Travis-Picking. Invented by Merle Travis (b.1917 - d.1983) and carried forward by the likes of Chet Atkins (b.1924 - d.2001) and Tommy Emmanuel (b.1955).This eBook contains over 30 exercises designed to teach you in a fool-proof manner from the very basics upwards.Every exercise has a hyperlink so that you can practice along with me, Jarrod, via exclusive videos.
$25.00
22.96 €
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Guitare
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Jarrod Elks
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Jarrod Elks
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The Jarrod Elks Travis-Picking Method : A Complete Step-by-Step Guide for Beginners
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Jarrod Elks
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SheetMusicPlus
Idiogloassia
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.775916 Composed by Jonathan David …
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Solo Guitar - Level 5 - Digital Download SKU: A0.775916 Composed by Jonathan David Barlow. Contemporary. Individual part. 16 pages. Musik Fabrik Music Publishing #2026809. Published by Musik Fabrik Music Publishing (A0.775916). The term idioglossia is used to describe invented languages and often refers to speech patterns developed by twins. Barlow’s piece is inspired by this phenomenon. The musical ideas repeat, lengthen, self-reference, and develop freely representing the composer’s perception of idioglossia from his observations of recorded examples and live exposure. This three movement concert piece includes fast passage work, interesting textures, and beautiful melodies. Although challenging, it is composed to sit well on the instrument and fingerings are included to aid the performer. Alternation between dissonant pitch clusters and lydian material is common throughout. Indeed, a general dissonant-consonant-dissonant structure is represented in each movement and across the piece as a whole. 1st movement Uproot winner in the Colorado Composers Competition.
$12.94
11.88 €
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Guitare
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Jonathan David Barlow
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Idiogloassia
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Am The Highway
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1304657 By Audioslave. By Audiosla…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1304657 By Audioslave. By Audioslave and Chris Cornell. Arranged by Cleber Correia. Rock. Individual part. 6 pages. Cleber Domingues #894097. Published by Cleber Domingues (A0.1304657). I Am The Highway features a combination of acoustic guitar, bass and drums; In particular, it is a type of practice that I like, as I play acoustic guitar.Although the base of the band was formed by instrumentalists from ''Rage Against the Machine'', in the proposal of ''Audioslave'', they reinvented themselves and presented a very peculiar repertoire.This is another of the band's successful songs.
$10.00
9.18 €
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Guitare
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Audioslave
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Cleber Correia
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I Am The Highway
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Cleber Domingues
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SheetMusicPlus
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