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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Jazz Pieces
Non classifié
211
Piano & claviers
Piano seul
607
Piano Facile
52
Piano, Voix
45
1 Piano, 4 mains
29
Orgue
19
Piano, Voix et Guitare
18
Instruments en Do
8
2 Pianos, 4 mains
6
Orgue, Piano (duo)
4
Piano (partie séparée)
3
Clavecin
3
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
118
Guitare
68
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
15
Basse electrique
9
Ensemble de guitares
4
Guitare (partie séparée)
3
2 Guitares (duo)
3
Ukulele
1
3 Guitares (trio)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
23
Chorale SSAA
5
Voix haute
4
Chorale 2 parties
2
Voix Alto, Piano
2
Voix seule
2
Chorale 3 parties
2
Chorale Unison
1
Voix basse
1
+ 4 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
213
Clarinette et Piano
201
Flûte traversière et Piano
199
Saxophone Alto et Piano
143
Saxophone Tenor et Piano
141
2 Saxophones (duo)
76
Clarinette
36
Saxophone (partie séparée)
35
Flûte traversière
34
Saxophone Alto
28
Quatuor de Saxophones: 4 saxophones
25
Saxophone Tenor
24
Saxophone, Clarinette (duo)
23
2 Clarinettes (duo)
19
2 Flûtes traversières (duo)
16
Hautbois (partie séparée)
14
Clarinette, Violon (duo)
14
Quatuor de Clarinettes: 4 clarinettes
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
2 Hautbois (duo)
11
Clarinette, Trompette (duo)
11
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Flûtes : 4 flûtes
11
Saxophone Soprano et Piano
9
Flûte, Saxophone (duo)
8
Saxophone
8
Flûte, Violon
8
Hautbois, Flûte
7
Saxophone Baryton, Piano
6
Hautbois, Basson (duo)
6
Clarinette et Alto
5
Trio de Flûtes: 3 flûtes
5
Hautbois, Clarinette (duo)
5
Flûte, Trompette (duo)
5
Flûte, Clarinette (duo)
4
Flûte, Alto (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
3 Clarinettes (trio)
3
Flûte, Clarinette et Basson
3
3 Saxophones (trio)
3
Clarinette Basse, Piano
2
Ensemble de Clarinettes
2
Ensemble de saxophones
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violon, Piano
1
Flute (partie séparée)
1
3 Flûtes à bec (trio)
1
Quintette de Saxophone: 5 saxophones
1
Flûte et Quatuor à Cordes
1
2 Flûtes traversières, Piano
1
+ 49 instrumentations
Retracter
Cuivres
Trombone et Piano
152
Trompette
95
Trompette, Piano
75
Trombone
29
Trompette (partie séparée)
20
Trompette, Saxophone (duo)
18
Quatuor de cuivres: 4 trombones
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
2 Trombones (duo)
14
Trombone (partie séparée)
13
2 Trompettes (duo)
10
Trompette, Trombone (duo)
7
Cor et Piano
6
Euphonium, Piano (duo)
6
Ensemble de Trombones
3
2 Cors (duo)
3
Tuba
2
Trombone, Tuba (duo)
2
2 Tubas (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium
2
Tuba et Piano
2
Trompette, Euphonium (duo)
1
Tuba (partie séparée)
1
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Quatuor de Cuivres
1
Cor (partie séparée)
1
+ 23 instrumentations
Retracter
Cordes
Violon et Piano
183
Alto, Piano
171
Violoncelle, Piano
146
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violoncelle
21
Violon
15
2 Violoncelles (duo)
12
2 Violons (duo)
10
2 Altos (duo)
10
Violon, Alto (duo)
9
Harpe
9
Alto (partie séparée)
8
Alto seul
7
Violon, Violoncelle (duo)
7
Trio à Cordes: violon, alto, violoncelle
5
Violon, Guitare (duo)
4
Contrebasse, Piano (duo)
3
Violoncelle, Contrebasse (duo)
3
Violon (partie séparée)
3
4 Violoncelles
3
Contrebasse (partie séparée)
3
Contre Basse
1
Trio à cordes: 3 altos
1
3 Contrebasses
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
61
Jazz combo
26
Orchestre
9
Ensemble de cuivres
9
Vibraphone
6
Orchestre à Cordes
5
Batterie (partie séparée)
5
Ensemble d'École
4
Orchestre d'harmonie
4
Ensemble de Percussions
4
Xylophone, Piano
3
Batterie
3
Cloches
2
Fanfare
2
Marimba
2
Caisse Claire, Piano
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Jazz Pieces
Guitare
Partitions à imprimer
68 partitions trouvées
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51
Seven Sacred Songs for Fingerstyle Jazz Guitar
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Guitare
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INTERMÉDIAIRE
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Public Domain
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Thomas E
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Seven Sacred Songs for Fingers
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Thomas E. Lipe, Jr.
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1438017 Composed by Public Domain. Arranged by Thomas E. Lipe Jr. Jazz,Religious,Sacred. Individual part. 30 pages. Thom...
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Solo Guitar - Level 3 - SKU: A0.1438017 Composed by Public Domain. Arranged by Thomas E. Lipe Jr. Jazz,Religious,Sacred. Individual part. 30 pages. Thomas E. Lipe, Jr. #1018082. Published by Thomas E. Lipe, Jr. (A0.1438017). Jazz guitar has a long and rich history in worship settings, but there are few transcriptions of of sacred pieces available for intermediate guitarists. Too often the guitarist is presented with the choice of playing from a fake book, or taking the time to arrange the pieces to suit. With this in mind, here are seven sacred songs arranged for the intermediate guitarist. The arrangements are unique - for example, Silent Night is arranged in 5/8 in the style of Dave Brubeck. Arrangements include:Amazing GracePrecious Lord, Take My HandJust a Closer Walk With TheeSwing Low, Sweet ChariotCome, Thou Long Expected Jesus (Hyfrydol)Lo How a Rose is Blooming/Silent NightWe Three KingsThe arrangements are suitable for playing in a worship setting, or just for the fun of playing something different in the jazz language.
$15.00
The Jazz Method (in A Flat)
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Guitare
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FACILE
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Wesley Besancon
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Wesley Besancon
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The Jazz Method
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Wesley Besancon
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1173615 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instructional,Jazz. Individual part. 9 page...
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Solo Guitar - Level 2 - SKU: A0.1173615 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instructional,Jazz. Individual part. 9 pages. Wesley Besancon #773762. Published by Wesley Besancon (A0.1173615). Does your band ever struggle with jazz? Do you ever struggle with jazz? Has any of your friends stuggled with jazz? If you said yes to any of these, then I would recommend the First Place For Jazz book by Dean Sorenson. But I have seen one problem. They do not dicuss A flat! A flat is a crucial key in jazz. So I have extended his book with 4 new orginal pieces in A flat. 1. (major)2. (mixolydian)3. (dorian)4. (blues).
$19.99
You Can Teach Yourself Jazz Guitar
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Guitare
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DÉBUTANT
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Jazz
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John Griggs
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You Can Teach Yourself Jazz Gu
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (flatpicking) - Beginning - SKU: M0.95162BCDEB Composed by John Griggs. You Can Teach Yourself. Jazz. E-book and online audio. Mel Bay Publicatio...
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Guitar (flatpicking) - Beginning - SKU: M0.95162BCDEB Composed by John Griggs. You Can Teach Yourself. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95162BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95162BCDEB). ISBN 9781610655026. 8.75x11.75 inches.This book is designed to prepare the aspiring jazz guitarist to arrange and improvise in a jazz style. Playing by ear is stressed from the very first exercise. You will learn 12-bar blues, 8-bar blues, and standards, as well as how to create fill-ins, improvise, develop ideas, play comping chords, develop a walking bass line, and more. Scales, chords, and arpeggios for the development of technical skills, ear training and fingerboard knowledge cover the niter fingerboard, and in all keys. You will learn how to develop a tune in a logical manner form the basic tune to a full-blown performance arrangement. In notation and tablature.The companion online recording contains all of the solos in the book (but not the etudes). The tracks are split with solo on the right channel and accompaniment on the left, and the count is given so that you can play along. The pieces are designed to develop technique as well as musicianship.
$14.99
"The Black Velvet Band"-for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE
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Traditional
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Fishel Pustilnik
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"The Black Velvet Band&qu
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.633924 Composed by Traditional. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Individual part. 3 pages. F & ...
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Solo Guitar - Level 3 - SKU: A0.633924 Composed by Traditional. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Individual part. 3 pages. F & N Enterprise #3481673. Published by F & N Enterprise (A0.633924). An excellent arrangement of famous Irish Song The Black Velvet Band for Guitar with Background Track-Jazz/Pop Version. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"The Wild Rover" for Guitar (with Background Track)-Jazz/Pop Version with Improvisation
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Guitare
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INTERMÉDIAIRE
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Traditional
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Fishel Pustilnik
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"The Wild Rover" for
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.633956 Composed by Traditional. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Individual part. 3 pages. F & ...
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Solo Guitar - Level 3 - SKU: A0.633956 Composed by Traditional. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Individual part. 3 pages. F & N Enterprise #3485813. Published by F & N Enterprise (A0.633956). An excellent arrangement of famous Irish Song The Wild Rover for Guitar with Background Track-Jazz/Pop Version with Improvisation.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"When Irish Eyes Are Smiling" for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE
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Ernest Ball
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Fishel Pustilnik
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"When Irish Eyes Are Smil
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.633967 Composed by Ernest Ball. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Individual part. 3 pages. F & ...
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Solo Guitar - Level 3 - SKU: A0.633967 Composed by Ernest Ball. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Individual part. 3 pages. F & N Enterprise #3487937. Published by F & N Enterprise (A0.633967). An excellent arrangement of famous Irish Song When Irish Eyes Are Smiling for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"My Wild Irish Rose" for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE
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Chauncey Olcott
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Fishel Pustilnik
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"My Wild Irish Rose"
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.633978 Composed by Chauncey Olcott. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & ...
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Solo Guitar - Level 3 - SKU: A0.633978 Composed by Chauncey Olcott. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3488671. Published by F & N Enterprise (A0.633978). An excellent arrangement of famous Irish Song My Wild Irish Rose for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Too-Ra-Loo-Ra-Loo-Ral" for Guitar (with Background)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE
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James Royce Shannon
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Fishel Pustilnik
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"Too-Ra-Loo-Ra-Loo-Ral&qu
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.633989 Composed by James Royce Shannon. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. ...
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Solo Guitar - Level 3 - SKU: A0.633989 Composed by James Royce Shannon. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3489059. Published by F & N Enterprise (A0.633989). An excellent arrangement of famous Irish Song Too-Ra-Loo-Ra-Loo-Ral (That's An Irish Lullaby) for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Believe Me If All Those Endearing Young Charms" for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE
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Traditional
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Fishel Pustilnik
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"Believe Me If All Those
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.634000 Composed by Traditional. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 2 pages. F & N En...
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Solo Guitar - Level 3 - SKU: A0.634000 Composed by Traditional. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 2 pages. F & N Enterprise #3489413. Published by F & N Enterprise (A0.634000). An excellent arrangement of famous Irish Song Believe Me If All Those Endearing Young Charms for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Polka" by Tschaikovsky for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE
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Peter Ilyich Tschaikovsky
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Fishel Pustilnik
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"Polka" by Tschaikov
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.634100 Composed by Peter Ilyich Tschaikovsky. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 p...
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Solo Guitar - Level 3 - SKU: A0.634100 Composed by Peter Ilyich Tschaikovsky. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3510073. Published by F & N Enterprise (A0.634100). An excellent arrangement of famous Polka by Peter Ilyich Tschaikovsky for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Chopsticks" for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Atrhur de Lulli
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Fishel Pustilnik
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"Chopsticks" for Gui
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.634122 Composed by Atrhur de Lulli. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & ...
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Solo Guitar - Level 4 - SKU: A0.634122 Composed by Atrhur de Lulli. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3512173. Published by F & N Enterprise (A0.634122). An excellent arrangement of famous Chopsticks for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$2.99
"Prelude In A Major" by Frederic Chopin for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In A Major"
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.634056 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 2 pages. F & ...
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Solo Guitar - Level 3 - SKU: A0.634056 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 2 pages. F & N Enterprise #3500507. Published by F & N Enterprise (A0.634056). An excellent arrangement of famous Prelude In A Major by Frederic Chopin for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Solfeggietto" by Carl P.E. Bach for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Fishel Pustilnik
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"Solfeggietto" by Ca
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.634023 Composed by Carl Philipp Emanuel Bach. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 p...
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Solo Guitar - Level 5 - SKU: A0.634023 Composed by Carl Philipp Emanuel Bach. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3497203. Published by F & N Enterprise (A0.634023). An excellent arrangement of famous Solfeggietto by Carl Philipp Emanuel Bach for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Prelude In E Minor" by Frederic Chopin for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor"
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.634045 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & ...
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Solo Guitar - Level 4 - SKU: A0.634045 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3500093. Published by F & N Enterprise (A0.634045). An excellent arrangement of famous Prelude In E Minor by Frederic Chopin for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Prelude" by Frederic Chopin for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Fishel Pustilnik
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"Prelude" by Frederi
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.634031 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 2 pages. F & ...
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Solo Guitar - Level 4 - SKU: A0.634031 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 2 pages. F & N Enterprise #3499641. Published by F & N Enterprise (A0.634031). An excellent arrangement of famous Prelude by Frederic Chopin for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Für Elise" for Guitar (with Background Track)-Jazz/Pop Version
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Fishel Pustilnik
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"Für Elise" for
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.634011 Composed by Ludwig van Beethoven. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 4 pages....
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Solo Guitar - Level 4 - SKU: A0.634011 Composed by Ludwig van Beethoven. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 4 pages. F & N Enterprise #3490311. Published by F & N Enterprise (A0.634011). An excellent arrangement of famous Für Elise by Ludwig van Beethoven for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
Solo Pieces For Classical Guitar
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Guitare
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Janos Agocsi
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Solo Pieces For Classical Guit
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Janos Agocsi
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SheetMusicPlus
Solo Guitar - SKU: A0.499312 Composed by Janos Agocsi. 20th Century,Classical,Contemporary,Jazz,New Age. Individual part. 55 pages. Published by Janos A...
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Solo Guitar - SKU: A0.499312 Composed by Janos Agocsi. 20th Century,Classical,Contemporary,Jazz,New Age. Individual part. 55 pages. Published by Janos Agocsi (A0.499312). This book includes a variety of János Agócsi's compositions - arranged for solo guitar by himself - from the CDs ‘Melting Point’ and 'Perseverance’ recorded by the Agócsi-Tüske Duo.
$8.99
60 pieces for Classical Guitar
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Guitare
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Jordan Grigg
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60 pieces for Classical Guitar
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Jordan Grigg
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SheetMusicPlus
Guitar - SKU: A0.1056858 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 4311. Jordan Grigg #345...
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Guitar - SKU: A0.1056858 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 4311. Jordan Grigg #3458439. Published by Jordan Grigg (A0.1056858).
$9.99
Ben Monder Compositions, Volume II
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Ben Monder
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Ben Monder Compositions, Volum
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate- Advanced - Composed by Ben Monder. Solos/Transcriptions. Jazz and Contemporary. E-book. 148 pages. Mel Bay Publications - Digi...
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Guitar - Intermediate- Advanced - Composed by Ben Monder. Solos/Transcriptions. Jazz and Contemporary. E-book. 148 pages. Mel Bay Publications - Digital Sheet Music #30228EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619115637. 8.75 x 11.75 inches.
This book serves as a follow-up to Ben Monder Compositions, with an emphasis on the compositions found on the 2013 recording, Hydra, as well as some older pieces that didn't make it into the first book. They are scored for solo guitar, guitar trio, guitar and voice duo, and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic, technical, and textural elements of the guitar. These pieces will present an array of challenges to the performer, including unusual techniques and alternate tunings.
$24.99
Mordy Ferber - Compositions
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Guitare
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INTERMÉDIAIRE
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Jazz
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Mordy Ferber
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Mordy Ferber - Compositions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - Composed by Mordy Ferber. 0. E-book. 84 pages. Mel Bay Publications - Digital Sheet Music #22154EB. ...
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Guitar (jazz and contemporary) - Intermediate - Composed by Mordy Ferber. 0. E-book. 84 pages. Mel Bay Publications - Digital Sheet Music #22154EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119451.
This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression, and as such -- an exposure, of a genuine part of myself which I present within the framework of jazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place, a small neighborhood outside of Haifa, Israel. I really hope that you will listen to these pieces come alive on my CDs, All The Way To Sendai.
$17.99
Reflections: Ten Solos for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Michael Reardon
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Reflections: Ten Solos for Gui
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Son...
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Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
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