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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Joy is come
Non classifié
1 067
Piano & claviers
Piano seul
436
Piano Facile
172
Orgue
63
Piano, Voix
59
Piano, Voix et Guitare
56
1 Piano, 4 mains
33
Accompagnement Piano
22
Instruments en Do
20
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
8
Orgue, Piano (duo)
3
2 Pianos, 8 mains
2
Piano (partie séparée)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
52
Guitare
30
Ukulele
12
2 Guitares (duo)
11
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Mandoline
3
Banjo
2
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
+ 7 instrumentations
Retracter
Voix
Chorale SATB
267
Chorale 3 parties
85
Chorale Unison
40
Chorale 2 parties
38
Chorale TTBB
24
Chorale SSAA
18
Voix duo, Piano
7
Chorale
5
Voix seule
5
Voix Soprano, Piano
4
Voix moyenne, Piano
2
Voix duo
2
Voix Tenor, Piano
2
Chorale SSATB
2
Voix Alto, Piano
2
Voix haute
1
Voix basse, Piano
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Flûte traversière et Piano
67
Quatuor de Saxophones: 4 saxophones
66
Clarinette et Piano
66
Ensemble de saxophones
62
2 Saxophones (duo)
59
2 Flûtes traversières (duo)
56
Flûte, Hautbois, Clarinette, Basson
54
Clarinette
48
Saxophone Alto et Piano
45
Hautbois, Piano (duo)
43
Hautbois (partie séparée)
39
Flûte traversière
36
2 Clarinettes (duo)
35
Saxophone Tenor et Piano
27
Saxophone Alto
26
Ensemble de Clarinettes
26
Quatuor de Clarinettes: 4 clarinettes
25
Flûte, Clarinette (duo)
24
Saxophone (partie séparée)
23
Ensemble de Flûtes
20
Saxophone, Clarinette (duo)
20
Quintette de Flûte : 5 flûtes
18
Ocarina
16
Quatuor de Flûtes : 4 flûtes
16
Flûte à bec Soprano
16
3 Clarinettes (trio)
16
Flûte à bec Alto
15
Saxophone Tenor
13
Saxophone Soprano et Piano
13
Flûte et Guitare
12
Saxophone Baryton, Piano
11
Clarinette, Violon (duo)
10
3 Saxophones (trio)
10
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Trompette (duo)
10
Clarinette, Violoncelle (duo)
9
Flûte, Violon
9
Quatuor de Flûtes à bec
8
Cor anglais, Piano
8
Trio de Flûtes: 3 flûtes
7
Flûte, Saxophone (duo)
7
2 Hautbois (duo)
7
Hautbois, Flûte
7
Flûte à bec Alto, Piano
6
Clarinette, Basson (duo)
6
Flûte, Violon, Piano
6
Flûte irlandaise
6
2 Flûtes traversières, Piano
6
Hautbois, Clarinette (duo)
6
Harmonica
5
Flûte, Trompette (duo)
5
Hautbois, Basson (duo)
5
Clarinette et Alto
5
Clarinette (partie séparée)
4
Flûte, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flute (partie séparée)
4
Flûte à bec Tenor
4
Flûte, Harpe et Violoncelle
4
Flûte, Violoncelle, Piano (trio)
3
Hautbois
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Clarinette Basse, Piano
3
Flûte, Alto (duo)
3
Ensemble De Flûte à bec
2
2 Clarinettes, Piano
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Guitare (duo)
2
Cor Anglais
2
Cornemuse
2
2 Flûte à bec (duo)
2
Hautbois, Violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Hautbois
1
2 Saxophones, Piano
1
Flûte, Hautbois, Basson
1
Saxophone et Guitare
1
5 Flûtes à bec
1
Clarinette, Harpe (duo)
1
Ensemble à vent
1
Clarinette, trompette et piano
1
Flûte, trombone et piano
1
Clarinette, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Soprano, Piano
1
3 Flûtes à bec (trio)
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
+ 86 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Ensemble de Trompettes
49
Quatuor de Cuivres
39
Trombone et Piano
35
Trompette
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trompette, Piano
30
Trombone
30
Ensemble de Trombones
26
2 Trompettes (duo)
24
Cor et Piano
24
Tuba
23
Cor
21
2 Trombones (duo)
18
Quatuor de cuivres: 4 trombones
15
Trompette (partie séparée)
14
Trompette, Saxophone (duo)
12
Tuba et Piano
11
Trompette, Trombone (duo)
10
Trombone (partie séparée)
9
Trio de Cuivres
9
Cor anglais, Piano
8
Euphonium, Piano (duo)
7
2 Cors (duo)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
4
Trompette, Violoncelle et Piano
3
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Cor (duo)
2
Euphonium, Tuba (duo)
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
Cor Anglais
2
2 Euphoniums et 2 Tubas
2
Euphonium
2
Tuba et Orgue
2
4 Tubas
1
2 Trombones, Piano
1
Trompette, Basson (duo)
1
3 Trombones (trio)
1
Trompette, Trombone, Piano
1
Cor et Basson (duo)
1
2 Euphoniums (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
95
Violoncelle, Piano
61
Alto, Piano
58
Harpe
52
2 Violons (duo)
48
Violon
47
Violoncelle
46
2 Violoncelles (duo)
45
Alto seul
33
Violon, Violoncelle (duo)
31
Contre Basse
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Trio à Cordes: violon, alto, violoncelle
24
Violon, Alto (duo)
24
Contrebasse, Piano (duo)
21
2 Altos (duo)
19
Ensemble d'Altos
14
Ensemble de Violons
13
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
8
Violon (partie séparée)
7
Alto, Violoncelle (duo)
7
Violoncelle, Contrebasse (duo)
6
Harpe, Voix
4
2 Contrebasses (duo)
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
4 Violoncelles
3
Quatuor à cordes: 4 violons
3
Violoncelle (partie séparée)
3
2 Harpes (duo)
3
Harpe, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Flûte (duo)
2
Violon, Basson (duo)
2
Trio à cordes
2
Alto et Basson
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Harpe, Violon (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violon, Trompette et Piano
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Alto et Harpe
1
2 Violoncelles, Piano
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
300
Orchestre à Cordes
75
Cloches
59
Orchestre
48
Ensemble de cuivres
29
Batterie
26
Ensemble Jazz
21
Marimba
10
Orchestre de chambre
8
Fanfare
4
Ensemble de Percussions
4
Xylophone, Piano
3
Jazz combo
3
Percussion (partie séparée)
2
Vibraphone
2
Xylophone
2
Batterie (partie séparée)
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Vous avez sélectionné:
Joy is come
Guitare
Partitions à imprimer
30 partitions trouvées
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1
26
When He Cometh
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
William O
#
Bruce J
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When He Cometh
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In His Name Music/SESAC
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.938081 Composed by William O. Cushing. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. ...
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Solo Guitar - Level 4 - SKU: A0.938081 Composed by William O. Cushing. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #59121. Published by In His Name Music/SESAC (A0.938081). When He Cometh is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. When He Cometh is a favorite hymn arranged for classical guitar. This hymn is arranged to accommodate guitarists with a skill level of early advanced. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a joyful exception of the soon return of Christ for His church, when He comes to make up His jewels.
$3.99
Christmas Time Is Here
#
Guitare
#
DÉBUTANT
#
Noël
#
Lee Mendelson and Vince Guaral
#
Rodrigo Faleiros
#
Christmas Time Is Here
#
Rodrigo Faleiros
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1315740 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,J...
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Solo Guitar - Level 1 - SKU: A0.1315740 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904488. Published by Rodrigo Faleiros (A0.1315740). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant : Begin your holiday journey instantly with our convenient PDF download. Chord symbols: The sheet music includes chord symbols, allowing for harmonic creativity and festive musicality by another musician. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
Christmas Time Is Here
#
Guitare
#
DÉBUTANT
#
Noël
#
Lee Mendelson and Vince Guaral
#
Rodrigo Faleiros
#
Christmas Time Is Here
#
Rodrigo Faleiros
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1315983 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,J...
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Solo Guitar - Level 1 - SKU: A0.1315983 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904524. Published by Rodrigo Faleiros (A0.1315983). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant : Begin your holiday journey instantly with our convenient PDF download. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
Carolan's Welcome - Guitar Arrangement with chord Symbols
#
Guitare
#
FACILE
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Turlough O'carolan
#
Victor Araújo
#
Carolan's Welcome - Guitar Arr
#
Arezzo Music
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1188943 By Turlough O'carolan. By Turlough O'carolan. Arranged by Victor Araújo. Baroque,Celtic,Folk,Irish,Traditiona...
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Solo Guitar - Level 2 - SKU: A0.1188943 By Turlough O'carolan. By Turlough O'carolan. Arranged by Victor Araújo. Baroque,Celtic,Folk,Irish,Traditional. Individual part. 1 pages. Arezzo Music #788556. Published by Arezzo Music (A0.1188943). In this arrangement, we explore the beautiful melodies of Turlough O'Carolan, one of Ireland's most beloved composers. We've arranged his music for guitar, with a focus on playability and accessibility, so that you can easily learn and play these timeless pieces with the chord Symbols for acompaniment. Our sheet music is clear, well-written, has the chord Symbols are is easy to read, so you can quickly get started on learning these classic tunes. Whether you're a beginner or an experienced player, you'll find these arrangements approachable and enjoyable to play.
$2.99
Winter's Come And Gone
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
David Rawlings and Gillian Wel
#
Tomo Kumagai
#
Winter's Come And Gone
#
Tomohisa Kumagai
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.820732 Composed by David Rawlings and Gillian Welch. Arranged by Tomo Kumagai. Contemporary. Individual part. 5 pages. T...
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Solo Guitar - Level 3 - SKU: A0.820732 Composed by David Rawlings and Gillian Welch. Arranged by Tomo Kumagai. Contemporary. Individual part. 5 pages. Tomohisa Kumagai #6455187. Published by Tomohisa Kumagai (A0.820732). It is one of my favorite winter song and I arranged this beautiful melodies into fingerstyle guitar music with gallop picking.You can watch the sample video on You Tube. I hope you enjoy this arrangement.
$6.49
The William Bay Collection - Sacred Guitar Solo Anthology #2
#
Guitare
#
INTERMÉDIAIRE
#
Musique Sacrée
#
The William Bay Collection - S
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
Christmas and Carols to download for guitar solo
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Guitare
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FACILE
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Noël
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wence...
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing ,jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, Greensleeves, greensleaves, jesu joy of man desiring, green sleeves, greensleves, the first noel,o holy night,o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas,etc.,no.1,no.2,no.3,douce nuit, sainte nuit,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$14.99
Christmas and Carols to download for guitar solo
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Guitare
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FACILE
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Noël
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the...
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, Greensleeves, greensleaves, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, jesu joy of man desiring, green sleeves, greensleves,the first noel,adeste fedelis,adeste fidelis,adeste fideles,adeste fedeles,no.1,douce nuit, sainte nuit / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$7.75
Confidence / Danse
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Michel Dalle Ave
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Confidence / Danse
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Intermediate - SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Producti...
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Guitar - Intermediate - SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Productions d'OZ - Digital (ZZ.DZ-4288). ISBN 9782898522055.This composition in two distinct parts, of classical and baroque inspiration, evokes a stay in the beautiful Quercy region, in particular in Rocamadour.In the first movement, Confidence, it evokes stories, stories the tales of yesteryear shared in a peaceful and serene setting, like that of the landscapes calm and picturesque views around Rocamadour. The melody seems to whisper secrets offering an atmosphere that is both nostalgic and contemplative.Then, in the more rhythmic part, the Dance comes alive with energy.Its rhythm reflects the joyful and festive spirit of local traditions.We can imagine a lively dance, perhaps inspired by festivals and celebrations which take place in Rocamadour, where the music resonatesthrough the cobbled streets and old city walls.Cette composition en deux parties distinctes, d'inspirations classique et baroque,évoque un séjour dans la belle région quercynoise, en particulier à Rocamadour.Dans le premier mouvement, Confidence, celui-ci évoque les récits, les histoiresles contes d'antan partagés dans un cadre paisible et serein, comme celui des paysagescalmes et des vues pittoresques autour de Rocamadour. La mélodie semble murmurer des secretsoffrant une atmosphère à la fois nostalgique et contemplative.Ensuite, dans la partie plus rythmée, la Danse s'anime avec énergie.Son rythme reflète l'esprit joyeux et festif des traditions locales.On peut imaginer une danse vivante, peut-être inspirée des fêtes etdes célébrations qui ont lieu à Rocamadour, où la musique résonne àtravers les rues pavées et les vieux murs de la ville.
$3.95
Christmas Suite 1225 (Part 1 and 2, complete)
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Christmas Suite 1225
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316157 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christian,C...
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Solo Guitar - Level 3 - SKU: A0.1316157 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 29 pages. Geofonica Artistworks #904894. Published by Geofonica Artistworks (A0.1316157). Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night.  Christmas Suite 1225 uses fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$6.99
The Singing Instrumentalist Guitar
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Guitare
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DÉBUTANT
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DaCapo Primary Music
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The Singing Instrumentalist Gu
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DaCapo Primary Music
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educa...
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Guitar - Level 1 - SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educational Method. 131 pages. DaCapo Primary Music #908466. Published by DaCapo Primary Music (A0.1319904). Welcome to The Singing Guitar which is one of the Singing Instrumentalist series of books written for beginners of all instruments.The book gives a selection of entertaining repertoire and a thorough and complete musical experience from the very beginning.It is presented in four sections, each designed to introduce a particular aspect of music making, whilst taking on board instrumental skills. We invite teachers to use The Singing Guitar as they see fit, mixing and matching sections and songs to give a balanced and enjoyable combination of singing, playing an accompaniment, playing the melody, rhythm work, composition and playing duets.The book enables pupils, teachers and parents to make a successful start with the chosen instrument.When the book has been completed, The Singing Guitarist will have developed a clear understanding of the function of notation, an ear that can hear tuning and two parts and also be able to enjoy more dissonance as well as pure harmony. The Singing Guitarist should be well on the way to becoming a ‘Complete Instrumentalist’, which is, coincidentally, the name of the book that follows this one!Jane Cutler Director of DaCapo MusicYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Bittersweet Symphony
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Guitare
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INTERMÉDIAIRE
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Thomas Mark Harmer Nichols and
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Dan Jones www
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Bittersweet Symphony
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Con...
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Guitar - Level 3 - SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Pop,Rock. 36 pages. DanJonesGuitarist #809981. Published by DanJonesGuitarist (A0.1212661). Bittersweet Symphony - The Verve Arranged for Intermediate Guitar Quartet by Dan Jones www.danjonesguitarist.com This arrangement is suitable for guitarists of an intermediate standard. Your download will provide you with: A full score with the parts shown in notes and TAB A score with just notes (to facilitate page turns for directors) All parts in notes and TAB Parts with just notes. Bittersweet Symphony is a single taken from the 1997 album Urban Hymns.  The song become an iconic anthem of the 1990’s making this an excellent and original concert or encore item.  The repeated motif heard in the track was taken as a sample from an orchestral arrangement of the Rolling Stones classic ‘The Last Time’ by The Andrew Oldham Orchestra. Years of legal wrangling over copyright followed the single’s huge success. In 2019, following the death of their former manager, Keith Richards and Mick Jagger returned all rights of authorship to The Verve. This arrangement gives equal melodic interest to all players. A video of the arrangement will be uploaded before the end of May 2023.  You can find a huge range of solo and chamber music for guitar in all styles at www.danjonesguitarist.com I hope you enjoy performing Bittersweet Symphony as much as I enjoyed arranging it.Â
$7.95
Prelude No 3 in C (Streams)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published ...
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Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
O Holy Night
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Guitare
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FACILE
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Noël
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Trad
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Calum Wood
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O Holy Night
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Calum Wood
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1078016 Composed by Trad. Arranged by Calum Wood. Christmas,Folk,Traditional. Individual part. 2 pages. Calum Wood #6822...
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Solo Guitar - Level 2 - SKU: A0.1078016 Composed by Trad. Arranged by Calum Wood. Christmas,Folk,Traditional. Individual part. 2 pages. Calum Wood #682220. Published by Calum Wood (A0.1078016). Introducing O Holy Night, one of the most beloved Christmas carols of all time, now available in a beautiful guitar arrangement in music notation.Originally composed in 1847 by French composer Adolphe Adam, O Holy Night has since become a cherished part of the holiday season. Its haunting melody and powerful lyrics have been performed by countless musicians over the years, and its message of hope and redemption continues to resonate with listeners around the world.Now, you too can capture the beauty and spirit of O Holy Night on guitar with our gorgeous arrangement in music notation. Our version of the song captures the essence of the original composition, allowing you to bring this timeless carol to life on your own guitar.Whether you're a fan of traditional Christmas music or simply love beautiful guitar arrangements, O Holy Night is sure to delight you with its rich harmonies and emotive melodies. So why wait? Order your copy of O Holy Night for guitar today and experience the joy of playing one of the most beloved Christmas carols of all time.
$1.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Standard Music Reading for Beginning Guitar
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Guitare
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DÉBUTANT
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Methodes
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Jay Jordan
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Standard Music Reading for Beg
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Pro Creations Music
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SheetMusicPlus
Acoustic Guitar - Level 1 - SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Publ...
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Acoustic Guitar - Level 1 - SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Published by Pro Creations Music (A0.1315011). Beginning guitar courses at the middle school and high school level can be a popular addition to curricula that so often center around performing groups. Such a course, when offered as a general music course, i.e.,a course that has no prerequisite and no public performance component, can be an attractive way for students to complete an arts requirement without an extra-curricular commitment.  At the same time a class like beginning guitar may serve as the only chance a music educator has to introduce the very idea of music to students as both an art form and a language. In todayâ??s on-line world there are countless avenues for learning guitar, be it YouTube videos, dedicated apps, or TAB sites. While the sharing of user-generated transcriptions of popular songs using tablature may be quick and easy, TAB sites do not employ standard music notation (not to mention being rife with mistakes both practical and theoretical). Standard Music Reading for Beginning Guitar was developed as a sequential, practical method for learning the basics of standard music notation using acoustic guitar as a vehicle. It is not meant to replace other methods e.g., the learning of popular songs or a music theory component, but as a companion so that students can learn about music as a language while, hopefully, continuing to enjoy guitar playing for years to come.
$10.00
Mele Kalikimaka
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Guitare
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FACILE
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Jake Owen
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Bettina Schipp
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Mele Kalikimaka
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1343466 By Jake Owen. By R. Alex Anderson. Arranged by Bettina Schipp. 20th Century,Christian,Christmas,Folk,Traditional...
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Solo Guitar - Level 2 - SKU: A0.1343466 By Jake Owen. By R. Alex Anderson. Arranged by Bettina Schipp. 20th Century,Christian,Christmas,Folk,Traditional. Individual part. 3 pages. Songbooks.info #928993. Published by songbooks.info (A0.1343466). Mele Kalikimaka is a Hawaiian-themed Christmas song written in 1949 by R. Alex Anderson. The Hawaiian phrase Mele Kalikimaka means Merry Christmas. The most famous recordings come from Bing Crosby and the Andrews Sisters around 1950.The song was rearranged for the Guitar and notated in tablature and classical musical notation. The recording was made at a slow tempo with a clearly audible metronome. We hope you enjoy making music...!„Mele Kalikimaka“ ist ein Weihnachtslied im Hawaii-Sound, das 1949 von R. Alex Anderson geschrieben wurde. Der hawaiianische Ausdruck Mele Kalikimaka bedeutet „Frohe Weihnachten“. Die bekanntesten Aufnahmen stammen von Bing Crosby und den Andrews Sisters ca. 1950.Das Lied wurde für die Gitarre neu arrangiert und in Tabulatur und klassischer Notenschrift notiert. Die Aufnahme wurde in einem langsamen Tempo mit einem gut hörbarem Metronom erstellt. Wir wünschen Ihnen viel Spaß beim Musizieren...!
$5.49
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
One Last Wish
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Guitare
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INTERMÉDIAIRE
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Film/TV
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Soundtrack
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Derek Hasted
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One Last Wish
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510...
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Guitar - Level 3 - SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Variations on God Rest Ye Merry, Gentlemen
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Guitare
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INTERMÉDIAIRE
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Traditional
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Derek Hasted
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Variations on God Rest Ye Merr
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1310190 By Traditional. By Anonymous. Arranged by Derek Hasted. Christmas,Comedy,Traditional. 17 pages. Derek Hasted #899328....
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Guitar - Level 3 - SKU: A0.1310190 By Traditional. By Anonymous. Arranged by Derek Hasted. Christmas,Comedy,Traditional. 17 pages. Derek Hasted #899328. Published by Derek Hasted (A0.1310190). Variations on GOD REST YE MERRY, GENTLEMEN - 3+ GuitarsFor 3 or more Classical or Acoustic Guitars - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Running for almost four minutes, these four variations on “God Rest Ye Merry, Gentlemen†present this well-known Christmas carol in 4 styles, with nods to well-known composers and themes, mixing hints of Bach (amongst others) with Tango and Pop, all underpinning the familiar Carol.The variations can be played singly, but as presented they run seamlessly from one to another to make a continuous performance piece ideal for school and adult Christmas concerts.I hope you enjoy playing this quirky Christmas arrangement!For another quirky Christmas piece, look out for my “Pachelbel’s Carol†- find it using the link below.This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$3.99
Song Of The Jet (samba Do Avião)
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Guitare
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INTERMÉDIAIRE
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Antonio Carlos Jobim and Gene
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Luiz Duarte
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Song Of The Jet
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Alan Anunciação
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1115898 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Luiz Duarte. 20th Century,Jazz,Latin,Multicultural,S...
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Solo Guitar - Level 3 - SKU: A0.1115898 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Luiz Duarte. 20th Century,Jazz,Latin,Multicultural,Standards,World. Individual part. 4 pages. Alan Anunciação #717621. Published by Alan Anunciação (A0.1115898). In this video, we will show you how to play the famous Samba do Avião (Song of the Jet) by Tom Jobim - Sheet Music + Tablature. This beautiful song was written in the late 1960s and has become one of the most famous and well-known samba tunes of all time. This is an arrangement that, according to my teacher Luiz, is a combination of arrangements he likes, such as Gamela and Baden Powell. If you're a fan of Brazilian music and want to learn how to play the famous Samba do Avião (Song of the Jet) then this video is for you! We'll teach you the chords and melody of this beautiful song, so you can enjoy it wherever you go.
$6.00
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